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Crushing Caution, Lindsey Day 2019 University of Nebraska-Lincoln

Crushing Caution, Lindsey Day

School of Art, Art History, and Design: Theses and Student Creative Work

I am preoccupied with the nuances of ordinary risk. I view this not as paranoia, but as prudence. To live without fear is a privilege, to be arrested by it is paralyzing. I often encounter two competing ideologies, two lenses, through which risk is evaluated. The first lens is for the victim, the person being crushed by, or blinded from, cautiousness. They see life as something happening to them, and avoid active risk-taking. The second lens is held by the person dominating apprehension, taking action in spite of consequence. I am inclined to find and maintain a balance of these …


'Blind Consumption' And 'Squished' Series, Olivia Carlson 2019 University of Minnesota - Morris

'Blind Consumption' And 'Squished' Series, Olivia Carlson

Undergraduate Research Symposium 2019

My work explores humankind’s complicated relationship with the natural world, bringing attention to the sometimes heedless or reckless interactions between humans and insects or nature, and broader issues of a viewer’s role in the environment. Within this larger theme, my subjects are human figures and insects, separated visually, but related by ideology. These humans are using their smartphones (their bodies are slouching, necks bent awkwardly), but where their dead-looking eyes would be, are a species of fungi called cordyceps. The cordyceps fungus doesn’t infect humans in real life but is parasitic on insects. The fungus attacks and invades the host, …


A Dark Side, Gilbert Hu 2019 Collin College

A Dark Side, Gilbert Hu

Forces

No abstract provided.


2019 Forces, Scott Yarbrough 2019 Collin College

2019 Forces, Scott Yarbrough

Forces

No abstract provided.


Bad Flood, Good Colors, Gilbert Hu 2019 Collin College

Bad Flood, Good Colors, Gilbert Hu

Forces

No abstract provided.


Conversation?, Gilbert Hu 2019 Collin College

Conversation?, Gilbert Hu

Forces

No abstract provided.


Painting Down, Claire Stankus 2019 University of Connecticut

Painting Down, Claire Stankus

MFA Statements

No abstract provided.


Para Ti, Ashley Lothyan 2019 Claremont Colleges

Para Ti, Ashley Lothyan

CGU MFA Theses

This group of work draws from family photos that are over 15 years old, chosen from when I was born to the age of ten. Torn, wrinkled, and discolored, these photographs influence how I paint immediate family members, locations I grew up in, and myself.


Homesick, Eloisa Garcia-Caro 2019 Humboldt State University

Homesick, Eloisa Garcia-Caro

Toyon: Multilingual Literary Magazine

N/A


African Affinity Mask, Giselle M. Strauss 2019 Humboldt State University

African Affinity Mask, Giselle M. Strauss

Toyon: Multilingual Literary Magazine

N/A


Artistic Syncretism In Latin America: From Olmec To Spanish Colonialism, Nicole Timm 2019 University of Nebraska - Lincoln

Artistic Syncretism In Latin America: From Olmec To Spanish Colonialism, Nicole Timm

Honors Program: Senior Projects (Public)

The purpose of this paper is to provide a historic and systematic review of colonial Latin American art. The first half will focus on the ancient arts created by the ancient civilizations that sculpted culture in Latin America centuries before the Spanish were aware another continent existed. The latter portion of the paper will look to the post-colonial period. It will begin by delving into the influence of European artistic styles blending with Latin American culture and style of painting and vice versa. The final goal of this paper is to uncover the syncretism that took place across Latin America …


Exhibition Catalog For Learning To Count To One; Can The Center Hold? Tesserae @ .25 : .5 : 1 : 2 : 3 : 4 : 6 : 12 : 24 : 48 : 72 : 96 : 120. Attraction And Entanglement, Ron Mills-Pinyas 2019 Linfield College

Exhibition Catalog For Learning To Count To One; Can The Center Hold? Tesserae @ .25 : .5 : 1 : 2 : 3 : 4 : 6 : 12 : 24 : 48 : 72 : 96 : 120. Attraction And Entanglement, Ron Mills-Pinyas

Exhibition Catalogs, Essays, and Related Materials

This catalog provides information on the exhibit Learning to Count to One; Can the Center Hold? Tesserae @ .25 : .5 : 1 : 2 : 3 : 4 : 6 : 12 : 24 : 48 : 72 : 96 : 120. Attraction and Entanglement, by Ron Mills-Pinyas. This exhibit was presented by the Linfield Gallery and the Department of Art at Linfield College from February 8 through March 23, 2019.


Sex Is Always On The Table, Jordan D. Artim 2019 CUNY Hunter College

Sex Is Always On The Table, Jordan D. Artim

Theses and Dissertations

This paper examines my work parallel to the formal and symbolic qualities of Renaissance painting, specifically the work of Bronzino. Through understanding the visual representation of the queer community throughout art history, harkening back to specific artists such as Paul Cadmus and Robert Mapplethorpe, my work attempts to find new ways of representing queer experience that extends beyond eroticism and the sexual gesture.


North American Data, Joseph A. Burwell 2019 CUNY Hunter College

North American Data, Joseph A. Burwell

Theses and Dissertations

North American Data fractures and reconfigures pre-existing narratives into new, unauthorized forms of storytelling. Core samples extracted from various narrative sources are reassigned new roles according to their proximity to each other. This paper functions as an introduction to the essential actors and their dramatic inclinations within fluctuating scenarios.


Constraint And Control, Patricia Ayres 2019 CUNY Hunter College

Constraint And Control, Patricia Ayres

Theses and Dissertations

I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.


Umberto Boccioni's States Of Mind, Sonya Shrier 2019 CUNY Hunter College

Umberto Boccioni's States Of Mind, Sonya Shrier

Theses and Dissertations

This thesis examines Umberto Boccioni’s series the States of Mind (1911) and discusses how these works represent a breakthrough in the artist’s search to find a pictorial expression for concepts that occupied him throughout his career. The States of Mind exists in four complete iterations each comprised of three images: The Farewells, Those Who Go and Those Who Stay.The first set of oil paintings, begun in late summer of 1911, are in the Divisionist style and are in the collection of the Civica Galleria d’Arte Moderna in Milan. A set of charcoal and contè drawings on paper, likely completed in …


Anywhere Out Of This World, Amanda C. Brown 2019 CUNY Hunter College

Anywhere Out Of This World, Amanda C. Brown

Theses and Dissertations

This essay discusses my paintings alongside Merleau-Ponty's theories of perception and the history of form and color in painting. The relationship between perception and color is examined in the work of Paul Cézanne, Hans Hofmann, and Luis Barragán, along with Henri Matisse's Chapel of the Rosary.


Archaeology Of Social Patterning, Chase Bray 2019 CUNY Hunter College

Archaeology Of Social Patterning, Chase Bray

Theses and Dissertations

The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.


The Social Role Of The Artist, Gabino A. Castelan 2019 CUNY Hunter College

The Social Role Of The Artist, Gabino A. Castelan

Theses and Dissertations

Gabino A. Castelán, tells a personal story of loss that influenced his artistic practice. He embraced this narrative to create two projects “Practice of Everyday Life-205 (PoEL-205) and the formation of a temporary collective called, Cultural Workers. He presents two case studies of twenty-first century artists, whose projects have business models that allow them to function in social roles during political and social turmoil. "Conflict Kitchen" and "Rebuild Foundation" provide context about running for-profit and not-for-profit artistic practices. Castelan writes about these projects' influencing his artistic practice in general.


Albino Hinojosa Collection, University Archives and Special Collections, Prescott Memorial Library, Louisiana Tech University 2019 Louisiana Tech University

Albino Hinojosa Collection, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

Manuscript Finding Aids

Drawings, sketches, paintings and graphic works by Albino Hinojosa during his time at Louisiana Tech University.


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