Art and Design Commons^™

Draw To Breathe, Ranran Ma

Masters Theses

This thesis explores visual expression in drawing as an intuitive mode of thinking suited to everyday life—a form of expression that runs parallel to language and surpasses it.

The project begins with a daily Post-it note drawing practice. These drawings often emerge before conscious understanding, subsequently accompanied by brief text, allowing image and word to resonate through emotion and intuition. Through the use of small-scale, portable, low-pressure materials, and with immediacy and intuitive freedom as the foundation of making, a visual language system grounded in the self develops. Through this sustained practice, I developed an instruction-based card system titled Draw …

All The Hours Of Light, Isabel Horgan

Masters Theses

My wisdom teeth were extracted in November 2025. I put it off for 5 years. In 2019, my first wisdom tooth emerged as a blood blister. It grew through a vein. I attempted to pop the blister, but instead pulled on the vein, which was so viscerally disturbing that I almost fainted. Every night that followed, I stood at the mirror over the bathroom sink and poked at it. Eventually, enough of the tooth showed that I needed to scrape stuff out of the crevices. It resulted in about a year of having a hole in my mouth that I …

Between Seeing And Knowing, Pavol Roskovensky

Masters Theses

Abstract

For me, painting often begins with an experience of the world that cannot immediately be explained. As a child in Slovakia during the Velvet Revolution, I saw a flag disappear from the town square and a new one take its place. What changed was color and proportion; but the feeling of the space and my relation to it changed completely. That moment has stayed with me because it revealed something I continue to believe: before language, before explanation, visual form has the power to move us.

In my practice, I approach painting as a site of perception, discovery, and …

The Root Over My Eyes, Shiyeon Monk

Masters Theses

What does it mean to have a body? To touch, to breathe, to taste, and perceive all the things that make up a person, how does it feel to recognize the physical bounds your mind is enclosed in? To me—a woman, a bisexual woman, a biracial bisexual woman, an immigrant biracial bisexual woman, a Black and East Asian immigrant biracial bisexual woman—each of these markers feels heavy with its own context of history, location, and interpretation. Too many times have I wondered what it is like to be within a body accepted as a midpoint.

I make work out of …

The Maroon Cycle, Lloyd-Princeton Cangé

Masters Theses

The key element that ties most of the major franchises together, whether the IP is a YA series or a videogame is the epic story or epic poem. From The Iliad and the Odyssey to Dragonball and Demon Slayer, the epic is a wellspring of endless iteration. Here, language does not merely buttress and support the work, as is often the case in contemporary art, but language is the narrative, the direct source material. The epic poem that is The Maroon Cycle will consist of both prose stanzas and images in the form of paintings, drawings, collages, prints, and photographs. …

چھپن چھپائی (Chupan Chupai), Muhammad Talha Mr

Masters Theses

Baji, how do you breathe in a burqa? Doesn’t it suffocate you? Don't ask too many questions, walk straight, and don’t let go of my hand. Men were standing in the street, and she was trying to avoid them, walking as fast as she could, almost dragging me. I saw a big wedding tent. It was a multi-colored, red, yellow, blue, and green pattern. I asked baji, Is that where we are going? She nodded in affirmation. The tent was beautiful. I saw kids peeking inside the tent, and it reminded me of a time when I was doing the …

Huh? Wow!, Lieyah Dagan

Masters Theses

I view design as a series of gestures: actions through which ideas are processed, refined, and communicated. Barbara Tversky, an American psychologist, describes gesture as a way of thinking through action, where movement becomes part of how understanding is formed (Tversky). In this sense, gesture is not only a means of communication between people, but a way of understanding and responding to the world through action.

My process begins with noticing—observing things in the world and returning to moments that hold a particular quality or possibility. Many of the things that draw my attention carry traces of movement or manipulation: …

Sous-Bois, Spencer G. Peterson

Masters Theses

This thesis explores furniture as a dynamic site of belief production.  Compressed theatrical ecosystems where image, object, and body collapse into one another.  These objects will not offer clarity and they will not restore order.

But they also mask nothing.

Compress, layer, stage, repeat.

Oscillate between seen, felt, and believed.

Companionship, Certainty, Integrity, Chandler C. Curtis

Masters Theses

being around people who surprise me, realizing how different we all are, broadening my conception of the world and my corner of it; being kind and considerate, giving others grace; being given responsibilities; being honest with and for myself; braiding my hair collecting free things; critique discussions and any setting to diligently read objects; Culton; dancing; doing sudoku or other ‘hackable’ puzzle; doing things that seem impossible, especially for someone else; drying off with a towel that absorbs well, particularly after a cold shower; eating cantaloupe; encouraging others to trust themselves, using my experiences to support someone else's journey; exchanging …

Household Hegemon: Domestic And Affective Traces Of Us Influence In Mexico In The 1950s And 1990s, Edgar Solórzano

Masters Theses

“Household Hegemon: Domestic and Affective Traces of US Influence in Mexico in the 1950s and 1990s” is a collection of personal essays, historical research, and fictional texts that examine the impact of US-American soft power on Mexican society. This project expands and deepens the research and work developed during my two-year MFA in Sculpture at RISD, evolving material investigations into a comprehensive written and visual record of the 1950s post-WWII boom and the 1990s post-NAFTA transition. These two decades not only represent the most significant in terms of American influence but also the years in which my parents and I …

Perceptual Heterotopia: A Spatial Experience Through Light, Media, And Textiles, Anne Yeoji Kim

Masters Theses

This study originates from sensory experience of observing sunrises and sunsets. Although the space in which these phenomena occur remains constant, it is perceived in different ways due to changes in the light that enters the space at these times. From these sensory experiences, the study began to inquire into the relationship between reality and the ideal. From this inquiry, it evolved into an exploration of how the ideal, or utopian, could be experienced through the senses within the realm of reality.

The concept of a heterotopia, as proposed by Michel Foucault, was used to expand upon these issues. A …

Countersense, Avrie Allen

Masters Theses

countersense is an engagement with embodied experience, the conditions that shape it, and the sense we make of it. countersense is a counterhegemonic practice of sense-making in graphic design, performed between perception and meaning-making, self and material conditions, and always foregrounding what politics are chosen as a result of the personal.

Situational 情境中, Jo Zixuan

Masters Theses

The Chinese title of this book 情境中 (qíng jìng zhōng) translates directly to within the situation. Yet separately as three individual characters, qíng jìng zhōng means emotion, scene, within. A situation in my language is inherently an emotional scene, which requires us to account for more than the objective conditions, such as the geographical, economic, and social circumstances, as well as the subjective and affective experiences of individuals.

How can design analyze the context of given situations and construct new situations? The key terms organizing this book describe a movement. Site establishes the levels of context in which any …

Sites Of Departure, Kevin Tomas

Masters Theses

At all scales of human history, there exists a record: The story of how things came to be. An infinity of interconnected traces that thread the intimate and the immense into a single fabric.

Beginning from distinct points of entry, Sites of Departure explores the axes of resolution and scale in documentation, asking what becomes visible when the instruments of the dominant record are set aside. Moving between recovery and confrontation, the work questions the structures that produce our understanding, while creating new documents for future interpretation—all against the reality that to make a claim, is to claim some truth. …

Frameworks, Hailey Lee

Masters Theses

Put on a pair of glasses. What do you see? People? Trees? Cars? Buildings? Now focus on the glasses themselves. Can you see the frame? Why is it that you donʼt notice it until now?

Glasses make the world feel clearer, sharper, more accurate. But what youʼre seeing is always a view inside a frame. The glasses give you a frame, and show you the world through it. Once you get used to that frame, you forget that everything you see is already inside one. Most of us forget that the frame of our glasses is always there—at the edge …

Mirth, Lauren Schell Farias

Masters Theses

In an era defined by unease, uncertainty, paranoia, distrust, and literal, limitless, and constant surveillance, the human condition has been sliced in half, scraped out, and plopped down to rot under a microscope and then sold skincare because we can see it’s crow’s feet. It’s not a pretty picture. If we zoom in a little and look at the minutiae…it’s even worse. But! If we zoom out a little bit after we zoomed in and try to get the focus right, it’s possible to distinguish the little squiggly shapes of joy.

If you can’t quite make that out, you might …

Seeking Ground, Shrishti Chatterjee

Masters Theses

Design increasingly sits within modern systems that reduce the world to narrow, instrumental categories. A tree is paper, the sky is a clock, an ant is a pest. And a graphic designer is a visual marketer optimising for reach and engagement. This leaves the designer without a sense of their place in the world.

Seeking Ground asks how we might return to a more rooted practice. Physically, the ground is the solid surface on which all other things rest. Conceptually, it is the foundational premise from which knowledge is derived. To be grounded is to be connected to real-world implications …

Optimalism, Clara F. Cayosa

Masters Theses

Optima. Optimal. Optimism. Optimalism.

Optima is a humanist typeface created by designer Hermann Zapf (German, male)

Optimal is what design—and life—in 2026 wants to be: maximum productivity, maximum output. But optimal for whom, and by whose measure?

Optimism is what you find in jeepney decalomania, or sari-sari store signage in the Philippines. It is the joy of everyday making, an assemblage of color and humble material. In Clara Balaguer’s words: of turning shit into gold.

Optimalism is my (Filipino, female) thesis; an accumulation of what I've learned trying to persist in graphic design. This is …

Just Between Us (And Everyone We Tell...), Deborah Khodanovich

Masters Theses

Graphic designers are often obsessed with a broader public. The desire to be seen, to be heard, to have our work reach the broadest audience possible—these are goals deeply ingrained in our discipline. But why? Just Between Us (and everyone we tell…) challenges us to abandon this fixation, proposing instead that graphic design should concern itself with the private—the intimate, the local, the unseen.

This is where gossip comes in. Gossip is the language of the invisible, a form of sharing, and a means of knowledge-production and preservation that has historically been dismissed as frivolous, immoral, and—most egregious of all—associated …

\N: Playground Of Digital Interventions, Thea Kim

Masters Theses

How do we live within the digital world? Is the space a tool, a refuge, a playground, or something so deeply embedded that we no longer notice it at all? The digital strives to disappear. In becoming invisible, it becomes harder to question, quietly reorganizing how we perceive, act, and relate.

Yet, the digital was not always encountered this way. There were moments when we explored the web, hacked it, and played within it — out of our own curiosity, mischief, or simple pleasure. These practices, often informal and unintentional, expanded the medium from within, stretching what it could hold …