Music Pedagogy Commons^™

Teaching Tuba Students To Be Complete Musicians, Brandon E. Cummings

Williams Honors College, Honors Research Projects

The goal of music educators is to develop complete musicians who successfully learn and perform all musical concepts. One of the limitations of the band classroom is that performers are required to play a part that is specifically written with the needs of the ensemble in mind, and not the needs of the developing musician. These limitations can be seen in the bass instruments of a band which typically play the harmony or bass-line. While the bass-line and harmony are integral portions of the music, they do not often progress as far as other instrumental parts with respect to the …

Multi-Cultural Piano Duet Repertoire Collection, Casey Rickles

Summer Community of Scholars Posters (RCEU and HCR Combined Programs)

No abstract provided.

On Unaccompanied Horn Music, Jason D. Klinect

Williams Honors College, Honors Research Projects

Unaccompanied music provides a host of challenges for solo musicians, and especially for wind players. The performer cannot rely on accompaniment for embouchure rest or for realization of the harmonic content, due to only being able to play one pitch at a time. An unaccompanied musician has to breathe life into the music by themselves, requiring an intimate knowledge of the music, even moreso than is already required. The pacing of the music, the dynamics, phrasing, and articulation need to be clearly conveyed to the audience by the performer alone. Likely due to the horn not having valves until the …

An Analysis Of Akira Miyoshi’S “Miyoshi Piano Method: 12 Progressive Propositions Piano Method”, Azusa Higotani Bies

Theses and Dissertations

This thesis analyzes Miyoshi Piano Method: 12 Progressive Propositions Piano Method written by Akira Miyoshi (1933-2013), a Japanese classical music composer. The study comprises three chapters, a bibliography, and two appendices. Chapter one consists of an introduction providing a brief history of the development of piano instructional methods and their development in Japan with an emphasis on the instructional works of Akira Miyoshi. Chapter 2 consists of an analysis of Miyoshi Piano Method inclusive of all twelve volumes. Each volume is analyzed in terms of reading approach, counting approach, technique, artistry and creativity, and compositional characteristics. Chapter 3 consists of …

The Classification Of The Finger Frames Method In Violin Playing, Brittany Williams

Theses : Honours

From the first stage of learning new repertoire, string pedagogy aims to present violinists with effective strategies to achieve accurate intonation in performance. The search for new teaching and learning strategies, whilst running the risk of being seen as unconventional compared to more tried and tested methods (i.e. Suzuki), can on the other hand provide the tutor with new tools for enhancing their teaching practice. Western Australian violinist Fleur Challen has developed a method titled Finger Frames; a learning strategy that uses a colour coding system to prepare a violinist for changes in left hand position, reducing the cognitive load …

An Investigative Study Measuring Self-Reported Metacognitive Habits Among Collegiate Piano Majors, Steven Phillip Brundage

Theses and Dissertations

The purpose of this study was to investigate self-reported metacognitive habits among collegiate piano majors. It examined the degree to which participants comprehend and employ practice strategies, recognize their own strengths and weaknesses in learning and performing, accurately predict a performance outcome, and self-evaluate following a performance. A total of twelve (N = 12) participants, six (N = 6) undergraduate and six (N = 6) graduate piano majors, enrolled in applied lessons at the University of South Carolina School of Music volunteered to participate in this study. Participants completed a pretest questionnaire that measured their own metacognitive skills, performed and …

Music Education For Future "Mathews": Down Syndrome In General Music Education, Amber Alicia Colberg

Theses and Dissertations

This paper will begin with the history of special education and how legislation has shaped its implementation in the school system. The definitions and types of Down syndrome will then be discussed. Next, modifications for individuals with Down syndrome in the regular classroom and music classroom will be examined. Additionally, music therapy strategies will be included as it relates to music education. The paper will conclude with a description of curriculum adaptations for individuals with Down syndrome in the general music classroom. Following the paper, practical applications of research strategies are provided through four lesson plans. The purpose of this …

2016-2017 Master Class - Stanislav Ioudenitch, Stanislav Ioudenitch, Sohyun Park, Yalyen Savignon, Akmal Irmatov, Hikari Nakamura, Ying Peng Wang, Alfonso Hernandez, Suhao Bai, Bailey Michelle Collins, Matthew Calderon, Sergei Skobin, Chance Israel

Master Classes

The recital of Stanislav Ioudenitch was held on Saturday, December 3, 2016. Please go to the concert page for more details.

2016-2017 Master Class - Elmar Oliveira (Violin), Elmar Oliveira, Sheng Yuan Kuan, Xiaonan Huang, Julia Jakkel, Yasa Poletaeva, Darren Matias, Huyen Anh Nguyen, Katherine Baloff

Master Classes

No abstract provided.

2016-2017 Master Class - John Miller (Bassoon), Erika Andersen, Michael Pittman, Sebastian Castellanos, Fabiola Hoya

Master Classes

No abstract provided.

Curious, Collaborative Creativity: Applying Student-Centered Principles To Performing Ensembles, Danni Gilbert

Glenn Korff School of Music: Faculty Publications

This article explores a comprehensive, student-centered alternative to traditional ensemble instruction with the goal of promoting better opportunities for musical independence and lifelong musicianship. Developed by Caron Collins from the Crane School of Music at the State University of New York–Potsdam, the Curious, Collaborative Creativity (CCC) concept fosters student-centered learning and the promotion of 21st-century skills by encouraging students to select, arrange, and compose the repertoire to be studied; to work together in teams to equally contribute to the learning/understanding of music; and to share their work through informances to engage and enlighten community members. Examples from a current ensemble …

2016-2017 Master Class - Elmar Oliveira (Violin), Elmar Oliveira, Sheng Yuan Kuan, Mario Zelaya, Virginia Mangum, Sergio Carleo, Yordan Tenev, Tinca Belinski

Master Classes

No abstract provided.

Women’S Perceptions Of The Usefulness Of Group Music Therapy In Addictions Recovery, Susan Gardstrom, Abigail Klemm, Kathleen M. Murphy

Music Faculty Publications

This study represents our attempt to uncover aspects of group music therapy that women with addictions perceive as useful toward recovery – factors that have yet to be clearly identified in existing literature. Women in residential treatment for addictions to heroin and other substances were surveyed following group music therapy sessions involving vocal and instrumental re-creation, listening, and improvisation. Qualitative content analysis of data revealed four major findings. We learned that treatment is, in fact, seen as useful by these particular women and that Yalom’s theory provides a meaningful framework for identifying, understanding, and fostering mechanisms within the group music …

Resistances In Group Music Therapy With Women And Men With Substance Use Disorders, Susan Gardstrom, James Hiller

Music Faculty Publications

In this paper, we explore client resistances in group music therapy with women and men in residential treatment for substance use disorders (SUDs). We describe how we have encountered resident resistances on women's and men's units within a gender-specific treatment facility and offer suggestions for pre-empting and addressing such resistances, offering both nonmusical and musical strategies and techniques. We emphasize a person-centered approach and an experience orientation, in which we view our primary responsibility as providing opportunities for the men and women to engage meaningfully with music, self, therapists, and other residents in order to identify problems and explore alternatives …

The Versatile Singer: A Guide To Vibrato & Straight Tone, Danya Katok

Dissertations, Theses, and Capstone Projects

Straight tone is a valuable tool that can be used by singers of any style to both improve technical ideals, such as resonance and focus, and provide a starting point for transforming the voice to meet the stylistic demands of any genre. By employing a resonant, minimally vibrated, balanced sound as the core of the voice, the versatile singer can stylistically unbalance the voice by layering colors and effects in ways appropriate for many types of singing. In order to fully understand the inner workings of vibrato and how it can be healthily minimized, my discussion of vibrato and straight …

"Clavichord For Beginners" By Joan Benson, Bernard Brauchli

Performance Practice Review

Bernard Brauchli reviews and discusses Joan Benson's 2014 work.

Benson, Joan. Clavichord for Beginners. Bloomington: Indiana University Press, 2014.

ISBN: 978-0253011589

Revitalizing Music Teacher Preparation With Selected “Essential Conditions”, Danni Gilbert

Glenn Korff School of Music: Faculty Publications

The widespread adoption of technology makes it necessary to extend technological resources to the classroom to best prepare students for long-term success. While technology can improve many facets of learning and teaching, music educators have generally been hesitant to incorporate technology to its full potential. Partnerships with professional organizations, such as the International Society for Technology in Education (ISTE), can help music educators best reach students and achieve cultural relevancy in the digital age. Restructuring music education to integrate what ISTE calls “Essential Conditions” of learning with technology, such as student-centered learning, equitable access, and engaged communities, begins with undergraduate …

A Survey Of Attitudes Towards Burnout Among Music Students At The University Of South Carolina School Of Music, Philip David Castro

Theses and Dissertations

The purpose of this study was to define burnout specific to musicians. The study explored the attitudes towards burnout of student musicians at the University of South Carolina School of Music. A survey was created based on models in the research literature, and was administered to music students with the permission of the School of Music administration. Internal review board approval was obtained. The survey was available via the Internet. Participation was voluntary and student anonymity guaranteed.

The population of the survey consisted of 416 undergraduate and graduate music students enrolled in the 2016 spring semester. Of the 416 total …

A Comparative History And The Importance Of Chamber Music, Aaron M. Sacks

Capstone Projects and Master's Theses

This capstone presentation focuses on the role of chamber music in both social and academic contexts. Using examples from the past five centuries and including local examples, parallels and divergences are drawn to points of most import. The spotlight is upon three areas: a) what the role of chamber music was in the past, compared to today; b) why it is an important genre, to both musicians, as well as non-musicians, and c) in what ways more exposure to the form can be built. Much of the focus is on composers and their influence, but the impact of and upon …

Concise Manual Of Harmony, Intended For The Reading Of Spiritual Music In Russia (1874), Piotr Illyich Tchaikovsky, Liliya Shamazov (Ed. And Trans.)

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

No abstract provided.