Mis Jarrones,
2019
Rhode Island School of Design
Mis Jarrones, Marco Sebastián Arroyo Hoebens
Masters Theses
This thesis offers an insight into the complex relationship between identity, memory and the creative process. A Q&A follows, designed to deepen the understanding of the self in different situations, places, cultures and design objects.
Apparently, memory has a leading role in triggering creative processes and this has forced me to do further research on my own past and on the objects that my memory retains. In the end, this “research on the self” has produced an interesting view on this particular creative process of designing.
Sky Is Sinking Below The Trees : Two Years Of Documentation And Observations,
2019
Rhode Island School of Design
Sky Is Sinking Below The Trees : Two Years Of Documentation And Observations, Xuelun Li
Masters Theses
I see landscape through my own eyes, hands and body, and also through the lenses of Chinese poetry, calligraphy and ink painting. These art forms are rich in metaphor. The way they imagine and depict landscape is romantic, often including observations on dual concepts as lightness and heaviness, movement and stillness, change and stability, all of which have inspired this collection of work.
These furniture pieces include benches, tables and lamps. They are abstracted landscapes, to spark imagination about natural forces and transformations, both through the process with which they’ve been made and through their final forms. I engage with …
Works And Process,
2019
Rhode Island School of Design
Works And Process, Alex Hsu
Masters Theses
This thesis is a collection of furniture and objects that seek to embody the harmonious pleasantness of things through thoughtful consideration of their aesthetics, utility, and place. It reflects on the ownership and creation of objects and the role they play defining who we are. More specifically, it’s a reflection on how where I’ve come from and learning how to create have influenced these complex ideas. It’s a document that looks inward and serves as a manifestation of my developing process and its effects on my identity as a result. It grapples with my desire to create things that are …
Stepping Aside,
2019
Rhode Island School of Design
Stepping Aside, Juan Pablo Gutiérrez García
Masters Theses
Over time, our connection with materials has changed. Centuries ago, artists interacted with just one material for years, gradually integrating the knowledge of its different properties into their existing expertise. They were learning processes which were acquired through the sum of different personal experiences and the reciprocal action between artist and material. Now, times run fast; we are exposed to a wide range of materials, and knowledge is indirect. We learn through books or by copying established industry processes, replacing our practical experiences. New potentialities of material are not sought frequently, and we end up validating only what has already …
Externalized : Origins Of Aesthetic Motivations,
2019
Rhode Island School of Design
Externalized : Origins Of Aesthetic Motivations, Tim Miller
Masters Theses
My thoughts and behaviors are influenced by a compulsive disorder. Observing this, I’ve learned how much my outlook can be shaped by my own ritualistic patterns. I live with a heightened sense of awareness toward my particular compulsions which has shaped how I see the world. In this thesis writing and collection of designed objects, I am seeking to further explore my own experience with compulsive thoughts and behaviors, unpacking how they manifest in the day-to-day, how they direct my perception, and ultimately how they serve as a driving force behind my design process. By observing these tendencies and articulating …
Rediscovering Brazil: The Marajoara Style In Modernist Art And Design,
2019
Chapman University
Rediscovering Brazil: The Marajoara Style In Modernist Art And Design, Alyson Brandes
Student Scholar Symposium Abstracts and Posters
During the Portuguese rule of Dom Pedro II until 1889, through the years of the First Brazilian Republic (1889-1930) and into the First Vargas Regime (1930-1945), Brazil struggled to solidify a strong national identity that would finally unify the country and legitimize its rich cultural heritage. The discovery and excavation of Marajó Island in the 1870s provided evidence of a great, ancient civilization, and inspired Brazilian Art Deco and early Modernist artists. Polychrome ceramic urns, vessels, and tangas (female pubic covers) were among the most abundant archaeological finds, many with zoomorphic and geometric motifs that show the cultural importance of …
From Eye Sore To Eye Catching: Improving Function And Appeal Of Campus Spaces,
2019
University of Rhode Island
From Eye Sore To Eye Catching: Improving Function And Appeal Of Campus Spaces, Katherine E. Gorham
Senior Honors Projects
An interior space has a lot of power over an individual. It can dictate one’s mood, efficiency, confidence, and more. Most people can recall a time when a room had a negative effect on their mindset and productivity level due to its lack of color, light, or comfort. A functional, well lit, warm space makes for an uplifting and motivating work environment. Throughout my college career, I have encountered several spaces across the University of Rhode Island campus that aren’t the most visually appealing, comfortable, or inspiring, yet they still have plenty of potential. The goal of my project was …
Contemplative Interiors: Ceramics And Furniture,
2019
SUNY Geneseo
Contemplative Interiors: Ceramics And Furniture, Alla Myzelev, Kala Stein, James Johnson
Geneseo Authors
Exhibit Catalog for the show Contemplative Interiors exhibited at the Lockhart Gallery at SUNY Geneseo from February 6, 2019-March 15, 2019. Exhibit Curator: Alla Myzelev.
Dress Up,
2019
CUNY Hunter College
Dress Up, Ye'ela B. Wilschanski
Theses and Dissertations
Dress Up (Performance, 40 minutes) is a dress that functions as a floor, blanket, tablecloth, book and walls. It tells a visual story about domestic care giving rituals, referencing different times and places.
A Spectacle And Nothing Strange,
2019
Virginia Commonwealth University
A Spectacle And Nothing Strange, Taylor Z. King
Theses and Dissertations
Working through methods of abstraction and comedic mimicry I choreograph awkwardly balanced sculpture with objects of adornment as a means to defuse personal sensitivities surrounding my experiences of gender, desire, and home. The research that follows is concerned with the adjacent, the in between, above and underneath, because I feel that this kind of looking means that you are, to some degree, aware of what lies at the edges. Maybe this is what Gertrude Stein means to act as though there is no use in a center—because this concerns a way of relating, though there are many things in the …
Bone Of My Bone,
2019
Virginia Commonwealth University
Bone Of My Bone, Dylan A. Loftis
Theses and Dissertations
This is a noticing and a return - a good old-fashioned call and response.
An understanding and a becoming.
At present, the noticing is on brokenness and the response on reparation. The work is filtered and guided through my background in traditional woodworking and furniture design.
A lifetime love of comic books, storytelling, and illustration refuses silence, and it escapes in bursts as I work intuitively through design and material. A newly discovered love of writing finds meaning in that intuition.
It’s impossible, even irresponsible, for me to notice and question the brokenness around me without questioning the brokenness within …
Lotion In Your Lungs,
2019
Virginia Commonwealth University
Lotion In Your Lungs, Raul H. De Lara
Theses and Dissertations
This is a document explaining in detail my artistic practice from childhood to the day I graduated VCU. It will perhaps only be understood by those who have themselves already felt such ways, or similar ways – words and ghosts are mostly invisible.
Rizer, Michael C. (Fa 1186),
2018
Western Kentucky University
Rizer, Michael C. (Fa 1186), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1186. Student paper titled “Early Toy Making” in which Michael Rizer interviews two sets of couples, the Barnes and the McKees, regarding their crafting ability as it relatesto miniature, hand-carved furniture. Rizer offers a brief description of each toy maker and details the various types of materials, models, and carving techniques used in the creation of the miniatures. Included in the paper are color photographs of the craftsmen and women along with pictures of their wooden furniture pieces and one reel-to-reel audio tape of interviews conducted by Rizer.
Rains, B. Mickey, B. 1952 (Fa 1178),
2018
Western Kentucky University
Rains, B. Mickey, B. 1952 (Fa 1178), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1178. Student folk studies project titled “The Crafting of Hickory Bottomed Chairs” which includes interviews and survey sheets about the process of making hickory bottomed chairs in Macon County, Tennessee. Sheets may include a brief description of a practice, a photograph, and text classification.
Kezar, Jovanna (Fa 1153),
2018
Western Kentucky University
Kezar, Jovanna (Fa 1153), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1153. Student paper titled “Sabbathday Lake Shaker Village: The Shakers Today” in which Jovanna Kezar details her visit to the Shaker community located near Poland, Maine. Kezar gives a brief, albeit thorough, history of the Shaker experienceas it relates to spirituality, organization, and guiding principles such as mottos, beliefs and practices, forms of worship, and governmental structure. Kezar also describes her trip to the Shaker village and provides color photographs and slides of buildings and photographs along with newspaper clippings, postcards, and assorted stationery.
A Natural Circus,
2018
Rhode Island School of Design
A Natural Circus, Cecilia Plasencia
Masters Theses
I’ve come to the conclusion that I have no interest in controlling and manipulating matter to my own heart’s content. I’m rather bored of rigidly perfect geometries and sentiments. Rather than controlling materials I allow them to do as they please. I capture their moment of revelation, and allow them to speak for themselves. I realize this process of making demotes me from creator to conduit, but I’ve noted that the materials have a far more unique and intelligent message than I could ever imagine.
So, I listen to matter. Matter has one very good friend, the center of the …
Hoyt, Roy (Fa 1145),
2018
Western Kentucky University
Hoyt, Roy (Fa 1145), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1145. Student paper titled “Upholstery – A Folk Occupation” in which Roy Hoyt speaks with Frank Black, a resident of Burgin, Kentucky and “the last of the true ‘tufters’ in his portion of Kentucky.” In the interviews conducted by Hoyt, Black, who had been a craftsman for more than three decades, details the tools, materials, and processes used to upholster furniture. The paper also includes occupational anecdotes and color photographs of Black’s workshop, machines, and finished products.
Lauretta Vinciarelli In Context: Transatlantic Dialogues In Architecture, Art, Pedagogy, And Theory, 1968-2007,
2018
CUNY Graduate Center
Lauretta Vinciarelli In Context: Transatlantic Dialogues In Architecture, Art, Pedagogy, And Theory, 1968-2007, Rebecca Siefert
Dissertations, Theses, and Capstone Projects
This dissertation centers on the interdisciplinary work of Italian-born artist, architect, teacher, and theorist Lauretta Vinciarelli (1943-2011), a key yet relatively unknown figure who occupies a historic place in the 1970s revival of architectural drawings, Columbia University’s housing studio, Peter Eisenman’s influential Institute of Architecture and Urban Studies (IAUS) in New York, and architectonic trends in contemporary painting. She was the first woman to have drawings acquired by the Department of Architecture and Design at the Museum of Modern Art (MoMA, in 1974), she was among the first women to teach architecture studio courses at Columbia University (hired in 1978), …
A Synthesis Of Structures,
2018
University of Nebraska-Lincoln
A Synthesis Of Structures, Patrick Kingshill
School of Art, Art History, and Design: Theses and Student Creative Work
I create compositional structures based on a curated catalog of physical and visual relationships that I have cultivated from my daily life. These compositions are intuitive expressions related to my fascination with the many facets of the built and designed world. My arrangements are curious and intriguing and they unify the expansive diversity of my formal inquiries into a cohesive visual and contemplative experience.
Ceramic and wood are my primary mediums. My interest in woodworking is both aesthetically motivated and nostalgic. I was born in a region of northern California that is historically known for its native giant sequoia and …
Pyatt, Susanna (Fa 1380),
2018
Western Kentucky University
Pyatt, Susanna (Fa 1380), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid and full-text scan (Click on "Additional Files" below) for Folklife Archives Project 1380. “Woven Evidence?: Western Shaker Connections with Native Americans,” a paper written by Susanna Pyatt in April 2018 for a WKU folk studies class.
