The Rupture Repeats,
2019
Washington University in St. Louis
The Rupture Repeats, Jennifer Everett
Graduate School of Art Theses
Rupture repeats without regard. Occurring on macro and micro scales, these historical, financial, and social upheavals continue throughout our lives, remaking our worlds and leaving us to respond as best we can. Rupture is a condition of human existence. For marginalized communities and Black Americans specifically, rupture is familiar and precarious. Historically, Black people respond to the space that rupture makes through a rigorous, interdisciplinary, creative tradition which serves as a strategy for survival and a way to produce and transmit knowledge. These methods of knowledge production exist in excess of formal training and are evident of quiet and expansive …
My Spring 2023 Honors Thesis,
2019
East Tennessee State University
My Spring 2023 Honors Thesis, Callie Honaker
Undergraduate Honors Theses
For my thesis project, I displayed fifteen printed photographs of self-portraits that I have made outside of class. In these self-portraits, I have applied special effects makeup to my face to create different portrayals of myself. These range from more abstracted makeup to characters. The majority of these makeups are from the chest up and created with face paint and self-made prosthetics. In this imagery, I have also chosen accessories and the background to coincide with the makeup and the mood that I am conveying. Minor adjustments have been made digitally in order to enhance how the image comes across. …
Thinging : Powerful Objects.,
2019
University of Louisville
Thinging : Powerful Objects., Tammy M. Burke
Electronic Theses and Dissertations
The works in "Thinging” are inspired by desire, the genuine and the false, systems of real and perceived values, the quest for immortality, the allure of things, our use of them to make ourselves, and imagining pasts and futures via objects. The following concepts are threaded through the work: cathexis, ritual as a value builder, collections, hoarding, display, object history, exchange, use, and sign values, and vibrant materiality. At the heart of my investigation is the quest to examine the origins of object power, and by what measures it can be evaluated: value from belief, market value, and something perhaps …
M0mentary Lapses,
2019
East Tennessee State University
M0mentary Lapses, Alice Salyer
Electronic Theses and Dissertations
The artist discusses her Master of Fine Arts exhibition Momentary Lapses, held at Tipton Gallery, February 25-March 8, 2019. The mixed media works and video examine the intersections between digital, somatic and societal decay through the mediation of the digital image by physical anthropogenic efforts.
Themes in the work include glitch art and theory, entropy, memory, decay, and loss. Contemporary American society’s desensitization associated with the oversaturation of digital imagery is discussed, as well as Guy Debord’s theory of the Spectacle, and the artistic practices of Kurt Schwitters and Robert Rauschenberg.
An Act Of God:Let There Be Light,
2019
University of Nebraska-Lincoln
An Act Of God:Let There Be Light, Jaime Mancuso
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
This thesis describes the research and production processes of the lighting design for the play An Act of God by David Javerbaum performed in the Johnny Carson Theater at the Lied Center for Performing Arts from September 28th through October 14th 2018. The play was directed by guest artist Michael Mendelson with scenic design by Jill Hibbard, costume design by Haley Williams, lighting design by Jaime Mancuso, sound design by Emily Callahan, projection design by Greyson McCown technical direction by Daniel d’Egnuff, and master electrician Adam Sikorski.
This thesis documents the lighting design process for An Act of …
Between The Cracks: From Squatting To Tactical Media Art In The Netherlands, 1979–1993,
2019
CUNY Graduate Center
Between The Cracks: From Squatting To Tactical Media Art In The Netherlands, 1979–1993, Amanda S. Wasielewski
Dissertations, Theses, and Capstone Projects
In the early 1980s, Amsterdam was a battleground. During this time, conflicts between squatters, property owners, and the police frequently escalated into full-scale riots. Although the practice of squatting was legally protected in the Netherlands, the formation of a social movement around squatting in the mid- to late ’70s brought about a turbulent period exacerbated by economic hardship and widespread youth unemployment. Those active in the squatters’ movement sought to carve out new spaces in the fabric of the city, guided by anarchist politics and a desire for autonomy. These cracks, or temporary autonomous zones, in the established order created …
Queerness, Witchcraft, And Embodied Presence: Aesthetic Knowings Of What A Body Can Do,
2019
CUNY Graduate Center
Queerness, Witchcraft, And Embodied Presence: Aesthetic Knowings Of What A Body Can Do, Megan Bigelow
Dissertations, Theses, and Capstone Projects
Taking as a point of entry the critique of representation and affirming the limitations of the cuts that language makes, this capstone project explores the imbrications and assemblages between Foucault’s concept of subjugated knowledges, witchcraft and other body-based ways of knowing and being, and the consciousness of non-human forms such as plants and through the framework of non-representational theory, process philosophies, aesthetics, queerness, and the concept of difference itself.
Since such theories themselves are living, breathing entities, this capstone project explores the ideological split that has occurred between sacred and secular beliefs, moving through different figures such as nuns and …
Getting Dressed And Being Dressed: A Constructed Autobiography Of Identity,
2019
CUNY Graduate Center
Getting Dressed And Being Dressed: A Constructed Autobiography Of Identity, Jana Jarosz
Dissertations, Theses, and Capstone Projects
This written and visual capstone project examines how feminist theories surrounding the construction of a gendered subject are related and situational to the narrative of a lived body experience within a layered context of clothing. It opens up a discussion concerning the negotiated space between an individually-empowered, subject-in-process and the boundaries of social expectations outlining gender and cultural identities. The thesis introduces the concept of using an automediality framework to connect the material culture of clothing to still and motion imagery with text as a way to encapsulate and illustrate the fluid nature of becoming. It concludes by suggesting that …
Trace.,
2019
University of Louisville
Trace., Kcj Szwedzinski
Electronic Theses and Dissertations
Trace utilizes autoethnography to investigate aspects of Judaism to discover how one decides what to embrace, embody, or deny from inherited legacies. Autoethnography attempts to combine quantitative and qualitative data in order to systematically analyze and describe personal experience. The artist acting as Ba’alei Kushiah, or question bearer, uses Talmudic philosophy as a methodology and approach to art making. This research is self-referential; using Jewish thought to ask questions about Judaism. Judaism, often existing in an in between place with outward characteristics that reflect regional influences, facilitates a dialogue about whether there are relative or absolute delineations within and between …
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948),
2019
CUNY Graduate Center
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dissertations, Theses, and Capstone Projects
This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …
Master’S-Level Counseling Students’ Experience Of Expressive Arts Techniques In A Cacrep Multicultural Counseling Course,
2019
University of Arkansas, Fayetteville
Master’S-Level Counseling Students’ Experience Of Expressive Arts Techniques In A Cacrep Multicultural Counseling Course, Cameron Houin
Graduate Theses and Dissertations
Counseling governing bodies have defined what should be prioritized in multicultural counseling courses, including students’ multicultural knowledge and awareness; however, best practice regarding how to teach these multicultural concepts has largely been left up to the counselor educator. Counselor educators have begun implementing expressive arts techniques in the classroom, but very little literature exists related to using such techniques in a multicultural course in a manner that positively influence counseling students’ multicultural competency.
The purpose of this study was to explore master’s-level counseling students’ experience of expressive arts techniques utilized during their multicultural counseling course. Ten student participants took part …
The Poetic Function Of Imagination: The Parallel Process Of Poiêsis,
2019
Lesley University
The Poetic Function Of Imagination: The Parallel Process Of Poiêsis, Angela Carlson
Expressive Therapies Capstone Theses
In the advent of Postmodernism, modern approaches to understanding the nature of things is being put into question. As the gap between objective and subjective realms of experiences is narrowing, there is an increased need for a more artful approach to science. This paper serves as my attempt to promote the field of Expressive Arts Therapy (ExATh) as a mode of poetic science for understanding the experience of ‘Being’ in the world. Through a critical review of the semantic development of the ancient Greek concepts poiêsis, noêsis, and aisthêsis, the imagination is identified as a function of alêthaic revealing, …
Simply Mo.,
2019
University of San Francisco
Simply Mo., Marjolijn Jaliene Oskam
Creative Activity and Research Day - CARD
Small portfolio presentation of design work by Marjolijn Oskam, branded under simply mo. The poster includes school work as well as professional work.
Face Me.,
2019
Loyola Marymount University
Face Me., Audrey M. Colanero
Honors Thesis
"face me.", 2019 Digital Illustrations on Vinyl Print, Industrial Materials
"face me." is an expression of the people who have helped me get where I am today using portraits. Each face we see makes an impact on our lives in some way. Which face are we showing to the people we encounter, and what impact are we choosing to make?
To Japan And Back: The Art Of Orr Marshall,
2019
Cal Poly Humboldt
To Japan And Back: The Art Of Orr Marshall, Orr Marshall
Archives & Reprint Series (imprint)
How many ways are there to interpret an idea, to present a vision? The artist Orr Marshall's exploration of these questions is the subject of this book in text and images. Like most children, he began drawing pictures as soon as he could hold a pencil or a crayon, depicting the weird creatures of his imagination. He maintained a concentration on art through school, majoring in painting at Yale School of Art and Architecture where Josef Albers was his most inspiring teacher. Another interest of his was language study, especially Japanese and Chinese with their writing systems and calligraphy. He …
Livd: Issue 16.1: "Fair Game",
2019
Portland State University
Livd: Issue 16.1: "Fair Game", Portland State University. School Of Art + Design
LIVD
LIVD is a semi/annual publication produced in the Pacific Northwest, dedicated to the intersection of art, design, culture and how these influence lived experience.
LIVD pays hommage to the inspiring and idealistic efforts of the early twentieth century avant-garde, balancing the academic with the personal and experimental.
Volume 16.1, “Fair Game,” includes articles dissecting appropriation from a variety of vantage points. Contributor Julianna Johnson opens the publication with an essay outlining her experience as a designer and illustrator who has had her work stolen and re-sold through Amazon. Bonnie Blake writes on typography and “oriental exoticism,” and the appropriation of …
Ivy Leaves, Volume 94,
2019
Anderson University
Ivy Leaves, Volume 94, Ivy Leaves Editorial Staff
Ivy Leaves
The 2019 edition of the Anderson University journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Jacob Cavett, Caleb Flachman, Lucy Kirkpatrick, Logan Carrolll, Aleisse Buck, Alli Kennedy, Matthew Jarrett, Emma Morris, Jessica Jeter, Jayne Small, Lauren Swathwood, Megan Adams, Terra Baughn, Logan Chapman, Allie Thompson, Lizzie Todd, Austin Rusher, Blaire Bellaire, Ashley Stone, Teresa Jones, and Tim Speaker.
Textile Society Of America Newsletter 31:1—Spring 2019,
2019
Textile Society of America
Textile Society Of America Newsletter 31:1—Spring 2019, Textile Society Of America
Textile Society of America: Newsletters
Letter from the President
TSA News:
Textiles Close Up: Andean Meets Anni in Chicago
R. L. Shep Ethnic Textile Book Award 2018 Nominees
Special Issue of JTDRP [Journal of Textile Design Research and Practice] Published
TSA Seeking a Newsletter Editor
International Report
In Memoriam: Sandra Alfoldy
TSA Symposium News
TSA Symposium 2020: Call for Submissions
Report from Student and New Professional Awardees
Book Reviews
The Art and Science of Natural Dyes: Principles, Experiments, and Results
Call for Submissions: Textile Month
Featured Exhibitions
Anni Albers
TSA Members at Fiberart International 2019
Contemporary Muslim Fashions
Member News
Reworking The White-Masculine Ideal,
2019
Southern Methodist University
Reworking The White-Masculine Ideal, Steven H. Gonzalez
Art Theses and Dissertations
This text functions as an exploration of self through artistic practice, a designated space for reflection on contemporary Queer experience. In looking specifically at the permeation of the idealized-white-masculine figure as found within Western visual culture, social media and gay pornography become isolated as sites where these figures are commonly found. This line of inquiry defines how the ideal is reified through these differing digital platforms and the social implications the homogenized male form has on raced individuals. In addition to determining the image of the perfect masculine physique through research, this text expands on how its' imaged representation becomes …
Thesis/Thesis Document 2,
2019
Southern Methodist University
Thesis/Thesis Document 2, Jessamyn Plotts
Art Theses and Dissertations
Thesis/thesis document 2 explores the subversive power of the painted image, made by a physical performative act. Such acts are not confined to the production of the art object, but expand across the landscape, involving the minds, bodies, and things of culture adjacent to the making process. Following the thinking of Maurice-Merleau Ponty, Thesis/thesis document 2 understands painting not as the container of a finite, legible message, but as a physical platform for the conveyance of perceptual, personal, and experiential ambiguity. Made in this way, painted images offer a powerful alternative to the proliferation of propaganda and advertisement …
