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Placemarks : Environments And Aesthetics, Department Of Visual Studies, Lingnan University

Conference Exhibition

Preface

Visual Studies at Lingnan University answers the growing interest in Arts & Humanities research with relevance to society by emphasizing environmenal aesthetics, Chinese art, Art and Well-being, and "research expression." The exhibition "placemarks" is an example of research expression, for each of the works on display is a response to a clear question: "What Environment Do We Want?" This question defines the focus of the conference to which the exhibition, and the exchanges that it facilitates, contribute by means other than traditional forms of scholarly talk.

In organizing the conference titled "What Environment Do We Want? Environmental Aesthetics and …

Relics And Constellations: Hybrid Work Of Paul Catanese, Robert And Elaine Stein Galleries

Exhibition and Program Catalogs

This catalog is from an exhibition of work by artist, Paul Catanese. Originally held at Robert and Elaine Stein Galleries at Wright State University from October 23, 2011 through January 8, 2012.Relics and Constellations, features a collection of different works in a variety of media that range from prints, to modified Gameboy Advance consoles, to site specific installations.

Possible Symbolics 33, Stephen Andrade

Computer Graphics Department Faculty Publications and Creative Works

Professor Steve Andrade is continuously experimenting in a wide range of visual arts and technology. He is an avid researcher in the areas of interactive technology, gaming, modern visual metaphor, archeology, fine arts, Western geology and the sociology of technology space.

When he is not teaching or conducting projects at the University, Professor Andrade can be found traveling or working in his studio (pictured here). His artwork includes digital imaging, graphic art posters, virtual space planning, information graphics, 2d and 3d sculpture, representational sketching, realism, video and his current passion - abstract modern painting with a hint of allegory. He …

The Designer Who Started A Print Revolution. Remembering Steve Jobs., John O'Connor

Articles

Article commissioned by Irish Printer to commemorate Steve Jobs.

The Illusion Of Depth In Stained Glass: Techniques, Robert N. Oddy

School of Information Studies - Faculty Scholarship

No abstract provided.

Choosing Glass: Color And Impressions, Robert N. Oddy

School of Information Studies - Faculty Scholarship

In the last issue of Glass Craftsman, I said that, for me, the choice of glass is probably the most important factor contributing to artistry in stained glass. Tiffany’s company made glass for specific purposes, and raised the medium to a new level of expressive power. Now, we have a huge selection of stained glass available for our creative purposes. We just have to make the effort to familiarize ourselves to what is out there.

Fall 2011, Valparaiso University

The Lighter, 1958-Last Year

No abstract provided.

Art Of Life: Gauguin’S Language Of Color And Shape, Eva Maria Raepple

Philosophy Scholarship

Friedrich Nietzsche, the nineteenth century philosopher (1844 -1900), whose works speak of his unyielding search for an art of life, warns of the serpent’s promise, a promise that according to Genesis 3 foreshadows tribulations. On the stage of life the promise to know, to know as a subject that actively grasps the world, is an alluring, call, one that permits free spirits to explore and design life as a work of art beyond the confines of the herd. A changing role of the knowing and imagining subject in the nineteenth century enticed philosophers and inspired artists, unleashing their creativeness to …

Sam Van Aken: New Edens, Shannon Egan

Schmucker Art Catalogs

Hybridized fruit trees, grafted orchids on shiny, reflective aluminum pedestals, fluorescent lights placed vertically on stands, and sheets of silver Mylar create a lush and somewhat disorienting space in contemporary artist Sam Van Aken’s most recent body of work New Edens. Van Aken makes Gettysburg College’s Schmucker Art Gallery into a kind of fantastical and futuristic winter garden. Without daylight and despite the cool fall weather of the Northeast, the dozen trees in the gallery are leafy and green, some even bearing fruit. Peach, plum, cherry, nectarine and apricot branches emerge from a single trunk and grow productively alongside their …

Blanket Statements, Issue 105, Fall 2011

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 105, Fall 2011

Textile Society Of America Newsletter 23:3 — Fall 2011, Textile Society Of America

Textile Society of America: Newsletters

A Weaver Looks at Tinguian Blankets
Symposium 2012 News [Textiles & Politics: Textile Society of America 13th Biennial Symposium, Washington, DC, September 19–22, 2012]
From the President
TSA News
TSA Member News
Conference Reviews
Textile Community News
In Memoriam: Ardis James, 1926–2011
Book Reviews
Exhibition Reviews
Calls for Papers
Calendar-Conferences & Symposia, Exhibitions, Lectures, Workshops,
Tinguian Blanket Analysis (threading, treadling, pattern draw-down)

At First Glance, Laura Baker

Honors Capstones

No abstract provided.

"Untitled", Janet Rose Engel-Julian

All Student Theses and Dissertations

The emotions from memories and the passing of time can be an intriguing thing. The more time that passes the more difficult it can be to remember details thus changing the memory. The more people who share a specific memory,the more memories may exist,yet each person’s recognition of the event may vary. When family members recall a childhood event, they can have a plethora of viewpoints and interpretations all depending on the time passed and roles played along with previous life experiences.

For centuries,history was recorded orally through ceremony and storytelling, and some cultures also involved the sharing of food. …

Red-White-Blue And Hong Kong Installation Art, Nga Ying Liu

Lingnan Theses

The purpose of this study is to analyse the interaction between art and contested notions of Hong Kong identity by examining recent installations that employ the red, white and blue-striped plastic fabric, locally known in Hong Kong as red-white-blue (紅白藍). The red-white-blue fabric has, in recent years, become a signifier of the collective identity of Hong Kong people and of the ‘Hong Kong spirit’, with specific reference to the traits of the working class in the 1960s. The repeated articulations of this material in artworks show that there are certain qualities in this material with which local people identify. This …

Michigan Ruby-Throated Hummingbird, Brandon Bruce Dellario

The Hilltop Review

Artwork.

[Photographs], Valerie Dawn Hampton

The Hilltop Review

Photos of the Abbey Church of Rievaulxand The Cloister, An Augustinian Convent Translated to the Bahama.

Artwork, Brandon Bruce Dellario

The Hilltop Review

Michigan Ruby-throated Hummingbird and two untitled paintings.

Appropriateness In Design, Wing Man, Karen Ma

Lingnan Theses

When the term ‘design object’ is used to refer to artifacts, we presuppose that they can serve mundane functions and provide aesthetic pleasure. In many cases, the visual form of a design object is a result of achieving aesthetic function and practical function. What is the relation between these two functions? In the design process, designers also strike a balance between aesthetic pursuit, utilitarian purpose and other factors, such as environmental protection. What is the balance of these aims (aesthetic aim and the non-aesthetic aims)? My research on this topic suggests that it may be useful to conceive it in …

Artwork, Brandon Dellario, Alessandra Santos Pye

The Hilltop Review

Artwork by Brandon Dellario: Hummingbird, Annarose, Boats, Moon Over Marin, Blue Sail Boat. Cover art also by Dellario.

Artwork by Alessandra Santos Pye: The exhausted bird remains exuberant.

Re-Visioning White Nudes: Race And Sexual Discourse In Ottoman Harems 1700-1900, Jennifer M. Black

The Hilltop Review

As a viable social actor, art constitutes one of many institutions participating in the creation and reification of ideologies constructed within our society. Investigating the work of Ingres, Gérôme, and others reveals striking connections between the ritual use of Europeanized women in Orientalist harem paintings and the perpetual nature of women’s social oppression. A close examination of prominent works provokes the question “why paint recognizably white women against such non-white Eastern backdrops?” Continually, visual hierarchies and prescriptive codes allow the virtual entrance of the male voyeur into the painting. (first paragraph)