Ceramic Arts Commons^™

Bruce New: The Night Is Only A Dream, Kentucky Folk Art Center, Bruce New

Kentucky Folk Art Center Exhibition Catalogs

2017 Kentucky Folk Art Center exhibition catalog of artist Bruce New.

Joe Sartor: Morehead Mind Games, Kentucky Folk Art Center, Joe Sartor

Kentucky Folk Art Center Exhibition Catalogs

2017 Kentucky Folk Art Center exhibition catalog of artist Joe Sartor.

From Beyond The Stars: Innovation And Inspiration In Meiji Japanese Art, 1868-1912, Charles Mason, Madeleine Zimmerman, Joe Earle, Tom Wagner

Kruizenga Art Museum Exhibition Catalogs

Design by Tom Wagner. Photography by the Kruizenga Art Museum, Tom Wagner, and Curatorial Assistance/WorldBridge Art, Inc. Produced by Storming the Castle Pictures (StCP) for the Kruizenga Art Museum as a catalogue for the exhibition, "From Beyond the Stars," August 29 - December 16, 2017.

Kruizenga Art Museum Online Collection - Exhibition Gallery

Pushzoompantilt, A Letter To Grandmother, Karl Y. Schwiesow

Graduate Student Theses, Dissertations, & Professional Papers

pushzoompantilt is an ongoing body of work that considers the relationship of handmade art objects with found and altered objects of utility and leisure. Addressed herein is an explanation of this relationship between clay form and altered objects seen through the lens of open and closed systems and fixedness.

Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard

Graduate Student Theses, Dissertations, & Professional Papers

This paper serves to establish the studio practice of Aja Mujinga Sherrard within the framework of conceptual art, touching on the flexible use of media, the subversive or political nature of the work, and its relationship to movements and disciplines such as Feminism and Poststructuralism.

The section entitled “Race and Incoherence” addresses the practice of Radical Dissonance—or the creation of ruptures within commonly accepted concepts and social constructions—through the Costuming Kinship Series, 13≠12≠12.2 (Genetics Project), and Body Double. The section entitled ”Art, Loss, and the Unspeakable” traces an emotional shift in her work and speaks directly to the pieces …

The Prescribed West, Evan M. Hauser

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

Interwoven, Preston Tolbert

Electronic Theses and Dissertations

I am regularly amazed by the power of artifacts. Objects can translate intent, skill, function, place, and time, causing us to reflect upon the maker and past users. By incorporating basketry patterns on the surface of my pots, I am creating a connection to my heritage. My family made baskets back many generations. The patterns are incomplete and fade as they weave around the forms. This reflects the nature of objects that have been used to the point of collapse. We live in a society driven by partial consumption and indiscriminant disposal. When something exhibits wear, we get a new …

Filmmaking As Artistic Inquiry: An Examination Of Ceramic Art Therapy In A Maximum-Security Forensic Psychiatric Facility, Serena Duckrow

Expressive Therapies Dissertations

This Art-Based Research (ABR) illuminates the power of creativity to inspire and heal people living in a maximum-security forensic psychiatric hospital. The study comprises: the individual and group artwork from the Collaborative Ceramic Art Therapy Studio with thirteen participants; a culminating thirteen-minute film found at https://www.youtube.com/watch?v=PytlFZVvlig, Conversations in Clay: Creativity, Collaboration, and Community; an artistic inquiry and examination of the project footage; and a discussion of how the therapeutic filmmaking process helped capture the essential therapeutic elements of clay, filmmaking, and the art therapy studio environment.

Hayashi Yasuo And Yagi Kazuo In Postwar Japanese Ceramics: The Effects Of Intramural Politics And Rivalry For Rank On A Ceramic Artist’S Career, Marilyn Rose Swan

Theses and Dissertations--Art and Visual Studies

The use and firing of clay to make art instead of vessels was a revolutionary concept in Japan when it first was introduced by Hayashi Yasuo in 1948 with Cloud, and expanded upon by Yagi Kazuo in 1954 with Mr. Samsa’s Walk. Although both avant-garde artists were major forces in the advancement of abstract, nonfunctional ceramics, Yagi is usually given sole credit and occupies a prominent place in the literature, while Hayashi’s name can scarcely be found, despite his numerous international awards, large body of work and career spanning seven decades. This thesis seeks to identify the factors …

Behind Her Eyes, Lauren Baird

Master's Theses or Doctor of Nursing Practice

The graduate portfolio completed as part of graduation requirements for a Masters in Fine Arts.

Spreading Seeds: Ai Weiwei's Sunflower Seeds And His Performative Personality Received In The West, Wei Wu

Scripps Senior Theses

In 2010, Ai Weiwei's Sunflower Seeds made its debut in Tate Modern, which promoted Ai to be one of the most famous and respected contemporary Chinese artists. This Conceptual art work has multiple layers of meanings, which all corresponds to the Western expectations for a successful contemporary Chinese artist. In fact, the Western art world has long held bias and stereotypes towards international artists. Ai chose to perform his personality to conform to the expectations and Western ideologies, which brought him international fame. On the other hand, other Chinese artists, including Cai Guo-Qiang and Zhou Chunya, don't totally agree with …

Anxious Totems, Katherine Wraczewska

All Student Theses and Dissertations

Throwing clay on the potter·s wheel, I feel a wave of calm, like I am finally in control of something. Carving and creating texture on clay after a piece is thrown, is the ultimate release. Carving is obsessive, compulsive, and even ritualistic. Each mark that I make has a purpose or thought behind it. This is something that is definitely different from my daily cycle of panic and unease. Anxiety. I worry too much, I can't tum this off. Clay has been the only outlet I found to help me hush these racing thoughts. By creating ceramic sculptural works my …

Sub For More, Chelsea Lee

Theses and Dissertations

This written thesis unpacks the thoughts and motivations behind the decisions I have made in my artistic practice that have ultimately culminated in my M.F.A. Thesis Exhibition: Sub for More. By merging images of my own work as well as internet sourced images of the culture that drives my work, I have created a platform to begin to understand my experience during graduate school. This text examines and explores my belief in the inherent power in pop culture, my obsession with fame, celebrity, and my self-identity as a participant in current pop-culture.

Pineapple, 022, Conversation – Behind The Cover Art, Jesse W. Standlea

The Transdisciplinary STEAM+ Journal

Many sources date the pit-firing process as a 30,000 plus years-old ceramic firing technique. Every year I take my AP 3D Design class to the beach to fire ceramic pieces using this method. Being a contemporary sculptor who shows in Los Angeles I have always appreciated pit-fired pieces but never used one in my own art practice until now. A connection between the first method of firing ceramics and my art practice seemed unrelated. The title for my piece might add to the disconnect; and yet these seemingly unrelated elements force the work into a place where the artistic process …

The Emergence Of The Bird In Andean Paracas Art. C. 900 Bce - 200 Ce, Mary B. Brown

Dissertations, Theses, and Capstone Projects

In the first millennium BCE, an enigmatic cultural group now known as Paracas inhabited the remote desert coast of southern Peru. Following its disappearance, Paracas culture did not emerge in the historical record until 1927, when three burial centers were scientifically excavated on the arid Paracas peninsula that gave the culture its name. The burials contained over 400 mummy bundles that preserved the only physical remnants of this culture and its unique art forms. When unwrapped, mummy bundles of elite males revealed multiple layers of finely woven and elaborately embroidered textiles and painted ceramics, along with gold objects, feathers, and …

Exterior Of Dinand Gets A New Look, Evangelia Stefanakos

Civitas Branching Documentation

This article describes new art installations and landscaping which enhance the exterior spaces of Dinand Library at the College of the Holy Cross in Worcester, Massachusetts.

The murals, "Civitas Branching" and "Lungs of the Planet," are collaborative art projects created by students of the College and members of the Worcester community. They were installed in April 2016. A dedication ceremony was held April 20, 2016.

The Past Is Open To The Future: Lithuanian Folk Pottery 1861 - Present, Anthony E. Stellaccio

Masters Theses & Specialist Projects

In 2011, following several years of in-country research, I published a book on Lithuanian folk pottery. I enrolled in the Folk Studies master’s program at Western Kentucky University (WKU) in 2014, well after my research and book had been completed. In the present study, I use my newly acquired knowledge of folklore In my previous work to revisit Lithuanian folk pottery.

In my previous work, I had sought to create a picture of “authentic” Lithuanian folk pottery that was confined to the narrow temporal borders of 1861-1918. Here I deconstruct conventional ideas about authenticity, as well as culture and heritage, …

Crystal Jars 2, Kathryn Mcguire

The Anthology

Artwork

Dentata, Erica Hoelper

The Anthology

Artwork

Full Issue, The Anthology

The Anthology

This is the entirety of the 2013 Winthrop Anthology issue.