Composition Commons^™

Third Divergence: Representations And Reflections, Nathan Weaver

Critical and Creative Thinking Capstones Collection

This paper presents an exploration of the process of developing a music composition through various layers of interaction with ideas through the abstract and the real. The composition is the most significant component of the project as a whole, and this paper regards itself as a sort of artist's journal developed during creation of the composition, making some attempt to show the process of improvising through the project. The project as a whole explores the various conceptualizations of the idea, of the relationship between the abstract and the real, and representations of a work that cannot be fully known. The …

Student Teaching Band Arrangement, Whitney Mensink

Undergraduate Honors Capstone Projects

As a future music educator, I have learned how to teach students through various courses and instruction. During the last semester of my undergraduate, I am required to student teach. This gives me an opportunity to apply everything I’ve learned to see if it really works, and what my particular teaching style and philosophy is. At Sky View High School, I had the opportunity to teach the Sophomore Concert Band. For my thesis project, I decided to arrange a piece just for them – to rehearse with them and to score it to the strengths of the ensemble. Since I …

An Analysis And An Historical Contextualization Of Frank Ticheli’S “Cajun Folk Songs”, Jody Anthony Besse

Dissertations

This document was constructed using a qualitative research approach to discuss and illuminate the various compositional techniques used by Frank Ticheli in his composition Cajun Folk Songs. The content will include a biographical background of Mr. Ticheli, documentation related to the Cajun Culture and Cajun Music, an analysis of Ticheli’s composition Cajun Folk Songs, and valuable information related to the rehearsal and performance of this work. The intent of the study is to shed light on the relevant aspects pertinent to the musical interpretation of the selected work for the conductor, the performer, and the listener.

Song Of The Wind, Aaron B. Bittman

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Song of the Wind is an original cantata for contralto soloist, chorus, and chamber orchestra. More similar to Carmina Burana than a cantata such as those written by J. S. Bach, musical influences were drawn from such diverse sources as Greek Orthodox chant, minimalism, and New Age popular music. The story of Song of the Wind is drawn from a number of different texts, mostly Eastern and Mid-Eastern in origin, but European texts are represented as well. These texts span a period of time between 3,000 years before the Common Era and the Renaissance, and also include newly written verse. …

Mouth's Cradle Presents: Wisdom Teeth, Kevin Hegedus

Renée Crown University Honors Thesis Projects - All

[See attached document for abstract]

Olympia: A Musical Composition For Wind Ensemble, Kyle Macdonald

Mahurin Honors College Capstone Experience/Thesis Projects

Olympia is a one movement musical composition to be performed by a wind ensemble. Written for the composer’s honors capstone project, Olympia is an exploration into the world of composing for large musical ensembles. The main theme, heard in the trombone solo at measure 40, is the proverbial “voice in the wilderness” that heroically comes out of chaos and is heard throughout the piece in different forms. Starting in short score with piano and percussion, the piece was then orchestrated into the final version. Written in the fall of 2011 and the spring of 2012, Olympia was rehearsed and performed …

A Performer’S Guide To Six Song Cycles Composed Between 1959 And 2010 By Mississippi Composers, Sarah Hogrefe Mabary

Dissertations

This dissertation offers a performer’s guide to six song cycles by Mississippi composers, including the structure and form of the songs, possible poetic interpretations, and performance practice techniques. The song cycles addressed are Samuel Jones’s Four Haiku, Howard Keever's Dreams, Raymond Liebau's Song Set I and Song Set II, and James Sclater's Three Songs on Texts of Emily Dickinson and Songs from “Telephone Poles.” For the purposes of this study, a Mississippi composer is defined as one who has a significant connection to Mississippi, either by birth or by having worked as a musician in the state for many years. …

A Conductor’S Guide To The Poetic And Musical Style Of The Cante Jondo Based On The Work Of Mario Castelnuovo-Tedesco’S Romancero Gitano, Op.152, For Choir And Guitar With Selected Poems Of Federico Garcia Lorca’S Poema Del Cante Jondo, Elsa Patricia Ramierz-Hacker

Dissertations

Composers around the world have found the poetry of Federico García Lorca a source of inspiration for solo and choral works. Mario Castelnuovo- Tedesco used seven texts from Lorca’s Poema del Cante Jondo (Deep Song Poems) in his work Romancero Gitano, op. 152, for choir and guitar.

The purpose of this study is to provide a conductor’s guide to the poetic, historical, and musical structure of the cante jondo. Cante jondo or “deep song” is considered the most serious and profound collection of songs in Flamenco music. These songs express the history and landscape of the Andalucían region. Donn Phoren …

Joseph Kreines: A Biographical Sketch, An Analysis Of American Song Set For Band And A Descriptive Catalogue Of His Original Compositions And Transcriptions For Wind Band, Paul Eugene Weikle Jr.

Dissertations

Joseph Kreines is a well-respected composer, conductor and educator who has maintained an illustrious musical career in Florida and elsewhere. Originally from Chicago, Illinois, Kreines came to Florida in the 1960s as the Associate Conductor of the Florida Symphony Orchestra. Other professional conducting appointments with the Brevard Symphony Orchestra, The Gulf Coast Symphony Orchestra and appointments as the conductor of the Florida Symphony Orchestra Youth Symphony, Pinellas Youth Symphony Orchestra and Brevard Youth Symphony Orchestra proved to be the launching of a successful free-lance career as guest conductor for hundreds of Secondary programs in Florida and elsewhere including band, orchestra …

Tiny Sounds, Valeria Ch. Jonard Perez

Masters Theses

Our auditory system perceives sounds within a specific range of frequencies and amplitudes. It is the way we define our aural world and the sounds we are able or willing to hear. Just above the border of the threshold of human audition hearing, we find unique sounds with particular characteristics. These sometimes forgotten or ignored sounds interest me as compositional elements.

Listening attentively requires extra effort from our ears and concentration; listening to sounds that vacillate from imperceptible to audible changes how humans typically listen to sounds in their environment. Although amplifying these discreet sounds would rob them of their …

Sonnet 29, Matthew Carlson

Student Publications

"Sonnet 29" is an a capella choral piece written for the Gettysburg College Choir in the Spring of 2012. Dr. Robert Natter, director of the College choir, asked me if I would like to write a piece with text of Shakespeare, as he was planning to program a concert that consisted entirely of Shakespearean text. I chose this particular sonnet because it has a great metaphor of transformation which lends itself well to being set to music. In the first half of the piece, the speaker is in utter despair, and I bring this out with clustered harmonies, quiet dynamics, …

Variations On A Russian Folk Song, Brian R. Denu

Student Publications

This piece for solo piano demonstrates a wide range of techniques utilized in twentieth century composition. The theme is taken from the Finale of Igor Stravinsky's ballet "The Firebird", which itself is based on a Russian folk song. Each subsequent variation focuses on one or more compositional technique.

I. Theme

II. March (chords by thirds, extended triads)

III. Molto grave e expressivo (chromaticism)

IV. L'istesso tempo (ten-tone row)

V. Fast and light (twelve-tone row, secundal harmony)

VI. Much less (minimalism, extended techniques)

VII. Hazy (quartal harmony, modal melody)

VIII. Finale (spectralism)

The order of the variations partly reflects a chronological …

2012 Festival Of New Music, Mark Zanter

All Performances

No abstract provided.

Symphony In Three Marches, Nels D. Daily

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This symphony is in three movements and lasts about 25 minutes. The form of the music for each movement has been influenced by the marches of Wolfgang Amadeus Mozart, Edward Elgar, John Philip Sousa, and Dimtri Shostakovich.

The first movement is in a march form related to the music of John Philip Sousa: 1st strain, 2nd strain, trio, dogfight, trio dogfight, trio. This form has been adapted to merge with sonata form. Broad fanfares play a central role in the formal outline. They introduce formal sections similar to Beethoven's slow introduction in the first movement of the "Pathetique" sonata acting …

Chapter 11, Songs In Intimacy And Community In A Changing World: Sikaiana Life 1980-1993, William Donner

Sikaiana Ethnography

A chapter on song composition and performance in the Sikaiana ethnography. Songs were an important part of Sikaiana life in 1980-1993. There were two major song types: songs composed in a traditional Polynesian style, and songs composed for the more recently introduced guitar.

A related website is www.sikaianaarchives.com

I Want My Hands In Yours | 44-96880, James Q. Mulholland

Music Faculty Scores

I Want My Hands in Yours, for SATB Voices with Piano Accompaniment

Part Number:
44-96880

Price:
$1.80

Voicing:
SATB

Lyrics By:
John Flanery

Music By:
James Q. Mulholland

Commissioned to John Flanery:
For my dearest wife, Juliane on the occasion of our tenth wedding anniversary.

Book Reviews, John M. Cipolla

Music Faculty Publications & Performances

Book reviews by John Cipolla of:

• Mandat, Eric. Chips Off the Ol' Block for Solo Bass Clarinet
• Rossini, Gioachino & Carlos Pässler. Divertimento for Clarinet & Piano
• del Aguila, Miguel. Pacific Serenade, Op. 59 for Clarinet & String Quartet
• Wilson, Jeffrey. Colour Studies for Clarinet

Come, Thou Long Expected Jesus Orchestra | 13-96881, James Q. Mulholland

Music Faculty Scores

Come, Thou Long Expected Jesus, Orchestra Score/Parts

Part Number:
13-96881

Price:
$75.00

Voicing:
SATB

Music By:
Rowland H. Pritchard (1811-1887)

Arranged By:
James Q. Mulholland

Come, Thou Long Expected Jesus-Brass | 13-96882, James Q. Mulholland

Music Faculty Scores

Come, Thou Long Expected Jesus, Brass Score/Parts

Part Number:
13-96882

Price:
$45.00

Voicing:
SATB

Music By:
Rowland H. Pritchard (1811-1887)

Arranged By:
James Q. Mulholland

2hn;2tpt;2tbn;tba

Mysterium Fidei | 15-95310, Shane Monds

Music Faculty Scores

Mysterium Fidei (Mystery Of Faith)

Part Number:
15-95310

Price:
$1.85

Voicing:
TBB

Music By:
Shane Monds

a cappella