Teaching Choral Music Of The African Diaspora In The United States: Toward A “Living Black History”,
2021
CUNY Graduate Center
Teaching Choral Music Of The African Diaspora In The United States: Toward A “Living Black History”, H. Roz Woll
Dissertations, Theses, and Capstone Projects
In higher education choral curricula, the opportunity to study the breathtakingly rich scope of music rooted in Africa and the African diaspora with rigor and depth is often marginalized, neglected, or missing. If studied, it may be framed in the context of “other music” in contrast to music of the Western European canon, creating an oppositional framework rather than an interdependent one. Moreover, opportunities to study the political economy of this music in relationship to race, class, gender, and religion are lacking. This has multiple ramifications for music students’ preparedness to engage in global habits of citizenship in support of …
Volume 35,
2021
Lipscomb University
Annotated Bibliography,
2021
University of Denver
Annotated Bibliography, University Of Denver
Musicology and Ethnomusicology: Student Scholarship
This is a twelve source annotated bibliography with sources regarding the clarinet pedagogy of professors Yehuda Gilad and Howard Klug. It features dictionary articles, dissertations, journal articles, musical scores, and video and audio sources.
On Five Degrees: For Voice, Flute, Cello, Vibraphone And Piano,
2021
University of Massachusetts Boston
On Five Degrees: For Voice, Flute, Cello, Vibraphone And Piano, David Patterson, Tenbroeck Davison
Compositions of David Patterson
On Five Degrees (do si la sol fa - fa sol la si do) musically develops TenBroeck Davison's poem, The Five Degrees. Her song, Melancholy Nights, is an inlay at the composition's center.
The Five Degrees
The glance, the look.
The arms that open wide
to hold the moment - Melancholy Nights - and the kiss
in time. And then beyond.
To glance, to look. Again.
Melancholy Nights
City lights they all astound me,
and the noises still confound me
since you've gone, it's been so long
I can't recall a single song to take—
nights that always …
Teacher Perspectives On The Influence Of Participation In Dalcroze Training In The K–12 Music Classroom: A Mixed Methods Study,
2021
University of Kentucky
Teacher Perspectives On The Influence Of Participation In Dalcroze Training In The K–12 Music Classroom: A Mixed Methods Study, Holly Smith
Theses and Dissertations--Music
The purpose of this mixed methods study was to examine the teacher perspectives on the influence of participation in Dalcroze training in the K–12 music classroom. A primary goal was to investigate how Dalcroze training influenced music teachers’ classroom instructional practices. An explanatory sequential mixed methods design was use for this study. Participants (N = 91) completed a cross-sectional survey, the Dalcroze Training Experience Questionnaire (DTEQ). Interview participants (N = 6) were selected using stratified sampling based on their years of Dalcroze experience and not demographic characteristics. Each participated in one semi-structured interview.
Quantitative data was analyzed using a …
Songs For High Voice: An Annotated Guide To African Romances, Op. 17 By Samuel Coleridge-Taylor,
2021
University of Kentucky
Songs For High Voice: An Annotated Guide To African Romances, Op. 17 By Samuel Coleridge-Taylor, Makeda Danielle Hampton
Theses and Dissertations--Music
African Romances, Op. 17, composed in 1897 by African-British composer Samuel Coleridge-Taylor (1875-1912), is a collection of seven songs for high voice that is uniquely both African and American. The lyrics of this song cycle were first published in the book Majors and Minors, a collection of poems published in 1895 by Paul Laurence Dunbar (1872-1906).
An analysis of resources supports that academic discourse in Black vocal music has been underrepresented due to the absence of centralized information, such as published scores, recorded materials, catalogs, and guides for study and performance. While in depth research focusing on the art …
A Glimpse Into Chinese Piano Education And Performance Through An Influential Professor,
2021
University of Kentucky
A Glimpse Into Chinese Piano Education And Performance Through An Influential Professor, Xin Zhang
Theses and Dissertations--Music
Although China traditionally did not have keyboard instruments of its own origin, the country has taken to the modern piano exceedingly well. In the past decades, piano performance and education have progressed at an impressive rate, its popularity reaching unprecedented heights. The virtuosity of Chinese pianists has earned them prizes at renowned international competitions. These developments have sparked the interest of scholars as well as the general public.
First introduced to China around 1840, the piano was slow to be accepted, but interest grew steadily in the twentieth century. Missionaries and foreigners were the first piano teachers, with figures like …
Beyond The Notation: Developing Tools To Guide Artistic Decisions Of Performers In The Wind Ensemble,
2021
University of Kentucky
Beyond The Notation: Developing Tools To Guide Artistic Decisions Of Performers In The Wind Ensemble, Brent Johnson
Theses and Dissertations--Music
Music is a subjective art form that is enhanced by emotional connection and understanding of the relationship of line and phrasing to both the performer and the audience. Performers and conductors are charged with making artistic decisions about the expressive qualities of a phrase within moments of seeing the notation for the first time. In the development of wind ensembles, there is often a disconnect between the technique and accuracy of a musician’s performance and the emotional connection and understanding required to perform a lyrical melody or phrase within a piece of music. As musicians progress, often the attention is …
Fostering Music Performers In The 21st Century: A Contemporary Professional Perspective Toward A New Curricular Agenda For Graduate Study In Music,
2021
West Virginia University
Fostering Music Performers In The 21st Century: A Contemporary Professional Perspective Toward A New Curricular Agenda For Graduate Study In Music, Andre Januario
Graduate Theses, Dissertations, and Problem Reports (ETD)
What if the core curriculum for graduate students in music performance were designed to prepare students to succeed in the world of the Fourth Industrial Revolution?
This dissertation offers a hypothetical answer: a structured and systematic academic curricular framework for music graduate students of performance of concert music (especially those in terminal degrees, such as doctoral students), along with music instructors, professional music performers, school administrators, and college professors, seeking to prepare such students for achieving and maintaining a music career more in keeping with the current work environment, especially those skills demanded by the Fourth Industrial Revolution and the …
Jerome Franke’S “Architectural Practice” Exercises For Mendelssohn’S Violin Concerto In E Minor, Op. 62 And Lalo’S Symphonie Espagnole In D Minor, Op. 21,
2021
West Virginia University
Jerome Franke’S “Architectural Practice” Exercises For Mendelssohn’S Violin Concerto In E Minor, Op. 62 And Lalo’S Symphonie Espagnole In D Minor, Op. 21, Yaniv Gutman
Graduate Theses, Dissertations, and Problem Reports (ETD)
Since their original publications, Otakar Ševčík’s Analytical Studies & Exercises books have been used as practical guides to practicing standard violin repertoire. Jerome Franke (1948-2019) was Assistant Concertmaster of the Milwaukee Symphony Orchestra for approximately twenty-five years, Concertmaster of the Milwaukee Ballet Orchestra and the Green Bay Symphony Orchestra, string advisor for the Milwaukee Youth Symphony Orchestra and the Fox Valley Youth Symphony Orchestra, founder of the Cedarburg Chamber Ensemble and a founding member of Quartet Dubuffet, violin instructor at Wisconsin Lutheran College and conductor of the school’s “Chamber Strings'' orchestra, and a crossover musician and recording artist. Franke, who …
A Survey Of Musical Expectations In The Marine Forces Reserve Band Stationed In New Orleans, Louisiana,
2021
West Virginia University
A Survey Of Musical Expectations In The Marine Forces Reserve Band Stationed In New Orleans, Louisiana, Brandon Paul Carbonari
Graduate Theses, Dissertations, and Problem Reports (ETD)
This research document examines the musical expectations of United States Marines serving in the Marine Forces Reserve Band from 2017 to 2021. Chapter One of this study provides a detailed foundation of the musical and non-musical responsibilities of a United States Marine musician. Training regime, rehearsal schedule, and logistical area responsibilities will be described to help convey the full scope of duty. The source material for Chapter One includes dissertations, journal articles, published books, online sources, and interviews. Chapter Two provides results of a survey that was conducted with members of the band. The questions were designed to record the …
Vocal Pedagogy And Using Healthy Technique To Sing,
2021
The University of Akron
Vocal Pedagogy And Using Healthy Technique To Sing, David Kovalsky
Williams Honors College, Honors Research Projects
Systematic singing has been in existence since around the time of the ancient Greeks. In the Western tradition, a healthy, systematic, and beautiful approach to singing called bel canto developed around the 16th century and has been taught through time until today. In this work, the history of singing and the development of classical vocal pedagogy will be explored and compared briefly to modern contemporary commercial music (CCM) techniques. Specifically the belting technique will be touched upon briefly and the fundamentals of healthy singing technique will be mentioned. The work will be closed with a discussion of how modern voice …
A Study Of The Steel Pan: A Guide To Two Tenor Pan Etudes,
2021
The University of Akron
A Study Of The Steel Pan: A Guide To Two Tenor Pan Etudes, Lilith Manes
Williams Honors College, Honors Research Projects
This project will be a presentation of the research, processes, and results of composing two etudes for the tenor steelpan. The difficulty and applications of the accompanying etudes vary, but they are primarily intended for high school students or intermediate pannists. The purpose of this research project is twofold: to provide a brief description of the history of the steelpan and its integration into the United States education system in order to illustrate the need for original compositions and to serve as a guide to the teaching process of each composition provided. This paper will also give a detailed explanation …
The Effects Of Improvisation In Beginning Musical Instruction On Music Literacy,
2021
The University of Akron
The Effects Of Improvisation In Beginning Musical Instruction On Music Literacy, Brandon Tyson
Williams Honors College, Honors Research Projects
Teaching is a skill that has many different techniques and strategies. Each instructional strategy is valid for giving the student the opportunity to learn. In the 1993 article “Improvisation is the Manifestation of Musical Thought,” Azzara states that improvisation is a spontaneous expression of musical concepts. Many have used improvisation to bring knowledge together and synthesize the content. Improvisation is a tool that can be utilized at any point in the educational process. Opportunities for improvisational play gives students personal experiences on leading to skill development in listening and performing of the skills. After a solid foundation of performance ability …
Chamber Music Fundamentals And Rehearsal Techniques For Advancing String Students,
2021
West Virginia University
Chamber Music Fundamentals And Rehearsal Techniques For Advancing String Students, Gabrielle Padilla
Graduate Theses, Dissertations, and Problem Reports (ETD)
Chamber music pedagogy is an area that is crucial to a comprehensive music education. There is no manual when it comes to chamber music rehearsal or coaching techniques. Many of the great quartets have biographies written on them, yet few shed light on how the quartet handled the problem-solving processes used during rehearsal. This could be due to the longstanding tradition of string quartet education which uses a coach or leader who shares their wisdom and techniques, often as they had learned as young chamber musicians. Without this guidance, young quartets (and sometimes coaches) often have few ideas of how …
"A Long Life In Music:" The Career And Legacy Of Ann Schein,
2021
West Virginia University
"A Long Life In Music:" The Career And Legacy Of Ann Schein, Anthony William Gray
Graduate Theses, Dissertations, and Problem Reports (ETD)
This research paper is devoted to the life, career, teaching and legacy of the celebrated pianist Ann Schein. Having led a remarkable career spanning more than six decades, Schein was taught by such towering figures as Mieczysław Munz, Arthur Rubinstein and Dame Myra Hess and has in turn influenced countless musicians through her own teaching. This research paper includes a detailed portrait of Schein through a biography, an interview with Schein, and interviews with six of her former students from the Peabody Institute of the Johns Hopkins University: Dr. Matthew Bengtson, Ms. Ya-Ting Chang, Dr. Inna Faliks, Dr. Mansoon Han …
Touching Light: A Framework For The Facilitation Of Music-Making In Mixed Reality,
2021
West Virginia University
Touching Light: A Framework For The Facilitation Of Music-Making In Mixed Reality, Ian Thomas Riley
Graduate Theses, Dissertations, and Problem Reports (ETD)
Drawing upon the historical development of analog and digital technologies alongside the proliferation of computer-assisted performance practices, this research seeks to develop a framework for integrating Mixed Reality applications to live musical performance, specifically through the creation of a Microsoft HoloLens 2 Mixed Reality application in order to facilitate a live performance of an original musical composition for percussion and real-time Mixed Reality environment. Mixed Reality enables a performer to interact with virtual (holograms, VSTs, etc.) and physical (vibraphone, tuned drums, microphones, etc.) objects simultaneously. Tandem to the development of the conceptual framework was the composition of an original score …
Safeguarding Curricular Self-Experiences In Undergraduate Music Therapy Education And Training,
2020
University of Dayton
Safeguarding Curricular Self-Experiences In Undergraduate Music Therapy Education And Training, James Hiller, Courtney Belt, Susan Gardstrom, Joy Willenbrink-Conte
Department of Music Faculty Publications
The purpose of this paper is to put forth a model to support the psychological safety of undergraduate students as they engage in a form of experiential learning called self-experiences. Self-experiences pair active engagement in learning episodes with learner self-inquiry. The need to safeguard curricular self-experiences is grounded in the American Music Therapy Association’s Professional Competencies and Code of Ethics and the Certification Board for Music Therapists’ Board Certification Domains. We first explicate several types and benefits of self-experiences and identify potential risks and contraindications that may compromise learners’ psychological safety and even cause harm. Next, we describe …
The Future In Their Imaginations: Music And Robotics School Holidays Program For School-Aged Children,
2020
University of Newcastle
The Future In Their Imaginations: Music And Robotics School Holidays Program For School-Aged Children, Adam Manning, Amelia Bessenyei, Helen English
The Transdisciplinary STEAM+ Journal
This report reflects on an exploratory STEAM workshop at the University of Newcastle, School of Creative Industries, Conservatorium of Music, Australia. Twenty-six middle school-aged students attended the two-day workshop. On the final day, students presented an immersive concert for parents and friends, showcasing creativity, innovation and teamwork. Interestingly, Lego robots were employed as a physical tool through which music-making students interacted with each other and built attributes of creative engagement. These attributes were measured via the Six C’s established by Bers comprising: (1) Collaboration; (2) Community Building; (3) Communication; (4) Content Creation; (5) Creativity; and (6) Choices of Conduct. This …
Challenges, Experience And Efficiency Of Distance Education System Introduced In Uzbekistan’S State Conservatory During Pandemic,
2020
The state conservatory of Uzbekistan
Challenges, Experience And Efficiency Of Distance Education System Introduced In Uzbekistan’S State Conservatory During Pandemic, Munavara Abdullaeva, Shokhida Gafurova
Eurasian music science journal
The purpose of this paper is to outline the efficiency of distance education and consider the peculiarities of the implementation of distance education in the State Conservatory of Uzbekistan. The study suggested relatively low level of satisfaction of online education by teachers and students of the State Conservatory of Uzbekistan, as well as with the quality of information and its absorption. A methodology was employed based on unstructured in-depth interviews with teachers and students, as well as on observation and survey. The article highlights general technical methodological and specific problems of the implementation of distance education and challenges associated with …
