Arts and Humanities Commons^™

Administering Authoritarianism: The Birth Of The Free Market Model In Pinochet’S Chile., Meghan A. Haggerty

Senior Theses

This research paper aims to dissect the origins of the free-market in Chile and its institution through dictatorship. The purpose of this paper is to analyze privatization as an instrument of conservative governments– specifically the Pinochet regime (1973-1990). It outlines how the authoritarian government arose in the geopolitical context of the Cold War which led to a series of neoconservative fiscal policies inspired by Milton Friedman and the “Chicago Boys.” This paper goes on to analyze the structural transformation that drastically changed the economic output of the country. The case study highlighted is the Chilean Water Code and the privatization …

Rap In The United States And Cuba: A Genre Uniquely Emblematic Of The Paradox Of (De)Colonization, Maya Rose Bliffeld

Senior Theses

Music, as a profound and resonant cultural expression, captures the nuance of societal dynamics, political climates, and the collective emotions of communities throughout time. Colonialism, more specifically the Atlantic slave trade and the experience of suffering, has been reflected in the music as much as it has pioneered styles of new global music in the present. Music, specifically rap, contextualized in the hip-hop movements of the United States and Cuba, reveals primary sources of the effects of systemic racism and the marks of slavery in the contemporary context. The United States and Cuba each have a close relation to the …

Locked-In Learning: Honorlock And Surveillance Capitalism In The First Year Writing Department, Tehyah Carver

Seton Hall University Dissertations and Theses (ETDs)

This paper explores the impact of implementing the proctoring software Honorlock in the collegiate writing classroom. Through a framework inspired by Shoshana Zuboff’s The Age of Surveillance Capitalism and Foucault’s Discipline and Punish, the investigation analyzes the efficacy of Honorlock’s attempts to reduce plagiarism and student test-taking anxiety when applied to preliminary writing assessments in Seton Hall University’s First Year Writing program. With professor interviews, surveys, and observations, the paper exposes the flaws of Honorlock’s promise of student empowerment and honesty by dissecting the punitive language used in their marketing material to potential and current consumers, administrators and professors. …

Menstrual Pads On Parliament: Women’S Activist Strategies In Challenging Conservative Gender Ideologies In Kosovo (2020s)., Djellza Pulatani

Senior Theses

Two decades after the gender-based violence weaponized in the Balkan Wars, women in the region have acted as catalysts for social and political change. In Kosovo, the journey of women in challenging patriarchal ideologies exemplifies this broader movement. This study examines one feminist NGO, QIKA, tracing its multiple strategies ranging from protests to menstrual product distribution to respond to aspects of violence against women and girls. The cultural qualities in Kosovo reflect both Albanian and Islamic influences, embodying conservative patriarchal norms. In this research, I explore the ways in which women activists employ certain strategies in addressing gender inequalities within …

Silent, Or Silenced: Repression Of The Middle Eastern Subaltern, Amanda Arodes

Seton Hall University Dissertations and Theses (ETDs)

This paper employs subaltern theory to examine the socio-political landscapes of Palestine and Syria within postcolonial discourse. Drawing from the works of scholars like Gayatri Chakravorty Spivak, Ranajit Guha, and Juan R. Cole, this study uncovers the silenced narratives and marginalized perspectives of the Palestinian and Syrian people. Through a critical analysis of historical, cultural, and political dimensions, the basis of this research explores how subaltern groups in Palestine and Syria navigate structures of power, resistance, and identity formation. The experiences of various subaltern groups, including refugees, women, and ethnic minorities whose voices often remain obscured within dominant discourses are …

“Class And Consciousness”: An Application Of Marxist Theory And Posthumanism To Kazuo Ishiguro’S The Remains Of The Day, Never Let Me Go And Klara And The Sun, Renee Elizabeth Samuel

Seton Hall University Dissertations and Theses (ETDs)

Kazuo Ishiguro’s works are introspective explorations of how one’s prescribed role in society shapes one’s identity; this self-reflection is evident in three of his novels, The Remains of the Day, Never Let Me Go, and Klara and the Sun. All three novels heavily rely on the point of view of a member of the subservient class, and this perspective provides insight into the unnamed hierarchies within society and the relationship, or lack thereof, between divided classes. Despite their similarities in structure, each novel explores class relationships in different ways. The Remains of the Day focuses on an individual living …

Good Girls Don't, Tess Fresco

English Honors Theses

Set in the year 1980, "Good Girls Don't" is a bracing coming-of-age story about Cathy, a young woman in Los Angeles who dreams of escaping the city yet feels intimately bound to it. Los Angeles as a terrifyingly beautiful place, in this specific time, figures prominently in this novella; even as Cathy enjoys smoking pot with her best friend Heather, rolls her eyes at her boss at Jack In the Box, and moons over sexy surfer boys, the threat of a serial murderer targeting young women hangs over her mind. On a date one night with Jim, an older boy …

Open Letters & Impersonal Forms: Diaries, Letters, And Self-Disclosure In Rilke’S Prose, Abigail Svetlik

English Honors Theses

This paper places Letters alongside two other works of prose by Rilke — The Notebooks of Malte Laurids Brigge (1910) and Diaries of a Young Poet (1997). The first is Rilke’s only novel, in which a young man inscribes his thoughts, feelings, and activities in a series of journal entries; the second is a series of private journals which Rilke maintained between 1898 and 1900. Notebooks’ narrator resembles Rilke in several ways, but the novel’s fictiveness impedes upon readers’ instinct to treat the story as entirely autobiographical. In his actual diaries, published at the opposite end of the same …

Lgbtqia+ Immigrant Healing: Ulysses Syndrome & Community-Based Organizing, Tay Villaseñor-Ingersoll

Master's Theses

The aim of this study is to validate that LGBTQIA+ migrants experience the Ulysses Syndrome, also referred to as the Immigrant Syndrome of Chronic and Multiple Stress, which was developed in 2002 by Psychiatrist and Professor of the University of Barcelona, Dr. Joseba Achotegui. This is an impermanent and complex grieving process which exposes one to symptoms such as depression, anxiety and dissociative somatic symptoms which result from extreme levels of stress from the processes of modern migration. This syndrome manifests as a natural reaction to intense migratory pressures for those who are otherwise healthy.

Furthermore, this project highlights how …

Leveling Up Financial Literacy: Evidence From Game-Based Intervention With Aspiration Treatment Amongst Rural Women In India, Akash Shaji

Master's Theses

In India, rural women exhibit notably low financial literacy levels, necessitating effective and scalable educational interventions. Our randomized controlled trial evaluated a novel approach, combining game-based financial literacy education with a video documentary-based aspirations intervention, targeting women in self-help groups in Karnataka. The study included 348 participants and employed an ANCOVA model adjusted for clustering to analyze the effects. The results demonstrate significant improvements in financial literacy and aspirations, particularly when interventions are combined. The game-based intervention alone significantly enhanced digital literacy, financial confidence, and behavioral indices such as agency, pathways, and aspirations. The aspirations intervention also independently affected financial …

“The World Withers And The Wind Rises”: Apocalyptic Language In 'The Homecoming Of Beorhtnoth' And 'The Fall Of Arthur', Kristine Larsen

Journal of Tolkien Research

As previously explored by the author, Tolkien’s 1930’s alliterative verses published as The Legend of Sigurd and Gudrún and The Fall of Arthur make direct and repeated references to the End Times, paralleling the prominence of the apocalyptic Second Prophecy of Mandos in revisions to his Middle-earth legendarium written at that time. Similar themes can be found in Tolkien’s verse-dialogue The Homecoming of Beorhtnoth. The Homecoming’s genesis dates to the same general time period, and both The Fall of Arthur and The Homecoming describe a war-tainted world in apocalyptic tones, the environment dark (literally, figuratively, and in terms of men’s …

Gender And Social Media: Delving Into Young Adults’ Daily Participation On Facebook, Masa Tantawy

Culture, Society, and Praxis

With the prevalence of social networking platforms, it is crucial to study the role that gender plays in its use, for gender, which is continuously shaped by society, plays a critical role in our identities and daily lives. This paper explores how the social construction of gender affects and is affected by social media through discussing the usage of Facebook by young adults, especially Middle Eastern cisgender males and females, and women’s limited freedom on this social networking site in the Arab countries. It is argued that despite individuals having some freedom online compared to offline, their choices, specifically that …

The Lady’S Museum Project, A Digital Critical And Teaching Edition Of Charlotte Lennox’S Lady’S Museum (1760-61), Completes Phase Two Of Its Three-Phase Development Schedule, Karenza Sutton-Bennett

ABO: Interactive Journal for Women in the Arts, 1640-1830

The Lady’s Museum (1760–61) was among the most important early periodicals largely written by one of the most important eighteenth-century authors, Charlotte Lennox, whose multigenre, proto-feminist writing is beginning to receive the critical and pedagogical attention it deserves. Yet no modern edition of the text has existed—until now. Launched in 2021, the Lady’s Museum Project is presenting the first critical edition of—and learning community around—Lennox’s Museum in three open-access formats to encourage the widest possible readership: a non-specialist digital, interactive edition of the text and LibriVox audiobook intended for public and undergraduate-student audiences, and a specialist digital edition intended for …

Review Of A History Of African American Autobiography, Edited By Joycelyn K. Moody, Sarah Buckner

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of A History of African American Autobiography edited by Joycelyn K. Moody.

Review Of On The Digital Humanities: Essays And Provocations, By Stephen Ramsay, Michelle Lyons-Mcfarland

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of On the Digital Humanities: Essays and Provocations by Stephen Ramsay.

Review Of Sara Levy's World: Gender, Judaism, And The Bach Tradition In Enlightenment Berlin, Edited By Rebecca Cypess And Nancy Sinkoff, Jeanne R. Swack

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin, edited by Rebecca Cypess and Nancy Sinkoff

Review Of The Oxford English Literary History: Volume 5: 1645–1714: The Later Seventeenth Century, By Margaret J. M. Ezell, Karen Griscom

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of The Oxford English Literary History: Volume 5: 1645–1714: The Later Seventeenth Century by Margaret J. M. Ezell.

Review Of The Cambridge Edition Of The Works Of Anne Finch, Countess Of Winchilsea, Edited By Jennifer Keith Et Al, Melissa Schoenberger

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of The Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea, edited by Jennifer Keith et. al.

Out Of The Closet And Into The Classroom: Teaching Anne Finch's Plays, Diana Solomon

ABO: Interactive Journal for Women in the Arts, 1640-1830

The publication of the Cambridge Edition of the Works of Anne Finch, Countess of Winchilsea makes it possible to teach not only a much wider assorted of her edited poetry, but also Finch’s two dramas: the tragicomedy The Triumphs of Love and Innocence, and the tragedy Aristomenes. This essay proposes integrating Finch’s plays into a course on Restoration and eighteenth-century drama by proposing a class, “Genre Trouble,” which sets them in dialogue with frequently-taught plays of the era. Included herein are a syllabus of primary and secondary sources, suggestions for discussing Finch’s plays and dramatic paratexts in comparison to works …

Teaching Poetry With Anne Finch: Manuscript Culture As Early Modern Social Media, Jennifer Keith

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay discusses two approaches I use to teach Anne Finch's—and others'—poetry. Drawing on certain habits of early modern manuscript culture, I make visible to my students ways that reading and writing are socially embedded practices, which may variously involve exchange, reciprocity, or censorship. By adapting the "quaint" habits of manuscript culture practiced by Finch and many others to specific assignments, I encourage students to experience poetry as living, sociable occasions of reading and writing. To augment my students' engagement with early modern poetry I connect it to frameworks from their twenty-first-century reading and writing worlds. These exercises in "early …

Anne Finch On The Patio: A Scholarly Eat And Greet, Melissa Schoenberger

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article recounts an instructional event for English majors held in the central campus library. Students engaged with various materials related to the career and editorial history of Anne Finch. The event offered students an introduction to questions of information literacy, textual history, and literary studies.

Teaching Finch And / In Performance: A Media Studies Approach (With Toolkit), Elizabeth Heckendorn Cook

ABO: Interactive Journal for Women in the Arts, 1640-1830

Teaching the birdsong poems and compositions for musical settings of Anne Finch, Countess of Winchilsea, through media theory allows students to connect their own social-media-based expressive arts practices with the multimedia practices of early modern women writers.

Introduction: Teaching The Works Of Anne Finch, Part Ii, Jennifer Keith, Tiffany Potter

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay introduces Part Two of the two-part “Concise Collection on Teaching the Works of Anne Finch," guest edited by Jennifer Keith (Aphra Behn Online, vol. 14, no. 1, 2024). The first part of this collection appeared in Fall 2023.

Politics, Authorship, And Philosophy: Teaching Margaret Cavendish’S The Blazing World In The Diverse Graduate Classroom, Martine Van Elk

ABO: Interactive Journal for Women in the Arts, 1640-1830

This essay explores how Margaret Cavendish’s The Blazing World works differently when taught and read on its own and in combination with Cavendish’s other works. Focusing specifically on the graduate classroom, I examine and present strategies for teaching the book alongside works by other early modern women and for teaching it in a single-author course. While in isolation, The Blazing World allows for discussions that focus primarily on questions of gender, genre, class, and politics, read in tandem with Cavendish’s other works, in particular her philosophical writings, The Blazing World becomes a source for reflections on questions of creaturely identity, …

Teaching Margaret Cavendish’S Philosophy: Early Modern Women And The Question Of Biography, Peter West

ABO: Interactive Journal for Women in the Arts, 1640-1830

In my contribution to this Concise Collection on Margaret Cavendish, I focus on teaching Cavendish’s work in the context of philosophy (and, more specifically, Early Modern Philosophy). I have three aims. First, to explain why teaching women from philosophy’s history is crucially important to the discipline. Second, to outline my own reflections on teaching Cavendish’s philosophy. Third, to defend a specific claim about the benefits of teaching Cavendish to philosophy students; namely, that introducing biographical detail alongside philosophical ideas enriches the learning experience.

Teaching Queer Theory And The History Of Sexuality With Margaret Cavendish’S The Convent Of Pleasure, Valerie Billing

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article summarizes my approach to teaching Cavendish’s play The Convent of Pleasure in my course “LGBTQ+ Literature and Culture,” which I teach at a small liberal arts college in the Midwest. I demonstrate how I teach the play with excerpts from literary scholarship in queer theory in order to help students sharpen their close reading skills, teach scholarly engagement, and deepen students’ understanding of early modern and Restoration comedy and the history of sexuality.

“A World Of Her Own Invention”: Teaching Margaret Cavendish’S Blazing World In The Early British Literature Survey And Beyond, Vanessa L. Rapatz

ABO: Interactive Journal for Women in the Arts, 1640-1830

Margaret Cavendish has only recently been included in the canonical literature anthologies and even then, the samplings of her prolific writings are severely truncated. However, even this small taste of Cavendish’s poems and excerpts of A Description of a New World called The Blazing World leave early British literature survey students hungry for more. Frequently, students in the survey choose to focus on Cavendish’s writing for their research projects in which they practice feminist and queer readings and engage with Cavendish as a key player in utopian and science fiction genres. Beyond the survey course, Blazing World works wonderfully in …

Relocating Early Modern Women: Teaching Margaret Cavendish To A Broader Audience, Jennifer Topale

ABO: Interactive Journal for Women in the Arts, 1640-1830

Margaret Cavendish, Duchess of Newcastle, can be called many things: writer, poet, philosopher, woman, Royalist, eccentric rule-breaker, scientific collaborator, utopian thinker, and the list goes on. Unfortunately, access to her writings, typically her The Description of a New World, Called the Blazing World, are often limited in academic settings to courses centered on the seventeenth century, early modern utopian literature, Restoration literature, and possibly an early modern women writers class. Though these are all wonderful course topics, they are often upper-division courses specifically designed for English majors of the early modern period. Limiting Cavendish to only these courses means that …

Concise Collections: Teaching Margaret Cavendish, Part I, E Mariah Spencer

ABO: Interactive Journal for Women in the Arts, 1640-1830

This is the introduction of Part I of the "Concise Collection on Teaching the Works of Margaret Cavendish."

“Always Unguarded And Often Uncivil”: A Case For Lydia In The Lizzie Bennet Diaries, Leah Benedict

ABO: Interactive Journal for Women in the Arts, 1640-1830

Despite decades of feminist scholarship, Lydia Bennet has consistently been taken at Jane Austen’s word: she is viewed as capricious, difficult, and silly, and in most cases found to be deserving of her fate. But with the adaptation The Lizzie Bennet Diaries, Lydia became the character most likely to inspire a heightened emotional bond with viewers. Because of the show’s format, Lydia’s voice and experiences became more central, and were conveyed with greater sympathy than prior adaptations. Against all anticipation, many viewers immediately identified not with Lizzie, but with Lydia. My paper explores the cultural contexts surrounding the web …