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3,293 full-text articles. Page 61 of 63.

El Concepto De Textura Musical Aplicado A La Poesia Contemporanea, Marianella P. Machado 2011 Eastern Kentucky University

El Concepto De Textura Musical Aplicado A La Poesia Contemporanea, Marianella P. Machado

Languages, Cultures, and Humanities Faculty and Staff Research

La palabra textura generalmente es usada para describir percepciones tactiles, visuales y auditivas. La textura tactil se percibe al tocar la superficie de un objeto y sentir su aspereza o suavidad.


How Can I Keep From Singing? Ttbb | 10-96140, James Q. Mulholland 2011 Butler University

How Can I Keep From Singing? Ttbb | 10-96140, James Q. Mulholland

Music Faculty Scores

How Can I Keep From Singing? TTBB

Part Number:
10-96140

Price:
$1.85

Voicing:
TTBB

Arranged By:
James Q. Mulholland

Men's Chorus version for the Male Chorus of the First Baptist Church of Hamilton Park
John Sherow-Tatum, Director


One Last Song | 10-96090, James Q. Mulholland 2011 Butler University

One Last Song | 10-96090, James Q. Mulholland

Music Faculty Scores

One Last Song (And Then We Part)

Part Number:
10-96090

Price:
$1.80

Voicing:
SSAA

Lyrics By:
William Loughlin

Music By:
James Q. Mulholland

Commissioned by the Oklahoma Choral Directors Association for the 2012 All-OMEA Women's Choir


One Final Song | 10-96150, James Q. Mulholland 2011 Butler University

One Final Song | 10-96150, James Q. Mulholland

Music Faculty Scores

One Final Song

Part Number:
10-96150

Price:
$1.80

Voicing:
SATB

Lyrics By:
Bases on a poem by Jay Enos

Music By:
James Q. Mulholland

For the Lexington Catholic High School Choirs,
Adam J. Beeken & Robert C. Vanover, directors
In rememberance of their communities' lost loved ones.


Ring Out, Wild Bells | 10-96170, James Q. Mulholland 2011 Butler University

Ring Out, Wild Bells | 10-96170, James Q. Mulholland

Music Faculty Scores

Ring Out, Wild Bells

Part Number:
10-96170

Price:
$1.85

Voicing:
SATB

Lyrics By:
Lord Alfred Tennyson

Music By:
James Q. Mulholland

with Optional Brass & Percussion (tpt, 2hrn, tbn, crash cym, timp, t bells)

Dedicated to Gary R. Schwartzhoff, Director of Choral Activities, University of Wisconsin-Eau Claire
by members and friends of First Congregational UCC, Eau Claire, Wisconsin


Ring Out, Wild Bells - Brass | 10-96171, James Q. Mulholland 2011 Butler University

Ring Out, Wild Bells - Brass | 10-96171, James Q. Mulholland

Music Faculty Scores

Ring Out, Wild Bells (Brass Score/Parts)

Part Number:
10-96171

Price:
$45.00

Voicing:
Brass and Percussion Score/Parts

Lyrics By:
Lord Alfred Tennyson

Music By:
James Q. Mulholland

with Optional Brass & Percussion (tpt, 2hrn, tbn, crash cym, timp, t bells)

Dedicated to Gary R. Schwartzhoff, Director of Choral Activities, University of Wisconsin-Eau Claire
by members and friends of First Congregational UCC, Eau Claire, Wisconsin


Sanctus | 10-96130, James Q. Mulholland 2011 Butler University

Sanctus | 10-96130, James Q. Mulholland

Music Faculty Scores

Sanctus, From "Missa Romantica"

Part Number:
10-96130

Price:
$1.75

Voicing:
SATB

Text:
Missa Brevis

Music By:
James Q. Mulholland

a cappella

(For this setting with keyboard accompaniment, please see 10-96435)


So, We'll Go No More A-Roving | 10-96100, James Q. Mulholland 2011 Butler University

So, We'll Go No More A-Roving | 10-96100, James Q. Mulholland

Music Faculty Scores

So, We'll Go No More A-Roving

Part Number:
10-96100

Price:
$1.75

Voicing:
SATB Divisi

Lyrics By:
Lord Byron

Music By:
James Q. Mulholland

a cappella

for this setting with piano, see 11-20115


We Praise Thee, We Bless Thee | 10-96160, James Q. Mulholland 2011 Butler University

We Praise Thee, We Bless Thee | 10-96160, James Q. Mulholland

Music Faculty Scores

We Praise Thee, We Bless Thee

Part Number:
10-96160

Price:
$1.75

Voicing:
SATB

Lyrics By:
Traditional Family Prayer

Music By:
James Q. Mulholland

For Jim and Molly Crawley, from their daughters,
in celebration of their 55th wedding anniversary.


Arrow And The Song, The | 16-96780, Christopher Matthews 2011 Butler University

Arrow And The Song, The | 16-96780, Christopher Matthews

Music Faculty Scores

The Arrow and the Song

Part Number:
16-96780

Price:
$1.75

Voicing:
SA

Lyrics By:
Henry Wadsworth Longfellow

Music By:
Christopher Matthews

Featured at:
2012 Rodney Eichenberger Conductor's Clinic
2013 Long & McQuade Summer Reading Clinic
2014 North Central Division ACDA Convention
2014 NM All-State Choral Reading Session
2014 Michigan State VMA Summer Conference


Heaven Bound Train - Satb | 21-20112, Stephen Hatfield 2011 Butler University

Heaven Bound Train - Satb | 21-20112, Stephen Hatfield

Music Faculty Scores

Heaven Bound Train
Spiritual

Part Number:
21-20112

Price:
$1.95

Voicing:
SATB

Arranged By:
Stephen Hatfield


No Time-Satb | 21-20114, Susan Brumfield 2011 Butler University

No Time-Satb | 21-20114, Susan Brumfield

Music Faculty Scores

No Time
Traditional Camp Meeting Songs

Part Number:
21-20114

Price:
$1.90

Voicing:
SATB

Arranged By:
Susan Brumfield


See Amid The Winter's Snow - Satb | 20-96065, Susan Brumfield 2011 Butler University

See Amid The Winter's Snow - Satb | 20-96065, Susan Brumfield

Music Faculty Scores

See Amid The Winter Snow

Part Number:
20-96065

Price:
$1.90

Voicing:
SATB

Arranged By:
Susan Brumfield


Dawn | 20-95930, Susan Brumfield 2011 Butler University

Dawn | 20-95930, Susan Brumfield

Music Faculty Scores

Dawn

Part Number:
20-95930

Price:
$1.75

Voicing:
SA

Lyrics By:
Katy Creighton

Music By:
Susan Brumfield

Featured at:
2013 Villanova University Summer Clinic


War Songs, Evan Michael Williams 2011 Lawrence University

War Songs, Evan Michael Williams

Lawrence University Honors Projects

War Songs is a song cycle of poetry by Walt Whitman, Paul Laurence Dunbar, and Iraq War veterans Andrew Borene, and Brian Turner, written in the summer of 2010. It also includes an arrangement of the popular wartime song “Over There” by George M. Cohan. In writing this cycle, I researched the Iraq War, especially the justifications for invading the country. I also researched previous musical works about war. This research informed the composition of the cycle. While I wanted to illustrate the issues of the current wars in Iraq and Afghanistan, I also wanted the cycle to be universal …


Xenakis' Combination Of Music And Mathematics, Janelle Anderson 2011 South Dakota State University

Xenakis' Combination Of Music And Mathematics, Janelle Anderson

The Journal of Undergraduate Research

My interest in using mathematics in music composition stems from the works of the contemporary composer Iannis Xenakis. As a physics and music education major I am able to combine both fields of study for this topic. Although Xenakis wrote many orchestral compositions it is his vocal music that I have concentrated on as I too am a singer. Graphic representation and new music notation are among the methods used to analyze his music. I found that his first choral work was called “Nuits,” which I proceeded to analyze. I also found myself interested in the analysis of a more …


Kiku Preludes (Score), Gary Smart 2011 University of North Florida

Kiku Preludes (Score), Gary Smart

Music Faculty Research and Scholarship

A collection of Japanese inspired piano preludes.


Music Composition Portfolio, Daniel O'Neill 2011 Technological University Dublin

Music Composition Portfolio, Daniel O'Neill

Masters by Practice

There are six pieces included in this M.Phil. These were completed over two years and are accompanied by a written text part. These pieces contain different instrumentations and range from solo to orchestral works. In this portfolio there is a set of two choir pieces, a trio for piano, clarinet and violin, an orchestral piece, a guitar quartet, three pieces for saxophone quartet and a solo piano piece. The written part of this portfolio examines in detail my compositions with reference to their inspiration, construction and overall shape. There is a detailed description of the six works along with musical …


A Metrical Analysis And Rebarring Of Paul Creston's Sonata For Alto Saxophone And Piano, Op. 19, Christopher Kyle Sweitzer 2010 University of Nebraska-Lincoln

A Metrical Analysis And Rebarring Of Paul Creston's Sonata For Alto Saxophone And Piano, Op. 19, Christopher Kyle Sweitzer

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The Sonata For Alto Saxophone and Piano Op. 19 is one of the most popular pieces in the saxophone literature, commonly played by professional saxophonists during their training. It features exciting rhythmic devices like irregular and mixed meter, the notation of which is the main focus of this paper. Although Creston often used irregular and mixed meter in his compositions, he rarely specifically notated them, choosing instead to use accents, beams, slurs, and other phenomenal cues at the musical surface to create the effect of these metric plans. Time signatures often remained constant throughout entire movements. Creston believed this would …


Beloved, Thou Hast Brought Me Many Flowers And Sifting Through The Ruins: An Analysis Of Two Chamber Song Cycles By Libby Larsen, Juline Erika Barol-Gilmore 2010 University of Nevada, Las Vegas

Beloved, Thou Hast Brought Me Many Flowers And Sifting Through The Ruins: An Analysis Of Two Chamber Song Cycles By Libby Larsen, Juline Erika Barol-Gilmore

UNLV Theses, Dissertations, Professional Papers, and Capstones

American composer Libby Larsen is one of the most active, prolific composers living today. Although she is known for composing in many musical genres, her vocal works are among her most recognized compositions. When selecting song texts, Libby Larsen carefully chooses poems that speak to her personally, both in the rhythm of the language and in the text’s depth of meaning and spirit. In addition, a large number of her vocal works are based on texts by or about women.

In sum, authors and poets have profoundly influenced Larsen, specifically in her chamber song cycles Beloved, Thou Hast Brought Me …


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