Tempo Magazine Winter 2012,
2012
Duquesne University
Pnc Recital Hall Lobby Dedication And Dvořák Opener,
2012
Duquesne University
Our Graduates Succeed,
2012
Duquesne University
Music Down Under,
2012
Duquesne University
Early Childhood Music Conference,
2012
Duquesne University
Table Of Contents,
2012
Duquesne University
New Orchestra Director Jeffrey Turner,
2012
Duquesne University
Go Where The Spirit Sends You,
2012
Duquesne University
Interview With Dean Edward Kocher,
2012
Duquesne University
News And Notes,
2012
Duquesne University
Beyond “Air” Guitar,
2012
Duquesne University
Tempo Magazine Winter 2012 (Spreads),
2012
Duquesne University
"Baroque Music, The Library Of Essays On Music Performance Practice" Edited By Peter Walls And Mary Cyr,
2012
Claremont Colleges
"Baroque Music, The Library Of Essays On Music Performance Practice" Edited By Peter Walls And Mary Cyr, David Schulenberg
Performance Practice Review
David Schulenberg discusses and reviews Walls' 2011 work.
Walls, Peter, ed. Baroque Music, The Library of Essays on Music Performance Practice, series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011.
ISBN 978-0-7546-2882-8.
"Classical And Romantic Music, The Library Of Essays On Music Performance Practice" Edited By David Milsom And Mary Cyr,
2012
Claremont Colleges
"Classical And Romantic Music, The Library Of Essays On Music Performance Practice" Edited By David Milsom And Mary Cyr, Colin Lawson
Performance Practice Review
Colin Lawson discusses and reviews Milsom's 2011 work.
Milsom, David ed. Classical and Romantic Music, the Library of Essays on Music Performance Practice, series editor Mary Cyr. Farnham, Surry, UK, and Burlington, VT, USA: Ashgate, 2011.
ISBN 978-0-754-62859-0.
Polychoral Performance Practice And "Maestro Di Cappella" Conducting,
2012
Claremont Colleges
Polychoral Performance Practice And "Maestro Di Cappella" Conducting, Florian Bassani
Performance Practice Review
This article disputes some basic questions concerning the coordination of seventeenth century sacred music, approaching the phenomenon through a musical species of particular interest, though largely unstudied from a performance practice point of view. Roman polychorality with its specific performing conditions offers an illuminating perspective on principles of musical direction and interaction which differ significantly from our modern access path towards these topics. The inquiry ranges from basics of performance (such as sheet music, rehearsals, direction technics, models and stylistic conditioning of the performers) over the concrete role of the maestro di cappella as well as the tactus as cornerstones …
A Survey Of The Sacred Choral–Orchestral Works Of Sir Henry Walford Davies (1869–1941),
2012
University of Nebraska-Lincoln
A Survey Of The Sacred Choral–Orchestral Works Of Sir Henry Walford Davies (1869–1941), Martin C. Cook
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
In the closing years of the 19th Century, when Charles Villiers Stanford, Hubert Parry and Edward Elgar were at the height of their fame and influence in British musical society Henry Walford Davies emerged as one of the most promising talents of the day, receiving commissions from the provincial music festivals of Great Britain, which were a rite of passage for emerging composers.
Between 1904 and 1929 Davies produced eleven sacred choral-orchestral works for these festivals and one further work, which were received favorably in their day but are now almost forgotten. There are five large multi movement works: The …
Expression In Technical Exercises For The Cello: An Artistic Approach To Teaching And Learning The Caprices Of Piatti And Etudes Of Popper,
2012
University of Kentucky
Expression In Technical Exercises For The Cello: An Artistic Approach To Teaching And Learning The Caprices Of Piatti And Etudes Of Popper, Leah Hagel
Theses and Dissertations--Music
The Caprices of Piatti and Etudes of Popper are considered by most cellists to be fundamental components of the cello literature designed to provide a solid technical basis for the student. This document will provide an alternative approach to teaching and learning these works by focusing on the qualities of expression that can be developed during the process of integrating these studies into one's repertoire. After providing contextual information for the both composers and the works, I will examine how this concept of "artistry through technique" has been adopted by other art forms, used in training students on different instruments, …
Front Matter/Table Of Contents,
2011
Claremont Colleges
Front Matter/Table Of Contents
Performance Practice Review
Includes the table of contents and journal information for this issue.
Contributors/End Matter,
2011
Claremont Colleges
Contributors/End Matter
Performance Practice Review
Includes information about the authors features in this issue.
Performance Practice Bibliography (1987),
2011
Claremont Colleges
Performance Practice Bibliography (1987)
Performance Practice Review
A bibliography of important books and/or articles published up to 1987.
