Graphic Design Commons^™

Never Real Historians, Emily Bluedorn

Masters Theses

Never Real Historians is a graphic inquiry into how surfacing hidden histories can lead to a liberatory and layered design practice. It is both a record of my process and a template for future making and future ancestors. Mining inheritance can be an ambiguously murky territory, full of contradictions, collisions, and tension between the past and present. My hope is that this thesis functions as a model of navigating that terrain, by interacting with storied objects and ephemera, in order to revive forgotten and marginalized histories. By re-examining my own shared and personal inheritances, as an American woman designer living …

Surface Tension, Berett Wilber

Masters Theses

Land is the premise upon which all questions of identity, belonging, and consciousness are set.

Our relationship to land is simple and complex. On one hand, in our daily experience there is no daylight between body and land. On the other hand, our relationship to land is intensely mediated through design in the form of tools, ritual, technology, tradition, and law. Language and design are primary mediums through which land is transformed into a material resource and commodity.

Understanding how designed systems craft our understanding of land can help us recognize their limits — and open our eyes to the …

Asili, Husna Abubakar

Masters Theses

ASILI is a Swahili word meaning ORIGIN, SOURCE, and ESSENCE. It can also mean the fundamental principal of a culture. It is not cognitive, it is metaphysical.

The work that I do explores the preconceptual, prespatial and pretemporal organization of culture, specifically African culture and even more specifically, Swahili culture.

I use multiple techniques to interpolate a visual voice to an othered people both continental and abroad. I explore the mythoform that connects the mystical and dive into what of it that becomes a practice within Swahili culture. I take experience from my life as a Swahili woman, from the …

Variations On Noise, Clinton Van Arnam

Masters Theses

Variations on Noise is a three-part collection: an index, a set of interviews, and a perspective on a working practice in graphic design and sound.

If noise is ubiquitous in our everyday lives, how do we define it and use it as a catalyst for dissonance and change? As a designer, I use noise algorithms to generate pseudo randomness and break up repetitive textures. As a musician, I use noise to create scores and performances that challenge our perception of what is comfortable and uncomfortable.

Seven interviews with designers, artists, musicians, and a Tibetan monk offer ways to approach the …

Going To The Sea, Lingyi Kong

Masters Theses

“Good-bye Icarus” is a work that aims to blend art, history, and environmental exploration through illustration, an interactive graphic novel, visual documentation, and programming language narratives.

A year of coastal life in Rhode Island has provided me with endless inspiration in terms of design language. I’ve ventured into blending dynamic visuals from TouchDesigner with illustration, a pioneering approach as far as I’m aware.

My narrative is based on seaside scenery and mythology metaphorical elements, making image programming to capture the essence of waves a focal point and central experiment of my work. Furthermore, after crafting a dynamic design visual language, …

Endless Form, Kaela Kennedy

Masters Theses

Endless Form is a gentle argument for a practice rooted in embodied seeing and communicating. It invites the reader through multiple actions of visual and linguistic perception – observation, seeing, and attention – and examines how these methods operate to widen our fields of understanding to more empathetically engage with the world as an ecological whole. It claims that graphic design, as a practice built on the relationship between visual form and language, has a unique ability to translate the unending feedback loop between the eye, the seen, and the language we use to define it. It argues for ways …

Soft Procedures, Alec Figuracion

Masters Theses

Looking through the soft lens — from the vantage point of a place one calls home, and steered by an interiority that feels a little too much sometimes — I am interested in the hazy, undefined subjects and instances that occur around the peripheries of our lenses: fuzzy imprints of memories, shifting notions of home, and shapeless narratives. Working primarily with the moving image, I investigate the multiple threads that might exist between them, and persistently shift and adjust the focus ring on the camera lens so as to embrace and celebrate multiplicities, and our collective definitions of softness.

Dimensional Dialogues, Farida Abousteit

Masters Theses

What does it mean to be, hear, interpret and understand language? And does it truly matter if we don't? This work explores linguistic translation and mistranslation, through the exploration of three-dimensional and interactive spaces that to create an opportunity to interact with language as an visual and felt environment; rather than language on a page or the spoken word.

When we stand next to typography, next to language, scaled up to a human-sized presence, do we find an immediate kinship and warmth towards it? Do we find ourselves more captivated and intrigued?

I believe that when we encounter the unfamiliar …

Human Or Machine: The Effects Of Centering Productivity On User Psyche Through Digital Management/Tracking Tools, Pema Thangzur

University Honors Theses

This paper examines the growing toxic culture of centering productivity and efficiency in the growth of Big Data-incentivized digital management/tracking tools. In response to the development of personal notetaking tools, mood tracker apps, habit tracking, and other personal data tracking programs, discourse from data scientists, interactive designers, archivists, and technology academics have critiqued how well-meaning the larger tech industry is by providing these tools. However, the current discourse on developing potential solutions to this issue remains understudied as the growth of said tools are fairly new. This paper proposes that digital interfaces employ approaches with users' personal data that center …

Dim111_Design Analysis And Response, Sae University College

Exemplars

Slides from a presentation of the visual analysis essay and visual reflective response.

Formula: A Poetic Alchemy Of Emotion And Identity, Arman Eshtiaghi

Graduate Artistry Projects and Performances

"FORMULA: A Poetic Alchemy of Emotion and Identity" is an interdisciplinary art project that explores the intersection of mathematical symbolism, typography, and emotional cartography to examine the complexities of identity formation. Rooted in personal experiences and queer theory, the project delves into the cognitive processes that shape the self, particularly within the context of sexual orientation and societal norms. By intertwining poetry with digital media—such as 3D animation, video projections, and deep neural network-generated visuals—"FORMULA" creates a multisensory experience that invites viewers to engage with the intricate landscapes of human consciousness.

The exhibition challenges traditional perceptions of identity by employing …

Latent Auto-Recursive Composition Engine: A Generative System For Creative Expression In Human-Ai Collaboration, Yenkai Huang

Computer Science Senior Theses

This thesis investigates the shifting boundaries of art in the era of Generative AI, crit-
ically examining the essence of art and the legitimacy of AI-generated works. Despite
significant advancements in the quality and accessibility of art through generative
AI, such creations frequently encounter skepticism regarding their status as authentic
art. To address this skepticism, the study explores the role of creative agency in var-
ious generative AI workflows and introduces an ”artist-in-the-loop” system tailored
for image generation models like Stable Diffusion. This system aims to deepen the
artist’s engagement and understanding of the creative process. Additionally, a novel
tool, …

Echo: The 2.5d Bridge Between The 2d And 3d Virtual Reality Space, Emilie Nicole Hopkinson

Dartmouth College Master’s Theses

In response to the expanding prevalence of virtual reality (VR) technology, there arises a necessity for beginner-friendly tools tailored towards individuals with little to no experience in creating art for VR, especially 2D artists. Echo serves as a user-friendly solution that enables primarily 2D artists with little to no experience in 3D editing and VR development to create 2.5D art by providing a simple 3D web editor and to share their VR artwork with a 6-digit share code. By facilitating these functions, Echo is a potential bridge for 2D artists to create art in the VR realm. This study assesses …

Manipulative, Dark, And Unethical Design Practices In Ui & Ux Design, Ryan Edward Brown

Honors Theses

This thesis examines the pervasive and detrimental effects of manipulative user interface and user experience design (UI/UX) practices on individuals and society. Focusing on three critical areas – accessibility, dark patterns, and polarization – the study employs a mixed-methods approach, combining findings from a comprehensive literature review, an analysis of specific design patterns and methods, and a survey of user experiences.
The literature review covers topics such as the importance of accessibility in design education, the prevalence of dark patterns in mobile and desktop sites, the role of personalization algorithms in shaping user experiences, and the formation of echo chambers …

Advertising To Generation Z, Taryn Romaine

Honors College Theses

The goal of this project is to analyze the history and background of those born between 1997 and 2012, also known as Generation Z, and determine its effect on how this Generation receives and reacts to advertising. In addition, through the use of a personally created and conducted poll, I gathered data on a portion of Generation Z individuals and their preferences to certain elements of advertisement design. These elements are text content, layout, color, and relatability/authenticity. My project discusses how advertisers and advertisement designers, such as myself, can implement these preferences in order to effectively advertise to Generation Z. …

Cliffhanger, Micah Mickles

MFA in Visual Art

I am Micah Mickles, a mixed-media visual artist in St. Louis, Missouri. My artwork is deeply rooted in my personal experiences and serves as a memorial and monument to counteract the enduring effects of grief and loss. What sets my work apart is the transformative impact of my everyday encounters, inspired by my 14 years of experience working at Trader Joe's. These encounters have led me to reflect on my profound connections with diverse communities. By delving into the hidden narratives of mundane materials encountered in the workplace, I prompt a reexamination of convenience and supply chain origins. Inspired by …

Crux: Urban Ecology And Cultural Essence, Maria Del Valle

Bachelor of Architecture Theses - 5th Year

The CRUX, stands for islands grappling with the aftermath of hurricanes. Its transformative vision is set against the backdrop of a city scarred by abandoned homes, tainted water sources, agricultural decay, and a crippled electrical grid. CRUX aspires to breathe new life into this urban landscape, envisioning a self-sustaining city dedicated to nurturing community ties for the resilient people of Yabucoa. The testament to the restoration is not just physical structures, but the research studies the very spirit of the community. By delving into the realms of art, farming, Afro-Carribbean culture, and food, the project seeks to create a vibrant …

The Perfect Model: Exploring Gender Differences Within Commercial Graphic Design Preferences, Adeline Roberts

Undergraduate Theses

Personal preferences within graphic design are heavily shaped by social factors, including cultural practices. This project explores the effect of gendered-based experiences on visual design preferences, through investigating men’s and women’s preferences regarding graphic design elements, and the source of these opinions. The data was then used to create two educational images, which mimic contemporary magazine covers, visually illustrating the effects of gendered marketing and experiences on personal design preferences. These images were then attached to an interactive website, so that the findings and pieces from this project can be easily accessed by future audiences.

Ddx173.2 User Centrerd Design: Ui Design Example 1, Sae University College

Exemplars

The presentation showcases how the website's user interface (UI) design responds to the findings of the user experience (UX) report and improves its usability.

Luca (Last Universal Common Ancestor), Tansy Xiao

Theses and Dissertations

LUCA (Last Universal Common Ancestor) is a non-linear virtual environment with a non-anthropocentric approach. Streaming real-time biometric data from performers' movements, brain activities, and bioprocess data from living microbiomes such as slime mold and yeast into the virtual ecosystem, LUCA explores the collective agency and interconnectivity among diverse living entities.