Sculpture Commons^™

Wind In A Dry Glass, Khia Hong

Theses and Dissertations

Khia Hong’s paper unfolds in five sections, tracing the ontological and epistemological inquiries behind her sculptures. When the sculptures stepped down from the pedestal and entered the plane of lived reality, the question “What is sculpture?” expanded into “What is sculpture, the self, and the world?” Through reflections on the self, Hong details how these questions emerge and are addressed in her material encounters.

Lovepilled, Zhiliang Zhao

Theses and Dissertations

"Lovepilled" is a collection of essays and stories about love, the longing for it, and where it takes place.

Cannibalizing The American Dream: Memory, Materials, And Manifesting, Juan Hinojosa

Theses and Dissertations

Juan Hinojosa’s thesis explores collage and assemblage through discarded materials, pop culture, and personal history. He transforms found objects into layered works that reflect consumption, memory, and American identity. Moving between sculpture, painting, and installation, his practice examines excess, nostalgia, and the tension between what is consumed and what consumes him.

5010, Clare Hu

Theses and Dissertations

Working with the structure of a table top, Clare Hu churns through digital image and woven cloth, asking how much each medium can bear.

Science, Fiction, James Nick Peelor

Theses and Dissertations

Science, Fiction is about death, mental health, UFOs, and having a mutifaceted art practice rooted in a DIY ethos.

Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert

Theses and Dissertations

This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.

Echoes Of Becoming - K. Morrell, Kole K. Morrell

Electronic Theses, Projects, and Dissertations

I work sculpturally, exploring presence, transformation, and emotional weight that is not inherently visible. My forms are recognizable yet unsettled, existing between familiarity and distortion. Meaning is not fixed or declared, it reveals itself slowly through texture, material, and time spent in observation.

I approach making as a form of therapeutic ritual. Through touch, I shape and alter the material, imbuing it with the story of emotions I want to convey to the viewer. I am most connected to the work in its “in-between” states, when the form is still shifting and unresolved. In these moments, it mirrors my own …

¿Cómo Anda La Chamba?/How’S Work?, Alexander Valdez Jr.

Electronic Theses, Projects, and Dissertations

¿Cómo Anda La Chamba?/How’s Work? explores the conditions, experiences, and broadness of what labor is and how we see labor currently. Alexander draws on his lived work experiences to question how companies operate and to challenge the way workers are often undervalued and treated as disposable. Raised in a working-class family, Alexander’s view of labor was shaped not only by his lived experiences, but also his parents’. Each artwork communicates a different work environment and experience that he’s had. These places and interactions have influenced his work by making him question the definition of labor and how the working class …

Nasty, Mya L. Correa

Electronic Theses, Projects, and Dissertations

I am exploring artwork about women’s power and sexuality, centering on hair. I’m interested in how hair carries history and how it has been used to control and frighten women. I’ve been reading feminist artists’ books and researching their findings alongside my own work. Drawing on my personal history, my mother’s story, and the experience of raising my daughters, I consider how my children’s lives differ from mine and my mother’s, and what those differences reveal.

Hair has long been wielded as a weapon to enforce expectations on women’s bodies by a society afraid of losing control. As creators of …

Heirlooms Of Virtu, Santos Nunez

Electronic Theses, Projects, and Dissertations

Heirlooms of Virtu explores familial history as a mode of self-study. By examining childhood, the more possible it can be to navigate the contemporary. Research into the self becomes the bridge between two states of being, allowing for a better understanding and a more purposeful approach to the future.

As an artist working primarily in photography and video, I am recontextualizing key nostalgic concepts with technology through interactive sculptures and video installations. My research alludes to classic toys and technologies specific to my childhood in an effort to find and understand the self. Nostalgia as an idea not only exists …

Desert Ghost, Jessica Downs

All Theses

This thesis explores the relationship between landscape, memory, and the body through handmade paper installations inspired by the deserts of southwestern Utah. Drawing from personal experience of place and the loss of a childhood home, the work considers how environments are internalized and persist as shifting, sensory impressions rather than fixed geographies. The desert becomes a generative site for examining presence, transformation, and the passage of time, both geologic and personal.

I use handmade paper and installation to translate my experience of place into physical form. Paper serves as both material and metaphor; its fibers, textures, and muted tones emulate …

Alternative, Ashlynn M. Stroud

Graduate Theses and Dissertations (2019 - present)

A series of illustrations, sculptures and comic book issues designed to introduce a series of stories and characters that represent the history and members of a fictional mythology depicting the cultural social group often referred to as the “alternative” community. Alternative takes place in a world that combines high fantasy and science fiction with elements of pop culture and music. This world uses iconography of the various genres of the alternative subculture and music, metal, post-punk, and the evolving scene of the underground with varying visuals from both gothic and industrial time periods. Viewers are encouraged to read and follow …

Meikyu, Diana D. Dyer

Graduate Theses and Dissertations (2019 - present)

This thesis explores the relationship between digital and physical practices through the integration of traditional glassworking techniques and digital media. The project combines glass fusing and glass blowing with woodworking, screen printing, vinyl cutting, animation, and augmented reality (AR) technologies to create dialogue between physical and digital forms. This thesis documents the full creative process, beginning with conceptual sketches and progressing through the fabrication and assembly of glass components into finished sculptural pieces. Digital technologies are then incorporated to augment and extend the physical artwork. Three-dimensional (3D) assets were created using Maya, a 3D modeling software, and implemented within Snapchat's …

Diagrammatic Contemplation, Khang Nguyen

The Transdisciplinary STEAM+ Journal

This work presents the integration of contemplative practice engaging western and eastern philosophies about apperception, consciousness, presence with an art practice that uses diagrammatic contemplation as a basis for developing and presenting art. The aim is not just an optical effect, but to engage the viewer in experiencing non-dual consciousness.

Weighted, I Drown Peacefully, Clarke P. Hamilton, Masaru Suzuki

Honors Thesis

weighted, i drown peacefully is a call-and-response to my ancestral history and heritage as African American, and my physical experience at the door of no return on Goree Island off the coast of Dakar, Senegal.

Through ceramic face pots invoking the face jugs recovered from Edgefield, South Carolina, visual metaphors of the calla lily and cowrie shell, wood iris petals holding water, and a watercolor painting with Adinkra symbols Adwo & Sankofa, I mark the Atlantic Ocean as a resting place of my ancestors.

This piece is for those who have transitioned from this plane to the next. I carry …

170 Silent Stories: Gendered Violence Beneath The American Dream, Kayla Lockwood

Graduate & Professional Student Association Research Forum

170 Silent Stories: Gendered Violence Beneath the American Dream is a presentation drawn from my MFA thesis exhibition, read the fine print, which critically examines how postwar American domestic ideals—particularly those emerging in the 1950s—were constructed through visual culture, policy, and design. The project investigates how the American Dream promised stability, prosperity, and safety while simultaneously normalizing rigid gender roles, domestic containment, and gendered violence.

At the center of the exhibition is 170 Silent Stories (2026), an installation composed of 170 cast-aluminum high heels, each representing a documented domestic violence case in 1950s New York. The high heel, a deeply …

Harriet Hosmer: Femininity And Stone, Savannah V. Parrish

Undergraduate Theses

Harriet Hosmer was an American woman sculptor who studied in Rome, Italy, from 1853 to 1900. Hosmer led her own cohort of women artists and inspired other artists in Rome. Hosmer’s sculptures and the controversies surrounding them exemplify her experiences as a career woman of her time. Hosmer made sculptures of women who defied the will of men, both mythical and historical. Hosmer’s sculptures show how she felt restricted in the world, particularly in the field of sculpture as a woman and how like the figures of her sculptures she found freedom in stone, where she could tell the stories …

Arrival Is Not Access, Emmanuel Asamoah

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis presents a group of sculptures and installations that explore how material, labor, and communication shape unequal access in diasporic life. It questions the common belief that movement, visibility, or relocation automatically leads to stability, care, or belonging. In my experience, arrival does not guarantee access. Using clay, steel and found materials, I create tension between softness and control. Many of these materials are worn and discarded. I cut and rebuild them, leaving marks of strain and repair visible rather than hiding them.

Repetition appears through rows of cast faces and a collection of telephones. These forms suggest shared …

An Adaptation Of The Yellow Wallpaper, Carla M. Sanz

FUSION

This project includes a 3-dimensional adaptation of Charlotte Perkins Gilman's "The Yellow Wallpaper," highlighting struggles with mental health and women’s empowerment amid patriarchal oppression. The use of a 3-D model of the story gives the viewer a visual representation of the narrator’s mental and physical decline. Representative elements of this decline include the use of a chest and a string stretched across the “ceiling” of the room, which visually convey the narrator’s feeling of being trapped. In addition, the room's tainted appearance and the visual of a woman in the walls allow the viewer to imagine the narrator's mental, emotional, …

Odu Love Permanent Outdoor Public Sculpture Research/Proposal, Cristina N. White

Knowledge and Creativity Expo

For the Knowledge and Creativity Expo, I am proposing the installation of an official Virginia LOVEworks sign on the Old Dominion University campus, supervised by faculty member John Roth. This project is part of my own undergraduate research for becoming a public artist. This endeavor will assist in practical and direct training on submitting concepts in a Public Art RFP (Request for Proposal) for municipal, state and/or regional public sculptures, as well as avenues to obtain funding to execute and establish a successful career as a public artist.

As a Carnegie R1 research institution, ODU has a unique opportunity to …