Trackable Painting,
2019
CUNY Hunter College
Trackable Painting, Jisoo Hur
Theses and Dissertations
This paper describes how I suggest a way to read images in painting by supposing that the gap between paintings can have a new role in the reading. This process consists of three parts that go through references and titles of my paintings.
Beyond Words: Expressive Arts Therapy In Individual And Group Process In Recovery From Trauma,
2019
James Madison University
Beyond Words: Expressive Arts Therapy In Individual And Group Process In Recovery From Trauma, Agnes Carbrey
Educational Specialist, 2009-2019
This paper describes expressive arts therapies that are interventions for the treatment of trauma. A literature review of this broad topic is narrowed to define art therapy used in conjunction with talk therapy, and provides brief examples from dance movement therapy, visual arts therapy, poetry-journaling-storytelling therapy, and sound-music therapy. Recent innovations in the field include the use of body-oriented interventions and group processes. When thinking about trauma, the body is a positive and negative reservoir of memory, and trauma may be trapped in the body. The author reviews the overlap between contemporary art, contemporary dance movement analysis, and forms of …
John Cage’S ‘Rock’ Music: Ecocritical And Performance Considerations In Ryoanji For Solo Oboe And Percussion Obbligato (1983),
2019
University of Southern Mississippi
John Cage’S ‘Rock’ Music: Ecocritical And Performance Considerations In Ryoanji For Solo Oboe And Percussion Obbligato (1983), Everette Smith
Dissertations
In the years following World War II, several American composers began breaking from the confines of music notation relegated to five lines and four spaces. Of particular interest to this study, John Cage (1912–1992) began liberating his compositions from the restraint posed by traditional notation in 1951 with his work Imaginary Landscape No. 4. He continued to create and develop varying systems of graphic notation with his indeterminate works, which became increasingly influenced by his interest in the environment and in South and East Asian aesthetic and philosophical considerations, themselves environmentally influenced. One of the latest products of Cage’s coalescence …
Liable To Change,
2019
University of Arkansas, Fayetteville
Liable To Change, Jody Travis Thompson
Graduate Theses and Dissertations
Liable to Change is a body of paintings in which I explore diverse approaches to the representation of visual space. Depictions of space and movement change throughout the pictures by combining various artistic conventions, such as trompe l’oeil realism and non-objective, geometric abstraction. Oil paint, resin, beeswax, and other materials create built-up surfaces which contain the history of their making. Interaction between various finishes and light on these surfaces changes based on the viewers' proximity to the painting. Images of monkey bars, lattice, golden ratio and flower of life patterns provide a structure through which line, form, and space are …
Give Up The Ghost,
2019
University of Arkansas, Fayetteville
Give Up The Ghost, Hannah T. Mcbroom
Graduate Theses and Dissertations
Give Up the Ghost is a series of six paintings created in Fall 2018 and Spring 2019. The paintings are an introspective examination of transgender subjectivity in visual narrative.
In this paper, I separate the personal and research through first and third person, similarly to how I separate imagery and mark making in my paintings. The paper is broken up into a description of the project, the history and theory which informs the work, and why painting is used to describe bodies and spaces.
Give Up the Ghost refers to giving up social expectations as determined by gender. The paintings …
Preying For A Miracle,
2019
East Tennessee State University
Preying For A Miracle, Hannah Oakes
Undergraduate Honors Theses
For my BFA Capstone exhibition Preying For a Miracle I analyzed the Biblical book of Job found in the Old Testament in relation to my own life. My interest in the Book of Job stems from a human desire to understand suffering, especially suffering that is unprovoked. At the beginning of the book of Job, Job is described as “blameless and upright; he feared God and shunned evil”. (Job 1:1) As the first chapter of the book progresses, Satan comes to God and presents a wager. Satan insinuates that Job is only faithful to God because God has “put a …
Painting And Nature,
2019
Bowling Green State University
Painting And Nature, Truman Chambers
Honors Projects
My works studies the embodied aspects of painting as they relate to nature and natural process.
Effloresce,
2019
Stephen F. Austin State University
Effloresce, Rebecca Lee Schneller
Electronic Theses and Dissertations
Effloresce is a series of oil paintings and charcoal drawings containing the human figure and natural imagery and forms. This pairing represents the intersection of the inner realm of human emotion and spiritual experience with the external realm of nature and the world.
Both contemporary and historical painting and drawing traditions serve as inspiration for this body of work, particularly the natural symbology found in Medieval and Renaissance Art. I employ painting techniques inspired by contemporary painters Alex Kanevsky, Mia Bergeron, Helene Delmaire, and Zoey Frank, as well as historical painters John Singer Sargent, Joaquin Sorolla, Rembrandt Van Rijn, Lucian …
Changing The Channel: A Study Of Agenda, Immersion And Social Commentary In Art,
2019
University of Central Florida
Changing The Channel: A Study Of Agenda, Immersion And Social Commentary In Art, Nicholas Kalemba
Electronic Theses and Dissertations
This thesis examines the concepts and ideas that pervade my body of work in painting. These concepts include immersion and scale, interactions in space, harmony and disunity, flat and dimensional space and perhaps most importantly, ambiguity. I intentionally use these formal devices to create immersive environments that appear as a familiar but skewed version of reality. By forcing together disparate languages of visual representation into the theoretical space of a painting, I strive to expose some of the humor and decay of our social institutions. In using the format of collage, my paintings have the opportunity to incorporate a wide …
1999 Aaa Jrpg Quality And How A 2019 Indie-Game Developer Can Meet It,
2019
California State University, Monterey Bay
1999 Aaa Jrpg Quality And How A 2019 Indie-Game Developer Can Meet It, Kailynn Haskell-Harbert
Capstone Projects and Master's Theses
This paper is a delve into 1999 JRPG AAA video games and how small developers can make something of similar quality with contemporary technology. This is explored by using Final Fantasy VIII and Lunar: Silver Star Story Complete as a 1999 AAA standard, then comparing that standard to modern indie-games as well as my own experience in indie-game development. The ultimate goal of the paper is to prove that small indie-game studios can create 1999 AAA quality JRPGs with relatively minimal investment.
Vincent Van Gogh's Wheatfields And Piet Oudolf's Meadows: Color, Contrast And Change In The Landscape,
2019
University of Arkansas, Fayetteville
Vincent Van Gogh's Wheatfields And Piet Oudolf's Meadows: Color, Contrast And Change In The Landscape, Erin A. Cox
Landscape Architecture Undergraduate Honors Theses
This capstone investigates the unique relationship between Vincent Van Gogh and planting designer Piet Oudolf's vibrant use of color and contrast in their work as it relates to their perception of the landscape. The project is mainly a comparison of the two artists, exploring Van Gogh's use of complementary colors and brushstroke techniques to create vivid contrast in his renderings of agrarian landscapes, and Oudolf's parallel approach to creating painterly meadows and prairie gardens. The project focuses on Van Gogh’s study of wheat field landscapes, which are essentially the same in structure and composition but can be used to compare …
My Spring 2023 Honors Thesis,
2019
East Tennessee State University
My Spring 2023 Honors Thesis, Callie Honaker
Undergraduate Honors Theses
For my thesis project, I displayed fifteen printed photographs of self-portraits that I have made outside of class. In these self-portraits, I have applied special effects makeup to my face to create different portrayals of myself. These range from more abstracted makeup to characters. The majority of these makeups are from the chest up and created with face paint and self-made prosthetics. In this imagery, I have also chosen accessories and the background to coincide with the makeup and the mood that I am conveying. Minor adjustments have been made digitally in order to enhance how the image comes across. …
The Buried Body,
2019
DePauw University
The Buried Body, Oscar Morel
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Plein Air Painting In An Anthropocentric Era,
2019
University of Tennessee at Chattanooga
Plein Air Painting In An Anthropocentric Era, Emily Marie Charles
Honors Theses
Our relationship with the natural world is defined by our set conceptions of it. These conceptions tend to objectify and idealize nature and fuel the anthropocentric era we live in. Ecophenomenology provides us with a new way of interacting with the earth; this school of thought revolves around reshaping our perceptions of the natural and developing a symbiotic relationship with it. This exchange that happens between us and the earth is invisible, so engaging in it can seem absurd and a bit abstract but in understanding that the world acts upon us as we act upon it, the agency that …
Bath Time,
2019
DePauw University
Bath Time, Samantha Goodale
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Untitled,
2019
DePauw University
Untitled, Samantha Goodale
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
M0mentary Lapses,
2019
East Tennessee State University
M0mentary Lapses, Alice Salyer
Electronic Theses and Dissertations
The artist discusses her Master of Fine Arts exhibition Momentary Lapses, held at Tipton Gallery, February 25-March 8, 2019. The mixed media works and video examine the intersections between digital, somatic and societal decay through the mediation of the digital image by physical anthropogenic efforts.
Themes in the work include glitch art and theory, entropy, memory, decay, and loss. Contemporary American society’s desensitization associated with the oversaturation of digital imagery is discussed, as well as Guy Debord’s theory of the Spectacle, and the artistic practices of Kurt Schwitters and Robert Rauschenberg.
Throne,
2019
DePauw University
Throne, Joslyn Fox
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Untitled 2,
2019
DePauw University
Untitled 2, Daniela Chapparo
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
Diego Rivera-Throwing Eggs,
2019
DePauw University
Diego Rivera-Throwing Eggs, Summer Pappachen
A Midwestern Review: A Magazine of the Arts and Issues at DePauw University
No abstract provided.
