Music Education Commons^™

Finding Aid For The Guy Sterling Collection

Archives & Special Collections: Finding Aids (alphabetical)

The Guy Sterling Collection contains blues photographs, posters, newsletters, and festival programs, including a number of autographed items.

Julie Giroux’S Symphony No. 6: The Blue Marble Background, Analysis, And Conductor’S Guide, Josh Gillen

Theses and Dissertations--Music

Julie Giroux’s Symphony No. 6: The Blue Marble (2022) is an original work for wind band that is quickly rising in popularity among instrumental conductors and ensembles throughout the world. The purposes of this document are to

1) provide biographical details regarding Julie Giroux and her musical career;

2) provide a background of the work’s conception from a musical and multi-media perspective through interviews with Giroux and the first conductors of the work;

3) provide a multi-parametric structural analysis of the work and its companion film;

4) provide conductors with useful information for programming and rehearsing the work.

Chapter one …

Integrating Social Emotional Learning In The Elementary Music Classroom, Nicole Evans

Graduate Student Theses, Dissertations, & Professional Papers

Coming out of the COVID-19 pandemic, many students demonstrated a need for further social emotional learning (SEL) support. The work of this project focuses on how to help support students’ SEL development through SEL integration into the elementary music classroom. An increased focus on integrating SEL throughout educational settings is relatively new, and thus the research into how to do this effectively is still emerging. Based on the principle of collective teacher efficacy, this project explores how to integrate SEL specifically aligned with the Second Step Elementary Curriculum into the kindergarten through fifth grade general music classroom. Utilizing the existing …

Culturally Responsive Teaching And Music Education, Katie Johnson

Williams Honors College, Honors Research Projects

The United States’ music culture is predominantly focused on the Western music tradition. Yet, the population in the United States is wildly diverse and continues to become even more so at a rapid rate. Because of this, culturally relevant teaching has become an increasingly discussed topic in music education. Why do some music educators feel out of place with music outside of the classical tradition? It can be traced backed to the Eurocentrism of music schools in the United States. Music schools focus primarily on the classical Western music realm, including topics such as music theory, socially accepted ensembles and …

Secondary Traumatic Stress And Women Music Educators: A Phenomenological Study, Abigail Van Klompenberg

Theses and Dissertations--Music

Secondary traumatic stress (STS) is a phenomenon that affects individuals in helping professions, including educators. STS is a trauma disorder and results from one’s exposure to others experiencing trauma or who have experienced trauma. STS can affect physical health, well-being, and professional performance. Due to the profound effects of STS, there is a need for continued research to clarify this phenomenon in educators, specifically music educators. Furthermore, there is a need for research on STS in women due to women’s unique interactions with trauma and the potential for them to develop trauma disorders. At the time of this study, there …

Music Therapy At An Inclusive Early Learning Center: A Grant Proposal, Laura Elliott Buckner

Theses and Dissertations--Music

Music in early childhood can enhance the development of communication, language, cognitive, and social emotional skills. Music therapy administered by a board-certified music therapist can be tailored to fit the specific developmental needs of children with and without disabilities. The purpose of this comprehensive clinical project was to develop a music therapy program for the Early Learning Center at the Lexington Hearing and Speech Center and a grant proposal to fund this program. First, I piloted a mini program through my Graduate Clinical Placement in Music Therapy (MUS 633) and supervisory experiences through my teaching assistantship. I then developed a …

Defining Music Of A Questionable Past: A College Musician’S Approach, Noah Whetstone

Williams Honors College, Honors Research Projects

In recent years, social movements have raised awareness on issues like whitewashing and the oppression of minority voices in fields such as music. These social movements have drawn attention to the cultural appropriation that sometimes occurs in music classrooms. Outcomes from recent legislation proposals and social conflicts across the United States threaten to limit educational opportunities. Although many people have understood these pieces of legislation to affect topics such as history and English, it may also affect music education. When choosing music to teach their students, music educators are often challenged as many songs have questionable pasts and make references …

Liquid Tab, Nathan Hulet

Williams Honors College, Honors Research Projects

Guitar transcription is a complex task requiring significant time, skill, and musical knowledge to achieve accurate results. Since most music is recorded and processed digitally, it would seem like many tools to digitally analyze and transcribe the audio would be available. However, the problem of automatic transcription presents many more difficulties than are initially evident. There are multiple ways to play a guitar, many diverse styles of playing, and every guitar sounds different. These problems become even more difficult considering the varying qualities of recordings and levels of background noise.

Machine learning has proven itself to be a flexible tool …

A Music Teacher’S Use Of Informances With Primary Level Classes And Study Of Family Attitudes For Music Education: An Action Research Study, Joseph Cooke Emerson

Graduate Theses/Dissertations

Concerts are often the summative project for the elementary music room. However, the emphasis on concerts creates challenges for music instruction. The preparation for a traditional concert often takes away from instructional time, which is already limited for music instruction. Second, the use of concerts conceals many aspects of the instructional process from students’ families. This results in a limited view and understanding of their child’s formal musical education. By designing opportunities for parents and other stakeholders to see students beyond a traditional concert, I thought that I could help to deepen families understanding of music education in my elementary …

A Guide To Chinese Art Songs From 1970 To 2010, Tingyu Yan

Graduate Theses, Dissertations, and Problem Reports (ETD)

This study aims to provide a repertoire guide of Chinese art songs for the pedagogy and research of musicians. The world is becoming more open to accepting and embracing different social and cultural elements, and diverse musical styles and repertoire are now being showcased internationally. There are more opportunities for musicians who wish to perform their homeland's music in public concerts around the world, and repertoires from different languages (e.g., Japanese, Spanish, Russian, and Czech) are more widely seen. However, there is still a lack of repertoires in other languages not very common internationally, and one of them is the …

A Case Study Analysis Of The Experiences And Perceived Learning Outcomes Of Former Non-Music Majors In Applied Horn Lessons, Jordan Bennett

Graduate Theses, Dissertations, and Problem Reports (ETD)

Non-major music students are an integral part of university music departments, as they both bolster the department’s enrollment numbers and bring diverse perspectives to the ensembles, lessons, and classes in which they participate. Although most non-majors focus their time on ensembles, a few choose to include lessons as part of their experience. Whether motivated by external factors like scholarship money or internal factors like a desire to improve on an instrument, these non-majors are a unique part of any applied studio. However, the phenomenon of non-majors in applied lessons is understudied. Literature tends to focus on non-major enrollment in ensembles …

Characteristics Of Leadership Of Selected Historical Leaders In Music Education In The United States With An Exploratory Study Of The Explicability Of These Characteristics To Modern Music Education Leadership In Elementary Schools, Ashley Loren Stringfield

Theses and Dissertations

The purpose of this multicase, qualitative study dissertation was to describe how the leadership characteristics of the founders of the Music Educators National Conference (MENC) inform today’s music educators’ leadership abilities. During the 1907 Keokuk conference the founding members discussed the first set of guiding principles for various subjects within the music discipline including chorus, band, and piano. For this study, the research questions are focused on the similarities in leadership styles of music education leaders past and present. Suggestions for improvement of teacher and administrator leadership characteristics were revealed by the leaders themselves.

Eight public elementary school music teachers …

A Survey Of Current School Orchestra Directors' Incorporation Of Alternative Styles In The 6-12 String Curriculum, Haley Fye

Electronic Theses and Dissertations, 2020-2023

This study collected a representative sample of current grade 6-12 school orchestra directors' incorporation of alternative styles in the curriculum. It examined directors' repertoire selection process and their potential influence on student engagement, motivation, and retention, with a specific interest in alternative styles. Alternative styles in string education that are included in this study are contemporary pop, folk, bluegrass, rock, Irish fiddle, jazz, and world music. Participants were recruited in the study through two private Facebook groups for school orchestra directors (School Orchestra and String Teachers, and Orchestra Teachers) and two communities on Reddit pertaining to music teaching (r/MusicEd and …

Bibliography, John M. Cipolla

Faculty/Staff Personal Papers

Bibliography of publications and performances by John M. Cipolla.

Adventures In Flute Playing: A Literature Survey And Anticipated Beginning Flute Method, Sammy Holloman

Graduate Theses, Dissertations, and Problem Reports (ETD)

This Literature Survey will investigate 10 method books used by beginning flute students, aged 6-13, in the United States. In this survey, books will be analyzed to identify which musical concepts are covered and their overall methodical approach. Comprehensive graphs are offered in the Appendix to provide readers brief contextual information on the books analyzed.

The results from this survey have influenced the creation of my beginning flute method, Adventures in Flute Playing, which incorporates exercises that are less commonly found in the method books being used today. Adventures in Flute Playing will consist of a series of online videos …

Walking Carefully Towards Bridging The Gap: Exploring Australian Music Educator Voices About Teaching Indigenous Music, Dawn Joseph, Bradley Merrick

Australian Journal of Teacher Education

Facilitating an inclusive pedagogy to close the gap that exists within the teaching of Indigenous Knowledge in Australia is a tall order for many teachers. This paper draws on responses to a national study and explores how music educators include Aboriginal and Torres Strait Islander music and culture into their practice. An online survey (December 2022-February 2023, N=109) informed the findings. Using thematic analysis, two themes (teaching challenges and opportunities, and bridging the gap) are discussed and key recommendations offered. Findings suggest that walking carefully towards bridging the gap is an opportunity for educational change in contemporary Australian classrooms.

Toward An Informal Informed Classrooms: Professional Musicians' Informal Music Learning Experiences, Rachel M. Smith

Masters Theses, 2020-current

Authors have studied informal music learning with different age groups. Lucy Green (2005) studied the topic with adolescents and identified it an intuitive and natural way children learn. Chad West and Radio Cremata (2016) studied informal music learning at the collegiate level, and Martina Vasil (2019) studied secondary music teachers who implemented informal music learning strategies in their teaching practices. Informal music learning in adults is relatively under-explored compared to adolescent and collegiate age groups. Utilizing lenses drawn from John Dewey’s curricular ideas to help students find meaning in learning and motivation as viewed through Self-Determination Theory, I sought to …

The Black Ass History Of House Music, Segen D. Assefa

Capstones

Contrary to current thinking, the history of house and techno music is overwhelmingly Black. This capstone was written in collaboration with three members of the house music scene, who have offered their lived experiences and personal anecdotes to help us better understand the true history and culture of the genre, and how marginalized identities in the creative industry suffer through lack of widespread historical knowledge (https://imsegen.com/2023/05/04/the-black-ass-history-of-house-music/).

Beginning Band: First Steps Instructing Students With Wind Instruments, Christine N. Lovell

Electronic Theses & Dissertations

One of the most important moments in beginning band is when a student first learns how to assemble and hold the instrument. As a band director, it is vital to be precise in explaining each element of this process. If steps are skipped over in this process, bad habits can form quickly and will cause more issues for the director. Instrument assembly and holding the instrument are covered in detail to help young band directors know how to explain this process. Additionally, this will help to find the bad habits quickly so problems do not snowball over time. It is …

Mozart & Schikaneder: Production Of Theatre In The 18th Century, Quinne Weinzierl, Miranda Preuss, Haley Tromblee

2022 Festschrift: Mozart's Die Zauberflöte

Die Zauberflöte was composed by Wolfgang Amadeus Mozart, with the libretto written by Emanuel Schikaneder. In this essay, we aim to present our findings regarding Mozart’s Die Zauberflöte in relation to the theater culture found in the 18th century. Because of the lack of writing on the production of Die Zauberflöte we aimed our research towards Schikaneder and the general layout of the theater surrounding the time Die Zauberflöte premiered. Using cross referencing and sources from the 18th century, we have put together a general synopsis of how Die Zauberflöte was likely promoted and produced. All of this information comes …