Erotica Botanica,
2010
Rhode Island School of Design
Erotica Botanica, Catherine Michaelis, Special Collections, Fleet Library
Artists' Books
16 unnumbered pages : illustrations. Artist's book written, designed and created by Catherine Michaelis. Limited edition of 40 copies, signed "Catherine Alice" by the artist. "Enter the sensual Erotica Botanica through an unfolding caress of its leaf shaped pages. Delicate flowers with enticing organs float up from the folds above a bed of leaves and seed pods. Erotic verse, written by flowers and pollinators, inspires the viewer to contemplate the sexual desire of plants."--May Day Press blog, viewed 12/6/10. The deluxe edition ... has a ... wrapper with supporting top and bottom flaps and five pop-ups, (one delicately concealed in …
Konglish,
2010
Rhode Island School of Design
Konglish, Jana Sim, Special Collections, Fleet Library
Artists' Books
28 unnumbered pages : color illustrations. Limited edition of 32 copies, signed and numbered by the artist. "This book is about the differences between how language is observed and interpreted. My focus is on three languages which are Korean, English and Konglish (Korean + English) ... There are short, humorous stories in each language that I have personally experienced based on the differences of the languages and how they function in different cultures ... Two laser cut volvelles ... have mixture of both Korean and English alphabets. The book will be very different depending on what language you are able …
Sheets,
2010
Rhode Island School of Design
Sheets, Dolores Connelly, Jessica Spring, Springtide Press, Special Collections, Fleet Library
Artists' Books
4 leaves (folded into house shape). "Sheets is a cycle of haiku by Dolores Connelly, each poem capturing a moment within a season. These haiku are excerpted with permission of the author from A Twisted Balance, One-Line Haiku and a Few Senryu, an unpublished collection of one hundred haiku dedicated to people forced from their homelands or houses"--Colophon. Title and statement of responsibility from colophon printed on the inside bottom of the cardboard box. "The text and ornaments are handset and letterpress printed on handmade abaca [paper] and housed in boxes made with Paper Studio's recycled cardboard box paper .. …
River D: The Shortest River In The World,
2010
Rhode Island School of Design
River D: The Shortest River In The World, Jill Timm, Mystical Places Press, Special Collections, Fleet Library
Artists' Books
[12] pages : color ill., map . "Limited edition of 32."-- Colophon, page [3] of cover.
Dirty Baby / By Ed Ruscha, Pictures ; Nels Cline, Music ; David Breskin, Ghazals.,
2010
Rhode Island School of Design
Dirty Baby / By Ed Ruscha, Pictures ; Nels Cline, Music ; David Breskin, Ghazals., Edward Ruscha, Special Collections, Fleet Library
Artists' Books
A33, B33 leaves : color illustrations; 4 compact discs. Side A and Side B are inverted and bound tête-bêche style. United States dime is imbedded on the cover of side A. Concept & design by David Breskin. The accompanying spoken word CDs feature the author reading his ghazals, the texts of which are printed in this book. Side A: For Dave Hickey. Side B: For Kareen Rashad Sultan Kahn, February 12, 1987-August 6, 2007, in memoriam. SUMMARY "Dirty Baby" is a collaboration between the paintings of Ed Ruscha, the music of Nels Cline, and the poems of David Breskin. The …
The Model Architect: The Panic Of '09,
2010
Rhode Island School of Design
The Model Architect: The Panic Of '09, Karen Hanmer, Special Collections, Fleet Library
Artists' Books
drum leaf binding variation in hard cover, with leather spine; cover; interior spreads and pages. Samuel Sloan's 1852 publication of model designs for houses is updated with this reflection on the current US housing crisis.
Local Conditions: One Hundred Views Of Mount Rainier (At Least),
2010
Rhode Island School of Design
Local Conditions: One Hundred Views Of Mount Rainier (At Least), Chandler O'Leary, Special Collections, Fleet Library
Artists' Books
1 container box, 120 card-sized prints, 1 guide (50 pages). Consists of 120 card-sized prints in a container box (20 x 26 x 19.5 cm) and a viewing box with slats for inserting the cards to create different views of Mount Rainier. The container box has three drawers, two of which contain the cards and the last containing the viewing box and a guide to the cards called "Locator key." The top of the container box is a viewing platform to hold the viewing box. The container box is inserted in a five-paneled wrapper printed on the interior with an …
The Inventories,
2010
Rhode Island School of Design
The Inventories, Sue Johnson, Special Collections, Fleet Library
Artists' Books
four miniature books; miniature books, accordion with board covers. Sequences of images from ephemera and original drawings in unusual juxtapositions, creating a kind of "visual poetry".
Come-See-Me Festival Records - Accession 815,
2010
Winthrop University
Come-See-Me Festival Records - Accession 815, Come-See-Me Festival
Manuscript Collection
The Come-See-Me Festival Records consist of records and memorabilia from the Come-See-Me Festivals since its founding in 1962. The collection contains correspondence, newspaper clippings, photographs, financial reports and papers, promotional materials, and other records and material chronicling the development of the Come-See-Me Festival in Rock Hill, SC.
Watts Towers Conservation,
2010
San Jose State University
Watts Towers Conservation, Jo Farb Hernandez
Faculty Publications
No abstract provided.
Miscellany,
2010
Georgia Southern University
Miscellany, Alla Parson, Laura Williams, Christina Byrd, Marielle Williamson, Adam Pace, Hannah Clough, Brent Williams, Michelle Parker, Michael Johnson, Jessica Eanes, Courtney Bradshaw, Patricia Quilichini, Kenny Olowoyo, Danielle Scudder, Andrew Carr, Megan Morris, Luke Easterwood, Thomas Akins, Xavier Best, Robby Hurd, Christopher Kraekeel, Essence Jones, Porsche Bridges, Heather Jones, Gerrard Davis, Patrick Lewis, Mary Cooper, Christina Curry, Katie Brookins, Kate Beasley, Patrick Shuler, Jonathan Moore, Christina Riley, Leigh-Anna Spivy, Keith Warburg, Clayton Cunningham, Heather Waldron, Laura Pallini, Susie Roupe, Bridget Hanney
Miscellany
- Art
- Writings
- I Believe
- Roy F. Powell Awards
Miscellany,
2010
Georgia Southern University
Miscellany, Lisa Ragsdale, Haley Johnson, Amy Dexter, Danielle Schudder, Jessie Frary, Laura Williamson, Kaylee Landress, Sydney Chapman, John Pope, Anna Ford, Ryan Caronongan, Lee Guentert, Jacob Riley King, Kate Felzien, Chad Cleand, Michael Carter, Kayla Hurley, Ben Mitchell, Philip Clements, Robby Hurd, Zachary Pullen, Latoya Davis, Xavier Best, Jennifer Maldonado, Jason Newton, Brandon Giuella, Thomas Akins, Benjamin Easterwood, Megan Sutherland, Michael Sapp, Stella Oloyede, Matthew Lane, Neeka Burns, Heath Harrington, Patrick Schuler, Patrick Lewis, Christina Lyn Riley, Gracie Kessenich, Victoria Evans, Gerrard Davis
Miscellany
- Art
- Writing
The Logic Of Objects,
2010
University of Nebraska-Lincoln
The Logic Of Objects, David B. Eichelberger
School of Art, Art History, and Design: Theses and Student Creative Work
The human mind assimilates information and experiences quickly and constantly, and is aided by mental systems that we rely on to function. We classify the input of our lives with extreme efficiency. Our notions about the things we encounter in the world are learned from past experiences, and these expectations help us file the data of our lives. My work is composed to create pause. I am interested in slowing down the processes of assimilation by manipulating our expectations, and extending events measured in microseconds into saturated and engaging experiences. Functional qualities, visual rhythms, and exaggerated proportions are some of …
Extra Ordinary,
2010
Virginia Commonwealth University
Extra Ordinary, Lana Waldrep
Theses and Dissertations
The title of this thesis Extra Ordinary is intentionally ambiguous. Depending on how you read it, it can refer to either the very ordinary or to that which is outside of the ordinary.The works described within these pages functions similarly. From person to person and with time they move from the ordinary to beyond and back again. How can something be both mysterious and understood at the same time? How can I as a painter create a space where diametrically opposed forces can coexist and what is the effect of viewing such an object? This thesis addresses these issues with …
A Verbal Snapshot Of Visual Scrutiny Primarily In The Sphere Of Art,
2010
Virginia Commonwealth University
A Verbal Snapshot Of Visual Scrutiny Primarily In The Sphere Of Art, Matthew Alverson
Theses and Dissertations
Finding and extracting meaning from the world I encounter every day is the primary motivation behind my creativity. Filtering perception and separating the important bits of information by selection or elimination is the crux of this investigation. This process is one of finding rationale in futility and applying meaning to meaningless encounters. The significance of life is not fixed and it is our responsibility to make it up to best suit the desire to have purpose. Depending on the way something is looked at determines the meaning behind it. Anything can have content if it is seen and translated a …
Detect, Bite, Slam,
2010
Virginia Commonwealth University
Detect, Bite, Slam, Ali Miharbi
Theses and Dissertations
This paper explores the influences, ideas and motivations behind my MFA thesis exhibition. It primarily focuses on how I developed my work for the show in connection to my previous work as well as work created by other artists who explored the impacts of new media in the last decade. With the advancement of social media, digital technologies no longer have their infamous coldness. Our perceptions and the metaphors in language are all reflected onto the machines we create while in return they also shape and redefine our lives. It becomes increasingly difficult to talk about dialectics such as machine-human, …
Altered Interactions,
2010
Virginia Commonwealth University
Altered Interactions, Kristen Rego
Theses and Dissertations
Surrounding materials, signage, and detritus on the daily path offer plenty to look at, if not too much. The eye seeks comfort in its passive vision by ignoring its peripheries. Identification of my personal vision reveals itself through the manipulation of ignored material. I consider hand-made vs. machine made, singular vs. the multiple particularly in plastics, packaging and other utilitarian objects. Industrial processes influence my one-person operation. Understanding the way objects are made allows for an opportunity to connect with them. I’m already surrounded by them, the least I can do is get to know them better.
Dreamfall: The Fleeting-Ness Of Memory,
2010
Virginia Commonwealth University
Dreamfall: The Fleeting-Ness Of Memory, Hon Chen
Theses and Dissertations
My work seeks to simulate the impermanence of memory, through the creation of structures and images that translate the mind’s formless but living past into physical material and sensation. The need to search for the missing six years of my childhood memories in Thailand has been the driving force behind the works, along with the lingering emotions of emptiness and unfulfillment. I create multimedia installations with materials, such as plaster, pvc panels, acrylic, polycrylic and dura-lar, to structurally realize a subject as intangible and elusive as memory. Issues of duality, identity, impermanence and memory are underlying themes for my thesis …
Journeys Into The Unknown: A Series Of Science Architecture Tasks And Events, Space-Bound Explorations And Far-Travels, Discoveries And Misses (Near And Far), Imaginative Space-Gazing And Related Investigations, Observations, Orbits, And Other Repetitious Monitoring Tasks,
2010
Virginia Commonwealth University
Journeys Into The Unknown: A Series Of Science Architecture Tasks And Events, Space-Bound Explorations And Far-Travels, Discoveries And Misses (Near And Far), Imaginative Space-Gazing And Related Investigations, Observations, Orbits, And Other Repetitious Monitoring Tasks, Leah Beeferman
Theses and Dissertations
This thesis expansively and inclusively puts forth the imaginings, research, processes and experiences behind my two thesis exhibitions, "Journeys into the unknown: a series of science architecture tasks and events, space-bound explorations and far-travels, discoveries and misses (near and far), imaginative space-gazing and related investigations, observations, orbits, and other repetitious monitoring tasks" and "Timed travel: asystematic accounts of regular and geometrical timekeeping, orbital flight, repetitive rotations and other journeys into actual time and slow space." It begins with an abstract interpretation of the dial: a tool not limited to scientific measurement but, instead, a gauge of an object’s overall position …
A Post-Communist Picnic,
2010
Virginia Commonwealth University
A Post-Communist Picnic, Yi Sheng
Theses and Dissertations
Signaling the moon, packing balls of mud, carving a big sphere, cleaning with a giant unwieldy mop, playing with indigo, wrangling cardboard, setting sunflowers ablaze, playing a tune with a soda bottle, taking a walk with other people’s laundry, kindling smoke signals, weaving a bed, cracking seeds all night, listening to sleep, dressing a plant, these are some of the activities that have been incorporated into my work over the last two years. Most ideas begin in the studio and then are realized outside. Many of the tasks mentioned allow me to easily integrate into a crowd, where the project …
