Early American Bookbinding In Brigham Young University's Special Collections,
2012
Brigham Young University
Early American Bookbinding In Brigham Young University's Special Collections, Kylie Ladd
Student Works
Bookbinding is a tradition that began in America before America itself. The earliest identified binder was John Ratcliff, who came to Boston from England about 1662. In fact, bookbinding preceded printing in America – the first (anonymous) binding was completed in 1636, and the first printer didn't appear until two years after that. Save for a few major figures, most binders and the bindings they completed remain anonymous, identifiable only by the style of decoration. In this paper will attempt to study the characteristics and traditions of early 19th century publishers and book binding through a case study of a …
Lunar Calculations,
2012
Rhode Island School of Design
Lunar Calculations, Katherine Venturelli, Special Collections, Fleet Library
Artists' Books
3 folded sheets. Publication information from Vamp & Tramp Booksellers website. Variable edition of 5. "Three Turkish map folds. A three-dimensional celestial map intaglio printed on white Lenox print papers. Bound in black linen book cloth over boards. Embossed circle on boards. Cord loop on each board to facilitate hanging"--Vamp & Tramp Booksellers website (accessed November 8, 2016). "Lunar Calculations is a book which opens up into a three-dimensional celestial map. My etched imagery printed on the interiors and exteriors of the pop out pages are lunar phases and mathematical symbols which are archetypal symbols that I have utilized in …
This Is An Emergency! : A Reproductive Rights + Gender Justice Portfolio,
2012
Rhode Island School of Design
This Is An Emergency! : A Reproductive Rights + Gender Justice Portfolio, Meredith Stern, Judy Kashoff, Special Collections, Fleet Library
Artists' Books
1 portfolio : illustrations (chiefly color) ; 47 cm. Colophon page title. This portfolio contains a hand sewn 'zine' with text by Meredith Stern and Judy Kashoff, a colophon page, and a collection of 17 prints. Horizonal and vertical red bands surround the colophon, text, and 17 prints. "Seventeen artists created a print for this project. Third Termite Press in Pittsburgh printed the colophon and Ladyfingers Letterpress printed the covers. The participants are: several members of the Justseeds Cooperative including: Melanie Cervantes, Thea Gahr, Bec Young, Favianna Rodriguez, Mary Tremonte, Molly Fair, and myself (Meredith Stern). Also participating are: Ian …
The Historian : A Novel,
2012
Rhode Island School of Design
The Historian : A Novel, Elizabeth Kostova, Special Collections, Fleet Library
Artists' Books
1 book object. Altered book by unknown book artist. After page [iix] the remainder of the text is cut-out. A 19.5 x 9.5 window has been carved into the text block. A text message which begins, "My dear and unfortunate sucessor: ..." is printed on various raised lines of text which read from top to bottom. Original book was published: New York : Little, Brown and Company, 2005. Map on lining-paper. Gift of Jan Baker. Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.
Dual/Duel,
2012
Rhode Island School of Design
Dual/Duel, François Deschamps, Special Collections, Fleet Library
Artists' Books
1 volume (unpaged) : color illustrations, portraits. Cover title. Portraits of Mali portrait studio photographers, with a portrait of Deschamps by the Mali photographer on the facing page. Perfect bound. Gift of Jan Baker.
Peeping Tom,
2012
Rhode Island School of Design
Peeping Tom, Radha Pandey, Eric Gjerde, Special Collections, Fleet Library
Artists' Books
1 sheet : illustrations. Title from enclosure cover. 1 sheet (40 x 14 cm) folded twice to (14 x 14 cm) in folded paper cover. "Origami tessallation designed by Eric Gjerde ; printed, illustrated & executed by Radha Pandey, fall 2012." "To fully enjoy this act of voyeurism, push each square up from its sides and pinch in the white corners."--Colophon slip laid in. Artist's Book Fund.
Specimens,
2012
Rhode Island School of Design
Specimens, Lauren Faulkenberry, Special Collections, Fleet Library
Artists' Books
1 drop spine box, four interior parts. Numbered edition of 50. Each of the four parts unfold to 15 x 30.5 cm. Each printed on one side with color illustrations and printed text. Housed in a cloth-covered drop-spine box (16.5 x 9 cm.) with two compartments, one section holds the folded texts, the other houses an origami butterfly which is pinned to the box.
Teaching Children How To Like Balanced Meals,
2012
Minnesota State University, Mankato
Teaching Children How To Like Balanced Meals, Harumi Norasakkunkit
All Graduate Theses, Dissertations, and Other Capstone Projects
Growing up in Japan, balanced meals were always provided at home, at schools and even at restaurants. Unfortunately, children are not going to choose balanced meals from the start, so this habit has to be instilled by parents and by the educational system until it eventually becomes a personal preference for children. If children are simply given the choice to eat whatever they want from the beginning, it is unlikely that this preference will ever be developed. The emphasis of nurturing the habit of eating balanced meals, rather than just eating preferred foods, is what is particular about Japanese parenting. …
Dotphotozine Issue 2, 2012,
2012
California State University, San Bernardino
Dotphotozine Issue 2, 2012, Students Of The Csusb Art Department, Thomas Mcgovern
Dotphotozine
No abstract provided.
2012 Yearbook,
2012
Rhode Island School of Design
2012 Yearbook, Risd Archives, Center For Student Involvement (Csi)
RISD Yearbooks
No abstract provided.
Southwinds - Spring 2012,
2012
Missouri University of Science and Technology
Southwinds - Spring 2012
Southwinds: The Literary and Arts Magazine of Missouri S&T
THE LITERARY MAGAZINE OF MISSOURI UNIVERSITY OF SCIENCE AND TECHNOLOGY SPRING 2012 Southwinds is sponsored by the Department of English & Technical Communication
Linard Conference,
2012
San Jose State University
Miscellany,
2012
Georgia Southern University
Miscellany, Georgia Southern University, Student Media
Miscellany
- The Miscellany for the arts features student works in art and writing, along with the Powell Awards and Dress in the Press winners.
Calliope,
2012
Georgia Southern University
Visual Exploration Of Cultural Intersections,
2012
Virginia Commonwealth University
Visual Exploration Of Cultural Intersections, Sarah Weber
Theses and Dissertations
Personal exposure to, and in-depth investigations of cultural artifacts can be used to inform visual explorations that represent the universal experience of existing in a world where cultural boundaries are blurred and constantly evolving. Cross-cultural understanding and visual language are expanded throughout the research and making processes, resulting in work that has increased resonance with diverse audiences. Artifacts are not only expressions of a specific group of people, but also reflections of societal influences on one’s thinking, creating, and experiencing the world. In an increasingly global society, there is more interaction between cultures, resulting in a greater exchange of beliefs …
Question 1: Google And Pac-Man; Question 2: Magnetic Levitation,
2012
Old Dominion University
Question 1: Google And Pac-Man; Question 2: Magnetic Levitation, Larry Weinstein
Physics Faculty Publications
On the 30th anniversary of the introduction of the video game Pac-Man, Google created a miniature version of the game and placed it as its logo on its home page. How much total time was wasted in the United States playing this game?
(Thanks to Daniel Drill of Old Dominion University for suggesting the question.)
Animal tissue is diamagnetic. How large a magnetic field gradient is needed to levitate frogs or people?
Charles Iv: An Endless Search For Tongues And Toes To Enrich His Empire,
2012
Georgia Southern University
Charles Iv: An Endless Search For Tongues And Toes To Enrich His Empire, Shanna Goodwin
Phi Kappa Phi Research Symposium (Archived)
Excerpt: "This paper will discuss why Charles IV used reliquaries to enrich his empire and will also explain their importance to the king himself."
Miscellany,
2012
Georgia Southern University
Miscellany, Linda Hughes, Cathy Harris, Dgiovahni Denize, Millie Fortner, Jackson Sharpe, Courtney England, Victoria Yates, Harrison Fountain, Jamie Hendershot, Lydia Luke, Axel Hawthorne, April Faison, Lindsey Rowland, Kyera Swint, Victoria Slagle, Rose Gringer, Sarah Fonseca, Chad Sanderson, Caleb Brewer, Dustin Tilligkeit, Daniel Martin, Gerrard Davis, Julie Collins, Jamie Overstreet, Matt Veal, Mary Kirkland, Michael Conner, Julian Strayhorn Ii
Miscellany
- Judge Spotlight
- Student Work
An Examination Of Creative Performative Labour As A Tactics Of Resistance To Controlled Pedestrian Passage Through Public Urban Space,
2012
Edith Cowan University
An Examination Of Creative Performative Labour As A Tactics Of Resistance To Controlled Pedestrian Passage Through Public Urban Space, Dani Andree
Theses : Honours
This research within this exegesis has developed out of the idea that pedestrian passage through public urban space is characterised by slippages in the perception of time and the senses. This concept is theoretically framed by Marc Augé’s notion of “non-place” (1995) and Michel de Certeau’s (1984) unconscious phenomenology of walking the city street. This exegesis examines the development of a reflexive unconscious language within a visual arts practice, as a tactics of resistance to controlled pedestrian passage. This theoretical framework, along with Alex Villar’s “Temporary Occupations”, forms part of a reflexive praxis that examines the progression of my creative …
Material And Motion: Phenomenology And The Early Work Of Carolee Schneemann 1957-1973,
2012
University of Nebraska-Lincoln
Material And Motion: Phenomenology And The Early Work Of Carolee Schneemann 1957-1973, Regina M. Flowers
School of Art, Art History, and Design: Theses and Student Creative Work
Carolee Schneemann is a multidisciplinary artist known for using her body in her artworks in order to engage with issues of sexuality, gender and identity. Best known for her 1975 performance Interior Scroll, Schneemann’s work is most often theorized in connection with the emergence of Feminist, Performance and Body Art, yet Schneemann has always considered herself primarily a painter. In this thesis I address the disconnect between Schneemann’s repeated insistence on her status as a painter and the scholarly discussion of her work solely in relation to the integration of her body in her performative works. The period covered …
