Sculpture Commons^™

Chester Cornett: Beyond The Narrow Sky, Chester Cornett, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2014 Kentucky Folk Art Center exhibition catalog of artist Chester Cornett.

Projected Surfaces, Jason Flynn

Electronic Theses and Dissertations

In this paper I will address the philosophies of Susan Sontag, Roland Barthes and Thomas Ruff by considering the object, materials and processes of photography as my primary motivator to create art. I will examine the contrast between photographic imagery, as an illusion of the past, and sculpture, as a physical manifestation of the present, when creating works that ask, "What else can photography be?"

Concrete Painting, Stephanie Cafcules

Electronic Theses and Dissertations

This thesis explores the evolution of my artwork with synthetic materials through influences of the Minimalist and Process Artists of the 1960's and 1970's, inspiration from natural forms, and my exploration of concrete painting. Each work reveals discoveries of different processes and materials, accelerating the creation of new works. It is my hope this thesis will inform viewers about the process and concepts that my work embodies.

Doubting Thomas: The Testaments, Ivan Riascos

Electronic Theses and Dissertations

This paper will discuss the creation of my artwork, which has been inspired by my experiences and understandings of Catholicism and its icons. I will consider how iconography works in art, its influence, and how and why I have created this artwork dealing with my beliefs. I will also refer to the works of contemporary artists Duane Michals and Michael Wesely to help explain my exhibition, which I have titled "Doubting Thomas: The Testaments."

Robert Smithson, Gary Shapiro

Philosophy Faculty Publications

Smithson, Robert (1938-1973), a prominent U.S. artist, original critic, and theorist, is known for the Spiral Jetty (1970) in Utah's Great Salt Lake and other earthworks. He was a continuing influence and significant voice with respect to environmental art and postmodernism, introduced concepts such as entropy and geological time into the making and discussion of art, and focused on the intertwining of text and visual structure or surface.

Inspiration And Realization, Shannon Wright

SWITCH

Artist Shannon Wright reflects on her personal experience with art, and sculpture in particular, including the differences between the inspiration and realization stages of art creation.

Funerary Stela Of Heni, Risd Museum, Antoine Revoy, James Allen

Channel

Offered symbolically, the images and hieroglyphics depicted on the right of this funerary stela ensured that Heni, a local high official, would never experience hunger or thirst in the afterlife. The slightly awkward proportions of Heni’s figure are typical of monuments of the First Intermediate period, when there was no centralized government in Egypt. The lack of royal control over artistic production during this time allowed artists to experiment, as seen in the multiple levels of relief on Heni’s kilt, the particular green of the hieroglyphs, and the striped border. 2134-2040 BCE

2013 Forces, Scott Yarbrough

Forces

No abstract provided.

Chair And Table, Risd Museum, Tony Cokes, Rosanne Somerson

Channel

Richard Artschwager was a scientist and a furniture maker before becoming an artist. Through a witty transformation of material and scale characteristic of Pop Art, his work considers the relationship between art and everyday objects as it explores ideas about both sculpture and furniture. The exaggerated thickness of the chair and table negates their traditional function: the narrow space between the seat and tabletop make it impossible to sit there. Artschwager’s use of Formica® with a simulated wood-grain pattern raises questions about what is real, fake, or a simulation of something else. In the case of his Exclamation Point, Artschwager …

Body As A Vessel, Matt Chenoweth

Department of Art and Design

No abstract provided.

David Lucas, David Lucas, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2013 Kentucky Folk Art Center exhibition catalog for artist David Lucas.

Sculpting The Future: New Public Art Incubator Seeks To Enable Regional Artists To Produce Commissioned Public Art Through Uni, Northern Iowa Today, Winter 2013

Art on Campus Documents

Various articles on art at the University of Northern Iowa (also formerly known as Iowa State Teachers College).

Passages Through The Ordinary: Human Pyramid, Daniel Dean

Art & Design Faculty Research

A man picks his way across a wooded hillside, a curious reluctance in his step. In a small, two-door hatchback, pale mushrooms sprout from car seats. Drawings of edibles spread across the walls of a windowless room, where wooden furniture beckons to sit, linger, and enjoy the view. A dumpster doubles as a hot tub next to an arrangement of plywood benches and white ceramic tubs, inviting the weary to bathe their feet in salubrious salts. Close by, a set of coal-black bowls nestles into itself, while dust motes dance in a glow of orange light. Ladders and levels, carefully …

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 2 Of 2), Sarah Aponte, Dania Diag

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 1 Of 2), Sarah Aponte, Dania Diaz

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

[ ] (Making Sense Of What Is Known And What Is Unknown, Jake Weigel

Electronic Theses and Dissertations

The ontological curiosity of how "things" work and how our perceptions are shaped are two of the most innate and difficult questions to answer as there is a vast amount of information that is unknowable. The great void of this unknown is the driving force behind all mystical, alchemical and religious endeavors throughout human history, which seek to alleviate the discomfort of such nature. The art that I create is from a complex development of research and experience into this area of philosophy. It seeks to visualize the immaterial in order to have a better grasp on the difficult questions. …

Portrait Of Agrippina The Younger, Risd Museum, Natalie Kampen, Lisa Anderson

Channel

Agrippina (15–59 CE), the subject of this portrait, was related to four different Roman emperors: she was granddaughter to Augustus, sister to Caligula, mother to Nero, and niece and later wife to Claudius. It is therefore not surprising that many portraits of her survive. They invariably depict her with a broad forehead, a square jaw, large eyes, thin lips, and a sharp chin, all features shared by many members of the imperial family. Ancient pieces were sometimes combined with other sculptural elements to create “new” composite sculptures. This ancient portrait head was inserted into a bust composed of different-colored marble …

Model Of A Funerary Boat, Risd Museum, Peter Dean, Peter Johnson

Channel

During the funeral, the deceased took a last earthly journey, traveling by boat to the cemetaries on the west bank of the Nile. The next voyage then began: a spiritual pilgrimmage to Abydos, the religious center and burial place of the god Osiris. For this reason, wooden model boats were often placed within tombs as substitutes for large-scale vessels in the afterlife. This model boat mimicked papyrus funerary barks. The wedjat-eyes painted on the hull were meant to guide the vessel safely through the perilous journey to the afterlife. 2100-1900 BCE

Candy Unicorn Horn Chandelier, Kari Breitigam

Symposium 2012

No abstract provided.

Grand Arabesque, Second Time, Risd Museum, Julie Strandberg, Jeff Hesser

Channel

Transitional poses such as this one were constant themes of Edgar Degas’s numerous sculptural studies made in wax, wire, and plastilene. Collected from his studio following his death, these models became the sources of small editions cast in bronze, including this one of a dancer posed in a grand arabesque. In the classic ballet position, the dancer bends forward while standing on one straight leg, with the opposite arm extended forward and the other arm and leg extended backward. In the 1890s the British artist Walter Sickert visited Degas in his studio and was shown the wax model for this …