Art and Design Commons^™

Question On A Bus, Jack T. Kilgore

Manuscripts

"May I - ," George cleared his throat. "I wonder if I could take Jean to the show with me tonight." His words were engulfed by the silence that spread over the table. "(Why doesn't somebody say something'? They can't say no, they just can't. What are they waiting for?) I wouldn't be in late and there is no school tomorrow."

The mother looked up and smiled, and looked to the father for the first word. He said, "Jean who?"

"Jean Newcomb. She is in my English class. (And she smiles when she looks at me, and when she smiles …

The Awakening, Harriet Bishop

Manuscripts

And there I stood, a useless, living form
With roughened hands in worn out pockets pushed
And felt some force, not mine, had changed my will,
I turned my face up toward a darkened night.
There at my feet was spread an ancient world,
While high above there whirled a universe;
And far within the depths of treasured years
Strange, kindly voices dimmed the call of space.
For far below was all that used to be
While out in space stood life's futurity.

Felice, Marijane Badger

Manuscripts

I had been working hard all summer. When my vacation finally came, I decided to get "away from it all" and rented a cabin on a small lake. I arrived at the resort in the late afternoon of a warm September day. The lake was choppy and angry, little waves slapped at the shore.

"You should have come up sooner, Miss Morgan, we had a lovely summer. All of the vacationers are gone now, although we have a man in the cabin next to yours. I didn't think you would want to be left absolutely alone. He won't bother you, …

Thinking Makes It So, Jean Pastor

Manuscripts

"There is nothing either good or bad, but thinking makes it so."
The purpose of this paper is to analyze and evaluate the above statement, but before proceeding with the analysis, a backward glance at its history will prove interesting.
Although popular opinion generally attributes the origin of "There is nothing either good or bad, but thinking makes it so" to William Shakespeare, this idea must come under the heading of a "popular fallacy." In this instance, as in numerous others, Shakespeare has merely articulated one of the commonplaces of the time. In other words, the Elizabethans might have been …

The Blind Man, Helen E. Hughes

Manuscripts

I know you as you walk among my rooms,
Your head turned thus, your shoulders moving so,
Your hands made busy with the sound of brooms,
The many little tasks that women know.
Dear brilliant lady, as you come and go,
Is light lent to my days. In you I find
A roof against the rain-let winter blow!
Look on me, love, with kindness; for my mind,
My heart, my searching hands that clasp you-are
not blind.

Tradition, Mary M. Schortemeter

Manuscripts

Katherine Schneider Sat in the large, ugly, black leather chair that stood by the parlor window. She touched the worn chair arms with hesitant, reverential fingers. This had been Papa's chair, and now he was gone. All she had left was the square oil portrait so faded from the suns of many years that she could scarcely define the stern lines of his German face.

She lifted her eyes to Papa's picture and saw how stubborn was his chin, how coldly keen were his eyes. He always looked just that same way, she knew. He never changed anything. He never …

Greek And Latin In College Curricula, John E. Ross

Manuscripts

One of the changes in college curricula has been the lessening emphasis upon the study of the classics in literature and language. R. Freeman Butts discusses the historical setting of this change in his recent book The College Charts Its Course. Mr. Butts places an emphasis upon two aspects of this condition in education: "the origins of the traditions that a liberal education should be predominantly linguistic and literary in character," and "the rapidly changing social and intellectual conditions of the nineteenth century weakened this conception of a liberal education in the American college and gave rise to many innovations …

They, Inc., Jeanne Gass

Manuscripts

"Well, look who's here. Our new tenderfoot himself." Abby eased gently into the big wine-colored chair.
The man across the room scowled and fiddled with his hands and looked at the floor.
Emmie sighed ever so slightly. "I told them we could handle this assignment ourselves."
The man muttered. "Well. This was an important case."
Abby sniffed delicately. Emmie put her hand up' to her mouth and whispered, "It's all right, Abby. They probably had to give him something to keep him busy. He won't hurt anything."
"Mustn't have professional jealousy, you know," the man added defensively.

After Diana, Mary Wiley

Manuscripts

The clink of coffee-cups is pleasant here.
See, I have drawn the curtains fast, and shut
The moon's distracting light from our bright hearth.
Your grave brown warmth is heightened so
And I do not remember with such pain how sweet
The star's carress falls on the traveller's face,
When first he lifts it up to worship them.

The Concert, Joseph Berry

Manuscripts

The small, quiet man sat before a great sparkling mirror and swore quietly as he rubbed prodigious quantities of rouge onto his sallow complexion. He surveyed his rosy cheeks in the glass, stood erect and made a mocking bow, very deeply, very slowly.

"And you also, you ass? I'm extremely delighted to hear you say so. Really, you're too kind. Really. Why, it couldn't have been that fine, you're just flattering me. You fool, you wouldn't know a bow from a mute. All you ever look at is my shoes. 'Performance in proportion to square of brilliance.' Is my tie …

Volume 9, Issue 1: Full Issue

Manuscripts

Full issue of the March 2014 issue of Manuscripts. Includes work by: Joseph Berry, Mary Wiley, Jeanne Gass, John Ross, Mary Margrette Schortemeier, Helen Hughes, Jean Pastor, Marijane Badger, Hariet Bishop, Jack Kilgore, Jean Bowden, Dean Wildman, Elizabeth Clark, Rachel Whelan, Robert L. Harris, Ed McNamara, Frances Shemelson, Josephine Rosenfeld, Geraldine Staley, Tom Wagle, Keith White, Betty Lee Snyder, James Hawekotte, Riley Sullivan, Ardath Weigler, John Rock, and Jim Mitchell.

Front Matter

Manuscripts

Front Matter includes: front cover, table of contents, and masthead

The Children’S Literacy Project: Classic Literature As A Graphic Novel, Joshua Talbot, Robert Barrett

Journal of Undergraduate Research

In the fall of 2011, my fellow classmates and I decided to create a graphic novel anthology of classic literature as an encouragement for young children to read great, time-tested writing (I decided on Treasure Island). The following is my continued experience on this project, the project’s outcomes and how this project has affected me as an artist, group member and visual communicator.

Béla Kondor And The Transatlanticism Of The Faux-Naïve Tradition, Kev Nemelka, Dr. James Swensen

Journal of Undergraduate Research

In preparation for my capstone/thesis project, I researched the life and works of Béla Kondor, a Hungarian Faux-Naïve Symbolist artist of the mid-twentieth century, and how his works are comparable to Utah Faux-Naïvists Andrew Ballstaedt, Fidalis Buehler, and Brian Kershisnik. Before I arrived in Budapest I arranged interviews and tours with the Contemporary Art Curator at the Hungarian Museum of Fine Art, the Chairman of the Board of Trustees for the Gábor Kogárt Art Foundation, the Contemporary Art Curator for the Miskolc Museum of Art, and one of the lead Hungarian scholars on Kondor’s oeuvre. I also hired a translator …

The Design Of A Mobile, Animatronic Bald Eagle, Eric Burns

Phi Kappa Phi Research Symposium (Archived)

Modern animatronics are used as a tool to help engage audiences in realistic and entertaining experiences. Many animatronic figures are dynamic in movement, but static in mobility. The research presented covers the beginnings of mobile animatronic research. An animatronic bald eagle, Opportunity, was designed for that purpose. Animations for Opportunity are generated by integration of Arduino, Pololu Mini Maestro, and Hitec Servo Motors. Arduino receives signals from flex sensors which cause voltage variations when “flexed”. The 1:1 scale, animatronic eagle can be perched on the arm of an “actor” who simulates an eagle’s caretaker. The flex sensors are located within …

Closely Distant, Crisha Yantis

School of Art, Art History, and Design: Theses and Student Creative Work

Drawing upon my own experiences and observations of the world around me I use the figure to explore what it means to be human. This body of work addresses the universal experience of anxiety through the dynamics of both personal and interpersonal relationships, specifically focusing on fear of the unknown or what subconsciously lies just out of our comfort or understanding.

Often what is unknown is also what brings about questions of our own power and what we can or cannot control. In my work, I address ideas of power and powerlessness formally through what the figures lack. Their control …

Visualizing Music, Thomas Grill

Honors Theses

The results of this project were far from what I expected both in process and final solution. My topic was rather vague, tempting me to research a broad range of information, much of which was not necessary to the development of my pieces, but perhaps got me thinking in new ways. My project was unique in that it was not the typical, world problem thesis, and the logic behind my decisions was made almost entirely based off of my knowledge of music and and visual subjectivity. Though it was easily the most important part of the piece, and most visually …

Environmental Systems And Patterns Applied To Design, Aaron Cooper

Honors Theses

Looking at the variety of organic form in a natural setting is always an eye opening experience. Seeing how those forms are based on a common system in the environment is even more amazing. Applying the concept of form driven by ratios in the environment to design layout seems like a common sense approach to functional design, yet this is not a common solution in modern design.

Organic form looks organic because it is a product of the environment it is from. If a page is the originating environment for content with a specific function, the content should look like …

Literary Landscapes: Mapping Emergent American Identity In Transatlantic Narratives Of Women's Travel Of The Long Eighteenth Century, Leah Thomas

Theses and Dissertations

This dissertation examines intersections of the development of maps from the Native American-European encounter to the establishment of the New Republic and transatlantic British and American narratives of women’s travel of the long eighteenth century. Early European and American maps that depict the Americas analyzed as parallel “texts” to canonical and lesser-known women’s narratives ranging from 1688 to 1801 reveal further insights into both maps and these narratives otherwise not apparent. I argue that as mapping of the New World developed, this mapping influenced representations of women’s geographic and social mobility and emergent “American” identity in transatlantic narratives. These narratives, …

Technologies And Artworks: An Interdisciplinary Exploration Through Ihde And Latour, Kathryn Lynch Thibault

Theses and Dissertations

Technologies and Artworks: An Interdisciplinary Exploration through Ihde and Latour discusses and applies the phenomenological framework described by the philosopher of science and technology Don Ihde, in his text Technology and the Lifeworld, in relation to recent artworks of sculpture and performance that incorporate technologies. The study considers closely Ihde’s embodiment, hermeneutic, and alterity variants for the purpose of developing conceptual tools to investigate the complicated human-technology relationships present in the works considered. A subsequent discussion of psychasthenia and its relationship to Ihde’s embodiment variant demonstrates the limitations of Ihde’s approach and the need for additional sources in order to …