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Conceptual Chair Designs: Study Of Materials & Craftsmanship, Aram Festekjian 2022 Union College - Schenectady, NY

Conceptual Chair Designs: Study Of Materials & Craftsmanship, Aram Festekjian

Honors Theses

This thesis is a study of different chair concepts made with various techniques and

methods. Usually, when taking a seat, people do not take a moment to appreciate the architecture and design thinking incorporated into a chair. The objective of my project is to have the viewer take a moment to appreciate and feel a particular way before taking a seat. I am inspired by many different architects and designers who have created chairs within their artistic careers. The thesis work includes four different conceptual chair sculptures made from steel, plywood, expanding foam, bullet liner, and bungee. When bringing my …


Superficial: An Exploration Of Decoration, Fashion, Taste, Camp, And Trends, Jillian Ohl 2022 Washington University in St. Louis

Superficial: An Exploration Of Decoration, Fashion, Taste, Camp, And Trends, Jillian Ohl

MFA in Illustration & Visual Culture

Since the rise of consumer culture in the late 19th century, Americans have had a complicated relationship with decorative objects, the idea of taste, and the cycle of trends within our classist society. This essay examines some of the decorative objects in my childhood home such as patterned wallpaper and an antique chair as well as a contemporary brand name mascara. While these objects do not have major functional properties, their decoration and superficiality bring me joy. To better understand my appreciation of decoration and aesthetics, I assess how an object or fashion is considered in good or bad taste. …


Scenes Of Screens, Scenes Of Sodomy: The Role And Impact Of The Folding Screen In Eighteenth-Century French Erotic Novels, Katherine Delony 2022 Southern Methodist University

Scenes Of Screens, Scenes Of Sodomy: The Role And Impact Of The Folding Screen In Eighteenth-Century French Erotic Novels, Katherine Delony

English Undergraduate Distinction Projects

This project provides an analysis of the folding screen as a literary agent and signifier which reflects the cultural happenings of the eighteenth century with specific emphasis on new ideas about queerness which arise in France during the eighteenth century. I will focus primarily on the Marquis de Sade’s (1740-1814) Justine, ou Les Malheurs de la vertu (1791) (as well as La Nouvelle Justine, 1797) and John Cleland’s (1709-1789) Le Fille de Joie (translated 1751) with reference to Jean-Louis Fougeret de Monbron’s (1706-1760) Margot la Ravaudeuse (1753), Sade’s Philosophie dans le boudoir Jean-François de Bastide’s (1724-1798) La …


It's All Fun And—: A Rhetorical Analysis Of Space In The Pandemic., Erica Von Proctor Lewis 2022 University of Louisville

It's All Fun And—: A Rhetorical Analysis Of Space In The Pandemic., Erica Von Proctor Lewis

Electronic Theses and Dissertations

This exhibition and document explore spatial rhetoric during the pandemic, utilizing materiality and relational aesthetics to reflect on the different ways in which the public and private are made distinct from one another. In doing so, Lewis addresses new cultural navigations of shared spaces, both digital and corporeal, public and private. In addition, the artist also examines the faulty social and institutional systems that the pandemic brought to light, such as socioeconomic dynamics and voter suppression, while utilizing Kenneth Burke’s concept of the terministic screen. Games are a central theme throughout the exhibition, as they are often coded as “home” …


Dregs / Lessons From The Things Around Us, Juan-Manuel Pinzon 2022 Virginia Commonwealth University

Dregs / Lessons From The Things Around Us, Juan-Manuel Pinzon

Theses and Dissertations

The writing in Lessons From the Things Around Us is in support of the work in my MFA thesis show, dregs. I detail the progression of my making and thinking over the last two years. I expand on the material and personal relationships that have manifested themselves in the work and influenced my approach to the things that surround me. Finally, I point to a more expansive definition of Craft, rooted in its material sensibilities, and the possibilities already present in the field that this definition creates.


Misled Youth, Mark Tan 2022 Virginia Commonwealth University

Misled Youth, Mark Tan

Theses and Dissertations

I’m a first-generation Canadian who was born and raised in Toronto, Ontario by Asian immigrants. I have migrated to the United States and lived here for 7 years. Through my work, I express the emotional value of preconceived notions, disconnectedness, and longing in search of finding place and acceptance within a community. Drawing from memory, personal narrative, emotion, and perception, I manipulate data into lines, forms, and materials through a subjective human experience from the lens of a non-citizen. By projecting the migration movement of my family lineage from China and the Philippines to Canada as well as my path …


Defiantly Childlike: Using Aesthetic Resistance To Heal, Sarah K. Reagan 2022 Virginia Commonwealth University

Defiantly Childlike: Using Aesthetic Resistance To Heal, Sarah K. Reagan

Theses and Dissertations

This thesis examines an alternative processing mechanism surrounding the act of healing after traumatic experiences in life. Using a methodology of iterative patterning and tool-pathing, a collection of inflatable garments and wooden mannequins analyzes defense mechanisms learned in early childhood development. This work highlights an essential body of recent scholarship that takes cuteification seriously to restore a childlike approach to mastering fear. This paper will review the definitions of cuteness and childlike humor and then describe how visual culture has implemented these components to subvert established power.


Humanizing The Brutalist Interior: The Renovation Of Paul Rudolph's Claire T. Carney Library At Umass Dartmouth, Kelly Haigh, Ben Youtz 2021 designLAB Architects

Humanizing The Brutalist Interior: The Renovation Of Paul Rudolph's Claire T. Carney Library At Umass Dartmouth, Kelly Haigh, Ben Youtz

UMassBRUT Community

Members of the team that worked on the renovation of the Claire T. Carney Library, designed by Paul Rudolph and completed in 1972, share their design solutions for maintaining the integrity of the architecture and fostering an interior that is welcoming of its occupants. Discussions focus on interior attributes, human occupants, color, light and texture as approaches to humanize the massive concrete attributes that are notorious of Brutalist structures.


Humanizing The Brutalist Interior: Inspiration. Collaboration. Transformation, Leslie Saul 2021 Leslie Saul & Associates

Humanizing The Brutalist Interior: Inspiration. Collaboration. Transformation, Leslie Saul

UMassBRUT Community

This talk covers the process behind the design of the fabric and textiles that were added to UMass Dartmouth's iconic Claire T. Carney Library during a $48 million dollar renovation of the Paul Rudolph building, completed in 2012. Interior Designer, Leslie Saul, describes how she drew inspiration from both UMass Dartmouth's genesis as a textile college and Rudolph’s original color palette to create eye-catching interior furniture and carpets in order to humanize this particular Brutalist interior.


Taking Care, John Dixon 2021 Rhode Island School of Design

Taking Care, John Dixon

Masters Theses

We’ve come to live our lives on a quest for what we deem as efficiency, but has our view on the matter been focused on the wrong measures? Taking Care investigates efficiency utilizing a variety of different comparative measures through the creation of 8 chairs. When our emphasis on certain variables is shifted, is mass production the most efficient means of making? What about one-off production utilizing local materials? Does industry’s approach to ergonomics focus on efficiencies benefitting the employer while sacrificing those of the employee? Working from a Wendell Berry quote contrasting care to efficiency as a point of …


An Evolving Process: Patterns And Objects, Shreya Tuli 2021 Rhode Island School of Design

An Evolving Process: Patterns And Objects, Shreya Tuli

Masters Theses

This thesis investigates my life experiences,inspired by the surroundings in New England and India.

My process is characterized by a multidisciplinary approach. I integrate diverse media moving fluidly between two dimensional and three dimensional work, creating multiple layers of pattern and objects.


This Trash Is Someone Else's Problem, Lauren Goodman 2021 Rhode Island School of Design

This Trash Is Someone Else's Problem, Lauren Goodman

Masters Theses

This Trash is Someone Else’s Problem reimagines object design practices through a decolonial lens that embraces responsive approaches to the local environment and the communities that steward it. It advocates for design justice and social equality. The physical work was developed from discarded scraps of industrial waste harvested from the Providence area, such as wire fencing, oil drums, rebar and steel tubing. It was created without the use of expensive tools, machinery and materials in favour of a less extractive approach to design. In conjunction with the studio work is a series of community gatherings focused on low-fi ceramic pit …


Polyrhythms, Kevin Costante 2021 Rhode Island School of Design

Polyrhythms, Kevin Costante

Masters Theses

This work strives to integrate seemingly ‘distant’ practices into a concept by emphasizing their differences. A syncopation between a maker and designer, a planner and improviser. A search for commonalities in the middle of what otherwise creates conflict. I cultivate a space to play alongside my inherent formalities by incorporating color and movement. I find rhythm persists uninterrupted through the discrepancies of my process and inspirations. I want to see it in the outcomes of my work.

How can I be compatible with this world of rudiments and structure and also comply with my reliance on ‘chance’?


Loose Threads / Hilos Sueltos, Estefanía de Ros 2021 Rhode Island School of Design

Loose Threads / Hilos Sueltos, Estefanía De Ros

Masters Theses

In this body of work, I’ve collaborated with four artisans from my home country, Guatemala: Apolonio Vicente, Vinicio Vicente, Mario Poz and Manuel Otsojay. They all use traditional craft methods with natural materials: wicker, wool, and cotton. I interweave, overlap, and knot mementos from my childhood with current ideas and dialogues that contain loose threads to the work. All of the layers merge in fluid forms with texture and movement. The curtains let light in, the rug sets warmth, and the “cayuco” invites you to slow down.

I aim to push back against the devaluing of craft traditions, especially in …


Dress Your Chair, Yumeng Gai 2021 Rhode Island School of Design

Dress Your Chair, Yumeng Gai

Masters Theses

Upholstery is the dress for furniture. As apparel for humans, upholstery has the power to shape the identity of furniture. By changing different upholsteries, furniture will have fresh identities that bring vitality to both the furniture itself and the surrounding environment. And during the process of changing “cloth” for furniture, people will build a deeper relationship with the furniture they already have.


Making Meaning, Eric Loucks 2021 Rhode Island School of Design

Making Meaning, Eric Loucks

Masters Theses

Making Meaning explores mental health through the lens of a contemporary craft-based design practice. Themes of identity, catharsis, connection, flow, teaching, and community create a framework for understanding the role craft plays in developing and maintaining a healthy mindset. The physical pieces that result from this approach are meticulously made, highly considered, and given the quality of contemporary heirloom: a piece that promotes a kind of emotional connection and wellness in their owner.


What Do I See Between 2 To 8 O'Clock, Youtian Duan 2021 Rhode Island School of Design

What Do I See Between 2 To 8 O'Clock, Youtian Duan

Masters Theses

We record our daily life, our daily emotions. But maybe we lie to ourselves. Or our expression is a kind of hope: what we want to look like or want others to think we are like. Unfortunately, it’s usually not our natural appearance, not the honest thoughts in our hearts. Maybe we don’t understand ourselves.

I like to record my dreams. In the dream world, sometimes I relax, sometimes nervous, and unconsciously wander around. That is the real me. In my unconscious dream state, I identify myself, know myself, again and again. I can live in peace with a world …


Negotiating Balance, Oscar Adolfo Soto 2021 Winthrop University

Negotiating Balance, Oscar Adolfo Soto

Graduate Theses

When we enter a room with a bed and dresser, we imagine that someone goes there to sleep. When we enter a larger room, with rows of uniform desks facing a whiteboard or lectern, we understand that people go there to learn. In most cases, the intention for the space and how we are to conduct ourselves in it is determined before the furniture is selected. When we are not privy to those intentions, the furniture itself can offer clues that help us understand what we are to do. As a contemplative device, I apply this framework to the world …


Zero Waste Design Exploration, Rosemarie Soma 2021 Western Michigan University

Zero Waste Design Exploration, Rosemarie Soma

Honors Theses

This creative project encompasses the creation of four zero-waste garments. Zero waste design is a technique which involves designing in a way that produces little to no byproduct. The intent of this project was to create garments that are functional, marketable, and contribute to the sustainable fashion movement.

There is currently a serious push in the fashion industry for brands to contribute to a circular economy. This can be done in a multitude of ways: upcycling, recycling, using natural textiles, or utilizing zero waste design. Textile waste is one of the most important issues regarding the fashion industry. There are …


Form Follows Culture, Nada Raafat Elkharashi 2021 Virginia Commonwealth University

Form Follows Culture, Nada Raafat Elkharashi

Theses and Dissertations

We all use everyday objects as part of our daily routines, but the way we use them varies from one culture to another. Using George Herbert Mead’s study of human conduct and Louis H. Sullivan’s credo, “Form follows function,” this thesis examines the cultural meanings and implications surrounding the fundamental act of drinking water. Using a methodology of iterative, exploratory making, a collection of glass vessels explores philosophical and physical manifestations of Islamic cultural principles derived from the Sunnah of Prophet Muhammad صلى الله عليه وسلم. With the goal of restoring cultural integrity to our daily activities, the work highlights …


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