Interdisciplinary Arts and Media Commons^™

Colours Of Dementia : A Community Art Facilitation Programme For People With Dementia, Suk Mun, Sophia Law

Research Expression through Art : Visual Studies Faculty

Colours of Dementia was a trial art facilitation programme for dementia care in a community setting led by Prof. Sophia Law, Associate Professor of the Department of Visual Studies at Lingnan University. The programme was supported by the Hong Kong Alzheimer's Disease Association (HKADA) and Art for All. The funding came from Prof. Law's Education for Service-learning Faculty Award (2013) from the Lingnan Foundation.

The programme, which ran from December 2013 to June 2014, consisted of a series of eighteen specially designed creative workshops for 14 elders, aged 59 to 94, who were suffering from mild to advanced dementia. A …

Ghosts Of The Horseshoe, Heidi Rae Cooley, Richard Walker, Duncan Buell

Digital Projects

Ghosts of the Horseshoe (Ghosts) is a mobile interactive application that endeavors to bring into view--literally, on mobile micro screens (iPads and iPhones at present)--the largely unknown history of slavery at South Carolina College. It deploys game mechanics (i.e., ludic methods), as well as Augmented Reality (AR) and GPS functionality to generate awareness of and questioning about what otherwise seems ordinary: a grassy space at the center of a university campus. It organizes content into distinct but overlapping themes: (1) architectural ghosts (e.g., razed outbuildings); (2) human ghosts (e.g., un/named enslaved persons); and (3) the historic Wall delimiting the Horseshoe …

Art Or Science?, Allison Marsh

Section 3: Imaging the Fast Moving

No abstract provided.

Looking To The Future, Selling The Past: Churchill Weavers Marketing Strategies In The 1950s, Cassandra White-Fredette

Theses and Dissertations--Art and Visual Studies

This thesis explores the Churchill Weavers stereocards housed at the Kentucky Historical Society and Berea College based on visual analysis. By examining the stereocards as advertisements and comparing them to a series of short films created by the company, I will discuss how the Churchill Weavers created a brand that emphasized both an image of traditional American rural production and modern urban consumption. I will further discuss how the marketing strategies used by the Churchill Weavers exemplify a larger trend in American advertising in the years following World War Two.

Messy Never-Endings: Curating Inconversation As Interdisciplinary Collaborative Dialogue, Lyndall Adams, Renee Newman-Storen, Neil Ferguson, Christopher Kueh

Research outputs 2014 to 2021

This paper will explore the curation of a collaborative exhibition amongst creative higher degree by research candidates (from the School of Communications and Arts and the Western Australian Academy of Performing Arts), arts practitioners and researchers from different art forms and discipline backgrounds. It will look at the conversations between artists and researcher collaborators working together to produce a broad range of creative works, culminating in an exhibition titled In Conversation, to be staged at Edith Cowan University’s Spectrum Project Space in October 2014.

The context of the inConversation exhibition aims to inform and expand on current debates about the …

Rhetorical Ripples: The Church Of The Subgenius, Kenneth Burke & Comic, Symbolic Tinkering, Lee A. Carleton

Theses and Dissertations

Humor has long been an effective way to engage difficult sociopolitical topics in a way that avoids polemical confrontation and provides opportunity for pleasure, catharsis and self-knowledge. In the context of today’s polarized politics and protest, creative satirical performance that deploys “symbolic tinkering” can provide a “comic frame of reference” that, according to Kenneth Burke, more effectively conveys its message while providing reflexive insight. The satirical Church of the SubGenius naturally practices this rhetorical frame in their multimedia creations. Using the lens of Burke’s Attitudes Toward History, this essay is an analysis of SubGenius rhetoric with a focus on …

The E-Volving Picturebook: Examining The Impact Of New E-Media/Technologies On Its Form, Content And Function (And On The Child Reader), Stella K. Reinhard

Theses and Dissertations

The technology of the codex book and the habit of reading appear to be under attack currently for a variety of reasons explored in the Introduction of this Dissertation. One natural response to attack is a resulting effort to adapt in a bid to survive. Noël Carroll, leading American philosopher in the contemporary philosophy of art, touches on this concept in his discussion of the evolution of a new medium in his article, “Medium Specificity Arguments and Self-Consciously Invented Arts: Film, Video, and Photography,” from his Cambridge University Press 1996 text, Theorizing the Moving Image. Carroll proposes that any …

Fluid Realities: A Light On Life's Journey, Neta-Grace Coleen Shepherd

Theses and Dissertations

Images of nature and family comprise the gestural and abstracted interpretations of my life events. I use my photographs as inspiration for my work. I fuse layers of color, light, and line into glass and onto wood to suspend a personal memory. I want to capture those moments that flit by in life and envelop them in the media.

In my fused glass work, I manipulate color, light, and line. In these pieces, I layer frits and sheets of glass onto an abstract sculpted relief of fiberglass and fuse them into one thick slab. The sculpted relief creates a textured …

Connotations: An Exploration Of Iphoneography, Justine Harrington

Art Journal

Language is the most systemized and direct method of human expression; it is the medium by which groups and individuals convey, communicate and understand. We most directly and effectively reveal our identity through sharing language with others.

A similar situation exists in the expressive function of visual imagery. Much of my work abstracts and interprets the nature of objective reality, notably in visual relationships between space, lines and edges. I think of my artworks as extensions of a distinct visual language, and the vocabulary by which I abstract and compose is communicated in a systemized manner similar to language forms. …

One Face, Blair Rohan

Art Journal

Faces are the most recognizable part of the human body. With the exception of identical twins, no two people have the same face. But while we all have unique features, there are universally common characteristics of the human face. After all, everyone has a nose, mouth, and eyes. In my work, I want to emphasize that when completely different faces are superimposed, they can form one coherent face. By using short brushstrokes and different colors for each portrait, I am able to make all the features on the face of four different portraits become one facial appearance. The four different …

Indefinability2013c.E., Clayton T. Ehman

CGU MFA Theses

I am a multidisciplinary artist; because I am committed to art that engages a broad array of subjects and ideas. This is reflected in my works which consist of diverse mediums and processes including graphic design, digital imagery, printmaking, painting, sculpting, poetry, song composition, clothing, website design, drawing, video, lighting, installation art, abstract art, Op art, conceptual art, political art, black light art, maximalist art, and various combinations of these.

Oval Office., Joshua F. Houser

Undergraduate Honors Theses

The Oval Office is the most iconic room in the White House and one of the most recognizable interiors in the United States. I have recreated the Oval Office as a three-dimensional, interactive environment for the purpose of studying 3D modeling, texturing, and environment creation. My recreation of the Oval Office contains more than 30 unique models which use over 100 high-quality texture maps. My goal was to study the creation of both organic and hard surface models as well as learning which workflows were best suited to each object within a scene. I also wanted to study how different …

Wonderment : Chinese Ink Paintings / Video / Projection / Installation / Soundscape, Anna Glynn

Artists-in-Residence Programme : Exhibition Catalogues

A major component of Wonderment is the first showing of work done as part of my multimedia MEOAW Project: My Extraordinary Onomatopoeic Animal World. Onomatopoeic words mimic the sounds they represent; the sound of the word imitates the sound the object makes. The words are creations of our human minds and in different cultures and languages the words for the same sounds differ. The Lingnan University community responded enthusiastically to my call for volunteers to participate in the MEAOW project. I have spent many happy hours collecting and recording sound and video from members of this wonderful, culturally-diverse population.

Themusicofthefutureisntmusic, Henry Gwiazda

SWITCH

In this article, new media artist/composer Henry Gwiazda reflects on how evolving technologies have opened new possibilities for combining sound, movement, and image.

Biocurious, Sara Gevurtz

SWITCH

This article describes bioart, its emergence in the early 2000s, and the growing accessibility of open source labs such as BioCurious.

Growth Pattern, Allison Kudlah

SWITCH

"Growth Pattern" is an installation that merges botanical tissue culture with ornamental design. In this installation, tobacco leaves are die-cut into patterns and cultured in petri dishes, where new leaf growth develops over time.

Project Burg, 2010, San José State University, Danielle Siembieda-Gribben

SWITCH

“PROJECT BURG,” installed at San José State University, anthropomorphizes a building by connecting energy systems such as cold water and electricity with human systems like the respiratory system. The installation invites viewers to understand their building’s needs and rethink how we care for our built environments.

Biohacking, Sara Gevurtz

SWITCH

This article explores the rise of DIY biohacking spaces and the author’s experience at BioCurious, a Silicon Valley based hackerspace

Neuroscience, Memory And Art: Deborah Aschheim, Sara Gevurtz

SWITCH

This article recounts a discussion with artist Deborah Aschheim and explores the intersections of neuroscience, memory, and art. Aschheim’s work investigates memory, memory loss, and place through interactive sculptures and installations, often incorporating sound and collaboration with musicians and scientists.

Analysis And Construction Of Engaging Facial Forms And Expressions: Interdisciplinary Approaches From Art, Anatomy, Engineering, Cultural Studies, And Psychology, Leejin Kim

Theses and Dissertations

The topic of this dissertation is the anatomical, psychological, and cultural examination of a human face in order to effectively construct an anatomy-driven 3D virtual face customization and action model. In order to gain a broad perspective of all aspects of a face, theories and methodology from the fields of art, engineering, anatomy, psychology, and cultural studies have been analyzed and implemented. The computer generated facial customization and action model were designed based on the collected data. Using this customization system, culturally-specific attractive face in Korean popular culture, “kot-mi-nam (flower-like beautiful guy),” was modeled and analyzed as a case study. …