New Compositions For Percussion Duo,
2017
UNF School of Music
New Compositions For Percussion Duo, Andrea Venet
Showcase of Faculty Scholarly & Creative Activity
The submitted videos are a representation of recent performances and world premieres of commissions by Dr. Andrea Venet’s percussion duo, Escape Ten. Escape Ten is an ensemble in residence at the UNF School of Music with Dr. Annie Stevens (Virginia Tech). The first video is of a new composition, 2300 Degrees, by Ivan Trevino. Trevino held a musical residence at the Corning Museum of Glass in Corning, NY and was greatly affected by observing glass blower Lino Tagliapietra work. Ivan states “In order to recreate the feelings I felt while watching Lino work, I decided to create a piece with …
About This Issue,
2017
Berklee College of Music
About This Issue, Michael E. Ruhling
HAYDN: Online Journal of the Haydn Society of North America
No abstract provided.
Theatre In Worship: A Curriculum For Teaching Theatre In The Local Church Music Ministry,
2017
Liberty University
Theatre In Worship: A Curriculum For Teaching Theatre In The Local Church Music Ministry, Brandon Cox
Masters Theses
Music has been a part of church worship for many ages, and no doubt, music education programs can produce leaders within the church who are capable and effective within music ministry. Even so, many are expected to not just lead worship and music, but to develop a program and direct seasonal productions. Many worship leaders have been trained through music programs, but may not have extensive experience in theatre. Typically, part of a worship leader’s weekly duties entail preparing orders of worship, music rehearsals, staff meetings, visiting members of the congregation, studying, reading, writing music, communicating with the pastor, scheduling …
Does College Prepare The Worship Pastor,
2017
Liberty University
Does College Prepare The Worship Pastor, James Cooper
Masters Theses
This study shows the relevance that musical skills, theological knowledge and ministerial experience provide in the encompassed ministry of a worship pastor and focuses on how colleges and universities prepare these ministers for a life called to service of the King. The literature reviewed showed an overwhelming response to the worship pastor being qualified in three areas: Musical Ability - there are certain aspects of this ministry that require the worship leader to be able to handle various musical situations. While these ministers need not be piano prodigies, it does require them to be able to lead musicians effectively and …
Developing A Natural And Relaxed Approach To String Playing - Part 2,
2017
Portland State University
Developing A Natural And Relaxed Approach To String Playing - Part 2, Tomás Cotik
School of Music + Theater Faculty Publications and Presentations
Portland State University professor Dr Tomas Cotik gives an introduction to kinesthetic feelings and demonstrates techniques and exercises
"Performance Practices In Johannes Brahms's Chamber Music" By Clive Brown, Neal Peres Da Costa, And Kate Bennett Wadsworth,
2017
The Juilliard School
"Performance Practices In Johannes Brahms's Chamber Music" By Clive Brown, Neal Peres Da Costa, And Kate Bennett Wadsworth, Michael Musgrave
Performance Practice Review
Michael Musgrave discusses Clive Brown, Neal Peres da Costa, and Kate Bennett Wadsworth's 2015 work.
Brown, Clive, Neal Peres da Costa, Kate Bennett Wadsworth. Performing Practices in Johannes Brahms's Chamber Music. Kassel, Basel, London, New York, Praha: Bärenreiter, 2015 [2nd printing 2016].
Developing A Natural And Relaxed Approach To String Playing - Part 1,
2017
Portland State University
Developing A Natural And Relaxed Approach To String Playing - Part 1, Tomás Cotik
School of Music + Theater Faculty Publications and Presentations
Portland State University professor Dr Tomas Cotik gives an introduction to kinesthetic feelings and demonstrates techniques and exercises.
Grains Without Territory: Voicing Alexander Garsden’S [Ja] Maser And The De-Centralized Vocal Subject,
2017
Griffith University
Grains Without Territory: Voicing Alexander Garsden’S [Ja] Maser And The De-Centralized Vocal Subject, Jessica Aszodi
Directions of New Music
The singing subject is both site-of and author-of her practice. This practice-based, artistic research unpacks the entangled process of making new music, conscious that the performer-author is the site where embodied problem solving takes place. The principal focus of the paper is the author’s realization of Alexander Garsden’s [ja] Maser, for voice and electronics, created by recording and reconstituting vocal elements using traditional compositional and performative methods as well as studio recording and granular synthesis. The author approaches the realization of this new work as an experimental practice in dialogue with theoretical frames that inform and situate the research. …
Codex: Embodied Communication In Richard Barrett’S Scores For Improvisation,
2017
Griffith University - Australia
Codex: Embodied Communication In Richard Barrett’S Scores For Improvisation, Hannah Reardon-Smith
Directions of New Music
This paper examines the process of preparing Barrett’s codex V (2007) and codex XV (2015) and their performance on Saturday 18 June, 2016, as part of the Ghent Advanced Master in Contemporary Performance Practice (ManaMa) academy examinations in Brussels, Belgium. This project involved the development of deep collaborative relationships with a number of other performers, the study and interpretation of alternative notational practices, and the invention of a variety of ad hoc solutions to issues of coordination and ensemble unity, with a particular focus on clear physical communication. Reflections on my own process of preparation and rehearsal are supplemented by …
A Performer's Guide To Works For Trumpet And Synthesizer By Meg Bowles,
2017
University of Kentucky
A Performer's Guide To Works For Trumpet And Synthesizer By Meg Bowles, Steven Siegel
Theses and Dissertations--Music
The trumpet and electronics genre of music has been in existence since 1965. While various dissertations have discussed other composers and their works in this field, there is still a need for a treatise exploring appropriate performance practice for the electroacoustic trumpet music of Meg Bowles. There has been no study of the compositional process nor trumpet techniques required for performance of these works and other electronic compositions.
This dissertation will study the compositions for trumpet and electronics by Bowles, develop strategies for performing these works, and explore compositional techniques used to create them. Interviews have been conducted between the …
Duende: Four Preludes For Symphonic Wind Ensemble By Luis Serrano Alarcón: Conductor’S Guide, Spanish Historical Background And Influence,
2017
University of Kentucky
Duende: Four Preludes For Symphonic Wind Ensemble By Luis Serrano Alarcón: Conductor’S Guide, Spanish Historical Background And Influence, Kenneth Javier Iyescas
Theses and Dissertations--Music
Luis Serrano Alarcón is one of the most important and relevant composers of our time. He is sought after as a composer, lecturer, and conductor throughout the world. His works have been performed in over 30 countries worldwide by some of the leading musical ensembles in the United States, Europe, and Asia, as well as being highly decorated by winning many prestigious composition contests including the International Band Competition Contest of Corciano, Italy.
Born in Valencia, Spain, Alarcón is relatively self-taught in composition, which is a testament to his natural-born gift for composition. His compositional output ranges from the traditional …
Redefining The Performance Degree Curriculum For The Crossover Saxophonist,
2017
University of Kentucky
Redefining The Performance Degree Curriculum For The Crossover Saxophonist, Ian M. Cruz
Theses and Dissertations--Music
Many collegiate saxophone performance degree programs are overwhelmingly classical, adopting from other performance programs in the Western music tradition. However, there is a growing number of saxophone compositions that are “crossover” in nature. Crossover is a term used to describe the fusion of popular music styles in a classical setting. There is also evidence that collegiate music education as a whole is moving towards a more diverse curriculum, which emphasizes ethnomusicology. Due to this trend in composition and education, it is becoming increasingly important that saxophonists have the training of both classical and jazz disciplines.
The problem is that while …
When Unexpected Beauty Burns Like Sunlight On The Sea: Songs Of Wintter Watts, Composer And Sara Teasdale, Poet,
2017
University of Kentucky
When Unexpected Beauty Burns Like Sunlight On The Sea: Songs Of Wintter Watts, Composer And Sara Teasdale, Poet, Casey A. Huggins
Theses and Dissertations--Music
This document is an overview of Wintter Watts’ song settings of Sara Teasdale poems. Watts set 15 Teasdale poems as a part of his repertoire of approximately 200 art songs, both published and unpublished. Included are a thorough investigation of the culture of the period of American history of which Watts and Teasdale emerged as artists, biographies of each artist, with particular emphasis placed on Watts’ life and work, and theoretical and poetic analyses of each piece. Additionally, teachers of singing will find the appendix useful to explore options for student repertoire.
March Performance Practices Of Henry Fillmore With Style Guides And Historical Editions Of Selected Works,
2017
University of Kentucky
March Performance Practices Of Henry Fillmore With Style Guides And Historical Editions Of Selected Works, James Robert Daughters
Theses and Dissertations--Music
With a career spanning over four decades, Henry Fillmore earned wide recognition as an important and prolific composer of marches and trombone smears in the wind band medium. While he contributed significantly to chamber music, solo literature, vocal settings, and arrangements for band, his compositions for wind band have arguably provided his most universal acclaim. Fillmore’s published marches are unique in that scores rarely had performance markings and contained little more than notes and repeat signs. Fillmore conducted most of his marches and altered march strains, changed orchestration, and added stylistic markings that were not indicated in the original printed …
"The Art Of Re-Enchantment: Making Early Music In The Modern Age," By Nick Wilson,
2016
Eastman School of Music
"The Art Of Re-Enchantment: Making Early Music In The Modern Age," By Nick Wilson, Geoffrey Burgess
Performance Practice Review
Geoffrey Burgess discusses Nick Wilson's 2013 work.
Wilson, Nick. The Art of Re-enchantment: Making Early Music in the Modern Age. Oxford: Oxford University Press, 2013. ISBN: 978-0199939930.
Singing The Story Of Advent And Christmas: How Congregational Song Makes Diverse Theologies Incarnate,
2016
Wilfrid Laurier University
Singing The Story Of Advent And Christmas: How Congregational Song Makes Diverse Theologies Incarnate, Hilary Seraph Donaldson
Consensus
No abstract provided.
Anton Arensky’S String Quartet In A Minor, Op. 35, For Violin, Viola, And Two Celli,
2016
CUNY Graduate Center
Anton Arensky’S String Quartet In A Minor, Op. 35, For Violin, Viola, And Two Celli, Miho Zaitsu
Dissertations, Theses, and Capstone Projects
My dissertation consists of an in-depth analysis and study of Anton Arensky’s Quartet in A minor, op. 35, for violin, viola, and two celli. It also includes a short biography, a historical background of the work, and an exploration of thematic material. Perhaps the only piece written for this unique combination of instruments, the Quartet in A minor, published in 1894, was written in the months following Tchaikovsky’s death. It was first premiered on January 20, 1894, at the Imperial Music Society, Moscow, in remembrance of Arensky’s great friend and mentor. The unusual instrumentation was a curious attempt to …
The Versatile Singer: A Guide To Vibrato & Straight Tone,
2016
CUNY Graduate Center
The Versatile Singer: A Guide To Vibrato & Straight Tone, Danya Katok
Dissertations, Theses, and Capstone Projects
Straight tone is a valuable tool that can be used by singers of any style to both improve technical ideals, such as resonance and focus, and provide a starting point for transforming the voice to meet the stylistic demands of any genre. By employing a resonant, minimally vibrated, balanced sound as the core of the voice, the versatile singer can stylistically unbalance the voice by layering colors and effects in ways appropriate for many types of singing. In order to fully understand the inner workings of vibrato and how it can be healthily minimized, my discussion of vibrato and straight …
War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession,
2016
Florida State University
War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan
Yale Journal of Music & Religion
Abstract
This article explores processional action as a form of cosmological intervention in Hindu-Balinese cremation processions, focusing on the multiple and intersecting functions of a particular type of Balinese instrumental music ensemble: the gamelan beleganjur. It explores the alternately “enlivening and protective aspects” (DeVale 1990, 62) that underlie the use of beleganjur music in the ngaben, or cremation ritual, showing how beleganjur’s sonic power and rhythmic drive serve to combat malevolent spirit beings, strengthen and inspire processional participants in their efforts to meet challenging ritual obligations, and grant courage to the souls of deceased individuals embarking on their …
"Werke Für Klavier Zu Vier Händen" By Franz Schubert, Kassel: Bärenreiter, 2013,
2016
The Chinese University of Hong Kong
"Werke Für Klavier Zu Vier Händen" By Franz Schubert, Kassel: Bärenreiter, 2013, Su Yin Mak
Performance Practice Review
Su Yin Mak discusses Bärenreiter's 2013 edition of Schubert's work.
Schubert, Franz. Werke für Klavier zu vier Händen, Band III, ed. Walburga Litschauer (Nos. 2-5) and Werner Aderhold (No. 1); Urtext of the New Schubert Edition, BA 9645. Kassel: Bärenreiter, 2013.
ISMN: 9790006539871.
