In The Air Tonight: An Uncommon Interface For Common Concern,
2014
OCAD University
In The Air Tonight: An Uncommon Interface For Common Concern, Maggie Chan, Dave Colangelo, Patricio Davila, Robert Tu
School of Film Faculty Publications and Presentations
This paper is concerned with addressing social concerns with large-scale, multi-modal media art that uses digital networks, reactive architecture, and the city as semiotic resources. As artists and designers who are involved in socially engaged practice, we see an important role in foregrounding political and social issues through networks and architecture, negotiating and furnishing access to both while shaping compelling interfaces that allow people to contribute by amplifying an area of common concern. We discuss some previous work by Davila and Colangelo and focus on our latest project, In The Air, Tonight, which aims to visualize local wind patterns combined …
Blanket Statements, Issue 115, Spring 2014,
2014
University of Nebraska - Lincoln
Blanket Statements, Issue 115, Spring 2014
Blanket Statements: News Publication of the American Quilt Study Group
Blanket Statements, Issue 115, Spring 2014
Zenventures: Unwind Your Imagination With Guided Meditation,
2014
SUNY Buffalo State University
Zenventures: Unwind Your Imagination With Guided Meditation, Darlene Kent
Creativity and Change Leadership Graduate Student Master's Projects
This project was designed to create guided meditation to enhance creativity. Research was done to gather information on guided imagery, meditation and storytelling to gain a strong understanding of meditation in general, and to determine the themes of the various meditations. The guided meditations for this project were called, Zenventures, a combination of peace and adventure. The guided mediations take the person on a journey where they connect to their creative potential. A success plan was created to ensure the project stayed on track. There were several outcomes from the project: seven written meditations, seven Zenventures (recorded meditations with music), …
Taking In: The Best Of Undergraduate Photography 2014,
2014
Lesley University
Taking In: The Best Of Undergraduate Photography 2014, Lucad Students
Taking In
Taking In is a student run project featuring a selection of work created by students attending the college of art and design. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication and a website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston Art Community to represent the best of undergraduate in 2014. The book in your hands is the end result of a collective effort by those in the class.
Improvisational Artistry In Live Dance Performance As Embodied And Extended Agency,
2014
University of Dayton
Improvisational Artistry In Live Dance Performance As Embodied And Extended Agency, Aili W. Bresnahan
Philosophy Faculty Publications
This paper provides an account of improvisational artistry in live dance performance that construes the contribution of the dance performer as a kind of agency. Andy Clark’s theory of the embodied and extended mind is used in order to consider how this account is supported by research on how a thinking-while-doing person navigates the world.
I claim here that while a dance performer’s improvisational artistry does include embodied and extended features that occur outside of the brain and nervous system, this can be construed as “agency” rather than “thought.” Further I claim that trained and individual style accounts for how …
Vern Blosum’S Fifteen Minutes,
2014
Loyola Marymount University
Vern Blosum’S Fifteen Minutes, Damon Willick
Art History Faculty Works
No abstract provided.
Gloria (Love Seat Design),
2014
Liberty University
Gloria (Love Seat Design), Lia Serapiglia
FACS Undergraduate Scholarship
My inspiration for this love seat was the beautiful mountain sunsets we see almost every day at Liberty University. I love how the dark mountains stand out against the brilliant oranges, pinks, and purples of the sky. I chose to add the curvature of the backrest to resemble the rise and fall of the mountains. While this is a fun design element it also helps to clearly define the two seats of the chair. I chose not to use legs for this piece of furniture as legs would make it easier for things to roll underneath. From my experience as …
Volume 06,
2014
Longwood University
Volume 06, Kristen Gains, Amanda Willis, Holly Backer, Monika Gutierrez, Cara O'Neal, Sara Nelson, Sasha Silberman, Jessica Beardsley, Jamie Gardner, Edward Peeples, Matthew Sakach, Tess Lione, Emily Wilkins, Kelsey Holt, Jessica Page, Jamie Clift, Charles Vancampen, Gilbert Hall, Jenny Nehrt, Kasey Dye, Amanda Tharp, Jamie Leeuwrik, Ashley Mcgee, Emily Poulin, Michael Kropf, Nick Pastore, Austin Polasky, Morgan Glasco, Laura L. Kahler, Melinda L. Edwards, Brandon C. Smith, Mariah Asbell, Cabell Edmunds, Amelia D. Perry, Alyssa Hayes, Irina Boothe, Perry Bason, James Early
Incite: The Journal of Undergraduate Scholarship
Introduction from Dean Dr. Charles Ross
Caught Between Folklore and the Cold War: The Americanization of Russian Children's Literature by Kristen Gains
Graphic Design by Amanda Willis
Graphic Design by Holly Backer
Prejudices in Swiss German Accents by Monika Gutierrez
Photography by Cara O'Neal
Photography by Sara Nelson
Edmund Tyrone's Long Journey through Night by Sasha Silberman
Photography by Jessica Beardsley
Photography by Jamie Gardner and Edward Peeples
The Republican Razor: The Guillotine as a Symbol of Equality by Jamie Clift
Graphic Design by Matthew Sakach
Genocide: The Lasting Effects of Gender Stratification in Rwanda By Tess Lione and Emily …
Sonnet 130,
2014
Rhode Island School of Design
Sonnet 130, Ran Zheng, Fleet Library, Special Collections
1st Student Artists' Book Contest 2015
No abstract provided.
The Art Of Survival: Bengali Pats, Patuas And The Evolution Of Folk Art In India,
2014
SIT Study Abroad
The Art Of Survival: Bengali Pats, Patuas And The Evolution Of Folk Art In India, Pilar Jefferson
Independent Study Project (ISP) Collection
The process of becoming a part of a globalized world has made India as a nation worry about what makes it culturally unique. Since the beginning of its relationship with Britain folk artists in particular have been directly connected to cultural preservation efforts in India. The impetus to preserve this uniqueness usually falls on rural folk cultures, whose traditions change more slowly because they have less access to modernizing influences. The problem with idealizing the static nature of folk art is that it keeps the artists from improving their lives, at the risk of abandoning their work to seek out …
Leonard Knight 1931-2014,
2014
San Jose State University
Leonard Knight 1931-2014, Jo Farb Hernandez
Faculty Publications
No abstract provided.
Immaterial Traditions: Evolving Values In The Practice & Preservation Of Bhutanese Calligraphy,
2014
SIT Study Abroad
Immaterial Traditions: Evolving Values In The Practice & Preservation Of Bhutanese Calligraphy, Madeline Johnson
Independent Study Project (ISP) Collection
Lying somewhere between art, craft and document, the place of calligraphy in Bhutanese culture is difficult to singularly define: individual practice and motivation conform to the predetermined aesthetic of alphabets, and creativity serves the pragmatic end of documentation. In Bhutan's ancient history, the art of handwriting developed out of necessity, used for religious records and correspondences Bhutanese society, given the convenience of digital text. While cultural preservation has been a political imperative in Bhutan since the 1960's, the preservation of traditional crafts is mostly limited to those that appeal to increasing tourist market. While the active preservation of Bhutan's unique …
The Sacred Practice Of Patra,
2014
SIT Study Abroad
The Sacred Practice Of Patra, Rob Granfelt
Independent Study Project (ISP) Collection
This study was conducted at the National Institute for Zorig Chusum in Thimphu, Bhutan in April, 2014. The majority of the study was a full-time enrollment in the school’s carving program, meeting 6 days per week and taking classes with the second year carving students. Along with learning the techniques and methods of Bhutanese woodcarving, I sought to understand the socio-cultural importance of woodcarving in Bhutan both historically and contemporarily. In addition to a cultural analysis, this study attempts to locate the Institute within a rapidly developing Bhutan, seeking to understand the ways in which it is maintaining traditional means …
New Naturalists,
2014
Rhode Island School of Design
New Naturalists, Francie Latour, Risd Xyz
RISD XYZ Spring/Summer 2014: Natural Instincts
Artists Tavares Strachan 03 GL and Sophia Sobers MFA 13 DM tap into scientific authority in commenting on our evolving relationship with nature.
Revolutions In Making,
2014
Rhode Island School of Design
Revolutions In Making, David Rejeski, Risd Xyz
RISD XYZ Spring/Summer 2014: Natural Instincts
With bio- and nanotech breakthroughs radically changing how things are made, David Rejeski 73 ID asks what it means to be a designer in the 21st century.
Seductively Solar,
2014
Rhode Island School of Design
Seductively Solar, Liisa Silander, Risd Xyz
RISD XYZ Spring/Summer 2014: Natural Instincts
Under the direction of project lead Jonathan Knowles BArch 84M, RISD is entering a prototype for a net-zero home in this summer’s Solar Decathlon Europe.
Humanimalia,
2014
Rhode Island School of Design
Humanimalia, Liisa Silander, Risd Xyz
RISD XYZ Spring/Summer 2014: Natural Instincts
No one paints wild animals quite like Walton Ford 82 FAV, whose unsettling twists on traditional natural history are now on view in a NYC solo show.
Risd Xyz Spring/Summer 2014: Natural Instincts | Full Issue,
2014
Rhode Island School of Design
Risd Xyz Spring/Summer 2014: Natural Instincts | Full Issue, Liisa Silander, Risd Xyz
RISD XYZ Spring/Summer 2014: Natural Instincts
"As ANIMALS, WE'RE ALL PART OF NATURE, sharing DNA with fish, trees, rocks—everything that came to be with the big bang. We’re also dependent on nature for everything: water, oxygen, food, life. And as the animals currently at the top of the food chain, we’re responsible for respecting and caring for it, too...
So what do we do when faced with both the fury and fragility of nature? Do we shrug it off, thinking: “the planet is ruined and we’re screwed,” as Associate Professor Damian White asks (page 52)? Or do we take science seriously and recognize that …
Volume 9, Issue 2: Full Issue,
2014
Butler University
Volume 9, Issue 2: Full Issue
Manuscripts
Full issue of the January 1942 issue of Manuscripts. Includes work by: Joan Fuller, Jack Kilgore, Fred W. Michel, Betty Murnan, Isadore Camhi, Mary Wiley, Jeanne Gass, Alfred Brown, Ione Colligan, Jack Retherford, Catherine Cunningham, R. Gordon Moores, Alice J. Fisher, Norma Jackson, Thelma De Boer, Betty Lee Snyder, John Gumerson, Richard Jowitt, William Hickson, Bob Harris, Rachel Whelan, Edward N. Redfield, Anshelm Schultzberg, Willard L. Metcalf, and John Bundy.
Excerpts,
2014
Butler University
