Furniture Design Commons^™

In This Form, Together, Elana Shvalbe

Masters Theses

Most of my memories consist of lively dinner parties. Hands moving in every direction when the food is brought out. The piano bench for the kids to sit on, the fold out table necessary to fit everyone around the meal, and always endless stacks of plates. These experiences and traditions were curated by my heritage and have a strong presence in the work I design. I intend to understand and create interlocking relationships of care, where ritual and romance lead the way to form a community; designing and making furniture and objects that reassert hospitality within the home.

Hospitality is …

Mood Follows Matter, Maxwell Taylor-Milner

Masters Theses

Function is an invisible thing - what disappears when an object is used? Ornament has long been considered an obstacle, a roadblock to forgetting. Capitalist logics of speed, efficiency, and distraction militate against a material culture that might require patient observation, against acquiring the skill to make thoughtful objects or the knowledge to read and appreciate them. The result is the impenetrable trash mishmash spectacle of virtual flea markets like Amazon and Alibaba, of trackable yet traceless objects whose visual identity is algorithmically generated - commodity mystification as pure capitalist abstraction.

While I bow to the quixotic nature of yearning …

Just Enough, Amelia Greteman

Masters Theses

As a child, I never answered the question “What do you want to be when you grow up?” with “a furniture designer.” Even though both of my parents are artists, making things never seemed like a job; it just seemed like something we all loved to do. Some of my best memories are of working in the studio alongside them - painting, smearing, building, and destroying, but always vigilantly coloring within the lines.

This thesis investigates my past and current relationship to making and the urge I have to simplify and reduce. It takes place in the form of furniture …

Slow Puzzle, Tzyy Yi Young

Masters Theses

One may argue that we all observe. It is this finely tuned capacity that allows designers to read context and to identify patterns. Since I was a child, I’ve been a carefully tuned explorer of the world, observing the world around me. Yet as a designer, I take this observational impulse to another level by recording my observations and then translating these impressions into form. What is seen, felt, and gathered is then edited, nuanced, and reformed. This act of translation becomes a slow puzzle as I look for cues, acknowledge every facet, and conceive of forms in such a …

The Sky Is Falling, Alexis Tingey

Masters Theses

The ceiling would fall apart in my childhood home, it was an old house. Occasionally a piece of ceiling would clomp down on my head. In these moments, I would pause, and close my eyes until an image of some fabulous, beautiful interior came into my mind, and then I would open my eyes and continue. Sometimes to escape a falling ceiling, I would find respite in my first ideal sitting spot, a post on our back fence; I would sit with the sky and think. Looking back, I believe these are the moments where I caught glimpses of the …

Notes To Myself, Anna Dawson

Masters Theses

Immersed in the sun’s light, my body feels saturated, during a long day at the beach. When it begins to cool down and the day inverts into night, I watch the sun set on the ocean horizon. Bart Lootsma, the Dutch architectural theorist describes this experience of light as an immersion and inversion. Intangible, yet something to look at and something to submerge in.

This thesis is a personal journey, and an open exploration of the aesthetic and experience of furniture objects in everyday living. It is a collection of thought processes, observations, and speculations. Sometimes it’s just a note …

A Wavering Line, Ginger Gordon

Masters Theses

Someone once told me it only takes a difference of ten degrees in temperature to change the entire course of the day.

I work with objects in collaboration with space, focusing on the intangible meeting point between visibility and invisibility.

Propelled by coincidence and temporal shifts, the transitory, the fragmented, and the found are all welcome, as are the methodologies of the Surrealists and Cubists. Born from a combination of fortuity and planning, curated fragment collages coalesce to represent acts of chance in three dimensions. Balanced forms weave and sway as small portholes direct a view. Form follows chance.

Miles And Miles And Miles, Shannon Rose Jones

Masters Theses

miles and miles and miles is a body of work that draws design inspiration from the Driftless Area of Wisconsin, a region unflattened by ice during the last ice age. The works are site specific extrapolations that have been abstracted in order to trigger a process of memory recollection in the viewer. Selections of atmospheric prose, furniture objects, illustrations, and imagery are presented as snapshots of a place in an attempt to memorialize and make tangible ephemeral memories collected by the maker traveling in this vast landscape. Attention is given to the distillation of form in order to contemplate its …

Superficial: An Exploration Of Decoration, Fashion, Taste, Camp, And Trends, Jillian Ohl

MFA in Illustration & Visual Culture

Since the rise of consumer culture in the late 19th century, Americans have had a complicated relationship with decorative objects, the idea of taste, and the cycle of trends within our classist society. This essay examines some of the decorative objects in my childhood home such as patterned wallpaper and an antique chair as well as a contemporary brand name mascara. While these objects do not have major functional properties, their decoration and superficiality bring me joy. To better understand my appreciation of decoration and aesthetics, I assess how an object or fashion is considered in good or bad taste. …

Scenes Of Screens, Scenes Of Sodomy: The Role And Impact Of The Folding Screen In Eighteenth-Century French Erotic Novels, Katherine Delony

English Undergraduate Distinction Projects

This project provides an analysis of the folding screen as a literary agent and signifier which reflects the cultural happenings of the eighteenth century with specific emphasis on new ideas about queerness which arise in France during the eighteenth century. I will focus primarily on the Marquis de Sade’s (1740-1814) Justine, ou Les Malheurs de la vertu (1791) (as well as La Nouvelle Justine, 1797) and John Cleland’s (1709-1789) Le Fille de Joie (translated 1751) with reference to Jean-Louis Fougeret de Monbron’s (1706-1760) Margot la Ravaudeuse (1753), Sade’s Philosophie dans le boudoir Jean-François de Bastide’s (1724-1798) La …

It's All Fun And—: A Rhetorical Analysis Of Space In The Pandemic., Erica Von Proctor Lewis

Electronic Theses and Dissertations

This exhibition and document explore spatial rhetoric during the pandemic, utilizing materiality and relational aesthetics to reflect on the different ways in which the public and private are made distinct from one another. In doing so, Lewis addresses new cultural navigations of shared spaces, both digital and corporeal, public and private. In addition, the artist also examines the faulty social and institutional systems that the pandemic brought to light, such as socioeconomic dynamics and voter suppression, while utilizing Kenneth Burke’s concept of the terministic screen. Games are a central theme throughout the exhibition, as they are often coded as “home” …

Dregs / Lessons From The Things Around Us, Juan-Manuel Pinzon

Theses and Dissertations

The writing in Lessons From the Things Around Us is in support of the work in my MFA thesis show, dregs. I detail the progression of my making and thinking over the last two years. I expand on the material and personal relationships that have manifested themselves in the work and influenced my approach to the things that surround me. Finally, I point to a more expansive definition of Craft, rooted in its material sensibilities, and the possibilities already present in the field that this definition creates.

Defiantly Childlike: Using Aesthetic Resistance To Heal, Sarah K. Reagan

Theses and Dissertations

This thesis examines an alternative processing mechanism surrounding the act of healing after traumatic experiences in life. Using a methodology of iterative patterning and tool-pathing, a collection of inflatable garments and wooden mannequins analyzes defense mechanisms learned in early childhood development. This work highlights an essential body of recent scholarship that takes cuteification seriously to restore a childlike approach to mastering fear. This paper will review the definitions of cuteness and childlike humor and then describe how visual culture has implemented these components to subvert established power.

Misled Youth, Mark Tan

Theses and Dissertations

I’m a first-generation Canadian who was born and raised in Toronto, Ontario by Asian immigrants. I have migrated to the United States and lived here for 7 years. Through my work, I express the emotional value of preconceived notions, disconnectedness, and longing in search of finding place and acceptance within a community. Drawing from memory, personal narrative, emotion, and perception, I manipulate data into lines, forms, and materials through a subjective human experience from the lens of a non-citizen. By projecting the migration movement of my family lineage from China and the Philippines to Canada as well as my path …

Loose Threads / Hilos Sueltos, Estefanía De Ros

Masters Theses

In this body of work, I’ve collaborated with four artisans from my home country, Guatemala: Apolonio Vicente, Vinicio Vicente, Mario Poz and Manuel Otsojay. They all use traditional craft methods with natural materials: wicker, wool, and cotton. I interweave, overlap, and knot mementos from my childhood with current ideas and dialogues that contain loose threads to the work. All of the layers merge in fluid forms with texture and movement. The curtains let light in, the rug sets warmth, and the “cayuco” invites you to slow down.

I aim to push back against the devaluing of craft traditions, especially in …

This Trash Is Someone Else's Problem, Lauren Goodman

Masters Theses

This Trash is Someone Else’s Problem reimagines object design practices through a decolonial lens that embraces responsive approaches to the local environment and the communities that steward it. It advocates for design justice and social equality. The physical work was developed from discarded scraps of industrial waste harvested from the Providence area, such as wire fencing, oil drums, rebar and steel tubing. It was created without the use of expensive tools, machinery and materials in favour of a less extractive approach to design. In conjunction with the studio work is a series of community gatherings focused on low-fi ceramic pit …

Making Meaning, Eric Loucks

Masters Theses

Making Meaning explores mental health through the lens of a contemporary craft-based design practice. Themes of identity, catharsis, connection, flow, teaching, and community create a framework for understanding the role craft plays in developing and maintaining a healthy mindset. The physical pieces that result from this approach are meticulously made, highly considered, and given the quality of contemporary heirloom: a piece that promotes a kind of emotional connection and wellness in their owner.

Polyrhythms, Kevin Costante

Masters Theses

This work strives to integrate seemingly ‘distant’ practices into a concept by emphasizing their differences. A syncopation between a maker and designer, a planner and improviser. A search for commonalities in the middle of what otherwise creates conflict. I cultivate a space to play alongside my inherent formalities by incorporating color and movement. I find rhythm persists uninterrupted through the discrepancies of my process and inspirations. I want to see it in the outcomes of my work.

How can I be compatible with this world of rudiments and structure and also comply with my reliance on ‘chance’?

An Evolving Process: Patterns And Objects, Shreya Tuli

Masters Theses

This thesis investigates my life experiences,inspired by the surroundings in New England and India.

My process is characterized by a multidisciplinary approach. I integrate diverse media moving fluidly between two dimensional and three dimensional work, creating multiple layers of pattern and objects.

Taking Care, John Dixon

Masters Theses

We’ve come to live our lives on a quest for what we deem as efficiency, but has our view on the matter been focused on the wrong measures? Taking Care investigates efficiency utilizing a variety of different comparative measures through the creation of 8 chairs. When our emphasis on certain variables is shifted, is mass production the most efficient means of making? What about one-off production utilizing local materials? Does industry’s approach to ergonomics focus on efficiencies benefitting the employer while sacrificing those of the employee? Working from a Wendell Berry quote contrasting care to efficiency as a point of …