Ceramic Arts Commons^™

The Arch And The Looking Glass: Umbli Cu Cioara Vopsitǎ, Ana Popescu

Masters Theses

The Arch and The Looking Glass: Umbli Cu Cioara Vopsită (You Are Walking Around with a Painted Crow)

A thesis presented in partial fulfillment of the requirements for the Master of Fine Arts in Ceramics in the Department of Ceramics of the Rhode Island School of Design, Providence, Rhode Island.

By Ana Popescu, 2025

Approved by Master’s Examination Committee:

Lesley Baker, Shoji Satake (Chair), Heather Bhandari, Tucker Houlihan

Date: May 17th, 2025

Location: Rhode Island School of Design, Providence, Rhode Island

To be opened for self-reflection in 10 years, on May 17th, 2035:

I’ve been mulling over how to make …

Body Choice Of Women-507, Yilin Sun

Masters Theses

This thesis examines the struggle for bodily autonomy through the lens of contemporary art, focusing on 507, a kinetic installation by Yilin (Rebecca) Sun. At the heart of this work lies a powerful meditation on the emotional and political dimensions of reproductive responsibility. In a world where women’s rights over their own bodies are frequently contested, 507 becomes both a vessel of remembrance and a visual act of resistance. It channels the often-silenced experiences of women into a shared space of reflection, mourning, and confrontation.

Rather than offering straightforward answers, 507 presents an enigmatic title and a symbolic language …

Embodied Archives, Emerging Futures, Xuân-Lam Nguyen

Masters Theses

Fifty years after the end of the U.S.–Vietnam War, this thesis reflects on the entangled relationship between the two nations, inspiring hope while challenging dominant representations of trauma and tragedy. Drawing from autobiography, family history, folk art traditions, colonial photographs, hierarchies within art history, archives of student activism, and key geopolitical events, the work explores the complex intersections of queer identity and glitchy historical narratives. Combining research-based inquiry with time- and labor-intensive processes, it reimagines historical materials to construct alternate possibilities for the future.

Therapeutic Qualities And Applications Of Clay In Expressive Arts Therapy: A Literature Review, Julia Caruso

Expressive Therapies Theses

This literature review investigates the therapeutic qualities and clinical applications of clay within the framework of expressive arts therapy (ExAT), with particular focus on sensorimotor, somatic, and developmental interventions. Drawing upon the expressive therapies continuum (ETC), this review synthesizes emerging research highlighting clay's kinesthetic and tactile properties as key mechanisms for facilitating emotional expression, accessing unconscious material, and promoting psychological resilience. Evidence is presented for specialized therapeutic modalities such as clay art therapy (CAT) and Clay Field Work, which engage the body-mind connection to support trauma integration and emotion regulation. Findings demonstrate that clay's inherent adaptability and sensory richness allow …

Meeting People Where They Are At: Accessible Approaches To Ceramic Design And The Artistic Process, Molly E. Thompson

Publications and Research

This paper explores accessibility for disabled people in ceramics, drawing upon my personal experiences as a disabled potter at Artistry Community Arts Center in Vermont. I begin with a discussion of how the process of creating pottery can be made more accessible, with a list of adaptable tools I have discovered and anecdotes about how pottery instructors can adapt their teaching styles to different needs. I then explore different examples of adaptive pottery made specifically for disabled people, including some of my own work. While recounting my own successes and failures in pottery production, I conclude that imperfection is the …

Sacral Glitch, Kareena Naresh Solanki

Masters Theses, 2020-current

Growing up in a multifaith environment in Mumbai, I witnessed many religious sites and people with diverse beliefs. My parents always remained open-minded to other faiths, and my house remained replete with idols of deities of different religions. I studied Nichiren Buddhism, particularly the Lotus Sutra, as my mother began practising it along with her faith in Hinduism. Philosophical studies became a part of my life at the age of nine. Catholic prayers turned into rituals in my convent school days, and Islamic prayers resonated from afar. I often reflect on the influence of multiple religions in shaping my approach …

Grief As Slip: (How Little I Show) An Exploration In Clay, When Words Are Not Enough, Michelle A. Smith

Masters Theses, 2020-current

Grief as Slip (how little I show) implies that even as we acknowledge our mortality and the fleeting nature of life, we still only reveal a fraction of our true selves or our deeper realities. The ceramic artwork in this exhibition carries and conveys a journey through the present and remembered emotions of the artists’ personal narrative. By juxtaposing the tactile nature of clay with the ethereal quality of human experience, Smith contemplates the profound interplay between material transformation and emotional resilience. The exhibition’s intent is to translate the essence of complex emotional states into abstracted forms so they can …

Connections, Peter Froehlich

LSU Master's Theses

A definitive shift in American social interaction has been taking place far longer than most realize. It is easy to point the finger at the prevalence of technology and social media, this has been a trend that has been going on since the mid to late twentieth century. Stemming from changes in design, the breakdown of scheduled social outlets, and shifts in technology have led to what some writers and sociologists are calling “The Anti-Social Century.”

Working through a making practice to promote the building of connections through social interaction, three different types of spaces were targeted for the exploration …

Trans-Pacific Connections: Chinese Porcelain And Aztec Motifs In Colonial Mexico, Natalia Ramirez

Departmental Honors & Graduate Capstone Projects

This research explores artworks within the Global Baroque as visual and ideological evidence through which colonial power, trade, and cross-cultural influence shaped the material culture of the early modern world. Centering on blue and white ceramics as a key medium of transcultural and trans-local exchange, the study analyzes how global motifs, particularly those drawn from Aztec and Chinese traditions, were reinterpreted, aestheticized, and circulated in Aztec and Novohispanic artistic practices.

Through a close observational comparison of Aztec and Chinese decorative systems, the study recognizes contrasting systems of cultural documentation embedded within similar visual forms. Aztec motifs, rooted in ritual, calendrical, …

Unmeasured, Detached, And Isolated: The Legitimation Of A Domesticated Identity, Eva M. Agüero

MFA in Visual Art

Unmeasured, detached and isolated explores the lingering effects of colonialism on identity, behavior, and cultural perception through the lens of my personal experience as a Venezuelan immigrant in the United States. I investigate how colonial legacies—especially those codified through manuals of etiquette like Manuel Antonio Carreño’s Manual de Urbanidad y Buenas Maneras—continue to shape self-perception and societal expectations. Through video, sculpture, miniatures, and installation, I reconstruct a visual language that resists simplification and reclaims complexity. Engaging with the symbolic weight of tropical imagery, domestic spaces, and hybrid aesthetics, my work challenges Eurocentric frameworks and examines the figure of the migrant …

Veils Of The Unseen, Shinwoo Song

Art Theses and Dissertations

This thesis explores the dynamic interplay between consciousness and unconsciousness and how this relationship influences visual language in my art practice. My research investigates how unconscious impulses and conscious choices intersect in the creative process, shaping artistic expression and viewer interpretation. I examine how visual art can serve as a medium through which hidden emotional and psychological states, such as memory, desire, and internal conflict, emerge and take form. Rooted in the practice of automatism and influenced by Surrealist strategies, my work engages with theories by Jacques Lacan, particularly his notion of the gaze, and Gilles Deleuze’s concepts of extraction …

Cuentos De Barro, Daniel Anthony Vasquez

Theses and Dissertations

Cuentos de Barros addresses the complexities of creating art and processing indigenous heritage and personal history as a Salvadoran immigrant within a neo-colonial society. Centering ritual, care, and healing, the artist imbues sculptures with tenderness using abstract forms and the tactile manipulation of unfired clay and graphite.

Folds, Bayan Abukiwan

Theses and Dissertations

This thesis uses the fold as an orienting metaphor and material gesture to linger on the minor details of intimacy that are severed by occupation and political violence. Through painting, drawing and ceramics, the work traces the more implicit modes of dehumanization—particularly in relation to Palestine—while engaging the domestic as a site of quiet and complexity. Influenced by artists like Jennifer Packer and Beatriz González, the practice embraces slowness, touch, and opacity to fold the viewer into a haptic encounter with the work.

Fountain, Sadaf Azadehfar

Theses and Dissertations

This thesis investigates the intersections of water, power, identity, and architecture through the lens of colonial and postcolonial landscapes, focusing particularly on Persian gardens and fountain sculptures. Drawing on historical, cultural, and symbolic frameworks, the study explores how water systems embody both practical and spiritual roles, positioning water as a force of control, resistance, and regeneration. Central to this work are analyses of arches and garden designs, which serve as architectural metaphors for cosmic harmony, community gathering, and contested space. Through a combination of visual analysis, historical research, and personal artistic practice—including ceramic sculptures and multimedia installations—this thesis traces the …

Moments In The Making, Paige M. Harper

All Graduate Reports and Creative Projects, Fall 2023 to Present

Gathering around a table with good company, sharing stories and food, creates lasting memories. These moments of warmth, laughter, and connection stay with us long after a meal is over. These experiences are the driving force that inspire the vessels | create. These vessels serve as conduits for connection, helping to shape and enhance the shared experience. These objects are not only individual pieces, but also components of broader compositions. I consider how they are related in space. Using repetition, contrast, proportion, and negative space, I strive to create cohesive visual experiences that invite curiosity.

All Mud In The End: Exploring Registration Between Handcraft And Digital Craft Through Ceramic 3d Printing, Emily Kloostra

Architecture Undergraduate Honors Theses

The goal of this research was to investigate the possible interconnections between handcrafted objects and digital fabrication technologies, specifically in ceramic 3D printing workflows. Digital fabrication tools have advanced rapidly in recent years, raising questions about the role handcraft can still play in the making of objects and buildings. While many artistic endeavors have investigated how far digital technology can be pushed, this study was focused on bringing handcrafted objects back into the conversation. Specifically, it sought to understand how irregular, handcrafted objects may be registered in the digital space and then used in 3D printing processes.

The study used …

Revelry, Karina R. Mago

All Graduate Reports and Creative Projects, Fall 2023 to Present

The work in this exhibition is entirely figural, each part crafted individually from clay and fired in a wood kiln. These figures are intentionally anonymous, with their only distinguishing features being the marks left by the passing flames. Certain aspects of the bodies represented have been abstracted, and lines have been carved to highlight the movement embodied by the forms. Each firing occurs over the course of two days, which is only achievable through the collective effort of multiple individuals. It took a community to bring all of these pieces together.

This body of work is a love letter to …

These Things Happen, Keleigh E. Mcmullen

Electronic Theses, Projects, and Dissertations

My artwork emerges from moments of emotional and physical violence—both small and large. Although rooted in my lived experience, the truths I tell in my work are far from unique. Violence often hides in plain sight, buried in the mundane spaces of daily life. Through ceramic sculpture, I spotlight these moments, inviting viewers into a world that is familiar and simultaneously unsettling.

Scale plays a crucial role in this narrative—objects shrink or expand based on their emotional gravity, their object authority, or my own relationship to them. By amplifying the small and shrinking the overwhelming, I reshape how viewers interact …

The Social Life Of Plants: Botanical Representations In Moche Art, Breanna Fae Reiss

Art & Art History ETDs

The Moche were semi-autonomous communities who thrived in the ten fertile riverine valleys of Peru’s northern coast between the late fourth and ninth centuries CE. Phase IV (c. 590–700 CE) Southern Moche ceramics feature intricate fine line visual narrative scenes with many multivalent symbols and motifs. This dissertation intends to understand why plants begin to play a more significant role in the Moche iconographic corpus in this period. I explore the interests of elites, the ecological web interweaving image and environment, and species identification. The local flora was affected on one hand by naturally occurring changes in weather and environment …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …