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2,232 full-text articles. Page 46 of 46.

Music At Uconn : Raymond And Beverly Sackler Composition Prize Concert Honoring J. Mark Scearce, Composer, University of Connecticut. Department of Music. Recitals and Concerts 2010 University of Connecticut Libraries

Music At Uconn : Raymond And Beverly Sackler Composition Prize Concert Honoring J. Mark Scearce, Composer, University Of Connecticut. Department Of Music. Recitals And Concerts

Concert Programs

No abstract provided.


Highlights In Jazz Concert 302- Salute To Lew Tabackin, Jack Kleinsinger, Danny Gottlieb 2010 University of North Florida

Highlights In Jazz Concert 302- Salute To Lew Tabackin, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, March 11th, 2010 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Lew Tabackin, Joe Magnarelli, Jack Wilkins, Toshiko Akiyoshi, Boris Kozlov, Lewis Nash, and surprise guest Gary Smulyan.


Music At Uconn : Honor's Recital, University of Connecticut. Department of Music. Recitals and Concerts 2010 University of Connecticut Libraries

Music At Uconn : Honor's Recital, University Of Connecticut. Department Of Music. Recitals And Concerts

Concert Programs

Performers

Alternates:

Elizabeth Shapiro

Chris Anthony

Christina Quental

Spencer Reese

Spencer Hamlin

Kathryn Croteau

Ryan Parseghian

Catherine Fahey

Anastasia Rege

Ashley Kirk


Woodwind Extension Through The Systematic Use Of Microtonality And Electronic Manipulation Of The Instrument, Seán Mac Erlaine 2010 Dublin Institute of Technology

Woodwind Extension Through The Systematic Use Of Microtonality And Electronic Manipulation Of The Instrument, Seán Mac Erlaine

Conference papers

This research questions how the expressive range of the saxophone / bass clarinet can be extended in new ways by employing both a systematic use of microtonality and electronic manipulation of the instrument.

The use of digital signal processing (DSP) is well advanced among certain music practitioners, most notably electric guitarists, extending that instrument’s expressive powers considerably. Woodwind instrumentalists have a huge unexplored potential to engage with new technologies, furthering the range, polyphonic voicings, loops, reverbs and general signal manipulation.

The marraige of these two disciplines with conventional woodwind practice greatly deepens the expressive range of the instrument while offering …


Highlights In Jazz Concert 301- Highlights In Jazz 37th Anniversary, Jack Kleinsinger, Danny Gottlieb 2010 University of North Florida

Highlights In Jazz Concert 301- Highlights In Jazz 37th Anniversary, Jack Kleinsinger, Danny Gottlieb

Jack Kleinsinger Presents Highlights in Jazz

Jack Kleinsinger presents Highlights in Jazz. The concert was held at The Tribeca Performing Arts Center, Thursday, February 11th, 2010 at 8:00 pm. Jack served as producer and master of ceremonies for the series of concerts. Artists for the concert include Jay Leonhart, Wycliffe Gordon, Ted Rosenthal, George Wein, Danny Gottlieb, Houston Person, Howard Alden, and surprise guest Terell Stafford.


"The Sounds And Sights Of Performance In Early Music: Essays In Honour Of Timothy J. Mcgee" By Maureen Epp And Brian E. Power, Roland Jackson 2010 Claremont Colleges

"The Sounds And Sights Of Performance In Early Music: Essays In Honour Of Timothy J. Mcgee" By Maureen Epp And Brian E. Power, Roland Jackson

Performance Practice Review

Roland Jackson discusses and critiques the 2009 work of Maureen Epp and Brian E. Power.

Epp, Maureen, Brian E. Power, eds. The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee. Surrey (UK) and Burlington (VT): Ashgate Publishing Company, 2009.

ISBN 978-0-7546-5483-4.


"The Fortepiano Writings Of Streicher, Dieudonné, And The Schiedmayers: Two Manuals And A Notebook, Translated From The Original German, With Commentary" By Preethi De Silva, Roland Jackson 2010 Claremont Colleges

"The Fortepiano Writings Of Streicher, Dieudonné, And The Schiedmayers: Two Manuals And A Notebook, Translated From The Original German, With Commentary" By Preethi De Silva, Roland Jackson

Performance Practice Review

Roland Jackson reviews and critiques De Silva's 2008 work.

De Silva, Preethi. The Fortepiano Writings of Streicher, Dieudonné, and the Schiedmayers: Two Manuals and a Notebook, Translated from the Original German, with Commentary. Lewiston, Queenston, and Lampeter: Edwin Mellen Press, 2008.

ISBN: 978-0-773-44874-2


The Piano Laboratory As An Interlinking Resource In The Development Of Keyboard Skills For Young Pianists, Elaine Gordon 2010 Department of Keyboard Studies, Cork Institute of Technology, Cork, Ireland.

The Piano Laboratory As An Interlinking Resource In The Development Of Keyboard Skills For Young Pianists, Elaine Gordon

Theses

This study presents an account of practice-based educational research that was conducted during three half-year cycles between 2008 and 2010 in the CIT Cork School of Music (CSM) piano laboratories with Junior piano pupils and their teachers as participants. The study sought to explore teaching approaches in the PianoLab classes and to evaluate interlinking resources for young pianists in the context of their wider music education.

In line with action-oriented qualitative methods, the first cycle involved preliminary data gathering, through questionnaires and interviews, from musicianship and piano teachers on topics related to teaching materials. Subsequently, a Focus Group was set …


A Study Of Performance Practices In Recordings Of Bach's Violin Sonata Bwv 1003 From 1930-2000, Adrian Yeo 2010 Edith Cowan University

A Study Of Performance Practices In Recordings Of Bach's Violin Sonata Bwv 1003 From 1930-2000, Adrian Yeo

Theses : Honours

Throughout the 20th century, the performance practice of baroque music has undergone many stylistic changes. Moreover, the rich resources of primary source material available to us in musical recordings of the period have only recently been realised. Bruce Haynes, in his book The End of Early Music, suggests that the twentieth century saw three principal schools of performance: romantic, modernist, and historically-informed. This study investigates Haynes' hypothesis through a comparison of fourteen recordings of Bach's Solo Violin Sonata in A minor BWV 1003, ranging from 1933 to 1999. Focus is made on eight predetermined observation criteria: tempo, tempo fluctuation, rhythmic …


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