The Digital Incunabula: Rock • Paper • Pixels,
2015
Long Island University - C W Post Campus
The Digital Incunabula: Rock • Paper • Pixels, Patrick Aievoli
Zea E-Books Collection
“The Digital Incunabula is Patrick Aievoli’s personal sonnet through media, interaction and communication design. He carefully crafts each evolutionary step into ripples that are supported by his own storied professional and academic experiences. It’s full of facts, terms and historical information which makes it perfect for anyone looking to flat out learn!” ● James Pannafino, Professor, Millersville University & Interaction Design
“This is a serious work that will find a broad community of readers. The depth and breadth of Aievoli’s experience in the publication industry give his voice and ideas credibility in the extreme. This book will inspire deep reflection.” …
Ciis Today, Fall 2015 Issue,
2015
California Institute of Integral Studies
Ciis Today, Fall 2015 Issue, California Institute Of Integral Studies
CIIS Today
This volume is the Fall 2015 issue of CIIS Today, the Magazine of the California Institute of Integral Studies.
Leon Sun,
2015
Western Michigan University
Leon Sun, Linda Hanes
International Faculty Researchers
Living and working in two countries provided a cultural contrast that has greatly inspired and influenced the art and design of Yuanliang (Leon) Sun, an associate professor of art at Western Michigan University.
Textile Society Of America Newsletter 27:2 — Fall 2015,
2015
Textile Society of America
Textile Society Of America Newsletter 27:2 — Fall 2015, Textile Society Of America
Textile Society of America: Newsletters
Letter from the Editor
Introducing Caroline Charuk, TSA's New Membership & Communications Coordinator
Letter from the President
First Three Fellows of TSA Announced: Sheila Hicks, Jack Lenor Larsen, and Ann Pollard Rowe
R. L. Shep Ethnic Textile Book Award: 2014 Awardee Announced [Ralph Isaacs, Sazigyo, Burmese Manuscript Binding Tapes: Women Minisatures of Buddhist Art]; Call for 2015 Book Nominations
Textiles Close Up Report: International Folk Art Market, Santa Fe, July 9–12, 2015
Announcing TSA's Spring 2016 Programs: Asia in Amsterdam at the Peabody Essex Museum and Chin Weaving at the Philadelphia Museum of Art.
TSA 2016 Symposium Comes to …
Grids And Gestures: A Comics Making Exercise,
2015
University of Calgary
Grids And Gestures: A Comics Making Exercise, Nick Sousanis
SANE journal: Sequential Art Narrative in Education
Grids and Gestures is an exercise intended to offer participants insight into a comics maker’s decision-making process for composing the entire page through the hands-on activity of making an abstract comic. It requires no prior drawing experience and serves to help reexamine what it means to draw. In addition to a description of how to proceed with the exercise, this piece also includes conceptual grounding in the form of a brief theoretical discussion of the ways comics convey meaning as well as personal notes on the development of the exercise and how it has been used.
Visualizing Abolition: Two Graphic Novels And A Critical Approach To Mass Incarceration For The Composition Classroom,
2015
Washington State University Vancouver
Visualizing Abolition: Two Graphic Novels And A Critical Approach To Mass Incarceration For The Composition Classroom, Michael Sutcliffe
SANE journal: Sequential Art Narrative in Education
This article outlines two graphic novels and an accompanying activity designed to unpack complicated intersections between racism, poverty, and (d)evolving criminal-legal policy. Over 2 million adults are held in U.S. prison facilities, and several million more are under custodial supervision, and it has become clearly unsustainable. In the last decade, there has been a shift in media conversations about criminality, yet only a few suggest decreasing our reliance upon incarceration. In meaningfully different ways, the two novels trace the development of incarceration from its roots in slavery to its contemporary anti-democratic iteration and offer an underpublicized alternative.
Critical and community …
Revision In The Multiversity: What Composition Can Learn From The Superhero,
2015
CUNY Lehman College
Revision In The Multiversity: What Composition Can Learn From The Superhero, David Hyman
SANE journal: Sequential Art Narrative in Education
Constant and ongoing revision is the compositional tactic through which many contemporary superhero narratives negotiate the powerful struggle between reiteration of the genre’s past, and creative expression of its future. Instead of a gradual succession of improved renditions of a text, each one effacing and superseding the imperfections of its predecessors, revision is revealed as the production of multiple versions whose differences and diversities are “capable of being in uncertainties”, as Keats describes the creative attitude which he terms Negative Capability: ontologically equal textual variations that wear their inconsistencies openly, and reject the pressure to resolve their multiplicities into the …
Pim Pedagogy: Toward A Loosely Unified Model For Teaching And Studying Comics And Graphic Novels,
2015
Independent Scholar
Pim Pedagogy: Toward A Loosely Unified Model For Teaching And Studying Comics And Graphic Novels, James B. Carter
SANE journal: Sequential Art Narrative in Education
The article debuts and explains "PIM" pedagogy, a construct for teaching comics at the secondary- and post-secondary levels and for deep reading/studying comics. The PIM model for considering comics is actually based in major precepts of education studies, namely constructivist foundations of learning, and loosely unifies constructs inherent therein with other available frames and frameworks for studying comics. As such, the article fills a dire need in the scholarly literature on comics pedagogy and paves a way for those who seek to teach comics courses in the future but who need direction and for those who seek to study/read comics …
Is This Art?,
2015
fringe exhibitions
Is This Art?, Susan Joyce
The Transdisciplinary STEAM+ Journal
Is This Art?
Fringe Exhibitions began in 1999 as an independent curatorial practice. My primary area of research was the intersection of art, science, and technology. I decided go this route because I was interested in finding a way to engage the contemporary art audience. I was inspired by Eduardo Kac, an artist I first worked with as a curator on an exhibition featuring his “Holopoems”. I continued working for several more years organizing exhibitions in university art museums and galleries where support for this type of interdisciplinary work and experimentation was well received and encouraged. The research I conducted …
Engaging Many Minds: Nurturing Collaboration In A Steam Context,
2015
Teachers College at Columbia University
Engaging Many Minds: Nurturing Collaboration In A Steam Context, Mark Dzula
The Transdisciplinary STEAM+ Journal
This field note describes a recent interdisciplinary project facilitated by Jeremy Gercke, an art teacher at the Bishop's School in La Jolla, California. The project creates ceramic tile markers for flora around the Bishop's School campus. The markers feature QR codes linking to websites populated with student content, including: drawings, information, and oral histories. In this project, Mr. Gercke synthesizes his interests as an artist; maximizes his social connections to mentors, peers and students; and bridges disciplines to create opportunities for interdisciplinary (STEAM) inquiry.
Prancing Shadow Connecting Worlds,
2015
California State University Northridge
Prancing Shadow Connecting Worlds, Tiffany D. Randle
The Transdisciplinary STEAM+ Journal
The practice of being conscious about the environment and how shadows, light, and movement create an intellectual space for different interpretations allows the viewer to make their own associations. Concrete, the ground that people of different shades walk on, to one person can look and seem like an ethereal and unknown environment, but to another may seem like a moving body of liquid. When artists stop and look at the simple things such a concrete, and water, or passersby they can capture a moment in time that transcends the mundane and suddenly the artist is in a position to present …
Disrupting The City: Using Urban Screens To Remediate Public Space,
2015
University of Quebec at Montreal
Disrupting The City: Using Urban Screens To Remediate Public Space, Jean Dubois, Dave Colangelo, Claude Fortin
School of Film Faculty Publications and Presentations
For over a decade, human-computer interaction (HCI) research placed a great deal of emphasis on studying interaction, engagement, and appropriative practices in online technology-mediated social environments. Moving forward, however, we see computing systems increasingly designed to support digitally-augmented face-to-face interactions in public settings. As far back as the nineteen seventies, new media artists anticipated this interactive potential of digital public displays to foster new forms of situated interactions in urban space, quite distinct from mobile computing in that they altogether exclude online connections or exchanges. Drawing on examples of practice, this paper discusses and show-cases some of the key creative …
A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup",
2015
University of Southern Mississippi
A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup", Anna Beth Rowe
Master's Theses
David Lehman’s poem “The Breeders’ Cup” uses cross-generational coterie and ekphrasis to create a poetic poioumenon. When read in terms of art criticism, Lehman’s “The Breeders’ Cup” models creative processes from the past and calls for a rehabilitative ethic in postmodern poetics. Lehman follows the ekphrastic form, which associates a poem with a work of visual art, from his New York School predecessor Frank O’Hara. “The Breeders’ Cup” addresses Édouard Manet’s 1865 painting Olympia through ekphrasis, and the painting of a prostitute becomes a patron saint of parody for postmodern poetics. The poem introduces lust as a metaphor for creative …
Culture On The Move: Depression-Era Documentary And Migrant California,
2015
Brooklyn College, CUNY
Culture On The Move: Depression-Era Documentary And Migrant California, Joseph Entin
Criticism
California on the Breadlines: Dorothea Lange, Paul Taylor, and the Making of a New Deal Narrative by Jan Goggans. Berkeley: University of California Press, 2010. Pp. 368. $40.00 cloth.
Not A Stitch Out Of Place: Assessing Students’ Attitudes Towards Multimodal Composition,
2015
Kennesaw State University
Not A Stitch Out Of Place: Assessing Students’ Attitudes Towards Multimodal Composition, Jeanne Law Bohannon
Faculty Articles
This article traces a brief history of multimodal composition practices in the field of writing studies. It frames writing instruction through the theoretical lens of democratic pedagogy and presents the works of key composition scholars. The author then describes a mixed methods research study, conducted with first-year students on the STEM campus of a state comprehensive university. Students participated in a survey that asked their attitudes towards multimodal writing assignments, digital literacies, and learning outcomes. The author draws conclusions about the effectiveness of multimodal composition based on students’ responses and provides supplemental information on the types of assignments and examples …
Curating Massive Media,
2015
Portland State University
Curating Massive Media, Dave Colangelo
School of Film Faculty Publications and Presentations
The European Union’s media art initiative Connecting Cities and New York-based Streaming Museum are two recent examples of curatorial models that operate through large, networked, digital displays. This growing exhibition category combines expressive media architecture and telecommunication elements to engage ‘trans-local’ sites and diverse publics in complex media spaces. By investigating the confluence of exhibition making, public art and urban experience, this article explores the relationship between spectacle and criticality with respect to shifting notions of space, identity and ‘the common’.
Note: At the time of writing, Dave Colangelo was affiliated with Ryerson University.
Light Sensitive,
2015
CSUSB
Light Sensitive, Andrew Thompson
Electronic Theses, Projects, and Dissertations
I am an excremental artist. I do not mean an artist who works with feces or is interested in manure but one whose artwork is expelled through the results of process. As a photographer, I am not as interested in indexing a location, a person or a moment as I am dissolving the structure of photography through the manipulation of photographic materials. I typically photograph landscapes that catch my attention for a myriad of reasons. The commonality between these images is anonymity of place. Hints of location are always present but never accentuated, instead their purpose is akin to a …
Performing Binaries,
2015
CSUSB
Performing Binaries, Humberto Reynoso
Electronic Theses, Projects, and Dissertations
I take a critical view of sociopolitical and cultural issues dealing with homoeroticism andgay politics. I explore gender theories in order to further understand what it means to bemasculine or feminine and how it affects my placement in society. I use art as a tool forexpressing sexual freedom while questioning traditional sexual identity. I'm interested in exploring ideas of the oppressor and the oppressed, and how power becomes an inevitable force (in every society) that creates a hierarchy, consequently establishing control. But what is power? According to various definitions, power is an entity that possesses and or exercises authority or …
Transmutation: One Thing Becoming Another,
2015
CSUSB
Transmutation: One Thing Becoming Another, Price Hall
Electronic Theses, Projects, and Dissertations
My art emerges from decades of the experience of building myself, sensitively aware of accumulated experience and the weight of accrued memory. Responding to this life I so deeply appreciate the longer I live, as sculptor, painter and poet, I merge these individual aesthetic observations into a layered work of many reads. Offering poetic observation as a visual sensation beyond the ears’ hearing carried on a field of color connects at some interior emotional level which is absent or very different in the uniformity of type. Time is present in my current work. “Corrugations”, not only in the poetic images …
Visualizing Population Density Based On Wifi Router Location And Network Usage,
2015
California Polytechnic State University - San Luis Obispo
Visualizing Population Density Based On Wifi Router Location And Network Usage, Tyler Deitz
Liberal Arts and Engineering Studies
This research paper introduces a prototype of a feature for Robert E. Kennedy’s maps web application. The feature visualizes population density based off wifi router location and network usage within the building. The significance of the feature is noted by documenting the library’s transition into a hub for student life and campus culture, which increases the space’s occupancy and visitor retention for a longer time. The feature is based off a Voronoi diagram map distribution which strongly affects its technical and visual implementation. The end product is user tested by Cal Poly students and received a 93.5% satisfaction rate.
