K(Now) W(Here),
2024
James Madison University
K(Now) W(Here), Yulin Yuan
Masters Theses, 2020-current
“How does one discover solace and belonging within these layered narratives?”
In mythology, narratives were once created to answer the incomprehensible questions of an era. These narratives unveil half-truths, customs, and convictions. K(now) W(here) is based on the experience of the artist who is Chinese and immigrated to South Africa at a young age; she elaborates the story about assimilation, authenticity, tales of her ancestral roots, and, most often, myths of identity.
The artist used narratives from Chinese mythology, collaged physically and metaphorically using tangible objects from other’s homes in combination with photography, digital media, and domestic items and assemblage …
Echo: The 2.5d Bridge Between The 2d And 3d Virtual Reality Space,
2024
Dartmouth College
Echo: The 2.5d Bridge Between The 2d And 3d Virtual Reality Space, Emilie Nicole Hopkinson
Dartmouth College Master’s Theses
In response to the expanding prevalence of virtual reality (VR) technology, there arises a necessity for beginner-friendly tools tailored towards individuals with little to no experience in creating art for VR, especially 2D artists. Echo serves as a user-friendly solution that enables primarily 2D artists with little to no experience in 3D editing and VR development to create 2.5D art by providing a simple 3D web editor and to share their VR artwork with a 6-digit share code. By facilitating these functions, Echo is a potential bridge for 2D artists to create art in the VR realm. This study assesses …
More Than A Punchline: A Comparative Analysis Of Diversity In Dropout.Tv & Collegehumor,
2024
University of Mary Washington
More Than A Punchline: A Comparative Analysis Of Diversity In Dropout.Tv & Collegehumor, Alexander Gluchowski
Departmental Honors & Graduate Capstone Projects
This paper examines the evolution of digital comedy through a comparative analysis of CollegeHumor and its offshoot, Dropout.tv, focusing on how each platform has approached the portrayal of diversity and inclusion. Utilizing a qualitative content analysis, the study contrasts selected episodes from both platforms to explore shifts in the representation of queer and POC comedians, and the thematic treatment of identity issues. The findings reveal that Dropout.tv significantly advances the inclusivity of comedic content, moving beyond CollegeHumor’s earlier reliance on stereotypical and controversial humor. This shift not only reflects changes in contemporary comedy but also highlights Dropout.tv's commitment to fostering …
Queerform/Ing,
2024
Southern Methodist University
Queerform/Ing, Matthew Solon-Lee Weimer
Art Theses and Dissertations
My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …
Fragmented Bodies,
2024
Southern Methodist University
Fragmented Bodies, Lauren Careese Alexander
Art Theses and Dissertations
Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …
The Hero’S Journey,
2024
University of Denver
The Hero’S Journey, Brianna Tolkacz
Undergraduate Theses, Capstones, and Recitals
The Hero’s Journey reflects on the continued fascination with fairytales, myths, and legends through time. This project follows the exploration of these stories, themes, and the lessons they can teach one about themselves and the wider world. Such fictional narratives allow one to process and share their lived experiences: the victories and tragedies, losses and growth. This project follows a winged figure as she fights for her freedom and gains her wings. the journey is messy and raw but still beautiful. The project blends classical oil painting and contemporary sculptural elements to compose an evolving narrative culminating in a dynamic, …
Skin To Skin: A Mixed-Media Exploration Of The Inheritance Of Identity,
2024
University of Mississippi
Skin To Skin: A Mixed-Media Exploration Of The Inheritance Of Identity, Angeline Morgan
Honors Theses
Skin to Skin is a mixed-media project that investigates the inheritance of identity through fine art and anthropological approaches. With a focus on womanhood, maganda (beauty), and Filipino-American culture, Skin to Skin reflects my deconstruction of cultural beauty practices. Growing up, proximity to lightness and darkness was a heavily emphasized metric. I witnessed family members experiment with light, water, and skin-lightening products on their skin. Now, I use alternative process photography to mirror their aesthetic experimentation.
To visually connect darkroom and beauty rituals, I created a series of unique, experimental prints where I treat paper surfaces as skin. I produced …
Mindspace: A Multi-Media Art Exhibition On C-Ptsd Awareness,
2024
Portland State University
Mindspace: A Multi-Media Art Exhibition On C-Ptsd Awareness, Emma Wallace
Student Research Symposium
"Mindspace" is an autobiographical art exhibition aimed at raising awareness about Complex Post-Traumatic Stress Disorder (C-PTSD) through a multi-sensory experience. The exhibition combines sculpture, lights, sound, and video projection to immerse viewers in the intricate emotional landscape of C-PTSD. Through a series of sculptural installations and carefully curated lighting and audio, visitors are invited to explore the internal world of an artist affected by C-PTSD and learn how it differs from PTSD and other types of mental health issues.
“Mindspace" incorporates specially composed soundscapes that offer an intimate look into the artist’s thoughts and memories, which range from spoken word …
Cliffhanger,
2024
Washington University in St. Louis
Cliffhanger, Micah Mickles
MFA in Visual Art
I am Micah Mickles, a mixed-media visual artist in St. Louis, Missouri. My artwork is deeply rooted in my personal experiences and serves as a memorial and monument to counteract the enduring effects of grief and loss. What sets my work apart is the transformative impact of my everyday encounters, inspired by my 14 years of experience working at Trader Joe's. These encounters have led me to reflect on my profound connections with diverse communities. By delving into the hidden narratives of mundane materials encountered in the workplace, I prompt a reexamination of convenience and supply chain origins. Inspired by …
Laughing In The Wrong Places: Daniel Clowes And The Danger Of Nostalgia,
2024
Washington University in St. Louis
Laughing In The Wrong Places: Daniel Clowes And The Danger Of Nostalgia, Liam Cassidy
MFA in Illustration & Visual Culture
This essay explores the relationship between art objects and our past, narrowing in on nostalgia as a malevolent force in American culture that will lead to its eventual downfall. Focusing on Daniel Clowes’ latest graphic novel Monica as a case study, I demonstrate how graphic stories like this seek to reflect rather than interpret, and are often more closely aligned to the creator’s biography than an attempt at broad strokes or political pandering. The essay uses interviews with Clowes at various points of his career, reviews of Monica, academic essays on Clowes, as well as articles and books dissecting …
Goin' Down Swinging: Queer Fury,
2024
Washington University in St. Louis
Goin' Down Swinging: Queer Fury, Mad Green
Graduate School of Art Theses
How can kickboxing uplift a community? How can Queer rage be utilized in community building and artmaking?
As a Queer artist, my work is inspired by my own experiences. Through drawing, printmaking, photography, video, performance, sculpture, and social practice, I dissect my violent upbringing and its lingering threads in my adult life. In this essay, I discuss the two most prominent features of my art practice: Fight and Community. I navigate these ideas through past works, such as a performance piece of me destroying a news article, a short film about institutional homophobia through aliens and immaculate conception, and most …
Past And Future Winds,
2024
CUNY Hunter College
Past And Future Winds, Alicia Ehni
Theses and Dissertations
Ehni’s thesis reflects on the role of wind to connect and transform. Looking at science and invisible forces like Earth’s magnetic field, her "Oculus" sculptures evoke old tools for orientation & migration. Birds, insects, plants, roads and sand, appear in a video and an experimental 16mm pinhole film of her bike journey along the Hudson River, NY. “Coordinates”, a magnetic drawing installation, addresses impermanence, attraction to land and fragility. Tracing memories of the Paracas desert in Peru, this thesis follows her interest in alchemy, ecology and the cosmos.
The J In Danger,
2024
CUNY Hunter College
The J In Danger, Zachary Delamater
Theses and Dissertations
“The J in Danger” merges autobiographic and formal concerns in sculpture and installation to describe the existential hazards contemporary life poses to Queer and Disabled individuals. The paper utilizes silent letters as thematic device to connect notions of precarity to a broader sense of contemporary “doomerism.”
A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava,
2024
CUNY Hunter College
A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava, Thais Casado Bignardi-Engstrom
Theses and Dissertations
This thesis analyzes the Italian experience with horror in cinema in both psychoanalytic feminist and cognitive Marxist critical film theories through a study of visual renderings of excessive violence and sex in gothic and thrillers known as giallo films created by the film director Mario Bava. This is an art historical study that looks at Bava’s work against the Italian cultural landscape in the post war period.
Luca (Last Universal Common Ancestor),
2024
CUNY Hunter College
Luca (Last Universal Common Ancestor), Tansy Xiao
Theses and Dissertations
LUCA (Last Universal Common Ancestor) is a non-linear virtual environment with a non-anthropocentric approach. Streaming real-time biometric data from performers' movements, brain activities, and bioprocess data from living microbiomes such as slime mold and yeast into the virtual ecosystem, LUCA explores the collective agency and interconnectivity among diverse living entities.
Oblique,
2024
CUNY Hunter College
Oblique, Edward Kijowski
Theses and Dissertations
Oblique is a multi-sensory art installation that provides a story of fragmentation in sound and light rendered by an obtuse hexagon arrangement of speakers and associated lighting prompts. The oblique direction of the soundwaves creates sonic sculpturing that propels listeners into an active state.
Container Film,
2024
CUNY Hunter College
Container Film, Dena Kopolovich
Theses and Dissertations
Container Film is an experimental nonfiction short film that explores the theme of carrying. Drawing inspiration from a blend of anthropological, religious, and artistic sources, the film is guided by an unknown narrator who contemplates the origins of humanity. Unlike conventional storytelling, the narrator’s uncertainty and inner dialogue punctuate the narrative, challenging a traditional linear structure. Jumping between diverse thoughts, she resists depicting human history with a singular hero or linear trajectory. Visually, the film unfolds through vivid tableaux vivants, dance sequences, and curious object arrangements, illustrating the subtle relationship between human cognition and materiality. Through its nuanced, tactile approach, …
Reflections Of Little Red Dot: An Interactive Mixed Reality Archival Experience,
2024
CUNY Hunter College
Reflections Of Little Red Dot: An Interactive Mixed Reality Archival Experience, Chloé Lee
Theses and Dissertations
It has been nearly a decade since I last visited Singapore, a place I am connected to yet an outsider. Reflections of Little Red Dot is a mixed-reality experience that animates my archive of drawings, videos, and 3D imagery from everyday Singaporeans in 2015, the year their country celebrated its 50th birthday.
Walking through this liminal mixed reality space, we hear how citizens are personally affected by the rapidly developing landscape and erasure of personal and historical sites of significance while reflecting on our collective agency to shape the future of our environments. We are invited into homes where loved …
Dear Dad,,
2024
CUNY Hunter College
Dear Dad,, Kimin Kim
Theses and Dissertations
A father-to-son relationship is often described as cold, distant, and detached. Mine was no different. A son looking for his father's approval for his entire life, realizing the approval has to be given by himself, not from his father.
間,
2024
CUNY Hunter College
間, Lele Dai
Theses and Dissertations
LeLe Dai makes contingent participatory public interventions using sensory materials such as sound, flickering light, and water. This paper examines their works through the lens of Chinese character Jian (間), meaning “gap/slit/incision,” to investigate the concept of “in-betweenness.”
