The Lost & Found Game Series: Teaching Medieval Religious Law In Context,
2018
Rochester Institute of Technology
The Lost & Found Game Series: Teaching Medieval Religious Law In Context, Owen Gottlieb, Ian Schreiber
Presentations and other scholarship
Lost & Found is a strategy card-to-mobile game series that teaches medieval religious legal systems with attention to period accuracy and cultural and historical context. The Lost & Found project seeks to expand the discourse around religious legal systems, to enrich public conversations in a variety of communities, and to promote greater understanding of the religious traditions that build the fabric of the United States. Comparative religious literacy can build bridges between and within communities and prepare learners to be responsible citizens in our pluralist democracy. The first game in the series is a strategy game called Lost & Found …
Migiwa Orimo Interview,
2018
DePaul University
Migiwa Orimo Interview, Jessica Ruiz
Asian American Art Oral History Project
Artist Bio:
Migiwa Orimo is an artist whose primary work takes the form of installation. Orimo was born and raised in Tokyo, Japan. After receiving her degree in literature and studying graphic design, she immigrated to the US in the early eighties.
In her process of creating installations, she begins by entering a space of language. Often her installations consist of disparate elements--text, painting, drawing, objects, video and sound. In attempting to establish relationships and tension between those elements, similar to constructing sentences, she explores the notions of gap, slippage, and “a realm of disjunction.”
She exhibits her work nationally; …
To Un-Become: Between Historic Reminder And Hallucination, Geographical Document And Childhood Memory, Collective Tragedy And Personal Healing,
2018
University of the Arts Helsinki, Finland
To Un-Become: Between Historic Reminder And Hallucination, Geographical Document And Childhood Memory, Collective Tragedy And Personal Healing, Saša Rajšić
disClosure: A Journal of Social Theory
To Un-Become: Between Historic Reminder and Hallucination, Geographical Document and Childhood Memory, Collective Tragedy and Personal Healing is an multimedia art project, which explores the concept of un-becoming through revisiting Operation Storm in Yugoslavia and its consequences over two decades later. My interest in the concept of un-becoming was sparked by a court case in which General Ante Gotovina, a former Croatian military officer, was found guilty of organizing and implementing a permanent and forcible removal of the Serbian people in a 1995 military action entitled Operation Storm. Not long after, Gotovina’s convictions for crimes against humanity were reversed by …
Enacting The Glastonbury Pilgrimage Through Communitas And Aural/Visual Culture,
2018
Graduate Theological Union, Berkeley and the Jesuit School of Theology of Santa Clara University
Enacting The Glastonbury Pilgrimage Through Communitas And Aural/Visual Culture, Kathryn R. Barush
International Journal of Religious Tourism and Pilgrimage
The sacred sites of Glastonbury in Somerset, England have long been places of pilgrimage, connected to the legend of the journey of Joseph of Arimathea to the British Isles, and have fired the imagination from the Middle Ages to today - inspiring the Arthurian legends, folk-stories and song, and visual representations. In response to the question ‘What is Pilgrimage,’ this essay seeks to explore the conjunction of artistic representations and geographic journeys to and among the ancient topography and mysterious structures of Glastonbury, with a particular focus on how sacred travel, and especially an experience of communitas, can be engendered …
Kioto Aoki Interview,
2018
DePaul University
Kioto Aoki Interview, Austin Sandifer
Asian American Art Oral History Project
Artist Bio: Kioto Aoki is a conceptual photographer and experimental filmmaker who also makes books and installations engaging the material specificity of the analogue image and image-making process. Her work explores modes of perception via nuances of the mundane, with recent focusing on perceptions of movement between the still and the moving image. She received MFA from The School of the Art Institute of Chicago and is currently a 2017-2018 HATCH artist in residence at the Chicago Artist Coalition.
Mia Park Interview,
2018
DePaul University
Mia Park Interview, Justin Fernandez
Asian American Art Oral History Project
Bio: Mia Park is a multidisciplinary artist acting, writing, playing music, producing events, teaching yoga, and volunteering in Chicago, IL. She shares her passion for discovery and self-inquiry with hope and optimism. Mia began professionally acting in 1997 hosting the cult favorite cable access dance show Chic-A-Go-Go. Her acting career has brought her on stage, in film, on television and on the radio. Mia currently plays the recurring character Nurse Beth Cole on NBC's Chicago Med. She has advocated for Asian American representation in acting since 2006 when she co-founded A-Squared Theatre and hosted educational theater workshops for the Chicago …
Nirmal Raja Interview,
2018
DePaul University
Nirmal Raja Interview, Dalton Campbell
Asian American Art Oral History Project
Artist Bio: Nirmal Raja is an interdisciplinary artist living and working in Milwaukee, WI. Born in India, she has lived and traveled in several countries. Raja received a Bachelor’s of Arts in English Literature in India, a Bachelor’s of Fine Arts in Painting at the Milwaukee Institute of Art & Design and a Master’s of Fine Arts at the University of Wisconsin, Milwaukee. Her work deals with concepts of displacement, cultural negotiation and memory. http://nirmalraja.com
Pre-Service Teachers’ Perspectives On How The Use Of Toon Comic Books During Guided Reading Influenced Learning By Struggling Readers,
2018
Georgia State University
Pre-Service Teachers’ Perspectives On How The Use Of Toon Comic Books During Guided Reading Influenced Learning By Struggling Readers, Ewa Mcgrail, Alicja Rieger, Gina M. Doepker, Samantha Mcgeorge
SANE journal: Sequential Art Narrative in Education
The study presented in this article examines the use of comic books, specifically the TOON comic books during guided reading instruction. The instruction was provided to struggling readers by the Literacy Center at a comprehensive university in southeastern United States. What most pre-service teachers in this study agreed upon was that comic books served as an effective tool for getting their students interested in reading. Reading comic books with tutors as partners in conversation with the struggling readers in this study was also a powerful medium for facilitating students’ literacy skills development, particularly in the areas of reading fluency and …
Professional Risk,
2018
CUNY Hunter College
Professional Risk, Russell A. Perkins
Theses and Dissertations
This essay suggests a reading of Harold Rosenberg’s “American Action Painters” and John Cage’s “Experimental Music”, texts in which notions of chance and risk are mobilized to account for artistic production; I argue that this rhetoric mischaracterizes the relation between artist and material, confusing the labor involved in taking chances.
Murmur/Murmuro,
2018
CUNY Hunter College
Murmur/Murmuro, Paola M. Di Tolla
Theses and Dissertations
By using repetition or misplacing intonations and accents, etc. one can imitate the slipperiness of spoken language. However, it is the accidental slippage that I find most revealing and exciting because it allows for two conversations to exist in one. Once spoken language is transcribed as text, it is put through another filter and the risk of [accidental] slippage increases by a different measure. Fingers don’t keep up or autocorrect insists on taking matters into its own hands.
Designing A World: A Foray Into Scenography And Settling,
2018
Louisiana State University and Agricultural and Mechanical College
Designing A World: A Foray Into Scenography And Settling, Nathan David Ynacay
LSU Master's Theses
This work examines the design process as taught and what was practiced during Louisiana State University’s production of LMNOP the Muzical.
This will examine the design process as typically taught to undergraduate theatre students in all aspects of the discipline. The collaborative nature of the design process as taught to cast members, directors, and production team will be examined. After this examination, the design process for Louisiana State University’s production of LMNOP the Muzical will be used to compare and contrast the actual process with the theory of a collaborative design process. After, there will be an evaluation of …
Laboratoire DéBerlinisation: Art, Finance, And The Legacies Of Colonialism In Contemporary African Art: An Interview With Mansour Ciss Kanakassy,
2018
Technological University Dublin
Laboratoire DéBerlinisation: Art, Finance, And The Legacies Of Colonialism In Contemporary African Art: An Interview With Mansour Ciss Kanakassy, Conor Mcgarrigle, Marisa Lerer
Articles
Mansour Ciss Kanakassy (b. 1957) is a Berlin-based Senegalese artist whose practice addresses the legacy of colonialism in contemporary Africa, in particular as it is expressed in the financial systems of the former Francophone colonies of West Africa, where the currency, the CFA franc, historically tied to the French franc, is now pegged to the euro. The acronym CFA originally stood for Colonies Françaises d’Afrique – French Colonies of Africa – and now Communauté Financière Africaine – African Financial Community. In 2001, Ciss Kanakassy created the Laboratoire Déberlinisation (Déberlinisation Laboratory), a multifaceted project that traces contemporary African issues to the …
Private Rainbows,
2018
CUNY Hunter College
Private Rainbows, Mikey F. Estes
Theses and Dissertations
I make art that refers to how the self is mediated through structures, objects, and images — a kind of self-portraiture that circles around its subject, reflecting a state of simultaneous formation and disintegration. Over the past few years, I have used my iPhone as a tool to make images of everyday life. As the user of this device, I am defined by both my presence and absence. I am interested in the process of locating the self within the scattered yet ordered space of the screen.
Painting Through Time And Space,
2018
CUNY Hunter College
Painting Through Time And Space, Michelle O'Connell
Theses and Dissertations
By questioning painting-as-object, I arrive at capturing painting in time. Digital editing and projecting onto paintings and screens in space creates an overlapping of timecodes. With this environment, I aim to create an experience of painting and travel that is non-linear and multi-directional.
Rror,
2018
CUNY Hunter College
Rror, Carter D. Johnson
Theses and Dissertations
Building on common definitions of terms such as machine, human, and code, this paper presents a strategy for an art practice that engages with data that has been processed and the processor as actor or character. Material is presented in such a way that rules, guidelines, logic, code, coherence may be viewed as tools to be employed for the use of obtaining and retaining power and control. Presenting digital technologies not only as a mediating force upon physical bodies but also a part of those bodies, and, furthermore, as abject and thus positioned outside an ideological structure of consumer technology, …
Hackers And The Dark Net: A Look Into Hacking And The Deep Web,
2018
James Madison University
Hackers And The Dark Net: A Look Into Hacking And The Deep Web, Danielle Lefrancois, Christina Reilly, Russell Munn, Andy Strasel, Jess Garcia, Lindsey Chiles
James Madison Undergraduate Research Journal (JMURJ)
The dark web is notorious for the illicit activities it facilitates, including human trafficking, narcotics and weapons sales, and illegally obtained information transfers. In order to combat this constant, invisible threat to security, governments and experts have called for tougher legislation and increased surveillance. But on the opposite end of all this crime and villainy lie persecuted groups who use the dark web and the anonymity it affords to protect themselves from retaliation. This article uses Atavist’s digital storytelling medium to explore how hackers “hack” the web, ethical questions surrounding the dark web, and policy solutions to cyber security.
Unmaking As Making,
2018
Washington University in St. Louis
Unmaking As Making, Viola Bordon
Bachelor of Fine Arts Senior Papers
Artist Viola Bordon examines the processes of touch, unmaking, and materially dictated aesthetics regarding her studio practice. The philosophical ideas of absence are used to establish a purpose for undoing, which is then explored as a learning process. This process is complicated by the sense of touch, resulting in formal aesthetics that are materially inspired.
Observance | A Passage,
2018
Washington University in St. Louis
Observance | A Passage, Charis Schneider Norell
Graduate School of Art Theses
My art practice consists of drawing with fibers within handcrafted frame looms. I position these drawings as expanded, three-dimensional “drawing spaces,” creating medium-scale installations. I wish to expand drawing’s definition beyond its traditional material limits to simply be the process of leaving marks. Fiber is my medium, and the space within the frame loom’s warp and weft becomes my support. I see the drawing process to be the gestural residue of thought, and call these works my “fiber drawings.” While I use traditional weaving methods and materials as I work, I do not call myself a weaver. I see myself, …
It's Pink And Nice But We Are Done With It,
2018
Washington University in St. Louis
It's Pink And Nice But We Are Done With It, Taylor Elizabeth Yocom
Graduate School of Art Theses
My work in video, installation, performance, sound, and photography is influenced and inspired by my experience of being a woman. In my work, I draw pink flowers and create pink backdrops. I smash things, eat, drink, drop things, smile, nod, and look at you. Through these works, I explore the gender performativity of female niceness, synthesizing these two separate theories as a social condition and expectation for women. I argue that female niceness consists of bodily and linguistic patterns that women must perform in order to be perceived as feminine.
In my video and installation work, I use a “sickeningly” …
Mediated: An Investigation Of Print Media's Impact Of Self,
2018
Washington University in St. Louis
Mediated: An Investigation Of Print Media's Impact Of Self, Rachel Hertzman
Bachelor of Fine Arts Senior Papers
In the 21st Century print media is often overlooked for the masses of images available at everyone’s fingertips on the internet. This thesis is an exploration of the ways in which those original forms of mass produced images, specifically fashion/ beauty magazines and newspapers, alter one’s sense of self. The magazines have a proven negative effect on women consumers who internalize the singular thin beauty ideal persisted in this media. A similar internalization happens with the constant viewing of news papers, creating a sense of shared cultural memory. The Artist takes an in depth look at how these ideas …
