Printmaking Commons^™

The Artist's Arsenal: Hiv+ Women Artists, The ‘War On Aids’, And Reclaiming Illness Narratives, Mekha Varghese

Art and Art History Honors Papers

This work uses the methodologies of both art history and medical sociology through the ‘syndemic’ framework to engage in close readings of two selected artworks, Exit (1997) by Nancer LeMoins and Violation of Africa (1984) by Affrekka Jefferson. An interdisciplinary approach to these works enables consideration of how multiple marginalized identities—i.e., living with a stigmatized illness, being a woman, being LGBTQIA+, being a person of color—appear in visual art and shape illness experience; these ideas are investigated through a formal and iconographic reading of the selected artworks. Placing art as the foundation of this analysis reveals its astounding impact and …

Postcard From The Cascade, Jeff Tsai

The Messenger

No abstract provided.

Dancing Shapes, Violet Jetton

The Messenger

No abstract provided.

Dissociation, Chaimae Oualid

be Still

"Dissociation," is a reflection of the world's struggle against the COVID-19 pandemic, and how it has affected us all in ways we never could have imagined.

Through this painting, I wanted to capture the gradual, yet drastic change in emotions, lifestyles, and perception of reality that we experienced during this time. The crowd of people depicted in the painting represents the collective struggle we faced, all facing towards the unknown and moving towards it. The different facial expressions convey the range of emotions we felt during this time, from fear and worry to resilience and hope.

For me, the pandemic …

Bloody Show, Leonie Weber

Theses and Dissertations

Leonie Weber reflects on how reproductive, domestic, and emotional labor is addressed in her artwork, and her experience as an artist-parent in the art world. Moreover, she specifically discusses mothers who are navigating their own artistic paths. Her practice encompasses sculpture, printmaking, performance, and installation.

Zephyrus, Western Kentucky University

Student Creative Writing

The fine arts magazine of Western Kentucky University at Bowling Green.

The Language Of Color, Hong Hong, Bridget Donlon, Mina Takahashi, Special Collections, Fleet Library

Printmaking

42 pages; 16 portfolios. Hand Papermaking portfolio series. Title from title page of text booklet. Housed in a cloth-covered drop-spine portfolio box (31 x 24 x 5 cm) with paper label on spine. Portfolio contains a text booklet (43 pages) plus 16 specimens of handmade paper in individual white paper folders with letterpress identifying each artist. Text booklet contains artists' statements and biographical information. Contents: Rebeca Alm & Amanda Degener --Tom Balbo -- Viviane Colautti Ivanova -- Kerri Cushman -- Katharine L. DeLamater & Colleen Lawrence -- Sue Carrie Drummond -- Gina Louise Fowler -- Leah Frankel -- Susan Gosin …

A New Art For A New China: Modern Chinese Prints From The Ihrman Collection, Charles Mason, Andie Near

Kruizenga Art Museum Exhibition Catalogs

Kruizenga Art Museum, Hope College Catalog for exhibition: "A New Art for a New China: Modern Chinese Prints from the Ihrman Collection". Exhibition dates: September 1-December 16, 2023. Charles Mason, author. Andie Near, photographer, designer.

Mycelium, Minjoo Lee

Master's Theses or Doctor of Nursing Practice

Mycelium (noun)

/mʌɪˈsiːlɪəm/

plural: mycelia

the vegetative, root-like part of a fungus, consisting of a network of fine white thread-like filaments (hyphae).

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From as long as I can remember,

I’ve drawn inspiration from nature. I’ve always looked to create art and designs that contain the same visual elements and story-telling that is so present in nature.

In mycelia, I found inspiration in the fact that they are vital in terrestrial and aquatic ecosystems for their role in the decomposition of material. They give life to what has died, turning negative into positive.

TATUME ISLAND Tattoo Studio was born out …

Above & Below, Kelly N. Munson

All Graduate Theses, Dissertations, and Other Capstone Projects

“Our ability to perceive quality in nature begins, as in art, with the pretty. It expands through successive stages of the beautiful to values yet uncaptured by language.” —Aldo Leopoldo

My work often finds itself in a lonely space. Is it science? Not really. Is it Art? Maybe. Is it Design? Sometimes. I have never fit neatly into any box. As a once want-to-be Chemist, I found the results of its study too tight and often detached. As I dove into the world of Fine Art, those efforts yielded work that was too loose—in many cases leaving me wanting a …

Wonderland, Mai Tran

All Graduate Theses, Dissertations, and Other Capstone Projects

“WONDERLAND” is a series of large-scale print and installation work created from 2021 to 2023. This body of work showcases dream-like landscapes, Vietnamese legends and customs blended with American culture to create unique visual narratives. Elements such as mythical animals, the Ly dynasty dragon and ceramics, and the Vietnamese Nom script speak to an almost forgotten culture. In contrast, the carno-lotus (cheeseburger) plant, Walleye, Bobcat, and winter scenery reference life in the Midwest. By combining elements from the two cultures, the artist builds parallel worlds where all living things can sustain and value each other’s differences — a place without …

Found And Fabricated, Molly S. Davis

Graduate Theses, Dissertations, and Problem Reports (ETD)

My MFA written thesis addresses work completed and shown in a thesis exhibition at West Virginia University as well as significant influences to my studio process. While my stated focus is sculpture, the work presented in the exhibition consisted of three sculptural pieces and two sets of prints. This thesis, along with the supporting exhibition, addresses my investigations into the physical properties and tendencies of materials and how that information can guide and inform a work of art. Physical characteristics of the materials such as color, texture, shape, and weight are emphasized and guide the creation of the works in …

Strange Creature, Dagny Walton

Graduate Student Theses, Dissertations, & Professional Papers

Strange Creature is an exploration and renovation of the myth of the American West. I extract elements from the known and recognizable myth of the West and create my own rendition, focusing in particular on themes of transformation and violence. Here in this black mirror world, animals speak out loud, cowboys face down a wildland with eyes, and two suns light up the lonely sky. There is no continuous narrative thread, but each piece is a vignette that takes place in a single shared world. This world is at once familiar and completely alien. I intend to surprise the viewer …

Illustrating Waterfowl At The Wheeler National Wildlife Refuge Through A Tactile Artist Book, Stevie Lee Evans

Honors Capstone Projects and Theses

No abstract provided.

Creating; Kind, Jordan Boutelle

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

As a printmaker, I use the versatility of the medium to create diverse representations of the environment and society each of us are placed in. These contexts are the “tool kit” we are provided to forage together our own identities and relationships. The piece Creating; Kind represents the individual in a moment of time. A set of rigid assets are used to create unique combinations of layered textures, objects, and color that are then cut down to create the element needed for the composition. The contrast between the finite nature of the matrices and substrates used and the …

Imprints: The Marks We Make, Patricia Botts

Graduate Theses

When walking throughout a cemetery, you may notice the small dash on a tombstone between the year of someone’s birth and their death. Have you ever given thought as to how a tiny line can represent so much? Even a small mark, such as the dash, can represent volumes in the entirety of a person’s life and the imprint they leave on those around them. In my work, I use various types of line as symbols associated with representations of life. I am most interested in lines as visual representation of physical and psychological wounds, both newly created and those …

Graphic Scotland: Visuality And Empire, 1810 – 1913, Laura Michelle Golobish

Art & Art History ETDs

Graphic Scotland: Visuality and Empire, 1810–1913 interrogates the aesthetic, technological, and literary conventions used to represent Scotland’s character in nineteenth-century publications. Beginning in the late eighteenth century, publishers, authors, and readers began to correlate the material format of prints, books, illustration, and bookbinding with individual and national character. Periodicals and literature drew the correlations between the aesthetic conventions of picturesque Scottish landscape, physiognomy of Scottish authors, and bookbinding to frame ideas about Scottish character as a didactic model for middle class British and American readers. Thus, Graphic Scotland offers an intertextual reading of three illustrated publications about Scotland–J.R. Osgood’s 1882 …

La Cultura Que No Cambia, Karina Arreola-Gutierrez

MFA in Visual Art

In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about …

Visibility, Jamie Valdez

Electronic Theses, Projects, and Dissertations

I am a woman, activist, artist, mother, and wife. My art practice questions the role of

institutions in disseminating outdated traditions and unfair rituals in relation to women. Bringing

visibility to what is ignored, I create works that are critical to the unfair expectations that society

fosters, expectations which ultimately oppress women vis- -vis the (art) institution. Through

different conceptual strategies, my work questions what society has taught us about gender

roles and explores the pedagogies that our institutionalized education has systematically

perpetuated for women and girls from early educational experiences.

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …