Designing Between Worlds,
2025
Rhode Island School of Design
Designing Between Worlds, Levon Kostandyan
Masters Theses
This thesis reimagines design as a means of cultural continuity—an act of memory, resistance, and transformation. Rooted in the diasporic Armenian experience, it explores how identity is carried not only through storytelling, but through materials, rituals, and objects that evolve across time and place. Through the transformation of pomegranate skin from waste into a meaningful design material, the project navigates the space between symbolism and substance, honoring both the fruit’s ancestral weight and its potential as a living material language.
The work moves between personal narrative, historical research, and material experimentation, engaging with themes of displacement, hybridity, and embedded knowledge. …
Immersive Stillness In Poetic Space: Textiles For An Uncertain World,
2025
Rhode Island School of Design
Immersive Stillness In Poetic Space: Textiles For An Uncertain World, Dora Hyunjung Kim
Masters Theses
In an era shaped by environmental crises, the erosion of seasonal rhythms, cultural uncertainty, and the accelerating pace of technological shifts, this thesis explores how textiles—through their tactility, atmosphere, and quiet presence—can serve as vessels for meditative and emotional spaces, which I refer to as "poetic spaces." In the midst of countless unpredictable variables and a rapidly evolving cultural landscape, there is a growing need for environments where silence and quiet reflection can unfold. Within this broader context, poetic space functions not merely as an aesthetic concept, but as a vital site for emotional grounding and inner restoration.
This research …
Soft Potential,
2025
Rhode Island School of Design
Soft Potential, Jennifer Choi
Masters Theses
“Soft Potential” highlights the potential of furniture and objects to encourage idiosyncratic and open usage through flexible, modular systems. I utilize modularity as a major tool in prompting interaction and transferring agency. Modular systems embody flexibility in form and function and enable people to tailor designs according to their own ideals. This reflects my aim of designing non-prescriptive work, exercising a soft approach to furniture design.
In this work, softness is a rejection of rigidity in support of human tenderness and agency. Softness in furniture can be both literal and metaphorical — embracing the contours of the human body while …
The Story Of Stories,
2025
Rhode Island School of Design
The Story Of Stories, Yichu Wang
Masters Theses
I don’t recontextualize objects—I subvert them.
I’m not interested in paying homage to forms or giving them a
second life. I don’t see a fire hydrant and think, “what if it were
a lamp?” I’m not recycling visual cues to create metaphor. What
excites me is the slippage—when an object escapes its assigned
role and starts to unravel. My work imagines this moment: when
function collapses, and the familiar becomes estranged.
This is my version of “I think, therefore I am”—not through
language, but through distortion. By twisting the physical
world, I interrogate our reliance on order, logic, and legibility. …
From Industrial Building To Affordable Senior Housing: An Idea Book Beyond Code,
2025
Rhode Island School of Design
From Industrial Building To Affordable Senior Housing: An Idea Book Beyond Code, Weiyi Ma
Masters Theses
This thesis envisions a proposal to adaptively re-purpose Rhode Island’s extant industrial building stock into affordable housing tailored to the needs of its older and more vulnerable citizens. Architectural dignity, in terms of older citizens amidst this housing crisis, is the creation of living environments that honor their autonomy, comfort, and identity through design interventions that provide accessible, luminous, breathable, and socially enriching spaces, reaffirming their rightful place within the community. With humanistic care and logical rigor, it establishes a mathematical framework for assessment and execution, anchored in five criteria: light, air, space, accessibility, and livability, and presents itself in …
Tree Story,
2025
Rhode Island School of Design
Tree Story, Jia Hu
Masters Theses
What is Nature?
Nature is a system of intelligence. It means designing for efficiency—often by learning from strategies that have evolved over time. In my research, I use patterns to interpret and decode nature.
To explore nature, I began with the red cedar tree, aiming to simulate and predict its growth patterns—forms shaped by both internal biology and external forces. By analyzing its geometry, I sought to understand how trees embody the dynamic relationship between organism and environment. These patterns reveal the adaptive logic of life.
Patterns are central to understanding nature. While tree geometry may appear chaotic, it follows …
Trans-Pacific Connections: Unveiling Cultural Exchange Through Baroque Folding Screens Of Japan And Mexico,
2025
University of Mary Washington
Trans-Pacific Connections: Unveiling Cultural Exchange Through Baroque Folding Screens Of Japan And Mexico, Natalia Christine Ramirez
Departmental Honors & Graduate Capstone Projects
This study focuses into the often-overlooked world of 16th-17th-century globally-mobile folding screens, revealing them as vastly important cultural objects. While conventional scholarship tends to compartmentalize artistic traditions, focusing on isolated cultures, this research emphasizes the vibrant exchanges that connected Japan and Mexico during the ‘Baroque’ period. By contrasting the Conquest of Mexico screen with the Japanese Namban Folding Screen, the nuances and vastness of cultural interaction through creative objects becomes illuminated and revered as important pieces of global history.
Through applying global art historical theories, especially the concept of the ‘global Baroque,’ I explore how Mexican biombo screens adapted from …
The Changing Kitchen: Analyzing Sears Mail Order Home Kitchens And Gender Inequality In The United States Between 1908 And 1940,
2025
University of Arkansas, Fayetteville
The Changing Kitchen: Analyzing Sears Mail Order Home Kitchens And Gender Inequality In The United States Between 1908 And 1940, Ella G. Penney
Interior Design Undergraduate Honors Theses
The Sears Roebuck & Co mail order home was no exception to the idea that architecture and design are products of culture and society. Penny Sparke, a scholar of domestic interiors, writes that design is informed by “economics, politics, technology, culture, society, our psychological make-up, ethics, and the world’s ecological systems” (Sparke 8). In 1908, Sears responded to an increase in demand for single-family housing by releasing a home that could be delivered right to your door. This study investigates the ways in which gender inequality, particularly, the confinement of women to domestic space and housekeeping labor, manifests itself in …
An Essay Of Images From Playlab Inc.,
2025
Playlab Inc.
An Essay Of Images From Playlab Inc., Playlab Inc., Archie Lee Coates Iv
Digital Laboratory: Publisher of Internet Journal
A series of images depicting the illustrious Playlab Inc. as a collection of projects in different mediums. The LA-based design studio has contributed to fashion, art, and urban culture through collaborations with major institutions and emerging artists. The photo essay highlights Playlab Inc.’s diverse projects and installations, embodying its core philosophy: no focus. This principle guides the studio to the cutting-edge of contemporary culture, where innovation meets execution. The creative powerhouse has demonstrated a capacity to engage with contemporary cultural movements through its projects. For instance, in the OTW Vans project, the firm acquired images from notable skate photographers Atiba …
Eco-Friendly Wall Organizer With Pegboard,
2025
Gettysburg College
Eco-Friendly Wall Organizer With Pegboard, Phuong Doan
CAFE Symposium 2025
This DIY wall hanging organizer is a functional and stylish way to store everyday essentials like mail, stationery, or craft supplies. Made from durable canvas fabric, it features multiple pockets for easy organization. The simple sewing process includes hemming, attaching pockets, and adding a wooden dowel for hanging. Perfect for decluttering any space while adding a handmade decorative element!
Die Baukästen Des Bauhauses: Futurität Und Affekt In Entwürfen Von Alma Siedhoff-Buscher,
2025
Scripps College
Die Baukästen Des Bauhauses: Futurität Und Affekt In Entwürfen Von Alma Siedhoff-Buscher, Clara R. Louden
Scripps Senior Theses
In den frühen 1900er Jahren manifestierte sich die wachsende Besorgnis über Kinder und ihre Entwicklung in den Arten von Spielzeug, die entwickelt und vermarktet wurden. Die Entwürfe von Alma Siedhoff-Buscher, einer Bauhaus-Schülerin, verkörpern am besten die Zukunftsorientierung der Designschule und die latenten Ängste, die um die nächste Generation kreisen. Durch die Analyse ihres Schiffbauspiels und des Kinderspielschranks werden die Fragen nach Normalität, Kreativität und dem „richtigen“ Kind deutlich.
All Set For Next Week: Reorienting Domesticity, Gendered Labor, And Collective Mourning,
2025
University of Nevada, Las Vegas
All Set For Next Week: Reorienting Domesticity, Gendered Labor, And Collective Mourning, Kayla Lockwood
Graduate & Professional Student Association Research Forum
All Set for Next Week (2024) was a coffin‐shaped coffee table that formed the focal point of my Honey, I’m Home! Midway Exhibition—a core requirement for my advancement to candidacy, which I successfully completed. Revisiting the nostalgic domestic imagery of mid‐twentieth‐century sitcoms like The Honeymooners and I Love Lucy, this piece examined the precarious nature of home, shifts in gender roles, and the collective reshaping of mourning rituals during the COVID‐19 pandemic. Made from red oak, a wood historically linked to coffin‐making, the table evoked the memory of my grandfather’s passing while probing deeper questions surrounding inherited skill sets and …
A New Perspective,
2024
DePaul University
A New Perspective
DePaul Magazine
The DePaul Art Museum foregrounds inclusiveness, partnership and social justice to reframe the role of cultural institutions.
Wild Joy: An Exploration In Queer Spatial Dynamics,
2024
Rhode Island School of Design
Wild Joy: An Exploration In Queer Spatial Dynamics, Kipper Thomas Reinsmith
Masters Theses
What does it mean to feel represented in a space?
What does a trans space look like?
How can we queer our interior spaces?
Our world is crafted by the many designers that have come before us. These systems, products, and spaces are built upon assumptions of the bodies that will use and occupy them—namely cisgender, able-bodied, straight folks.
Designing and creating objects as a trans person is an act of radical nature. To take up space, to design for trans luxury, for the sake of beauty, for joy itself, feels counterintuitive to the narratives we’ve been served: that of …
Making Room,
2024
Rhode Island School of Design
Making Room, Rachel Strompf
Masters Theses
Massachusetts is the only state in the United States with a right-to-shelter law which guarantees shelter for families with children and pregnant women.1 As of February 2024, 3,500 homeless families with children are being sheltered in a motel or hotel with an average length of stay of 14 months, because traditional family shelters have reached capacity.2,3 While these families are provided temporary shelter, these shelters do not allow for the development of a true sense of “home.” While a motel meets the needs of rudimentary shelter, motels were never designed as long-term accommodations and certainly not with a …
Remade Radical: Design Artifacts Of A Third World Future,
2024
Rhode Island School of Design
Remade Radical: Design Artifacts Of A Third World Future, Yasmine Hassan
Masters Theses
Remade Radical draws inspiration from the existing practices of informal making and reuse prevalent in Black and brown immigrant and working-class communities in order to reimagine maker culture and the field of industrial design as a whole. These improvisational practices–known by a number of different names across the globe, including jua kali (Kenya), gambiarra (Brazil), jugaad (India), and even hood engineering (United States)–are oftentimes viewed as inevitable byproducts of waste and artifacts of besiegement from the world’s wealthiest nations. Yet within these practices lies a tangible counterpoint to the material excess and rampant consumption made possible through the continued exploitation …
Function Follows Material,
2024
Rhode Island School of Design
Function Follows Material, Pablo Ejarque González
Masters Theses
Dear Designer,
How often do we find ourselves lost in the design process, unsure of the next steps? It’s tempting to view every aspect of design as a problem needing a solution. However, function is not a problem. For a long time, I approached design from a problem-solving perspective, treating material as a secondary consideration after the idea had already formed. This approach needed to change.
This book is a journey—a map of material exploration. It is an embrace of experimentation and innate curiosity. Many of the experiments conducted did not culminate in finished furniture pieces, yet this does not …
Lost Stories,
2024
Rhode Island School of Design
Lost Stories, Yuxuan Huang
Masters Theses
The owner of the laundromat by the corner of my temporarily sublet room in New York once told me his life story randomly on the last day I went to dry my bedding. We had never spoken before because we both weren't sure if the other spoke Mandarin.
It’s a long and intricate one, so long and intricate that he could write his own book and become the protagonist of a realist novel. If one word could describe this world and the life we all live, it should be “Wuchang.” According to various authoritative Chinese-to-English dictionaries, it could mean unpredictable, …
Repair Rolodex: Exchanges, Changes, And Patchwork Parables,
2024
Rhode Island School of Design
Repair Rolodex: Exchanges, Changes, And Patchwork Parables, Ethan Howard
Masters Theses
This book is an index of nine exchanges with strangers whom I met online through email Listservs or by word of mouth. In these transactions, I offered to repair broken things for a trade-in-kind payment. Through the brief relationship between owner and designer, each interaction suggests that an object is almost never entirely obsolete despite its perceived obsolescence.
At the core of these trades is a grassroots protest of the landfill and a critique of our global capitalist commerce system. The apparent desire for and nature of these trades demonstrates that stories make our objects meaningful. Each interplay studies peoples’ …
So Far So Good,
2024
Rhode Island School of Design
So Far So Good, Cooper Goldman
Masters Theses
What is the most beautiful object in the world?
The thick, heavy, white, porcelain diner mug.
Describe what you make…
Home goods and furniture. Crafted with attention to detail, with materials that you can feel good about.
Why do you make what you make?
Through the elevation of ordinary objects, we can elevate our daily routine.
