Devastation Experienced When Two Individuals Stop Kissing One Another,
2021
University of Nebraska-Lincoln
Devastation Experienced When Two Individuals Stop Kissing One Another, Isaiah Jones
School of Art, Art History, and Design: Theses and Student Creative Work
The work in Devastation Experienced When Two Individuals Stop Kissing One Another is an excavation of the private self in relation to love and desire and an exploration of the chaos that ensues in their passage. Desire describes a state of attachment to a person, an object, or an idea. It produces a cloud of optimism between that which is desired and she who is full of desire . It presses against need, the obsessive 1 phenomena of all amorous sentiment, and in its dissolution, total devastation ensues2. With this work, I explore my own desires, observations, uncertainty, and anger, …
Chaos And Control,
2021
The University of New Orleans
Chaos And Control, Hilary E. Dugas
University of New Orleans Theses and Dissertations
My anxiety, compulsions, and drive to control my surroundings inspires my work and at times hinders my process. I want to control every aspect of life, and the system of marks are symbolic of this. Printmaking permits me to express the area between control and lack of control, as the processes can be revised from beginning to end. My prints are composed of symbolic marks, which I create from objects that represent my compulsions and spiraling thoughts. The repetition of this indirect medium mimics my compulsive behaviors.
I convey repetitive motion, obsessive thoughts, and actions within my prints by overlapping …
The Infinite Crisis: How The American Comic Book Has Been Shaped By War,
2021
Chapman University
The Infinite Crisis: How The American Comic Book Has Been Shaped By War, Winston Andrus
War, Diplomacy, and Society (MA) Theses
This thesis project argues that war has been the greatest catalyst for the American comic book medium to become a socio-political change agent within western society. Comic books have become one of the most pervasive influences to global popular culture, with superheroes dominating nearly every popular art form. Yet, the academic world has often ignored the comic book medium as a niche market instead of integrated into the broader discussions on cultural production and conflict studies. This paper intends to bridge the gap between what has been classified as comic book studies and the greater academic world to demonstrate the …
Q&A With Zach Fields (Bfa Printmaking),
2021
University of Mississippi
Q&A With Zach Fields (Bfa Printmaking), Zach Fields
Q & A Interviews with Art Students
No abstract provided.
Foraged,
2021
University of Richmond
Flores,
2021
University of Richmond
Study Of Native Colombian Tribes: Art As A Means Of Inspiration,
2021
University of Nebraska - Lincoln
Study Of Native Colombian Tribes: Art As A Means Of Inspiration, Sofia Fernandez
Honors Program: Senior Projects (Public)
Study of Native Colombian Tribes: Art as a Means of Inspiration, examines Latin American art, particularly Indigenous Colombian art as a source of inspiration for the creation of a series of artworks. This project considers two Colombian tribes: Wayuu and Okaina. It emphasizes these tribes’ ancestry, history, purpose, and traditions, with the objective of giving them a voice in a community where they are underrepresented and unknown. This thesis provides a critical look into the tribe’s traditions and artistic techniques through the creation of a variety paintings, drawings, and prints. This body of work concentrates on textiles and patterns from …
Popping (Post)Modernism: Joaquín Torres-Garcia & Latin America's Pop Art Movement,
2021
Claremont Colleges
Popping (Post)Modernism: Joaquín Torres-Garcia & Latin America's Pop Art Movement, Alexandra Branscom
Scripps Senior Theses
Even though the canon of Western Art History has attributed the Pop movement to the US and the UK, artists from around the world have made significant contributions to pop art and formed their own Pop movements. This includes the Latin American pop artists Felipe Ehrenberg (Mexican), Antonio Henrique Amaral (Brazilian), and Juan Dávila (Chilean), who, between the years 1968 and 1974, fled right-wing political unrest of their respective home countries and gained artistic education in dominant, imperialistic countries. These artists subvert the capitalistic, adverting language of pop art to promote the localized political sensibilities of their home countries and …
Together | Apart: Printmaking And The Space Between,
2021
The University of Notre Dame Australia
Together | Apart: Printmaking And The Space Between, Monique Bosshard Curby
Theses
In this practice-led creative research, being both artist and identical twin, I examine sameness and difference in the relationships between two people and between multiple objects/creative works. Through the inherent ability of printmaking processes to produce multiples and the attendant installation opportunities created by punctuated space, I unfold and re-tell a doubled and ambiguous understanding of being in the world. Martin Heidegger’s notion of Being-in-the-world (Dasein) underpins and situates my understanding of being in the world, thrown into a world as an individual, and my existence as a double: being in the world with others. I relate his thinking through …
Replicant,
2021
Minnesota State University, Mankato
Replicant, John Grabko
All Graduate Theses, Dissertations, and Other Capstone Projects
Artist Statement
This body of work explores technology throughout modern history into today, and how it affects society and the people within. There are many sides to technological innovation, and as time goes on it also changes our own priorities; even how we choose to either reject reality or intensify the effects of mass consumerism. Technology can also change the way we look at currency itself, surprise us with an unexpected reality or change what we view as beauty. Within this work I utilize drawing, printmaking, and collage to visualize our observed reality, the implications of the decisions we make, …
Typemaking,
2021
The University of Akron
Typemaking, Rebekah Sorensen
Williams Honors College, Honors Research Projects
The objective of this project is an exploration of typemaking—an analysis including the development of letterforms to the various methods in printing these forms, including the rich history behind these developments—which ultimately results in the form of communication known as graphic design. Research begins with the history of print processes and evolving typographic styles, providing a comprehensive understanding of how typography has been applied as a means of communication, and the benefits to society throughout time. The information is then applied through the digital design of letterpress type, followed by the physical production of these pieces using a range of …
The Hertzog Collection,
2020
University of Texas at El Paso Library
The Hertzog Collection, Claudia A. Rivers
Presentations & Slide Shows
No abstract provided.
Q&A With Adrian Vinluan (Bfa Printmaking),
2020
University of Mississippi
Q&A With Adrian Vinluan (Bfa Printmaking), Adrian Vinluan
Q & A Interviews with Art Students
No abstract provided.
Artist Spotlight,
2020
University of New Mexico
Artist Spotlight, Ben Schoenburg
Hemisphere: Visual Cultures of the Americas
No abstract provided.
(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum,
2020
University of New Mexico
(Review) Indelible Ink: Native Women, Printmaking, Collaboration, Presented At The University Of New Mexico Art Museum, David Saiz, Paloma Barraza
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Disciplinary Frontier(S) Between The “Americas”,
2020
University of South Carolina
Disciplinary Frontier(S) Between The “Americas”, Helen B. K. Marodin
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Severing Union: The Queer Performance Of Steven Paul Judd’S “Stop The Dapl”,
2020
University of New Mexico
Severing Union: The Queer Performance Of Steven Paul Judd’S “Stop The Dapl”, Matthew Irwin
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Table Of Contents,
2020
University of New Mexico
Introduction To Volume Xiii,
2020
University of New Mexico
Introduction To Volume Xiii, Laura Golobish, Andrea Quijada, Amy C. Hulshoff, Eleanor Kane, Breanna Reiss, Jeannette Martinez
Hemisphere: Visual Cultures of the Americas
No abstract provided.
Mexico And The People: Revolutionary Printmaking And The Taller De Gráfica Popular,
2020
Gettysburg College
Mexico And The People: Revolutionary Printmaking And The Taller De Gráfica Popular, Carolyn Hauk, Joy Zanghi
Schmucker Art Catalogs
During its most turbulent and formative years of the twentieth century, Mexico witnessed decades of political frustration, a major revolution, and two World Wars. By the late 1900s, it emerged as a modernized nation, thrust into an ever-growing global sphere. The revolutionary voices of Mexico’s people that echoed through time took root in the arts and emerged as a collective force to bring about a new self-awareness and change for their nation. Mexico’s most distinguished artists set out to challenge an overpowered government, propagate social-political advancement, and reimagine a stronger, unified national identity. Following in the footsteps of political printmaker …
