Graphic Design Commons^™

Solar Plexus, Carolina Osoria

Toyon: Multilingual Literary Magazine

This poem was presented and written for Stanford GEN and Forest Hill University. https://www.youtube.com/watch?v=Lpo1m0lOHfQ&t=296s

Because Of Them, Paige Santise

Cardinal Compositions

No abstract provided.

My Life Has Been Cattywampus, Andy Henderson

Cardinal Compositions

No abstract provided.

Discourse Community Analysis, Norah Langford

Cardinal Compositions

No abstract provided.

Analyzing Scientific Writing: Wild Dog Populations Of South Africa, Kaden Stumpf

Cardinal Compositions

No abstract provided.

The Historical, Cultural, And Anecdotal Importance Of Iberian Ham, Zach Hisle

Cardinal Compositions

No abstract provided.

The Meal Of Summertime: The Pasty, Greta Laffin

Cardinal Compositions

No abstract provided.

Artist Statement And Video, Kennedy Fox

Cardinal Compositions

No abstract provided.

Infographic, Ayana Fairweather

Cardinal Compositions

No abstract provided.

Engl 102 Assignment Sheet, Michael Benjamin

Cardinal Compositions

No abstract provided.

Engl 102 Assignment Sheet, Ayaat W Ismail

Cardinal Compositions

No abstract provided.

Engl 101 Assignment Sheet, Ayaat W Ismail

Cardinal Compositions

No abstract provided.

Virtual Fantasy, Joey Petrillo

Masters Theses

Virtual Fantasy is a proposition in opposition to virtual reality. Fantasy is essential to queer survival; we daydream to escape the hetero-normative structures we’ve been forced to live in — imagining new futures without binaries, linearity, or traditional notions of success. By exploring immersion, escapism, and agency in our virtual worlds through a queer lens, VF offers a reframing of our relationship to VR — embracing digital spaces and their potential to imagine new futures and possibilities, while remaining present in the world around us, as we are here in our bodies, now.

Input / Output, Zach Scheinfeld

Masters Theses

Input/Output emphasizes the processes and systems that create engagement, narrative, and meaning in graphic design, as opposed to singular inputs and outputs. In a series of experimental frameworks, ranging in form from 3D printed objects to browser-based painting tools, variables are put into the hands of the audience and user, creating conditions that are prime for retooling, repurposing, world-building, and play. Throughout, an open dialogue and feedback loop is formed between interface and user, author and reader, and teacher and student, where power, agency, and structure are in constant circulation, resulting in the emergence of unexpected forms, speculative technologies, and …

Moving In, Moving Up, Moving On : The Adaptation And Preservation Of Chinese Diasporas Through Food, Jieqi Yao

Masters Theses

Moving In, Moving Up, Moving On explores the processes of Chinese culture and space in America of adaptation, assimilation, and preservation that underlie food changes. As Chinatowns across the US have evolved and residents have relocated, former centers of Chinese cultural identity have progressively transformed into restaurant districts with increasingly diverse populations and space gentrification.

The thesis argues that food is central to preserving cultural memory and reducing the generation divide. In the context of the Chinese diaspora transformation, culture has changed food in different spaces, and it gives people more choices to acquire and exchange information and values through …

Writ In Water, Jack Tufts

Masters Theses

This thesis celebrates impermanence; that all things are transitory, in a perpetual state of flux. Yet the idea of place is a perception that endures; it is what we carry with us.

Here lies this thesis, Writ In Water.

On the surface, there is a layer of impermanence: fragments dispersed, dissolved memories, words washed away. Water is a medium for memory, carrying the ephemeral debris on the surface. I take what the water gives me, reaching in to pull out the remains to build a home, for wherever the water takes me. I gather fragments as a form of …

Connective Movements, Ian Keliher

Masters Theses

Connective Movements describes the winding, associative thoughts gathered from long conversations with colleagues and internal dialogue with writers, philosophers, and filmmakers. Using the visual essay, I follow points of interest through labyrinthine and idiosyncratic logics. Collage and montage results in an assemblage of visual ideas both analytic and personal. Although the outputs vary, my body of work has been informed by a sustained inquiry into moving image with a focus on small moments and subjectivity: cloudwatching can spin into thoughts on communication, or simple, everyday words burrow into experience and memory. With this aim, I use the constituent parts of …

Crossover Logics, Serena Ho

Masters Theses

As more and more of modern life is measured and calculated by computational machines, our realities are flattened into streams of data, bits, and binary. As a graphic designer operating under societal and technological systems that unrelentingly speed up, simplify, and reduce the individual into a digital form legible to machines, my response to these conditions is to search for moments of imagination, poetry, and play within these structures. In my practice, I pair machined forms with human gestures to bridge the duality between computer and human logics, the rational and the emotional, and the measurable and unmeasurable aspects of …

Food, Drink, Time, New Year And Cloth, Jian Li

Masters Theses

My project uses traditional Chinese calligraphy culture and my own family stories to create five daily use products to help my user find a sense of belonging to Chinese culture and also introduce my culture and stories to all audiences.

As an international student who came to the US, I have often struggled with a lack of cultural identity and belonging. This is a common issue faced by many who choose to leave their homes and venture to new places. However, I believe that we can overcome this by creating products that generate an emotional connection with their users.

Making Then Meaning, Ben Denzer

Masters Theses

This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning

At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.

I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.

I think meaning comes from …