Interdisciplinary Arts and Media Commons^™

Looking To The Future, Selling The Past: Churchill Weavers Marketing Strategies In The 1950s, Cassandra White-Fredette

Theses and Dissertations--Art and Visual Studies

This thesis explores the Churchill Weavers stereocards housed at the Kentucky Historical Society and Berea College based on visual analysis. By examining the stereocards as advertisements and comparing them to a series of short films created by the company, I will discuss how the Churchill Weavers created a brand that emphasized both an image of traditional American rural production and modern urban consumption. I will further discuss how the marketing strategies used by the Churchill Weavers exemplify a larger trend in American advertising in the years following World War Two.

Accumulation And Archives: Sophie Calle’S Prenez Soin De Vous, Natalie Edwards

Studies in 20th & 21st Century Literature

French project artist Sophie Calle has become well-known for her iconoclastic performance art that blends visual and textual elements. Beginning with Les Dormeurs in 1979, in which she invited 24 strangers to sleep in her empty bed and photographed them hourly, through her project of following people around Paris and photographing them like a private detective in Suite vénitienne, Calle has blurred the boundaries between private and public, between photographer and photographed, and between viewer and participant. In this article, I focus on her recent exhibition, Prenez soin de vous. The title comes from the last line of …

Mfa Promotional Material, School Of Art

Historical Material

Information booklet for the University of Tennessee School of Art Master of Fine Arts Program.

This publication features the work of graduates: Hannah Short, Jessica Kreutter, Jessica Anderson, Rebecca Mixon, Shaurya Kumar, Ericka Walker, Harrison Pang, Ren Cummings, Jarred Elrod, Hilary Williams, Ben Seamons, and Eleanor Aldrich.

Advances In Documentation, Digital Curation, Virtual Exhibition, And A Test Of 3d Geometric Morhpometrics: A Case Study Of The Vanderpool Vessels From The Ancestral Caddo Territory, Robert Z. Selden Jr., Timothy K. Perttula, Michael J. O'Brien

CRHR: Archaeology

Three-dimensional (3D) digital scanning of archaeological materials is typically used as a tool for artifact documentation. With the permission of the Caddo Nation of Oklahoma, 3D documentation of Caddo funerary vessels from the Vanderpool site (41SM77) was conducted with the initial goal of ensuring that these data would be publicly available for future research long after the vessels were repatriated. A digital infrastructure was created to archive and disseminate the resultant 3D datasets, ensuring that they would be accessible by both researchers and the general public (CRHR 2014a). However, 3D imagery can be used for much more than documentation. To …

Ghosts Of The Horseshoe, Heidi Rae Cooley, Richard Walker, Duncan Buell

Digital Projects

Ghosts of the Horseshoe (Ghosts) is a mobile interactive application that endeavors to bring into view--literally, on mobile micro screens (iPads and iPhones at present)--the largely unknown history of slavery at South Carolina College. It deploys game mechanics (i.e., ludic methods), as well as Augmented Reality (AR) and GPS functionality to generate awareness of and questioning about what otherwise seems ordinary: a grassy space at the center of a university campus. It organizes content into distinct but overlapping themes: (1) architectural ghosts (e.g., razed outbuildings); (2) human ghosts (e.g., un/named enslaved persons); and (3) the historic Wall delimiting the Horseshoe …

Art Or Science?, Allison Marsh

Section 3: Imaging the Fast Moving

No abstract provided.

The Viewing Self: A Reflection On Mirrors As Medium From The 1960s To The Present, Claire H. Demere

Senior Projects Spring 2014

Senior Project submitted to The Division of Arts of Bard College.

The E-Volving Picturebook: Examining The Impact Of New E-Media/Technologies On Its Form, Content And Function (And On The Child Reader), Stella K. Reinhard

Theses and Dissertations

The technology of the codex book and the habit of reading appear to be under attack currently for a variety of reasons explored in the Introduction of this Dissertation. One natural response to attack is a resulting effort to adapt in a bid to survive. Noël Carroll, leading American philosopher in the contemporary philosophy of art, touches on this concept in his discussion of the evolution of a new medium in his article, “Medium Specificity Arguments and Self-Consciously Invented Arts: Film, Video, and Photography,” from his Cambridge University Press 1996 text, Theorizing the Moving Image. Carroll proposes that any …

Portraiture And Text In African-American Illustrated Biographical Dictionaries, 1876 To 1917, Dennis Williams Ii

Theses and Dissertations

Containing portraiture and biography as well as protest text and affirmative text, African- American Illustrated biographical dictionaries made from 1876 to 1917 present Social Gospel ideology and are examples of Afro-Protestantism. They are similar to the first American illustrated biographical dictionaries of the 1810s in that they formed social identity after national conflict while contesting concepts of social inferiority. The production of these books occurred during the early years of Jim Crow, a period of momentous change to the legal and social fabric of the United States, and because of momentous changes in modern American print industries. While portraits within …

Rhetorical Ripples: The Church Of The Subgenius, Kenneth Burke & Comic, Symbolic Tinkering, Lee A. Carleton

Theses and Dissertations

Humor has long been an effective way to engage difficult sociopolitical topics in a way that avoids polemical confrontation and provides opportunity for pleasure, catharsis and self-knowledge. In the context of today’s polarized politics and protest, creative satirical performance that deploys “symbolic tinkering” can provide a “comic frame of reference” that, according to Kenneth Burke, more effectively conveys its message while providing reflexive insight. The satirical Church of the SubGenius naturally practices this rhetorical frame in their multimedia creations. Using the lens of Burke’s Attitudes Toward History, this essay is an analysis of SubGenius rhetoric with a focus on …

Colours Of Dementia : A Community Art Facilitation Programme For People With Dementia, Suk Mun, Sophia Law

Research Expression through Art : Visual Studies Faculty

Colours of Dementia was a trial art facilitation programme for dementia care in a community setting led by Prof. Sophia Law, Associate Professor of the Department of Visual Studies at Lingnan University. The programme was supported by the Hong Kong Alzheimer's Disease Association (HKADA) and Art for All. The funding came from Prof. Law's Education for Service-learning Faculty Award (2013) from the Lingnan Foundation.

The programme, which ran from December 2013 to June 2014, consisted of a series of eighteen specially designed creative workshops for 14 elders, aged 59 to 94, who were suffering from mild to advanced dementia. A …

Fluid Realities: A Light On Life's Journey, Neta-Grace Coleen Shepherd

Theses and Dissertations

Images of nature and family comprise the gestural and abstracted interpretations of my life events. I use my photographs as inspiration for my work. I fuse layers of color, light, and line into glass and onto wood to suspend a personal memory. I want to capture those moments that flit by in life and envelop them in the media.

In my fused glass work, I manipulate color, light, and line. In these pieces, I layer frits and sheets of glass onto an abstract sculpted relief of fiberglass and fuse them into one thick slab. The sculpted relief creates a textured …

Locative Histories: Exploring The Continued Influence Of Early Locative Media Art, Conor Mcgarrigle

Articles

This paper, which draws on aspects of my doctoral research, traces the influence of early Locative Media Art on the current form and application of location-aware technologies. The mechanisms and impulse for this influence are introduced and analyzed and it is proposed that they point to new approaches in the consideration of the agency of Locative Media art.

I return to the origins of Locative Media at the Karosta workshop and the ambitions of early practitioners to argue that the practice was based on a prescient analysis of the potential for ubiquitous networked location-awareness. From this analysis was developed an …

End User, Rufus Alexander Paisley

Senior Projects Spring 2014

Senior Project submitted to The Division of Arts of Bard College.

Messy Never-Endings: Curating Inconversation As Interdisciplinary Collaborative Dialogue, Lyndall Adams, Renee Newman-Storen, Neil Ferguson, Christopher Kueh

Research outputs 2014 to 2021

This paper will explore the curation of a collaborative exhibition amongst creative higher degree by research candidates (from the School of Communications and Arts and the Western Australian Academy of Performing Arts), arts practitioners and researchers from different art forms and discipline backgrounds. It will look at the conversations between artists and researcher collaborators working together to produce a broad range of creative works, culminating in an exhibition titled In Conversation, to be staged at Edith Cowan University’s Spectrum Project Space in October 2014.

The context of the inConversation exhibition aims to inform and expand on current debates about the …

Something Wicked This Way Comes: Scoring Hamline University's Production Of "Macbeth", Andrew Brady

Departmental Honors Projects

This project represents a practical investigation into using original underscore in the modern theatrical experience. Over 40 minutes of cinematic, orchestral underscore were composed by the author specifically for Hamline University Theatre Department’s 2014 production of Macbeth. Using electronic scoring methods and digital playback strategies, the music was “performed” with variable timing that was able to directly match the performance of the actor’s for each show. The accompanying written musicological analysis explores the score’s uses of themes, spotting strategies, and integration of the show’s artistic concept. The analysis, in conjunction with the recorded score, demonstrates a cohesive effort to …

My Dead Mom, Lauren Gallow

Lauren L. Gallow

After my mom died I inherited all of our family photo albums and scrapbooks. Looking through these treasure books, I was drawn to three very special scrapbooks that my mom made in the late 1970s when she was a senior in high school and then during her first few years of college. I remember flipping through these books for the first time and having the uncanny feeling that I was looking at myself. I look so much like my mom in these photographs, it blew my mind.

Artistic And Cultural Practices In Urban Spaces: Law, Justice, Contestation, Matilda Arvidsson, Peter Bengtsen

Dr Matilda Arvidsson

For the 2013 Critical Legal Conference, we sent out a call for papers which dealt with different perspectives on artistic and cultural practices in the transitional and contested territory of urban public space. With nearly 50 abstracts received from all over the world, the response to our call was overwhelming. Ethnographers, sociologists, art historians, architects, artists, and cultural entrepreneurs wanted to engage with law. Interestingly, judging from the abstracts, legal scholars seemed less concerned with engaging in a discussion of artistic expressions, as few responded to the call. Departing from this experience we seek to approach the urban space, art …

Connotations: An Exploration Of Iphoneography, Justine Harrington

Art Journal

Language is the most systemized and direct method of human expression; it is the medium by which groups and individuals convey, communicate and understand. We most directly and effectively reveal our identity through sharing language with others.

A similar situation exists in the expressive function of visual imagery. Much of my work abstracts and interprets the nature of objective reality, notably in visual relationships between space, lines and edges. I think of my artworks as extensions of a distinct visual language, and the vocabulary by which I abstract and compose is communicated in a systemized manner similar to language forms. …

One Face, Blair Rohan

Art Journal

Faces are the most recognizable part of the human body. With the exception of identical twins, no two people have the same face. But while we all have unique features, there are universally common characteristics of the human face. After all, everyone has a nose, mouth, and eyes. In my work, I want to emphasize that when completely different faces are superimposed, they can form one coherent face. By using short brushstrokes and different colors for each portrait, I am able to make all the features on the face of four different portraits become one facial appearance. The four different …