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2,235 full-text articles. Page 42 of 46.

Performance Practice And Musical Expressivity, Roland Jackson 2012 Claremont Colleges

Performance Practice And Musical Expressivity, Roland Jackson

Performance Practice Review

"Musical expressivity is intimately associated with subtle dynamic changes--slight variations in volume between one note and the next--which help shape and make meaningful the phrases. Daniel Gottlob Turk was among the few theorists who recognized and described this subtlety."


Hollingsworth, Teresa L. (Fa 39), Manuscripts & Folklife Archives 2012 Western Kentucky University

Hollingsworth, Teresa L. (Fa 39), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 39. [Singing schools] Interview with Zilpha Amanda Hume concerning her husband’s (Archie Hume’s) singing schools where he acted as a singing school instructor. Interview was conducted by Teresa Hollingsworth for an oral history project at WesternKentucky University. Includes index, tape summary, transcription, handwritten fieldwork notes and a cassette tape.


Upcoming Events, 2012 Duquesne University

Upcoming Events

TEMPO

No abstract provided.


Tempo Magazine Winter 2012, 2012 Duquesne University

Tempo Magazine Winter 2012

TEMPO

No abstract provided.


Pnc Recital Hall Lobby Dedication And Dvořák Opener, 2012 Duquesne University

Pnc Recital Hall Lobby Dedication And Dvořák Opener

TEMPO

No abstract provided.


Our Graduates Succeed, 2012 Duquesne University

Our Graduates Succeed

TEMPO

No abstract provided.


Music Down Under, 2012 Duquesne University

Music Down Under

TEMPO

No abstract provided.


Early Childhood Music Conference, 2012 Duquesne University

Early Childhood Music Conference

TEMPO

No abstract provided.


Table Of Contents, 2012 Duquesne University

Table Of Contents

TEMPO

No abstract provided.


New Orchestra Director Jeffrey Turner, 2012 Duquesne University

New Orchestra Director Jeffrey Turner

TEMPO

No abstract provided.


Go Where The Spirit Sends You, 2012 Duquesne University

Go Where The Spirit Sends You

TEMPO

No abstract provided.


Interview With Dean Edward Kocher, 2012 Duquesne University

Interview With Dean Edward Kocher

TEMPO

No abstract provided.


News And Notes, 2012 Duquesne University

News And Notes

TEMPO

No abstract provided.


Beyond “Air” Guitar, 2012 Duquesne University

Beyond “Air” Guitar

TEMPO

No abstract provided.


Tempo Magazine Winter 2012 (Spreads), 2012 Duquesne University

Tempo Magazine Winter 2012 (Spreads)

TEMPO

No abstract provided.


"Baroque Music, The Library Of Essays On Music Performance Practice" Edited By Peter Walls And Mary Cyr, David Schulenberg 2012 Claremont Colleges

"Baroque Music, The Library Of Essays On Music Performance Practice" Edited By Peter Walls And Mary Cyr, David Schulenberg

Performance Practice Review

David Schulenberg discusses and reviews Walls' 2011 work.

Walls, Peter, ed. Baroque Music, The Library of Essays on Music Performance Practice, series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011.

ISBN 978-0-7546-2882-8.


"Classical And Romantic Music, The Library Of Essays On Music Performance Practice" Edited By David Milsom And Mary Cyr, Colin Lawson 2012 Claremont Colleges

"Classical And Romantic Music, The Library Of Essays On Music Performance Practice" Edited By David Milsom And Mary Cyr, Colin Lawson

Performance Practice Review

Colin Lawson discusses and reviews Milsom's 2011 work.

Milsom, David ed. Classical and Romantic Music, the Library of Essays on Music Performance Practice, series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011.

ISBN 978-0-754-62859-0.


Polychoral Performance Practice And "Maestro Di Cappella" Conducting, Florian Bassani 2012 Claremont Colleges

Polychoral Performance Practice And "Maestro Di Cappella" Conducting, Florian Bassani

Performance Practice Review

This article disputes some basic questions concerning the coordination of seventeenth century sacred music, approaching the phenomenon through a musical species of particular interest, though largely unstudied from a performance practice point of view. Roman polychorality with its specific performing conditions offers an illuminating perspective on principles of musical direction and interaction which differ significantly from our modern access path towards these topics. The inquiry ranges from basics of performance (such as sheet music, rehearsals, direction technics, models and stylistic conditioning of the performers) over the concrete role of the maestro di cappella as well as the tactus as cornerstones …


Expression In Technical Exercises For The Cello: An Artistic Approach To Teaching And Learning The Caprices Of Piatti And Etudes Of Popper, Leah Hagel 2012 University of Kentucky

Expression In Technical Exercises For The Cello: An Artistic Approach To Teaching And Learning The Caprices Of Piatti And Etudes Of Popper, Leah Hagel

Theses and Dissertations--Music

The Caprices of Piatti and Etudes of Popper are considered by most cellists to be fundamental components of the cello literature designed to provide a solid technical basis for the student. This document will provide an alternative approach to teaching and learning these works by focusing on the qualities of expression that can be developed during the process of integrating these studies into one's repertoire. After providing contextual information for the both composers and the works, I will examine how this concept of "artistry through technique" has been adopted by other art forms, used in training students on different instruments, …


A Survey Of The Sacred Choral–Orchestral Works Of Sir Henry Walford Davies (1869–1941), Martin C. Cook 2012 University of Nebraska-Lincoln

A Survey Of The Sacred Choral–Orchestral Works Of Sir Henry Walford Davies (1869–1941), Martin C. Cook

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

In the closing years of the 19th Century, when Charles Villiers Stanford, Hubert Parry and Edward Elgar were at the height of their fame and influence in British musical society Henry Walford Davies emerged as one of the most promising talents of the day, receiving commissions from the provincial music festivals of Great Britain, which were a rite of passage for emerging composers.

Between 1904 and 1929 Davies produced eleven sacred choral-orchestral works for these festivals and one further work, which were received favorably in their day but are now almost forgotten. There are five large multi movement works: The …


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