El Concepto De Textura Musical Aplicado A La Poesia Contemporanea,
2011
Eastern Kentucky University
El Concepto De Textura Musical Aplicado A La Poesia Contemporanea, Marianella P. Machado
Languages, Cultures, and Humanities Faculty and Staff Research
La palabra textura generalmente es usada para describir percepciones tactiles, visuales y auditivas. La textura tactil se percibe al tocar la superficie de un objeto y sentir su aspereza o suavidad.
How Can I Keep From Singing? Ttbb | 10-96140,
2011
Butler University
How Can I Keep From Singing? Ttbb | 10-96140, James Q. Mulholland
Music Faculty Scores
How Can I Keep From Singing? TTBB
Part Number: 10-96140
Price: $1.85
Voicing: TTBB
Arranged By: James Q. Mulholland
Men's Chorus version for the Male Chorus of the First Baptist Church of Hamilton ParkJohn Sherow-Tatum, Director
One Last Song | 10-96090,
2011
Butler University
One Last Song | 10-96090, James Q. Mulholland
Music Faculty Scores
One Last Song (And Then We Part)
Part Number: 10-96090
Price: $1.80
Voicing: SSAA
Lyrics By: William Loughlin
Music By: James Q. Mulholland
Commissioned by the Oklahoma Choral Directors Association for the 2012 All-OMEA Women's Choir
One Final Song | 10-96150,
2011
Butler University
One Final Song | 10-96150, James Q. Mulholland
Music Faculty Scores
One Final Song
Part Number: 10-96150
Price: $1.80
Voicing: SATB
Lyrics By: Bases on a poem by Jay Enos
Music By: James Q. Mulholland
For the Lexington Catholic High School Choirs,Adam J. Beeken & Robert C. Vanover, directorsIn rememberance of their communities' lost loved ones.
Ring Out, Wild Bells | 10-96170,
2011
Butler University
Ring Out, Wild Bells | 10-96170, James Q. Mulholland
Music Faculty Scores
Ring Out, Wild Bells
Part Number: 10-96170
Price: $1.85
Voicing: SATB
Lyrics By: Lord Alfred Tennyson
Music By: James Q. Mulholland
with Optional Brass & Percussion (tpt, 2hrn, tbn, crash cym, timp, t bells)
Dedicated to Gary R. Schwartzhoff, Director of Choral Activities, University of Wisconsin-Eau Claireby members and friends of First Congregational UCC, Eau Claire, Wisconsin
Ring Out, Wild Bells - Brass | 10-96171,
2011
Butler University
Ring Out, Wild Bells - Brass | 10-96171, James Q. Mulholland
Music Faculty Scores
Ring Out, Wild Bells (Brass Score/Parts)
Part Number: 10-96171
Price: $45.00
Voicing: Brass and Percussion Score/Parts
Lyrics By: Lord Alfred Tennyson
Music By: James Q. Mulholland
with Optional Brass & Percussion (tpt, 2hrn, tbn, crash cym, timp, t bells)
Dedicated to Gary R. Schwartzhoff, Director of Choral Activities, University of Wisconsin-Eau Claireby members and friends of First Congregational UCC, Eau Claire, Wisconsin
Sanctus | 10-96130,
2011
Butler University
Sanctus | 10-96130, James Q. Mulholland
Music Faculty Scores
Sanctus, From "Missa Romantica"
Part Number: 10-96130
Price: $1.75
Voicing: SATB
Text: Missa Brevis
Music By: James Q. Mulholland
a cappella
(For this setting with keyboard accompaniment, please see 10-96435)
So, We'll Go No More A-Roving | 10-96100,
2011
Butler University
So, We'll Go No More A-Roving | 10-96100, James Q. Mulholland
Music Faculty Scores
So, We'll Go No More A-Roving
Part Number: 10-96100
Price: $1.75
Voicing: SATB Divisi
Lyrics By: Lord Byron
Music By: James Q. Mulholland
a cappella
for this setting with piano, see 11-20115
We Praise Thee, We Bless Thee | 10-96160,
2011
Butler University
We Praise Thee, We Bless Thee | 10-96160, James Q. Mulholland
Music Faculty Scores
We Praise Thee, We Bless Thee
Part Number: 10-96160
Price: $1.75
Voicing: SATB
Lyrics By: Traditional Family Prayer
Music By: James Q. Mulholland
For Jim and Molly Crawley, from their daughters,in celebration of their 55th wedding anniversary.
Arrow And The Song, The | 16-96780,
2011
Butler University
Arrow And The Song, The | 16-96780, Christopher Matthews
Music Faculty Scores
The Arrow and the Song
Part Number: 16-96780
Price: $1.75
Voicing: SA
Lyrics By: Henry Wadsworth Longfellow
Music By: Christopher Matthews
Featured at:2012 Rodney Eichenberger Conductor's Clinic2013 Long & McQuade Summer Reading Clinic2014 North Central Division ACDA Convention2014 NM All-State Choral Reading Session2014 Michigan State VMA Summer Conference
Heaven Bound Train - Satb | 21-20112,
2011
Butler University
Heaven Bound Train - Satb | 21-20112, Stephen Hatfield
Music Faculty Scores
Heaven Bound TrainSpiritual
Part Number: 21-20112
Price: $1.95
Voicing: SATB
Arranged By: Stephen Hatfield
No Time-Satb | 21-20114,
2011
Butler University
No Time-Satb | 21-20114, Susan Brumfield
Music Faculty Scores
No TimeTraditional Camp Meeting Songs
Part Number: 21-20114
Price: $1.90
Voicing: SATB
Arranged By: Susan Brumfield
See Amid The Winter's Snow - Satb | 20-96065,
2011
Butler University
See Amid The Winter's Snow - Satb | 20-96065, Susan Brumfield
Music Faculty Scores
See Amid The Winter Snow
Part Number: 20-96065
Price: $1.90
Voicing: SATB
Arranged By: Susan Brumfield
Dawn | 20-95930,
2011
Butler University
Dawn | 20-95930, Susan Brumfield
Music Faculty Scores
Dawn
Part Number: 20-95930
Price: $1.75
Voicing: SA
Lyrics By: Katy Creighton
Music By: Susan Brumfield
Featured at: 2013 Villanova University Summer Clinic
War Songs,
2011
Lawrence University
War Songs, Evan Michael Williams
Lawrence University Honors Projects
War Songs is a song cycle of poetry by Walt Whitman, Paul Laurence Dunbar, and Iraq War veterans Andrew Borene, and Brian Turner, written in the summer of 2010. It also includes an arrangement of the popular wartime song “Over There” by George M. Cohan. In writing this cycle, I researched the Iraq War, especially the justifications for invading the country. I also researched previous musical works about war. This research informed the composition of the cycle. While I wanted to illustrate the issues of the current wars in Iraq and Afghanistan, I also wanted the cycle to be universal …
Xenakis' Combination Of Music And Mathematics,
2011
South Dakota State University
Xenakis' Combination Of Music And Mathematics, Janelle Anderson
The Journal of Undergraduate Research
My interest in using mathematics in music composition stems from the works of the contemporary composer Iannis Xenakis. As a physics and music education major I am able to combine both fields of study for this topic. Although Xenakis wrote many orchestral compositions it is his vocal music that I have concentrated on as I too am a singer. Graphic representation and new music notation are among the methods used to analyze his music. I found that his first choral work was called “Nuits,” which I proceeded to analyze. I also found myself interested in the analysis of a more …
Kiku Preludes (Score),
2011
University of North Florida
Kiku Preludes (Score), Gary Smart
Music Faculty Research and Scholarship
A collection of Japanese inspired piano preludes.
Music Composition Portfolio,
2011
Technological University Dublin
Music Composition Portfolio, Daniel O'Neill
Masters by Practice
There are six pieces included in this M.Phil. These were completed over two years and are accompanied by a written text part. These pieces contain different instrumentations and range from solo to orchestral works. In this portfolio there is a set of two choir pieces, a trio for piano, clarinet and violin, an orchestral piece, a guitar quartet, three pieces for saxophone quartet and a solo piano piece. The written part of this portfolio examines in detail my compositions with reference to their inspiration, construction and overall shape. There is a detailed description of the six works along with musical …
A Metrical Analysis And Rebarring Of Paul Creston's Sonata For Alto Saxophone And Piano, Op. 19,
2010
University of Nebraska-Lincoln
A Metrical Analysis And Rebarring Of Paul Creston's Sonata For Alto Saxophone And Piano, Op. 19, Christopher Kyle Sweitzer
Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances
The Sonata For Alto Saxophone and Piano Op. 19 is one of the most popular pieces in the saxophone literature, commonly played by professional saxophonists during their training. It features exciting rhythmic devices like irregular and mixed meter, the notation of which is the main focus of this paper. Although Creston often used irregular and mixed meter in his compositions, he rarely specifically notated them, choosing instead to use accents, beams, slurs, and other phenomenal cues at the musical surface to create the effect of these metric plans. Time signatures often remained constant throughout entire movements. Creston believed this would …
Beloved, Thou Hast Brought Me Many Flowers And Sifting Through The Ruins: An Analysis Of Two Chamber Song Cycles By Libby Larsen,
2010
University of Nevada, Las Vegas
Beloved, Thou Hast Brought Me Many Flowers And Sifting Through The Ruins: An Analysis Of Two Chamber Song Cycles By Libby Larsen, Juline Erika Barol-Gilmore
UNLV Theses, Dissertations, Professional Papers, and Capstones
American composer Libby Larsen is one of the most active, prolific composers living today. Although she is known for composing in many musical genres, her vocal works are among her most recognized compositions. When selecting song texts, Libby Larsen carefully chooses poems that speak to her personally, both in the rhythm of the language and in the text’s depth of meaning and spirit. In addition, a large number of her vocal works are based on texts by or about women.
In sum, authors and poets have profoundly influenced Larsen, specifically in her chamber song cycles Beloved, Thou Hast Brought Me …
