Music Education Commons^™

The Origins Of Western Music And Its Influence On Modern Popular Music: Teaching Music Through A Musical Exploration Of Seven Countries, Johanna Katelyn Hatt

Masters Theses

The topics of music history and music appreciation cover a wide range of composers and musical contributions that at times, can be overwhelming to a student who does not have any musical knowledge. Through limiting the music appreciation course to the discussion of composers’ works from various countries, students are able to learn about the important contributions those composers and countries had to music, including modern popular music. This topic will bring value to the field of music education as it offers an alternative approach to the traditional method of teaching a music history course. With this holistic approach to …

Teaching Music Literacy In Beginning Band: A Review Of Method Books And A Proposed Alternative Method, Haley Caroline Harrington

Murray State Theses and Dissertations

The purpose of this study is to review current band methodologies, specifically for the beginning band, and identify the current process of teaching music literacy. For beginning bands, music literacy instruction is a powerful tool music students use to be successful at sight-reading. It cannot be assumed that simply because students perform music on instruments, they also will achieve high ratings at sight-reading. Brain-compatible learning may offer a solution in addressing the issue with how beginning band students are taught to read music. Therefore, this study will propose a more effective method, applying the Music Learning Theory of Edwin Gordon …

Documenting Fifth-Grade Band Students’ Experiences In A Kodály-Centered Beginning Band Curriculum, Elisabeth Henderson Dhillon

Masters Theses, 2010-2019

ABSTRACT

Based on the work of Hungarian composer and educator Zoltán Kodály, the Kodály method, a sound-to-symbol approach to music-making and literacy stemming from an aural and auditory entry point, forms an integral aspect of many elementary level general music curricula in the United States. In this process-oriented, experiential approach, students hear and explore music kinesthetically, aurally and through folk and art song before visual concepts in the form of notes in formal notation are introduced.

In contrast, traditional beginning band methodologies tend not to incorporate a sound-to-symbol approach, teaching the intricacies of a complex new instrument in conjunction with …

Participation In Winter Guard International As Experienced By Ten Stakeholders: A Phenomenological Study, Jeremy Morgan

Dissertations

The purpose of this phenomenological study was to describe the essence of Winter Guard International (WGI) as lived by ten stakeholders, invested individuals currently serving in leadership roles within the percussion and winds divisions of the WGI organization. Through the lens of a social constructivist theoretical framework, and the use of individual interviews to obtain data, this study considered what participants have experienced and the contexts in which these experiences have taken place. Grounded theory concepts were used initially to clarify the perspective and scope of the study. Analysis of the data involved the identification of significant statements from participant …

Music Rehabilitation Programs In California State Prisons, Sarah Hanson

Capstone Projects and Master's Theses

With 2.3 million people in the United States prison system, reducing recidivism rates in prison is crucial. One of the most prevalent ways California has been able to reduce recidivism and encourage less punitive measure on prisoners is through music rehabilitation programs. This research explores the current prison population, history of music rehabilitation in prisons, positive and negative psychological effects music can have on inmates, an active music rehabilitation program (Dance Kaiso), and how inmates have been utilizing these programs. By exploring the current prison population and how music rehabilitation began in the United States and California, there’s a clearer …

An Overview Of A Failed Thesis, Avery Lewis

Undergraduate Honors Theses

An overview of a project based thesis that did not have the support or funding to be carried out to completion. The project was based around starting up a summer recruitment program for the East Tennessee State University Music Department. The program would consist of various summer events for high school students used to recruit for the department as well as encourage music and fine arts degrees.

Senior Recital, Jaron Kirshenbaum

Honors Theses

This recital, although it featured works learned over the last six months, is really a culmination of all the work I have put in over the last three and a half years here at the Western Michigan University School of Music. It is a program that brought together friends and colleagues, and featured solo works that show just how far I have come since I arrived here as a freshman clarinet player in the Fall of 2015. Although the diverse music selection and the decision to do mainly single movements from larger works is not what you would typically see …

Investigating The Attitudes Of Adolescent Male Singers In Gender Choirs, Heidi Joy Williamson

Graduate Theses/Dissertations

The purpose of this study was to examine the use of gender choirs within a middle school choral classroom to investigate (a) attitudes about singing, (b) confidence and self-efficacy of their own voices, and (c) peer perceptions of adolescent males’ participation in choir. Data were obtained from 40 students, in Grades 7 or 8, who were enrolled in a male gender choir at one of the five participating middle schools. Most participants enrolled in choir because they thought choir was fun, and they were good singers. Most participants did not think that choir was “better” when the genders were separated. …

Field Experiences In Elementary Music Education Mus 376, Jim Kinnie

Library Impact Statements

No abstract provided.

School Of Rock: The Relationship Between Music Training And Academic Academic Achievement, Clayton Hadlock

Intuition: The BYU Undergraduate Journal of Psychology

Music education has been a key part of human culture for thousands of years (Cartwright, 2013). As children often begin to receive musical education during grade school, many researchers have begun to investigate whether musical training may benefit other areas of academics. This literature review evaluates the overall effectiveness of musical training on academic performance for three different age groups: pre- and elementary school children under 12 years old; middle and high school-age adolescents between 12 and 18 years old; and college and university students over 18 years old. Musical training here includes instrumental and vocal training, as well as …

A Brain-Friendly Approach To Music Literacy, Taylor Davis

Posters-at-the-Capitol

The purpose of this study was to explore how the brain processes information, stores it in long-term memory and then applies that knowledge to teaching music in a classroom/rehearsal setting. We observed how the working memory, the system responsible for processing information from short-term and long-term memory can function with greater efficiency. We observed how the number of items available for processing in the working memory may be increased through a process identified as “chunking.” Chunking is when short patterns, or bits of information, are combined to form longer sequences. When applying these brain-friendly learning concepts to music, the instructor …

Editor’S Essay, Michael E. Ruhling

HAYDN: Online Journal of the Haydn Society of North America

No abstract provided.

Music Therapy: Effects On Children Diagnosed With Asd, Jennifer Lynn Mahr

Masters Theses

This study was conducted to focus on the use of music therapy as a treatment to serve people of special needs, including individuals with ASD. The research seeks to inform parents/students of children with ASD that music therapy could be the avenue in which their children/students are treated in certain areas. The information in this research can assist parents with the knowledge and understanding they need relating to music therapy in order for their child to overcome weaknesses associated with ASD. Similarly, music teachers can gain further insight into the world of music therapy to encourage students who struggle in …

Tasman Connections Through Song: Engaging In Classrooms And In Community, Dawn Joseph Dr, Robyn Trinick Mrs

The Qualitative Report

Community is an overarching word that encompasses people in formal and informal settings covering a broad range of activities. Engaging through sound “in community” and “as community” provides the opportunity for participants to come together making and sharing music through song. This paper focuses on voice (singing) across the Tasman within formal and informal locations. Author One draws on interview data within an “informal” space with three community choirs in regional Victoria (Australia) from her wider study Spirituality and Wellbeing: Music in the Community. The data shows that choir members use voice to connect with their local community around issues …

Misha Dichter - Pianist: Piano Master Class - Program, Celia

Misha Dichter Piano Master Class

A poster advertising the Piano Master Class taught by the Dayton Performing Arts Alliance present Distinguished Visiting Artist in Residence Misha Dichter.

Misha Dichter - Pianist: Piano Master Class - Flyer, Celia

Misha Dichter Piano Master Class

A poster advertising the Piano Master Class taught by the Dayton Performing Arts Alliance present Distinguished Visiting Artist in Residence Misha Dichter.

Acrl Framework Assignments For Music Information Literacy, Taylor Greene

Library Presentations, Posters, and Audiovisual Materials

Though the ACRL Framework was adopted two and a half years ago, music librarians continue to wonder how to integrate the six frames described by this guiding document into our information literacy instruction while also covering the necessities of music information literacy. In this presentation, I will discuss the approach that I used to incorporate the six frames into my instruction for the Music Information Literacy course I teach at Chapman University while still retaining essential music instruction, such as searching for music, navigating particular resources like Grove Music Online, and citation formatting. Specifically, I will focus on the in-class …

Wilberta Naden Pickett, Wilberta Naden Pickett '50

All oral histories

Bachelor of Music, IWU, 1950. According to the 1950 Wesleyana, she was a member of the Indee Women, Egas, Alpha Lambda Delta, Women's Chorus, Colleqiate Choir, University Chorus, Episcopoi, Sunday Evening Fellowship, Vesper Chairman, Vesper Organist, Park Hall President, and was in productions of "Faust" and "Of Thee I Sing."

Mrs. Pickett later attained the following additional accomplishments:

• Master of Sacred Music, Union Theological Seminary, 1952
• Choir Master degree, American Guild of Organists, 1956
• Certified Church Musician, Presbyterian Association of Musicians, 1978

Where Time And Eternity Intersect: The Integration Of The Liturgical Calendar Into The Worship Practices Of The Evangelical Church, Leah Woods

Doctoral Dissertations and Projects

The liturgical calendar is a historic practice of the Christian church which provides a structure for worship based on the life and teachings of Jesus. This project will examine the historical developments of the use of the liturgical calendar and the value of introducing it to the evangelical church setting. The project will be a case study of several evangelical churches in the Southern Maryland area through analysis of a one year sample of song canon. The song canons will be analyzed for balance in offices of Christ, story focus, and Trinitarian language.

Agents Of Change: A Multi-Layered Approach To Violin Learning And Teaching, Leslie-Gail Ellis [Thesis]

Doctoral

This enquiry is an action research project that investigates how changes to learning environments might assist young violinists in developing greater awareness and understanding of their participatory role in instrumental learning. It is also an enquiry aimed at improving teaching practice through encouraging a heightened pupil-centred approach that places the teacher in a more facilitatory role. Positioned during the four months prior to their end of year performance assessments in a school of music, the study involved ten young violinists between the ages of 9-13 who were presented with weekly opportunities to engage in a multi-layered approach to learning that …