Crafting Futures: Balancing Tradition And Technology In Craft Practices,
2025
Virginia Commonwealth University
Crafting Futures: Balancing Tradition And Technology In Craft Practices, Saga Elkabbash
Theses and Dissertations
Under pressure from mass production and the decline of artisan skills, craft traditions risk becoming relics of the past. Crafting Futures challenges this by treating machines as tools of creative expression, working alongside and in harmony with traditional hand techniques. By pairing an experienced potter with a creatively deployed 3D-printer to develop a series of artifacts, this research fosters a dynamic conversation between partners. Digital fabrication can engage with, rather than replace, traditional making practices, emphasizing the role of the maker’s imagination as the site of knowledge, intuition, and improvisation. The resulting series of hybrid clay vessels reinforce not only …
Glossed Over,
2025
Virginia Commonwealth University
Glossed Over, Rebecca Oh
Theses and Dissertations
Glossed Over is a collection of interdisciplinary artworks exploring my Korean-American diasporic identity and how gender, queerness, religion, neurodivergence, and internet culture intersect within that experience. Through a blend of painting, woodworking, and sculpture, this installation carries the various elements of undefinable 한 (pronounced: han), a concept I attempt to define and contextualize in the Introduction and throughout this thesis. Each artwork operates through coded language, metaphor, and partial disclosure, offering space for the othered to find recognition through subtle cues and signifiers. Through Glossed Over and this thesis, I scratch the surface of my journey in reconciling generational trauma …
Post Opera,
2025
Virginia Commonwealth University
Post Opera, Suzy Lykins
Theses and Dissertations
Post Opera is a spell and work of embodied research which explores medicalization, desire, labor, and belief. Through methods of performance, sound, text and installation, I facilitate encounters of trans-femininity, spiritual power and connectivity. An opening wound, a set of psychic scalpels, sutures and bandages prepare this text for your consumption, take care to digest her well.
F/Utility: A Sculptural Exploration Of Futility, Utility, And The Absurd,
2025
West Virginia University
F/Utility: A Sculptural Exploration Of Futility, Utility, And The Absurd, Asha Cabaca
Graduate Theses, Dissertations, and Problem Reports (ETD)
This thesis provides context for my MFA thesis exhibition, F/UTILITY, displayed in the Laura Mesaros Gallery at West Virginia University. My sculpture visually references various aspects of human culture, drawing from the natural environment, urban architecture, and ideas of work and play. These elements, often contradictory and incongruous, are, in fact, humorously subverted, transformed, and combined so that the resulting artwork is serious, playful, and arbitrary all at once. At the same time, the uncertain and sometimes involuntary interactivity of my work prompts a phenomenological viewer experience. My practice is informed by the philosophical and literary absurd, focusing on not-knowing …
Tenaciously Curious,
2025
University of Montana
Tenaciously Curious, Joe Mark Taylor
Graduate Student Theses, Dissertations, & Professional Papers
In this thesis paper, I will outline the journey I’ve taken throughout my graduate studies at the University of Montana and how it has culminated in my thesis exhibition, Tenaciously Curious. I’ll begin with an Introduction that speaks to the importance of finding ways to connect to nature, and the benefits we gain by recognizing our bodies as extensions of the organic world.
In the following section, Influences, Theory and Lineage, I’ll explore the themes that drive my research, highlight artists who have influenced my work, and discuss why this inquiry feels vital within our contemporary moment.
In the section …
Exploring Power Dynamics In Ghana Through Ceramic Sculpture,
2025
Missouri State University
Exploring Power Dynamics In Ghana Through Ceramic Sculpture, Collins Yaw Antwi
Graduate Theses/Dissertations
The works in this thesis explore the implications of power dynamics such as inequality, power struggle, and oppression within Ghana’s society. I abstract specific elements such as coins, and especially cowry shells which honors Ghana’s past through their use as a source of currency in the colonial era and further serves as a metaphor that represents power. Platters and bowls from different cultures serve as a container for these dynamic symbols of power. By incorporating these elements in my sculptures, I bring attention to the struggle and challenges Ghanaians have experienced over the years. In other ways, I find it …
Creatura,
2025
Fort Hays State University
Creatura, Carly Marie Odegard
Master's Theses or Doctor of Nursing Practice
My sculptural practice is rooted in the belief that humans and nature are not separate, but deeply interwoven. I create immersive installations that embody cycles of life, death, and transformation; spaces where spiritual and material realities coexist in tension and harmony. Through cast metal, organic materials, and fabricated forms, I channel archetypal symbols from mythology, ritual, and the collective unconscious to create environments that speak to both personal and universal experience.
During my time at Fort Hays State University, I developed a body of work grounded in installation and cast metal. I forged branches, flowers, and leaves from steel, and …
Heiniboxitittel,
2025
Minnesota State University, Mankato
Heiniboxitittel, Harry Ritchie
All Graduate Theses, Dissertations, and Other Capstone Projects
This exhibit can be considered a sort of parody of an average gallery exhibition. Sacrilegious elements such as shoddy hand-written labels, tilted shelves, and lack of measurement call attention to the standard formula of a visual art exhibit. Artists are meant to think outside the box, but many adhere to strict guidelines when it comes to showcasing artwork. Everything must be just so.
But expecting perfection leads to disappointment. Having an exact plan means things will go wrong. This exhibition challenges conventional notions of beauty and shows that some of the most truly beautiful things in the world happen not …
Saints And Syncretism In Global Christian Art,
2025
Hope College
Saints And Syncretism In Global Christian Art, Alexandra Lewis, Andie Near, Charles Mason, Gracie Allen, Signe Bieganski, Shannon Smith, Emma Waldvogel, Lauren Carpenter, Ashley Keltsch, Sophia Funston, Mariam Tiews, Emma Brenny, Anne Heath
Kruizenga Art Museum Exhibition Catalogs
Kruizenga Art Museum, Hope College Catalog for the exhibition: Saints and Syncretism in Global Christian Art. Exhibition dates: January 14 – May 17, 2025. Alexandra Lewis, photographer, designer. Andie Near, photographer.
Telegraph Valley Performance, Installation, And Animation,
2025
Rhode Island School of Design
Telegraph Valley Performance, Installation, And Animation, La Samuelson, Movement Lab
Personal Work
"My fellowship project culminated in a 10 month exhibition and a series of 5 performances in Miami, presented by Diaspora Vibe Cultural Arts Incubator, the National Performance Network, with support from the RISD Movement Lab and Foundation for Contemporary Arts. The work was also included in Miami Art Week - 2025." – LA Samuelson
Wondering And Wandering,
2025
Virginia Commonwealth University
Wondering And Wandering, Madeleine Herisson-Leplae
Theses and Dissertations
For my thesis, I have taken the concept of excavation and used it as a visual metaphor for my artistic process. Using my recurring motifs of a hole, ladder, and the gem, I break down the writing into three sections. First, the hole, a metaphor for entering an image; second, the ladder, process as investigation; and lastly, the gem, which represents wonder and delight. This work is influenced by childhood fantasies, video games, and believing in magic.
Hard Edge Expansion,
2025
Georgia Southern University
Hard Edge Expansion, Quinderrious Humphrey
College of Graduate Studies: Theses & Dissertations
Hard-edge painting has always been rooted in precision, crisp forms, and the rejection of gestural abstraction. My work builds on this tradition while pushing its boundaries, breaking free from the conventional picture plane, exploring objecthood, and activating space through material and color. By using shaped wood substrates instead of canvas, I transform paintings into physical objects that interact with their environment rather than existing as flat images. The natural grain of the wood plays an integral role in this, creating an organic contrast to the controlled, geometric forms I apply.
Color functions as both a formal and perceptual tool in …
Theopoetics Prothesis: An Exploration In Faith And Form,
2025
Georgia Southern University
Theopoetics Prothesis: An Exploration In Faith And Form, Elise Aleman, Elise Aleman
College of Graduate Studies: Theses & Dissertations
My work is rooted in the biblical definition of faith: “Now faith is the assurance of things hoped for, the conviction of things not seen” (Hebrews 11:1). Like the Bible’s layered complexity—its patterns, metaphors, and cultural references—faith is not merely intellectual but an active trust in what is unseen. It transcends knowledge, anchoring itself in conviction and hope. This intersection of theology and lived experience is at the core of my practice.
Theopoetics—a framework that fuses theology and artistic expression—shapes my approach, allowing faith to be embodied through form rather than merely explained. Two seemingly distinct bodies of work—one centered …
To Remember,
2025
California Polytechnic State University, San Luis Obispo
The Creative Front,
2025
University of Montana, Missoula
The Creative Front, Aleksandr O. Barrett
Graduate Student Theses, Dissertations, & Professional Papers
Abstract
In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …
Braiding Culture Through Ceramics & Mixed Media Sculpture,
2025
Missouri State University
Braiding Culture Through Ceramics & Mixed Media Sculpture, Joy M. Okokon
Graduate Theses/Dissertations
Stories are embedded in each strand of Nigerian hair, serving as a bridge across generations and embodying the legacy of cultural expression. Hair-making, a skill passed down through generations in my family, began as a personal practice and has evolved into a powerful means of exploring and showcasing the cultural significance of hair braiding through creative works. The sculptures included in this thesis, Braiding Culture Through Ceramics & Mixed Media Sculpture, feature hair sculpture, afro combs, stools, adire batik made from materials such as clay, wood, glaze and cotton fabric. These materials are carefully selected for their cultural relevance and …
Moments,
2024
DePaul University
Moments
DePaul Magazine
Photo spread of St. Vincent's Circle at DePaul University's Lincoln Park Campus.
A New Perspective,
2024
DePaul University
A New Perspective
DePaul Magazine
The DePaul Art Museum foregrounds inclusiveness, partnership and social justice to reframe the role of cultural institutions.
Designing And Building An Action Figure Of Alexander The Great To Better Engage Young Learners In History,
2024
Clemson University
Designing And Building An Action Figure Of Alexander The Great To Better Engage Young Learners In History, Patrick Sandoval
All Theses
This paper discusses creating an action figure of Alexander the Great as a means of garnering a child’s interest in a specific setting of human history. Physical mediums have merit as supplemental tools for traditional learning methods for children, with action figures providing an outlet for role-playing and enhanced engagement. Topics include the significance of Alexander the Great, as well as the process of creating an action figure of him using production methods of digital character sculpting and 3D printing. Its design takes inspiration from the Street Fighter series, Classical and Hellenistic Greek sculpture, and professional wrestling action figures.
Modern Tools, Ancient Skills: An Attempted Dialogue Between Ai, Design And Traditional Craft,
2024
Rhode Island School of Design
Modern Tools, Ancient Skills: An Attempted Dialogue Between Ai, Design And Traditional Craft, Paolo Cardini, Juan C. Noguera
Tradition Innovations in Arts, Design, and Media Higher Education
This study explores the integration of artificial intelligence (AI) tools in traditional craft practices, focusing on Guatemalan artisans. The research investigates how machine learning, specifically generative AI platforms like OpenAI’s DALL-E and Midjourney, can bridge the gap between traditional craftsmanship and contemporary design methods. Guatemalan artisans were trained to use these AI tools to generate design ideas, which were then translated into three-dimensional bronze door knockers. The study analyzes the impact of AI on the artisans' workflow, creativity, and business, highlighting both the challenges and benefits. Results indicate that AI can streamline the design process and inspire new creative directions, …
