Sculpture Commons^™

Introduction, Sean Ferrier-Watson, George Neal

Forces

No abstract provided.

Sparks Under Ashes, Ani Sargsyan

School of Art, Art History, and Design: Theses and Student Creative Work

Rooted in hope, reflections on longing, family history, and the contemporary Armenian experience take precedence in Sparks Under Ashes. The title of the show itself derives from my great-grandfather’s notebook, which details his unjust exile during the Great Purge of the Soviet era and other life experiences. His handwriting becomes ingrained in my work as both our marks collide through painting, drawing, and transfer processes to bridge the time between us and celebrate generations of resilience.

Acts of endurance are crucial for Armenia’s survival because attempts of erasure have always been prominent, with the 1915 genocide being the darkest …

Las Representaciones Figurativas Del Sitio Arqueológico Cuidad Del Jaguar (Honduras): Espacio Sagrado, Conceptos Compartidos Y Diálogo Entre Mesoamérica Y La Zona Andina, Geydy Rodríguez Wood

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

El sitio arqueológico Ciudad del Jaguar-T1, se encuentra ubicado en el noroeste de Honduras. Pertenece al Área Intermedia, considerada zona de frontera y paso entre Mesoamérica y la Zona Andina. Esta ubicación facilitó que, durante la época prehispánica, fuese un sitio de migraciones e interacción constante entre culturas del norte y del sur del continente, que dio origen a una civilización hasta ahora desconocida, que se formó, desarrolló y tuvo una significativa producción artística. En el presente trabajo propongo el estudio y la lectura e interpretación de las imágenes figurativas representadas en los objetos excavados, como también su utilidad y …

Aves, Felinos Y Ofidios En Los Templos Montaña Amerindios, Sarai Ramos Muñoz

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

El siguiente estudio se centra en la comparación de las representaciones pictóricas de aves, felinos y ofidios de algunos de los principales Templos Montaña, tanto de la zona andina, como de Mesoamérica. Dentro de él se pueden apreciar las similitudes y diferencias arquitectónicas y escultóricas simbólicas de estas imágenes. El análisis comparativo se realiza a través de un estudio iconográfico e iconológico de la arquitectura escultórica de dichos templos y de cada una de las representaciones zoomorfas relacionadas con el concepto del Axis Mundi prehispánico, centrándose en el águila, el jaguar y la serpiente. Al mismo tiempo se analiza la …

Character Kinetics: An Interactive, Immersive Installation On The Mindfulness Of Asemic Writing, Danielle S. Desmarteau

Scripps Senior Theses

Character kinetics is an installation art piece that explores how writing asemically (without language) can ease the body and mind into the present moment, allowing one to focus on the material and movement of mark-making. Throughout the semester, I held workshops where participants were invited to scribble it out, to express their thoughts and surroundings without needing to make sense in the context of language. The resulting pieces were transformed into sculptural paper forms suspended in air, creating an interactive three-dimensional space inviting viewers to analyze the infinite possibility of interpretation within asemic symbolism.

Spieltrieb, Edward F. Newcomb

College of Graduate Studies: Theses & Dissertations

This thesis investigates the creative and pedagogical intersections of nostalgia, play, and neurodivergent experience through a mixed-media studio practice. Grounded in Friedrich Schiller’s concept of Spieltrieb—the human drive to play as a balance between sensual and rational impulses—this work explores how childhood memory, instinct, and impulsive mark making inform both artistic production and art education.

Drawing on theoretical frameworks by Susan Sontag and John Berger, the work resists overinterpretation in favor of sensory immediacy, inviting viewers into direct, embodied encounters with material form. Sontag’s critique of mimetic representation and Berger’s analysis of reproducibility and context inform a practice that …

Some Assembly Required, Tanner Maxey

College of Graduate Studies: Theses & Dissertations

The dead do not carry their memory. We do. But when memory becomes the only way we can continue to hold on to our loved ones, how do we derive meaning from the fragments when memory begins to fade? Some Assembly Required examines loss as a condition in which meaning is no longer stable, but must be constructed from what remains. Through an interdisciplinary practice that combines ceramics, textiles, and installation, this work explores how domestic objects—once associated with care, function, and familiarity—can be transformed into fragile, unusable forms that persist as evidence of what has been lost. These objects …

Imagining The Inuit: Myth, Market, And The Making Of The Contemporary Inuit Sculpture Canon, Kristen Sara Davidson-Schwartz

MA Theses

This thesis explores how qallunaat institutions used sculpture to shape and define Inuit life. I argue that contemporary Inuit sculpture, as conceived of by outsiders to support Inuit economic enfranchisement and modernization, became a vessel through which qallunaat institutions circulated ideas about Inuit culture and Arctic lands. Although purported to reflect the voice of Inuit, the meanings attached to Inuit sculpture rarely reflected Inuit intention and consistently aligned to qallunaat priorities: a performance of primitive, ancient, and authentic Inuit life; a gesture of indigenous gratitude and cheerful participation in state-designed development programs; or a masterful expression of the formal concerns …

From Monasteries To The Market: The Legal And Spiritual Economies Of Himalayan Art In China, Hengshi An

MA Theses

In recent years, the Himalayan art market in China has shown a remarkable transformation, emerging as one of the most dynamic segments within the broader Asian art economy. While much of the global and domestic art market has stagnated, Tibetan and Himalayan artworks have achieved sustainable growth and high auction price with major collections been published, showing structural strength rather than speculative enthusiasm. This paper examines the drivers behind this phenomenon through a qualitative analysis of auction data, dealer networks, and collector behavior across key hubs in China such as Beijing, Chengdu, Shanghai, and Hong Kong. The findings suggest that …

Till Death Does Us Part: An Analysis Of Influences And Ideas Behind The Exhibition, Milo F. Rippe

Honors College Theses

“Till Death Does Us Part,” is a ceramic work created by Milo Rippe in the fall of 2025. The installation includes fifteen faceless figures, ten organ-inspired plates, and one big central figure. Also featured are three homemade stains and two homemade glazes. The figures are hand-built from slabs, combined to form a single piece. The plates were also cut from slabs, and then hand-rolled rims were added to each shape with slip. Stains and glazes are made by methodically measuring out each ingredient on a triple-beam scale, combining all ingredients with water, and running the mixture through a strainer to …

2026 Forces

Forces

Full issue of Forces, published March 2026.

Film For Jeanette, Brice Goldberg

Theses and Dissertations

Film for Jeanette is an experimental documentary concerning grief, memory, and what remains of those who have left this physical plane. The film paints the portrait of my late sister, Jeanette Lee Goldberg, who died in a car accident when she was 19. What begins as a memorial becomes a celebration of her life and an exploration into the complexities of her character that led to her death. Jeanette’s story is told through interviews with family members, while the visuals, created with various alternative 16mm film techniques, depict my own journey through the filmmaking process. I was only 3 when …

Fragments & Formations, Charles D. Schluckebier

Master's Theses or Doctor of Nursing Practice

My work begins with an idea, but is driven by curiosity as it develops, often arriving somewhere different than initially planned. I maintain control over the direction while allowing decisions to shift in response to what emerges. Creating artwork becomes a space where ideas are not illustrated by worked through – physically and mentally at the same time. I approach making as problem-solving, where each sculpture functions as a puzzle resolved through construction. I push materials beyond their intended function, forcing them into new conditions where form emerges through resistance, constraint, and play. Material behavior informs the outcome but does …

So There I Was, Jesse Marie Baggett

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis provides a description and analysis of my thesis exhibition, So There I Was, which presents a body of ceramic sculptures and paintings that explore themes of adventure, travel, and shared experiences. The work reimagines personal experiences through a cast of animal characters, with a rabbit acting as a stand-in for myself. These narratives are inspired by events from my own life and are transformed into imaginative scenes that emphasize playfulness, wonder, and storytelling.

The sculptures combine toy-like animal figures, pull carts, and miniature architectural structures to create playful environments that resemble playsets or staged scenes where …

Among The Remnants, Jade-Lynn B. Lewis Vance

Graduate Theses, Dissertations, and Problem Reports (ETD)

This written thesis serves as supporting documentation and research for my Master of Fine Arts thesis exhibition, Among the Remnants, at West Virginia University. This dissertation will explain how my artistic vision, influences, research, and thesis exhibition fits into larger art and cultural contexts. Drawing from art history and theory, my work explores memory, touch, and fragmentation. My fascination with artifacts and the stories they hold inspires my research and drives me to create personal connections within my own art. The figurative sculptures serve as a vessel for recalling impactful experiences and embodying personal perception and these interactions. The …

Signs & Symptoms, Bridget Mara-Williams

Master's Theses or Doctor of Nursing Practice

My body of work centers on verbal and nonverbal communication, and how meaning can be conveyed, distorted, or withheld. Since living in Kansas, I’ve struggled to understand the layers of Midwestern niceness, as I am more accustomed to the directness of the East Coast. Both ways of communication are valid, but often go past each other when put together. In Kansas, East Coast bluntness can appear callous. I've felt more like a Nor’easter, than merely a Northeasterner– disruptive and maybe a little difficult.

The difference has me tuned in to the colloquialisms around me, to phrases that slip by relatively …

Exploring Design Tools, Naomi Torgler

Williams Honors College, Honors Research Projects

For my Honors Research Project, I developed skills to 3D model and render using Rhino 8, Tinkercad and Adobe Illustrator. In the process of developing these skills, I created six digital renderings and one model. The works produced using these software programs are to be used in a developing portfolio to seek future opportunities in the field of architecture.

Throughout this project, I explored connections between different programs when designing and building each piece. This project also reflects my focus in the Sculpture program at the Myers School of Art by considering elements of design in a three-dimensional form. In …

Corpus Meum, Mea Electio, Kara L. Coonrod

Graduate Theses/Dissertations

The right to bodily autonomy and reproductive freedom is something I hold very close to my heart. Women who did not wish to embrace motherhood, or who grew beyond the walls of the hearth and home, have been far more often persecuted than praised. Over the past two years, I have created artwork borrowing the visual and material language of the Catholic church (along with personally relevant folklore) to elevate my freedom of choice and bodily autonomy in the face of religiously driven political oppression. Using a less frequently referenced organ from my reproductive system to represent my struggle against …

Herp Count 2025, Camryn Gulledge

Graduate Theses/Dissertations

Herp Count 2025 is a process-based project in which I log and document every herp (reptile or amphibian) I encounter in the wild while investigating the realities of human impact on ecosystems. During 2025, I observed 1,406 individual herps, most of which appeared not in remote wilderness but in the compromised margins of human spaces. When I observe them in a littered area, I collect nearby trash and bring it back to my studio to combine it with a detailed drawing of that specific individual. In my Contact series, I use a clean-touch printmaking process that involves a stretched plastic …

Mirroring Memory: Material, Reflection, And Becoming, Nila Mojaveri

College of Graduate Studies: Theses & Dissertations

ABSTRACT

This thesis explores how memory shapes identity through material, reflection, and tactile processes. Drawing from my personal experience of migration from Iran and the emotional distance from home, the work examines memory as a shifting, layered, and embodied phenomenon rather than a fixed narrative. Through the use of mirror, clay, fabric, and paint, I investigate how materials can hold, reflect, and transform lived experience. Each material carries specific meaning: mirrors introduce fragmentation and reflection, clay records touch and grounding, fabric evokes softness and domestic memory, and paint creates atmosphere through layering and tone. Together, these materials form a visual …