Sculpture Commons^™

Snow Yunxue Fu Interview, Noah Fornear

Asian American Art Oral History Project

Bio: Snow Yunxue Fu (b. 1987) is an artist who lives and works in Chicago. Her work approaches the subject of the Sublime using topographical computer rendered animation installation. She exams and interprets the world around her through virtual reality, where she draws a parallel to the realms of multi-dimensionality, the physical, the virtual, and the metaphysical. Fu has exhibited her work nationally and internationally including Hong Kong Arts Center, Yellow Peril Gallery, Expo Chicago, Digital Culture Center in Mexico City, Zhou B Art Center in Chicago, Chicago Artist Coalition, Chicago Filmmakers, Kunsthalle Detroit Museum of Contemporary Art, MoMA …

Viewer-, Author-, And Ownership In The Work Of Andrea Zittel, Amanda M. York

Theses and Dissertations

Andrea Zittel invites others to collapse the distinctions between artist, viewer, and collaborator by interacting with her usable works. This thesis explores the process of interacting with Zittel's works, and how it affects viewer-, author- and ownership.

Trauma And Human Objecthood, Leslie Kelman

Theses and Dissertations

I am processing recent traumatic personal content in multiple media. This investigation dovetails with the work I was conducting previously, that of contemplating humans as objects continuous with their environment. This represents a reduced position in the biological hierarchy for humans, or a rejection of the hierarchy itself.

The Devil Made Us Do It: Depictions Of Satan In Kentucky Folk Art, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2016 Kentucky Folk Art Center exhibition catalog of artwork depicting Satan.

Mark Francis: Time & Chance, Mark Francis, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2016 Kentucky Folk Art Center exhibition catalog of artist Mark Francis.

No Man's Land, Laurie Mathews

Undergraduate Review

No abstract provided.

Sensible Nonsense, Timothy J. Woodbrey

Theses and Dissertations

“Truth happens only by establishing itself in the strife and the free space opened up by truth itself. Because truth is the opposition of clearing and concealing, there belongs to it what is here called establishing.”[i]—Martin Heidegger

All things contain their own individual existence. When I look at objects I notice material, tradition, individual history. These are starting points for my imagination to seed and germinate. My ideas are fragmented, nonlinear and nonsensical to others but they hold honesty to me. Honesty is powerful and is worth sharing.

This document is an examination of my work during …

Silent Protest And The Art Of Paper Folding: The Golden Venture Paper Sculptures At The Museum Of Chinese In America, Sandra Cheng

Publications and Research

Housed in the Museum of Chinese in America is the Fly to Freedom collection of paper art, which were produced by a traditional folk method of Chinese paper folding. The 123 paper works were created by detainees of the Golden Venture, a freighter used to smuggle undocumented immigrants into the U.S. On the evening of June 6, 1993, the ship ran aground off the Rockaways in New York City and nearly 300 migrants, gaunt from the four-month ordeal at sea, poured out of the cramped windowless hold of the vessel. Several drowned that night, a few escaped, but the majority …

Closed For Business, Tyler Schrandt

All Graduate Theses, Dissertations, and Other Capstone Projects

Closed for Business is an installation which creates an immersive environment that awards the curious. The inspiration for the exhibition came from local industry and human tendency. In likeliness of a defunct factory, the installation transforms the gallery into a dimly lit mysterious space. Using mostly objects found on local farms and in everyday households, a narrative takes shape. The question "what happened here?" looms as you investigate the space looking for clues. With a keen eye for observation, you navigate the room and stumble upon the office of a misguided -- and missing -- entrepreneur. As you internalizing the …

Lithic, Megan Nelle Moriarty

All Graduate Theses, Dissertations, and Other Capstone Projects

The creative works of Lithic employ nature as a visual meeting place to investigate the connection of art objects to the human spirit, explore a balance between scientific naturalism and spiritual abstraction, and work to expand on the use and craftsmanship of consumer and post-consumer materials.

The goal of any art work is to connect with the viewer on a spiritual level and, as an artist, the search for that relationship always brings me back to nature. The natural world is a place for moments of shared ‘awe’ and wonder. It is in nature that questions of human origin and …

A (Dis)Assemblage Of The Gallery-Growlery, Levester R. Williams

Theses and Dissertations

A (dis)Assemblage of the Gallery-Growlery exhibition and writing presents itself as a site of a morphological exploration of language, sound, and objects in tandem with the irreducibly venting black expression. Venting, the black expression never seeks wholeness within objects or language itself for it is a thing-in-itself. Its presence affords critical reception to a residue of delimiting forms. All growls eschew verbal objects for the manifestation of pure phonetics. A growl in a gallery is the growl. The growl resounds through the physicality of the objects and gallery. Also, it unwinds the object-among-objects as the phono-present stretches the discursive …

Holistic Products: Designing With Time, Gifts, And Ritual, Jeremy P. Zietz

Theses and Dissertations

The notion of “you are what you buy” is an updated adage from “you are what you eat”. It makes a connection between our everyday objects and their effect on our lived experience. Looking at our relationships with our things as a type of contract, we must be intentional to shape these object contracts for our own good and health. Instead of our society’s design talents being put toward a consumerist agenda, designers must direct research and development which addresses the effects of our products holistically.

Various concepts have emerged in my creative practice which demand a deeper research and …

Touchy-Feely, Gross Stuff, Elise Marie Robbins

Electronic Theses and Dissertations

Physical affection and visible emotion were not the way of my family. Compassion, concern, judgment, really any sentiment was expressed almost exclusively verbally while I was growing up. To me this very normal, and as an only child, I did not have much to compare it to until I started school. It was there that I saw children and adults convey emotion not just with words but also with a physical display. Though the idea of outwardly expressing emotion was not foreign to me, it was not exactly natural, and I struggled with it. or this reason, I was constantly …

Nest: Honors Sculpture Project, Najma Motan

A with Honors Projects

This essay for the A with Honors program describes a work of art entitled "Nest" which is comprised of a nest constructed of clay straw and grass, filled with five ceramic eggs on which the artist used Arabic words that describe the comforts of home, such as joy, comfort, and closeness.

Queering Sugar: Kara Walker’S Sugar Sphinx And The Intractability Of Black Female Sexuality, Amber Jamilla Musser

Publications and Research

This essay analyzes the controversy surrounding artist Kara Walker’s 2014 installation, A Subtlety, or the Marvelous Sugar Baby, to unpack the pleasures and dangers that subtend discussions of black female sexuality. What Walker announced as a tribute to the labor of brown and black bodies produced myriad conversations about pleasure, danger, and black female sexuality. Most art critics argued that the piece reclaimed black female agency; many visitors criticized the work (and the public response to it) as disrespectful and problematic. In the essay, I argue that both of these responses highlight the difficulty of talking about black female …

Artscience, Dustin Swiers

All Graduate Theses, Dissertations, and Other Capstone Projects

My thesis show opened on Friday, March 11, 2016 at the 410 project's art gallery, located in downtown Mankato.

The artwork consisted of sculptures displayed on pedestals, hanging on the walls, sitting on specifically constructed arrangements, and hanging from the ceiling. The materials I used to create these sculptures have a dramatically contrasting appearance, but have one universal similarity. At some point most of the materials used were liquid or fluid. I used metals, ceramics, hand blown glass, plastics, and wax. I like to work with these materials in that fluid state because of the added flexibility and forgiveness they …

Concerning The Interaction Of Forms, Luke Splinter

All Graduate Theses, Dissertations, and Other Capstone Projects

"Concerning the Interaction of Forms" is exactly what is in my mind when creating and thinking about work. I am concerned with all of the interactions that can be made when thinking about and looking at forms. How do the forms interact with one another? How do they interact with the space they are placed in? How do they interact with the viewer? These are the questions that concern me the most when creating work

When making work I do so with the help of basic geometric shapes, mathematic ratios, and the feeling I get from the form as it …

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.

The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall

Theses and Dissertations

My thesis installation emerged from an interest in visualizing breath. The resulting work came to exist at the intersection between art, biology, and performance.

The unicorn tapestries were used as a generative point of departure to explore the preservation and transformation of images through time, by time, and with time. Reproductions of the six tapestries were each etched into paper and then submerged into solutions of Phenol Red dye, Ferric Ferrocyanide (also known as Prussian Blue), and various forms of sodium chloride. Exhaled breath was used to encrust these images of the tapestries into physical objects which gradually crystallized and …

Amassing Subsistence: Creating An Environment Through Objects And Time, Matilda J. Alexander

Senior Independent Study Theses

No abstract provided.