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Civitas Branching: Rededication Program Introductory Remarks, Jacqueline Peterson 2016 College of the Holy Cross

Civitas Branching: Rededication Program Introductory Remarks, Jacqueline Peterson

Civitas Branching Documentation

Remarks given by Dean Jacqueline Peterson at the rededication of Civitas Branching, a 5-panel mosaic depicting scenes from the College Hill neighborhood. The mosaic was created as a collaborative art project by students of the College of the Holy Cross and residents of the College Hill neighborhood in Worcester, Massachusetts. It was originally installed on the College Hill Civic Association building located at 79 Kendig Street in Worcester. In 2016, the mosaic was relocated to the east patio of Dinand Library on the campus of the College of the Holy Cross in Worcester, Massachusetts. A rededication ceremony was held …


Tangled Knot Tied, Shalya Marsh 2016 University of Nebraska-Lincoln

Tangled Knot Tied, Shalya Marsh

School of Art, Art History, and Design: Theses and Student Creative Work

I make formal studies in layering that use abstraction and visual symbols as a metaphor for the complex relationship we as individuals have with language, interpretation, and human interaction. My current work explores ideas of connection through representations of knots and tangles. While knots can signify protection and strength, tangles allude to anxiety.

I rely heavily on format and structure as a means of conveying content. Repetition, contrast, and layering of elements suggest the complexity of relationships. The work is composed of a series of tied knots or tangles, single knot forms in multiple variations, or a combination of multiple …


Sawft.Servindat... [V1.7], Ray Ferreira 2016 CUNY Hunter College

Sawft.Servindat... [V1.7], Ray Ferreira

Theses and Dissertations

A descriptor of my artistic practice, a text piece, a series of linguistic musings, and more, Sawft.servindat… [v1.7] attempts to explore the dance between language, embodiment, and performativity. More specifically, the text moves through metaphor and metonym, Englishes, Spanishes, and Images, the performativity of representation and the representation of performativity —my body. My body moving across spaces and times. As part of the Sawft.servindat… series, Sawft.servindat… [v1.7] uses the scroll down format of most PDF reading software to activate the inherently embodied experience of intra-acting with technologies, resisting the dichotomy between the virtual and analog. Englishes juxtaposed with Spanishes juxtaposed …


History Of Lungs Of The Planet Mosaic, Susan Hunt 2016 College of the Holy Cross

History Of Lungs Of The Planet Mosaic, Susan Hunt

Documentation

A brief history and description of Lungs of the Planet, a tile mural depicting line drawings on individual 6 x 6 inch tiles, as well as larger color images of blossoms, fruit, and birds to symbolize the cycle of life.

The mural was created as a collaborative art project by students in the Natural World Cluster of the Monserrat First Year Program at the College of the Holy Cross. The project was led by Virginia Raguin, Distinguished Professor of Humanities at the College. Particpants included students, faculty, staff and community members.

The mural was installed on the west patio …


Tile History: A Brief Presentation, Virginia Raguin 2016 College of the Holy Cross

Tile History: A Brief Presentation, Virginia Raguin

Documentation

Slide presentation used to introduce the art and history of ceramic tiling to participants who worked on Lungs of the Planet, a tile mural created as a collaborative art project by students in the Natural World Cluster of the Monserrat First Year Program at the College of the Holy Cross. The project was led by Virginia Raguin, Distinguished Professor of Humanities at the College. Particpants included students, faculty, staff and community members.

The presentation includes photographic examples of ceramic tiling in architecture located in Jerusalem and Istanbul.


Chasing The Craze: When The Right Variables Are Off-Stage, Tina M. Gebhart 2016 Gettysburg College

Chasing The Craze: When The Right Variables Are Off-Stage, Tina M. Gebhart

Art and Art History Faculty Publications

A smooth white glaze, (Figure 1) with a buttery surface and smooth breaking on edges, just enough change of whiteness in a crevice pooling, seemingly opaque when thicker, but with a certain glow, a slight grey showing through. It crazes slightly, a fine webbing of cracks. Not enough to be decorative crazing, and not enough crazing to make me abandon the glaze, but enough crazing that I would like it to be gone. I prefer a system-oriented testing approach as a kind of universal order. A simple Unity Molecular Formula grid mapping method typically shows a boundary line of crazed …


The Devil Made Us Do It: Depictions Of Satan In Kentucky Folk Art, Kentucky Folk Art Center 2016 Morehead State University

The Devil Made Us Do It: Depictions Of Satan In Kentucky Folk Art, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2016 Kentucky Folk Art Center exhibition catalog of artwork depicting Satan.


Mark Francis: Time & Chance, Mark Francis, Kentucky Folk Art Center 2016 Morehead State University

Mark Francis: Time & Chance, Mark Francis, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2016 Kentucky Folk Art Center exhibition catalog of artist Mark Francis.


Mariposa Naturally Inclined, Jessica Lazarus 2016 Bridgewater State University

Mariposa Naturally Inclined, Jessica Lazarus

The Graduate Review

No abstract provided.


Subsurface, Elizabeth J. Huhtala 2016 University of Montana

Subsurface, Elizabeth J. Huhtala

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.


Synthetic Landscapes, Benjamin Thomas Jordan 2016 Virginia Commonwealth University

Synthetic Landscapes, Benjamin Thomas Jordan

Theses and Dissertations

My work explores the complex social geography of modern society and the intricate relationship between mankind and the environment. Through this work I explore the past and present lineage of manifest destiny, from its beginnings in Europe to western expansion in America, to forms it has takes in contemporary America. These ceramic forms serve as the conceptual grounds to explore the romanticizing of the western landscape especially from an individual and group perspective. I simultaneously celebrate the history of the pastoral life while questioning the authenticity, and motivations of that lifestyle, and use this platform as a jumping off point …


The Ceramic Body: Concepts Of Violence, Nature, And Gender, Chrysanna R. Daley 2016 Scripps College

The Ceramic Body: Concepts Of Violence, Nature, And Gender, Chrysanna R. Daley

Scripps Senior Theses

This thesis is an exploration of the connection between women and nature, specifically the violence that has been inflicted upon them both and how it is interrelated. I positioned my research within the field of Ecofeminism, which critiques the language we (as a Western culture) use to associate women with nature and vice-versa. Traditionally, women are more often associated with nature than men are, and the environment is personified as “Mother Nature”. I argue that uncritically gendering nature as “female” is problematic because of the associations we typically make between the two, and the expectations and values we assign to …


House Of God: Ma Thesis, Michael James Cimino 2016 Minnesota State University Mankato

House Of God: Ma Thesis, Michael James Cimino

All Graduate Theses, Dissertations, and Other Capstone Projects

What I tried: I considered the viewer more in this exhibition that any other prior. I created this work specifically to provoke response. I strategically exhibited objects deeply rooted in personal meaning, and mass culture in the Midwest. I intended to illicit a broad range of interpretation without any supplementary didactic. I wanted to observe the reaction of the view when no answer is given. I wanted to hear your interpretation without my own influencing yours. What happens with the responsibility falls on the view to make up their own mind, rather than simply responding to a predicated statement.

Why …


Closed For Business, Tyler Schrandt 2016 Minnesota State University Mankato

Closed For Business, Tyler Schrandt

All Graduate Theses, Dissertations, and Other Capstone Projects

Closed for Business is an installation which creates an immersive environment that awards the curious. The inspiration for the exhibition came from local industry and human tendency. In likeliness of a defunct factory, the installation transforms the gallery into a dimly lit mysterious space. Using mostly objects found on local farms and in everyday households, a narrative takes shape. The question "what happened here?" looms as you investigate the space looking for clues. With a keen eye for observation, you navigate the room and stumble upon the office of a misguided -- and missing -- entrepreneur. As you internalizing the …


Artscience, Dustin Swiers 2016 Minnesota State University Mankato

Artscience, Dustin Swiers

All Graduate Theses, Dissertations, and Other Capstone Projects

My thesis show opened on Friday, March 11, 2016 at the 410 project's art gallery, located in downtown Mankato.

The artwork consisted of sculptures displayed on pedestals, hanging on the walls, sitting on specifically constructed arrangements, and hanging from the ceiling. The materials I used to create these sculptures have a dramatically contrasting appearance, but have one universal similarity. At some point most of the materials used were liquid or fluid. I used metals, ceramics, hand blown glass, plastics, and wax. I like to work with these materials in that fluid state because of the added flexibility and forgiveness they …


Body Memory, Juana Cecilia Arias 2016 Minnesota State University, Mankato

Body Memory, Juana Cecilia Arias

All Graduate Theses, Dissertations, and Other Capstone Projects

The Arts Center of St. Peter, located at 315 S. Minnesota Ave, in St. Peter, MN, hosted the thesis exhibit, Body Memory. The exhibit ran from April 8, 2016, through May 8, 2016. The opening reception was held on Saturday, April 9, 2016.

Ceramic sculptures were created with a variety of textile and paper imprints on the clay surface, then folded over an internal paper structure, and placed in a constructed canvas hammock to allow gravity to alter the form. All sculptures were finished using underglaze washes to emphasize the surface textures. Gloss tile sealer, wax, waxed paper, silk, or …


Cajamarca Ceramic Spoons From Northern Peru: Forming A Symbolic Function, Jeanette Louise Nicewinter 2016 Virginia Commonwealth University

Cajamarca Ceramic Spoons From Northern Peru: Forming A Symbolic Function, Jeanette Louise Nicewinter

Theses and Dissertations

Ten painted Cajamarca-style ceramic spoons form the foundation for an investigation of the way that these seemingly utilitarian objects were bestowed with economic and symbolic value both within and outside of the borders of the Cajamarca region, located in the north highlands of present-day Peru. Since the ceramic spoons have been recovered from sites associated with large and powerful societies and states, such as the Moche of the north coast and the Wari of the central highlands, an analysis of the form, style and imagery present on these spoons reveals how these objects transcended cultural boundaries. To assess and evaluate …


Sensible Nonsense, Timothy J. Woodbrey 2016 Virginia Commonwealth University

Sensible Nonsense, Timothy J. Woodbrey

Theses and Dissertations

“Truth happens only by establishing itself in the strife and the free space opened up by truth itself. Because truth is the opposition of clearing and concealing, there belongs to it what is here called establishing.”[i]—Martin Heidegger

All things contain their own individual existence. When I look at objects I notice material, tradition, individual history. These are starting points for my imagination to seed and germinate. My ideas are fragmented, nonlinear and nonsensical to others but they hold honesty to me. Honesty is powerful and is worth sharing.

This document is an examination of my work during …


The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. McBrady, Kylie C. McBride, Erica M. Schaumberg 2015 Gettysburg College

The Figure In Art: Selections From The Gettysburg College Collection, Yan Sun, Diane Brennan, Rebecca S. Duffy, Kristy L. Garcia, Megan R. Haugh, Dakota D. Homsey, Molly R. Lindberg, Kathya M. Lopez, Kelly A. Maguire, Carolyn E. Mcbrady, Kylie C. Mcbride, Erica M. Schaumberg

Schmucker Art Catalogs

The Figure in Art: Selections from the Gettysburg College Collection is the second annual exhibition curated by students enrolled in the Art History Methods class. This exhibition is an exciting academic endeavor and provides an incredible opportunity for engaged learning, research, and curatorial experience. The eleven student curators are Diane Brennan, Rebecca Duffy, Kristy Garcia, Megan Haugh, Dakota Homsey, Molly Lindberg, Kathya Lopez, Kelly Maguire, Kylie McBride, Carolyn McBrady and Erica Schaumberg. Their research presents a multifaceted view of the representation of figures in various art forms from different periods and cultures.


Performing Binaries, Humberto Reynoso 2015 CSUSB

Performing Binaries, Humberto Reynoso

Electronic Theses, Projects, and Dissertations

I take a critical view of sociopolitical and cultural issues dealing with homoeroticism andgay politics. I explore gender theories in order to further understand what it means to bemasculine or feminine and how it affects my placement in society. I use art as a tool forexpressing sexual freedom while questioning traditional sexual identity. I'm interested in exploring ideas of the oppressor and the oppressed, and how power becomes an inevitable force (in every society) that creates a hierarchy, consequently establishing control. But what is power? According to various definitions, power is an entity that possesses and or exercises authority or …


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