Science, Fiction,
2026
CUNY Hunter College
Science, Fiction, James Nick Peelor
Theses and Dissertations
Science, Fiction is about death, mental health, UFOs, and having a mutifaceted art practice rooted in a DIY ethos.
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds,
2026
CUNY Hunter College
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert
Theses and Dissertations
This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.
Echoes Of Becoming - K. Morrell,
2026
California State University - San Bernardino
Echoes Of Becoming - K. Morrell, Kole K. Morrell
Electronic Theses, Projects, and Dissertations
I work sculpturally, exploring presence, transformation, and emotional weight that is not inherently visible. My forms are recognizable yet unsettled, existing between familiarity and distortion. Meaning is not fixed or declared, it reveals itself slowly through texture, material, and time spent in observation.
I approach making as a form of therapeutic ritual. Through touch, I shape and alter the material, imbuing it with the story of emotions I want to convey to the viewer. I am most connected to the work in its “in-between” states, when the form is still shifting and unresolved. In these moments, it mirrors my own …
¿Cómo Anda La Chamba?/How’S Work?,
2026
California State University - San Bernardino
¿Cómo Anda La Chamba?/How’S Work?, Alexander Valdez Jr.
Electronic Theses, Projects, and Dissertations
¿Cómo Anda La Chamba?/How’s Work? explores the conditions, experiences, and broadness of what labor is and how we see labor currently. Alexander draws on his lived work experiences to question how companies operate and to challenge the way workers are often undervalued and treated as disposable. Raised in a working-class family, Alexander’s view of labor was shaped not only by his lived experiences, but also his parents’. Each artwork communicates a different work environment and experience that he’s had. These places and interactions have influenced his work by making him question the definition of labor and how the working class …
Nasty,
2026
California State University - San Bernardino
Nasty, Mya L. Correa
Electronic Theses, Projects, and Dissertations
I am exploring artwork about women’s power and sexuality, centering on hair. I’m interested in how hair carries history and how it has been used to control and frighten women. I’ve been reading feminist artists’ books and researching their findings alongside my own work. Drawing on my personal history, my mother’s story, and the experience of raising my daughters, I consider how my children’s lives differ from mine and my mother’s, and what those differences reveal.
Hair has long been wielded as a weapon to enforce expectations on women’s bodies by a society afraid of losing control. As creators of …
Heirlooms Of Virtu,
2026
California State University - San Bernardino
Heirlooms Of Virtu, Santos Nunez
Electronic Theses, Projects, and Dissertations
Heirlooms of Virtu explores familial history as a mode of self-study. By examining childhood, the more possible it can be to navigate the contemporary. Research into the self becomes the bridge between two states of being, allowing for a better understanding and a more purposeful approach to the future.
As an artist working primarily in photography and video, I am recontextualizing key nostalgic concepts with technology through interactive sculptures and video installations. My research alludes to classic toys and technologies specific to my childhood in an effort to find and understand the self. Nostalgia as an idea not only exists …
Desert Ghost,
2026
Clemson University
Desert Ghost, Jessica Downs
All Theses
This thesis explores the relationship between landscape, memory, and the body through handmade paper installations inspired by the deserts of southwestern Utah. Drawing from personal experience of place and the loss of a childhood home, the work considers how environments are internalized and persist as shifting, sensory impressions rather than fixed geographies. The desert becomes a generative site for examining presence, transformation, and the passage of time, both geologic and personal.
I use handmade paper and installation to translate my experience of place into physical form. Paper serves as both material and metaphor; its fibers, textures, and muted tones emulate …
Alternative,
2026
University of South Alabama
Alternative, Ashlynn M. Stroud
Graduate Theses and Dissertations (2019 - present)
A series of illustrations, sculptures and comic book issues designed to introduce a series of stories and characters that represent the history and members of a fictional mythology depicting the cultural social group often referred to as the “alternative” community. Alternative takes place in a world that combines high fantasy and science fiction with elements of pop culture and music. This world uses iconography of the various genres of the alternative subculture and music, metal, post-punk, and the evolving scene of the underground with varying visuals from both gothic and industrial time periods. Viewers are encouraged to read and follow …
Meikyu,
2026
University of South Alabama
Meikyu, Diana D. Dyer
Graduate Theses and Dissertations (2019 - present)
This thesis explores the relationship between digital and physical practices through the integration of traditional glassworking techniques and digital media. The project combines glass fusing and glass blowing with woodworking, screen printing, vinyl cutting, animation, and augmented reality (AR) technologies to create dialogue between physical and digital forms. This thesis documents the full creative process, beginning with conceptual sketches and progressing through the fabrication and assembly of glass components into finished sculptural pieces. Digital technologies are then incorporated to augment and extend the physical artwork. Three-dimensional (3D) assets were created using Maya, a 3D modeling software, and implemented within Snapchat's …
Diagrammatic Contemplation,
2026
Claremont Graduate University
Diagrammatic Contemplation, Khang Nguyen
The Transdisciplinary STEAM+ Journal
This work presents the integration of contemplative practice engaging western and eastern philosophies about apperception, consciousness, presence with an art practice that uses diagrammatic contemplation as a basis for developing and presenting art. The aim is not just an optical effect, but to engage the viewer in experiencing non-dual consciousness.
Weighted, I Drown Peacefully,
2026
Loyola Marymount University
Weighted, I Drown Peacefully, Clarke P. Hamilton, Masaru Suzuki
Honors Thesis
weighted, i drown peacefully is a call-and-response to my ancestral history and heritage as African American, and my physical experience at the door of no return on Goree Island off the coast of Dakar, Senegal.
Through ceramic face pots invoking the face jugs recovered from Edgefield, South Carolina, visual metaphors of the calla lily and cowrie shell, wood iris petals holding water, and a watercolor painting with Adinkra symbols Adwo & Sankofa, I mark the Atlantic Ocean as a resting place of my ancestors.
This piece is for those who have transitioned from this plane to the next. I carry …
170 Silent Stories: Gendered Violence Beneath The American Dream,
2026
University of Nevada, Las Vegas
170 Silent Stories: Gendered Violence Beneath The American Dream, Kayla Lockwood
Graduate & Professional Student Association Research Forum
170 Silent Stories: Gendered Violence Beneath the American Dream is a presentation drawn from my MFA thesis exhibition, read the fine print, which critically examines how postwar American domestic ideals—particularly those emerging in the 1950s—were constructed through visual culture, policy, and design. The project investigates how the American Dream promised stability, prosperity, and safety while simultaneously normalizing rigid gender roles, domestic containment, and gendered violence.
At the center of the exhibition is 170 Silent Stories (2026), an installation composed of 170 cast-aluminum high heels, each representing a documented domestic violence case in 1950s New York. The high heel, a deeply …
Harriet Hosmer: Femininity And Stone,
2026
Bellarmine University
Harriet Hosmer: Femininity And Stone, Savannah V. Parrish
Undergraduate Theses
Harriet Hosmer was an American woman sculptor who studied in Rome, Italy, from 1853 to 1900. Hosmer led her own cohort of women artists and inspired other artists in Rome. Hosmer’s sculptures and the controversies surrounding them exemplify her experiences as a career woman of her time. Hosmer made sculptures of women who defied the will of men, both mythical and historical. Hosmer’s sculptures show how she felt restricted in the world, particularly in the field of sculpture as a woman and how like the figures of her sculptures she found freedom in stone, where she could tell the stories …
Arrival Is Not Access,
2026
University of Nebraska-Lincoln
Arrival Is Not Access, Emmanuel Asamoah
School of Art, Art History, and Design: Theses and Student Creative Work
This thesis presents a group of sculptures and installations that explore how material, labor, and communication shape unequal access in diasporic life. It questions the common belief that movement, visibility, or relocation automatically leads to stability, care, or belonging. In my experience, arrival does not guarantee access. Using clay, steel and found materials, I create tension between softness and control. Many of these materials are worn and discarded. I cut and rebuild them, leaving marks of strain and repair visible rather than hiding them.
Repetition appears through rows of cast faces and a collection of telephones. These forms suggest shared …
An Adaptation Of The Yellow Wallpaper,
2026
Kennesaw State University
An Adaptation Of The Yellow Wallpaper, Carla M. Sanz
FUSION
This project includes a 3-dimensional adaptation of Charlotte Perkins Gilman's "The Yellow Wallpaper," highlighting struggles with mental health and women’s empowerment amid patriarchal oppression. The use of a 3-D model of the story gives the viewer a visual representation of the narrator’s mental and physical decline. Representative elements of this decline include the use of a chest and a string stretched across the “ceiling” of the room, which visually convey the narrator’s feeling of being trapped. In addition, the room's tainted appearance and the visual of a woman in the walls allow the viewer to imagine the narrator's mental, emotional, …
Odu Love Permanent Outdoor Public Sculpture Research/Proposal,
2026
Old Dominion University
Odu Love Permanent Outdoor Public Sculpture Research/Proposal, Cristina N. White
Knowledge and Creativity Expo
For the Knowledge and Creativity Expo, I am proposing the installation of an official Virginia LOVEworks sign on the Old Dominion University campus, supervised by faculty member John Roth. This project is part of my own undergraduate research for becoming a public artist. This endeavor will assist in practical and direct training on submitting concepts in a Public Art RFP (Request for Proposal) for municipal, state and/or regional public sculptures, as well as avenues to obtain funding to execute and establish a successful career as a public artist.
As a Carnegie R1 research institution, ODU has a unique opportunity to …
Introduction,
2026
Collin College
Sparks Under Ashes,
2026
University of Nebraska-Lincoln
Sparks Under Ashes, Ani Sargsyan
School of Art, Art History, and Design: Theses and Student Creative Work
Rooted in hope, reflections on longing, family history, and the contemporary Armenian experience take precedence in Sparks Under Ashes. The title of the show itself derives from my great-grandfather’s notebook, which details his unjust exile during the Great Purge of the Soviet era and other life experiences. His handwriting becomes ingrained in my work as both our marks collide through painting, drawing, and transfer processes to bridge the time between us and celebrate generations of resilience.
Acts of endurance are crucial for Armenia’s survival because attempts of erasure have always been prominent, with the 1915 genocide being the darkest …
Las Representaciones Figurativas Del Sitio Arqueológico Cuidad Del Jaguar (Honduras): Espacio Sagrado, Conceptos Compartidos Y Diálogo Entre Mesoamérica Y La Zona Andina,
2026
Instituto Hondureño de Antropología e Historia-IHAH.
Las Representaciones Figurativas Del Sitio Arqueológico Cuidad Del Jaguar (Honduras): Espacio Sagrado, Conceptos Compartidos Y Diálogo Entre Mesoamérica Y La Zona Andina, Geydy Rodríguez Wood
Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.
El sitio arqueológico Ciudad del Jaguar-T1, se encuentra ubicado en el noroeste de Honduras. Pertenece al Área Intermedia, considerada zona de frontera y paso entre Mesoamérica y la Zona Andina. Esta ubicación facilitó que, durante la época prehispánica, fuese un sitio de migraciones e interacción constante entre culturas del norte y del sur del continente, que dio origen a una civilización hasta ahora desconocida, que se formó, desarrolló y tuvo una significativa producción artística. En el presente trabajo propongo el estudio y la lectura e interpretación de las imágenes figurativas representadas en los objetos excavados, como también su utilidad y …
Aves, Felinos Y Ofidios En Los Templos Montaña Amerindios,
2026
Universidad de Zaragoza
Aves, Felinos Y Ofidios En Los Templos Montaña Amerindios, Sarai Ramos Muñoz
Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.
El siguiente estudio se centra en la comparación de las representaciones pictóricas de aves, felinos y ofidios de algunos de los principales Templos Montaña, tanto de la zona andina, como de Mesoamérica. Dentro de él se pueden apreciar las similitudes y diferencias arquitectónicas y escultóricas simbólicas de estas imágenes. El análisis comparativo se realiza a través de un estudio iconográfico e iconológico de la arquitectura escultórica de dichos templos y de cada una de las representaciones zoomorfas relacionadas con el concepto del Axis Mundi prehispánico, centrándose en el águila, el jaguar y la serpiente. Al mismo tiempo se analiza la …
