Graphic Design Commons^™

Cultural Shadows: Vampires And The Shifting Fears Of The West, A Creative Exploration Of Vampire Media And Its Reflection Of Evolving Social Anxieties, Tasha Sayre

University Honors Theses

Cultural Shadows: Vampires and the Shifting Fears of the West is a creative-critical thesis that explores vampire media as a reflection of evolving social anxieties in Western culture. Focusing primarily on film and television, with reference to key literary texts, this study examines how the vampire figure is used to articulate and dramatize recurring societal fears—particularly those surrounding women's sexuality and autonomy, queer identity, and class-based inequality. Through close readings of influential vampire narratives, the thesis demonstrates how these stories mirror cultural tensions and moral panics, transforming the vampire into a symbol of both fear and fascination. Drawing on gender …

Modes Of Seeing, Means Of Telling, Tina Zhou

Masters Theses

In a world increasingly threatened with dis- and misinformation, far-right nationalisms, geopolitical violence and conflicts, I am interested in graphic design as a tool for investigation and interactive storytelling.

To investigate is to track a movement, to untangle a situation, to search for the roots of an incident. In adopting the posture of the researcher, the journalist, or the pedestrian observer, I engage in the work of collecting vantage points: data, records, images, from academic papers to personal anecdotes. I position them in larger sociopolitical contexts, making visible how they might all fit together. Who holds the power of narration? …

Plural Vistas, Brooke Shary

Masters Theses

Plural Vistas introduces an expansive spatial dimension to the practice of graphic design. Through emotive means and embodied experience, each vista engages the potential for design to negotiate the intertwined relationship between the built environment (structured language and hierarchical systems), and the reciprocal demands of the natural world (interdependency and entanglement). This approach offers new ways for design to operate and extend into the world and our communities.

Not bound to one singular path or point of view,

Plural Vistas invites you to think spatially.

Space and time are active—
engaging the body and considering the complex and subjective relationship …

Shape Shifter, Hyomin Kim

Masters Theses

Our perception of the world is not fixed; it is shaped by experience. Through practices like meditation, Buddhist rituals, and even altered states of consciousness, the mind has the capacity to shift how we see, feel, and exist in the present. Mindfulness, for me, has been both a refuge from suffering and a means of survival—an awareness cultivated through personal experiences. Yet, in daily life, we often detach from the present, rushing past what is right in front of us. If design has the power to shape perception, can it also serve as a tool to guide presence?

My thesis …

A Personal Manual Of Escapism, Qing Wen

Masters Theses

In this fast-paced, information-saturated era, avoidance has become a common mechanism of self-preservation. Confronted with global crises and structural instability, the current generation increasingly adopt a pessimistic stance toward the future: some retreat into virtual worlds, others find themselves unable to bear the weight of real-life responsibilities, and many turn to art as a private sanctuary. But is avoidance only a pejorative term?

It wasn’t until recently that I realized, nearly all of my creative work has stemmed from a place, or an action of escape. The imagined worlds I’ve built, the spaces I created to flee from reality—without knowing …

Comfort In Contradiction, Yanchen Zhao

Masters Theses

This research explores why modern visual experiences often feel hollow—why suburban McMansions imitate classical architecture and why luxury spaces feel staged. Instead of simply criticizing these aesthetics, I want to understand them: Why do we embrace symbols disconnected from history? What makes them feel familiar and comforting?

Using Jean Baudrillard’s idea of hyperreality and Marshall Berman’s view on modernity, I examine how today’s aesthetics are simulations—designs that no longer refer to a real past but exist as self-repeating symbols. Everyday objects borrow classical decorations without structural purpose, offering a sense of tradition and familiarity without real historical connection. Modernity, while …

Wooorrmmhooolleess, Kimberly Duck

Masters Theses

By now we all know that the internet is an integral part of our existence. One could argue that this online existence holds equal importance to our physical one. While the lines blur even further and Mark Zuckerberg can’t wait to cosplay the rich computer guy from Ready Player One, I choose to refrain from the existential dread that seems to be inescapable when thinking of the future nowadays. While we often associate the internet with portals (after all, we once called websites “Internet Portals”—in German at least), Wormholes more accurately capture the experience. Portals promise instant connection. But what …

Graphic Gestures On The Digital Surface; In Defense Of The Observational, Soyoung Ro

Masters Theses

This thesis offers a subjective and process-based exploration of digital tools, challenging the dominant function-driven mindset that often defines digital design today. Rather than prioritizing speed, efficiency, or usability metrics, this work is a shift in focus toward experience, spatial awareness, and the subtle dynamics of interaction.

Rooted in acts of attention—looking inwards, looking outwards—this approach begins by setting aside assumptions about what tools are for, in order to ask how they shape our behaviors and ways of thinking. In doing so, it proposes a design methodology grounded in presence over productivity, process over execution, and agency over automation.

The …

Lingering Loading, Chi Hao Chang

Masters Theses

In a culture that values speed, seamlessness, and instant clarity, Lingering Loading investigates how graphic design can slow down our ways of seeing and knowing. As technology, internet culture, and social media continue to condition us to expect immediate answers, we have become more passive in how we receive meaning. We scroll, absorb, and move on—often without time to ask what we truly think or feel. But in the increasingly rare moments of pause, something undefinable can happen.

To linger is not to delay progress, but to make space for participation—for meaning to emerge from within, not be delivered from …

Gesture And Trace, Luisa M. Heindl

Masters Theses

I approach type as both gesture and trace: something made and something read, impulse and afterimage, formed through action, reception, and reuse.

My work focuses on the smallest components of written narratives: the shapes that form and encase letters, and the typography that enhances the emotional and cultural resonance of text. I explore how type and language encode meaning through various lenses, whether through the ideological ‘freight’ of reviving or using historical styles, the emotional charge of certain forms, the possibilities of variable font technology, or the curated (and sometimes instrumentalized) narratives embedded in nostalgic-feeling visual trends.

Typographic expression embodies …

Instrument, Elliott M. Romano

Masters Theses

I compose graphic design like I would a piece of music. Using input sources such as sound signals and noise algorithms, I create generative systems that alter or adapt typography and graphic form to output audio-textual compositions in real time. I call these systems graphic instruments.

In this book, I present a methodology for constructing and performing visual instruments as hybridized, real-time feedback systems, tracing a lineage of apparatuses as well as works of art and design that share a similar orientation. Through short-form essays and interviews with artists who operate between designer and performer, this thesis explores the …

Textus Complexus, Vishakha Ruhela

Masters Theses

textus complexus investigates how language shapes thought by merging scientific rigour and poetic action to challenge reductive narratives. My inquiry stems from a fascination with complexity as an existential condition—one that resists homogenisation, preserves collective memory, and demands inclusive, multidimensional engagement. Hybridity, as a spectrum from complicated to complex, becomes a methodological tool to uncover latent connections that lead to cross-communication, and articulate transitional spaces through recursive processes. By systematising multiplicity via layering, modularisation, and indexing, my work foregrounds expression through form, where structural clarity emerges from cumulative gestures rather than simplification.

The projects in this thesis trace the roots …

Afrography: Scripting Futures Anchored In Culture & Community, Osmond Tshuma

Masters Theses

Latin and Arabic are the most used writing systems in Afrika, not only because of their functionality but because of colonial history. Colonialism established Eurocentrism as the standard, while Afrikan creations were marginalized and demonized. This thesis investigates various ways of reclaiming identity through typography using the concept of Sankofa, which emphasizes retrieving and learning from the past to build the future. By integrating cultural objects into designs and everyday visual language, we can challenge and reverse the demonization imposed on Afrikan symbols by colonial narratives.

The belief of Ubuntu, the philosophy that an individual’s well-being is intrinsically tied to …

No One Thing, Kate Brown

Masters Theses

Graphic design has mobility. It is oriented toward action, travel, and distribution.

My projects put me in touch with people and ideas, language, and visual form. They’re broad, conversational, and curatorial in spirit. They allow me to cut a path through the discipline of graphic design, and to branch opportunistically out to others, when I can—to art, architecture, fashion, writing. I expand my field of operations. Make it as big as you are. Make it 1:1. Take the part and run with it. Fold it up, send it away.

Windbound, Selina Kehuan Wu

Masters Theses

Can we navigate reality outside the constraints of chronological progression? As beings seemingly chained to linear time, can memory become a way to transcend this structure—to resist it, to time travel? What if time, instead of a line, is like the wind—non-linear, unpredictable, and both a force of creation and destruction?

Structured around three interwoven notions—the impulse to preserve (why), the forms that time takes (what), and the gestures through which we intervene (how)—this thesis explores how graphic design engages with the mutable, non-linear nature of time. The first notion, memory labor, considers the poetic and emotional …

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.

Folding Horizons: Knitted Textiles For A Mobile World, Yutong Li

Masters Theses

We have grown accustomed to living in flux—moving between cities, countries, languages, and digital spaces. Life no longer unfolds in a straight line, but in fragments and transitions, never quite settling. In this restless rhythm—shaped by fast trains, shifting skies, and the invisible current of the internet—we find ourselves suspended in a vast, woven network. Connection is constant, yet motion is unrelenting.

This project begins with a question: how can textiles reflect this state of in-between? I imagine textiles not as fixed surfaces, but as responsive skins—adaptive, expressive, and attuned to change. Inspired by the tensions of contemporary life—surveillance, shrinking …

Transplant Transplant(Ed) Transplant(Ing), So Jung Yoon

Masters Theses

Boundaries shape our lives and identities. The tangible presence of boundaries becomes a medium for engaging with the world—such as who occupies a space and how, or what tools are deemed valid in a design process. These boundaries aren’t always visible; they’re embedded in systems, habits, and assumptions that shape how we move, create, and are recognized. They extend far beyond fixed geographies and the specific positions we occupy within them.

Transplanting is the process by which things are moved or move across boundaries in hopes of being planted, finding a place to stay. Though it can be a search …

All But Mud & Memories, Chase Lt Romero

LSU Master's Theses

All But Mud & Memories addresses the inevitability of erosion and land loss near my homeland of Algiers Point— locally known as The Point— through the perspective of locals and visitors, in addition to my own experience. Located near New Orleans across the Mississippi River, Algiers Point holds a community that shares a tender bond with the levee that protects their home and day-to-day interactions. Often in discussions of wetland events in Louisiana, the focus is on land and environmental losses rather than the surrounding culture. I provide a more community-centered narrative by expressing what’s to be lost if the …

Drone Strikes In Pakistan, Muhammad Shumail

Capstones

my capstone maps all the drone strikes in Pakistan from 2004 to 2018. it show how many drone strikes were conducted during each president tenure and how many civilians were killed.

https://techman96.github.io/drone-strikes/