Ceramic Arts Commons^™

The Day Before The Day, Marlaina Lutz

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The reason any particular moment has the potential to change the course of your life is because of the accumulation of meaningful moments that happened in between. The in between is where care happens. It’s where acts of kindness are done without witnesses and where vulnerability is met with an unconditional reception. It’s where trust is built and where our darkest and brightest parts become exposed. Can you remember what you did the day before you decided someone was your best friend? Or what you did the day before you spoke to a parent for the last time? What about …

Tea Time With The Devil, Hamish Jackson

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Tea time with the Devil

Tea Time with the Devil began with the hypothesis that I could create a diverse palette of glazes from one local material. I chose to base my experiments on a granite from Devil’s Playground in western Utah. I collected its rocks, hauled them back to USU and crushed them into powder. Each glaze contains at least 50% of the Devil’s granite. This palette resulted from much trial and error — mostly error. Between 2020 and 2023, I ran thousands of glaze tests to formulate and hone these surfaces.

Why this place and material?

The wild …

Second Nature: Impressions Of Place., Trish Korte

Electronic Theses and Dissertations

For my art practice, I grow and forage my art materials for eco printing, a direct contact printing method that reveals leaf shapes and hidden imagery through heat and pressure. I take specific cues from surrounding materials, objects, and environments. Tree systems and compelling textures of fungus are interpreted through ceramic and fiber. With an ongoing collaboration of natural materials and eco printing processes, my art speaks symbolically and metaphorically through imagery and materials. This thesis and accompanying exhibition present an examination of current work in context with an ongoing investigation of natural materials and eco printing.

Through The Kaleidoscope, Andrea Simpson

Electronic Theses, Projects, and Dissertations

Andrea Simpson, a California-based artist with a BA and MA from the California State University of San Bernardino, draws inspiration from the transformative power of psychedelics. Her artistic style merges vibrant colors, rhythmic patterns, and abstract forms, showcased across diverse mediums including ceramics, glass, and painting. Simpson's dynamic and experimental approach to art invites viewers on a mesmerizing journey that merges music, psychedelia, and contemporary art, providing a unique and immersive encounter.

Qualia, Maxwell Henderson

School of Art, Art History, and Design: Theses and Student Creative Work

In this thesis, I examine the transformative potential of pottery through the lens of "qualia," the subjective experiences, emotions, and perceptions that shape our conscious lives. Stemming from my personal journey, which includes a childhood of poverty in Arizona and a biracial identity, I advocate for inclusivity and diversity in art and society by challenging material hierarchies and conventional artistic practices.

I delve into the vibrant aesthetics of Japanese Kutani porcelain, the fluidity and balance in ceramic vessels, and the impact of my background on my artistic approach. My experiences foster a rejection of painterly language and arbitrary hierarchies, prompting …

A Different Perspective On Christmas, Jessika Hughes

Forces

No abstract provided.

Tiny Details, Jessika Hughes

Forces

No abstract provided.

Good Luck—You Don’T Need It, Madelaine L B Smith

Cedarville Review

Good Luck—You Don’t Need It is a functional ceramic tea set. This piece was inspired by the work of Mariana Baquero, and her use of text in ceramics. It was made using stoneware and fired to Cone 10. The writing that spans the set is from a letter given to the artist by her father before she started her freshman year at Cedarville University.

The Emotional Mug Series, Rachael A. Mahaffey

Cedarville Review

No abstract provided.

Valuation, Tobias Gilbert

Art and Art History Honors Projects

My Studio Art honors project seeks to question the delineation between art, craft, and design and the lack of value placed on most everyday objects. While in our society homes are seen as an investment to be maintained and passed down, almost none of the objects that fill said home receive this level of care leading to mass consumerism of objects made merely to fit a function, not to last or hold their value. Valuation is a set of dining room furniture made of red oak and white ash accompanied by a full set of ceramic dinnerware and napkins. The …

Qualia, Maxwell Henderson

School of Art, Art History, and Design: Theses and Student Creative Work

As an artist, my work is a conduit for the exploration of "qualia" – the personal, deeply subjective experiences, emotions, and perceptions that shape our conscious lives. My artistic journey, born from a childhood in Arizona poverty and my biracial identity, has ignited a passion for inclusivity and diversity in art and society, guiding me to challenge traditional material hierarchies and conventional artistic norms.

My art interweaves the vivid aesthetics of Japanese Kutani porcelain and the natural, raw beauty of Icelandic landscapes with the fluidity and balance found in ceramic vessels. Through this fusion, I strive to redefine the role …

Dissertation Chapters Underway: 10,000 Shards, Or Opening And Activating Depth: Handicraft, Value, And The Work Of Art (Shards 00000-00001), Christopher Southward, Christopher Southward

Comparative Literature Faculty Scholarship

Dissertation Chapters Underway: 10,000 Shards, Or Opening and Activating Depth: Handicraft, Value, and the Work of Art (Shards 00000-00001), Christopher Southward

Bloody Show, Leonie Weber

Theses and Dissertations

Leonie Weber reflects on how reproductive, domestic, and emotional labor is addressed in her artwork, and her experience as an artist-parent in the art world. Moreover, she specifically discusses mothers who are navigating their own artistic paths. Her practice encompasses sculpture, printmaking, performance, and installation.

Welcome To The Sitting Garden At The Busy Hands Museum, Stacie Sabady

Theses and Dissertations

I wanted to attend VCU to learn how to unravel my mind and find the words to describe it. While I did make progress in that area, my surprise discovery is that I need to unravel my body too. It has become unbalanced from years of neglect. When working, I find solace through escape. I find a positive outlet for my perfectionist tendencies. I find a way to visually illustrate my obsessive qualities. Throughout the years of these findings, I have ignored my body pleading with me to take it easy. I have always honored the materials and the tools, …

Vesptures, Nyasha T. Chigama Ms

Theses and Dissertations

Abstract

This is an invitation into the delicate space of living between two worlds, of having feelings of happiness and sadness at the same time. Delicate emotions and situations which are not easy to share but are paramount in my research of what it takes to want more out of being just a parent, come from a certain country than the one I am living in, and navigate between two cultures. This is a journey around some of the experiences I have faced when I found myself in a different space other than the one I grew up in. The …

Warmth Of The Sun, Drake M. Gerber

Graduate Student Theses, Dissertations, & Professional Papers

Warmth of the Sun, is a reflection on personal experiences I’ve had in the landscape while living in the Northwest. This curated experience is an attempt to capture my sincerity towards a place and hold onto that feeling. I intend to share faded memories of personal experiences through enigmatic sculptures to make the viewer look a bit closer at these objects and see the landscape in a new way. This paper explores thoughts on the idea of place, material, process, contemporary influences, and the experiences that inspired this body of work.

Crafting Community: A Ceramics Center, Nadia Mechboukh

Theses and Dissertations

For artisans, being part of a community can facilitate engaging with the public. Networking and collaborating with peers are vital for building meaningful relationships that can lead to mutual inspiration and learning opportunities. By strengthening the connection between society and various forms of craft, we can weave invisible threads that link the stories that craft tells with the time and place in which they were created. Pottery is a craft that has existed for thousands of years. Ceramics and clay have carried the history of communities and their ways of living through centuries and have been used as identifiers of …

Breaking Bread & Boundaries : Finding Home In Every Bite, Steffi Ann Braganza

Theses and Dissertations

Raised outside of their “passport” countries, Third Culture Individuals (TCIs) often experience a lack of rootedness and belonging, and home is often everywhere and nowhere. Childhood food memories can provide the sense of connection and identity TCIs crave. Four Qatar-raised TCIs, from very different backgrounds share memories of their childhood comfort foods, now hybridized dishes, that reflect their unique third culture experiences. Each dish, in turn, inspired the creation of a bespoke set of cooking /dining ware designed to trigger a specific sensory memory: the sight, smell, touch, or sound associated with the original comfort dish. This specialized cooking/dining ware …

Póster De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Victòria Solanilla, organizadora

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Merino Wool In America: Migration, Economic Desire And Patriotism, Una R. Winn

Senior Projects Spring 2023

Senior Project submitted to The Division of Arts and The Division of Social Studies of Bard College.