Music Commons^™

Emma Burrows, Junior Harp Recital, Emma Burrows

Junior and Senior Recitals

No abstract provided.

Charles W. Bolen Faculty Recital Series: Erik Swanson, Guitar; March 27, 2022, Erik Swanson Guitar

School of Music Programs

Kemp Recital Hall

March 27, 2022

Sunday Afternoon

2:00 p.m.

Senior Recital: Michael Pidgeon, Saxophone; Lu Witzig, Piano; Riley Erskine, Saxophone; Ethan Machamer, Piano; Hunter Thoms, Bass; March 27, 2022, Michael Pidgeon Saxophone, Lu Witzig Piano, Riley Erskine Saxophone, Ethan Machamer Piano, Hunter Thoms Bass

School of Music Programs

Kemp Recital Hall

March 27, 2022

Sunday Evening

7:30 p.m.

Senior Recital: Aliana Kottabi, Violin; Zhiyuan (Peter) Gao, Piano; Matthew Clarke, Piano; March 26, 2022, Aliana Kottabi Violin, Zhiyuan (Peter) Gao Piano, Matthew Clarke Piano

School of Music Programs

Kemp Recital Hall

March 26, 2022

Saturday Afternoon

5:00 p.m.

Senior Recital: Mikayla Mindiola, Mezzo-Soprano; Dennis Gotkowski, Piano; March 26, 2022, Mikayla Mindiola Mezzo-Soprano, Dennis Gotkowski Piano

School of Music Programs

Center for the Performing Arts

March 26, 2022

Saturday Evening

7:00 p.m.

2021-2022 Philharmonia No. 4, Lynn University Conservatory Of Music, Guillermo Figueroa, David Cole

Philharmonia

Philharmonia No. 4

• March 26, 2022 at 7:30 PM and March 27, 2022 at 4:00 PM
• Guillermo Figueroa, music director and conductor ; David Cole, cello
• Concerto in B minor for Cello and Orchestra, op. 104 / Antonin Dvorak -- The Chairman Dances: Foxtrot for Orchestra / John Adams -- Suite from the Miraculous Mandarin, op. 19 / Bela Bartok

Senior Recital, Saxophone, Owen Kilpatrick

Honors Theses

Postcards is a senior recital celebrating saxophone repertoire from diverse composer nationalities, including composers of Czech, French, Japanese, and German background. While this program only begins to scratch the surface of both composer and stylistic diversity present throughout the saxophone repertoire, it represents some of the most significant influences on the music available to saxophonists. Bookending the recital program are two French contest pieces, Brilliance by Ida Gotkovsky and Lamento et Rondo by Pierre Sancan. The morceaux de concours, or competition pieces, written for the Paris Conservatory are an important tradition because of the history of saxophone pedagogy in Paris. …

Senior Recital: Qingyang (Miguel) Yu, Piano; March 26, 2022, Qingyang (Miguel) Yu Piano

School of Music Programs

Kemp Recital Hall

March 26, 2022

Saturday evening

7:30 p.m.

Senior Recital: Anastasia Ervin, Oboe; Lu Witzig, Piano; March 26, 2022, Anastasia Ervin Oboe, Lu Witzig Piano

School of Music Programs

Kemp Recital Hall

March 26, 2022

Saturday Afternoon

2:00 p.m.

Program Notes. Basically Bach! Camerata Milwaukee. Shorewood, Wi. March 26, 2022., Marianne Kordas

Faculty Publications

No abstract provided.

Songs Of Wartime: An Anthology Of Music Composed By Women During The Second World War, Brittany Weinstock

Seaver College Research And Scholarly Achievement Symposium

During the Second World War, female European composers wrote a prolific amount of music which often goes unrecognized in favor of their male counterparts. The composers that I focus on are Elsa Barraine, Ilse Weber, Josima Feldschuh, Germaine Tailleferre, and Grażyna Bacewicz. The goal of this study is to collect an anthology of five pieces, one piece by each composer, in order to highlight and celebrate their contribution to the musical canon, as well as to understand how the conflict in Europe affected them.

For my research, I first found five female composers who were in some way affected by …

Graduate Recital: Katherine Shindledecker, Trumpet; Lu Witzig, Piano; March 25, 2022, Katherine Shindledecker Trumpet, Lu Witzig Piano

School of Music Programs

Kemp Recital Hall

March 25, 2022

7:30 p.m.

Graduate Recital Program Notes, Carolyn G. Bressler

Conducting Student Scholarship

This program includes:

Monti, Selve, Fontani

Laudate

Sisi Ni Moja

Abendlied

Hope Waits

Wanting Memories

Dirait-On

Sing Out My Soul

Muie Rendera

Benedictus - from Requiem

Non Nobis, Domine

Ubi Caritas

Duo Seraphim

Three Elizabethan Partsongs

Oh Sweet Day

Willow Song

O Mistress Mine

2021-2022 Performance Forum - March 25, 2022, Diana Skobina, Sergei Skobin, David Brill, Sheng Yuan Kuan, Zhanbota Balgabekov, Fabiola Hoyo, Yance Zheng, Alexander Walden, Jannina Eliana Pena, Peter Shane Savage, Marina Machado, Kayla Bryan, Benjamin Kremer, Gabriel Galley, Megan Savage

Performance Forum

No abstract provided.

A New Age Of Film Music: Emotional Responses To Midi Mockups Versus Orchestral Recordings, Amberlee Woodhouse

Undergraduate Honors Theses

Music software is becoming advanced enough to make it difficult for the average person to tell the difference between a MIDI mockup and a recording of an orchestra. This study compares the emotional responses subjects have to electronically created recordings to the emotional responses subjects have to orchestral recordings. Little research has been done on this subject. I hypothesized that the two recordings would communicate the same emotions, but the live recordings would create more emotional intensity. 65 subjects between the ages of 18 and 24 from various musical backgrounds were tested. They listened to both types of recordings of …

Fred And Dinah Gretsch School Of Music Newsletter, Georgia Southern University

School of Music Newsletters (2017-2023)

• Student News
• Faculty News
• Coming Events
• For a Complete Schedule of Event Please go to Gretsch School of Music Websites
• SUPPORT THE GRETSCH SCHOOL OF MUSIC

Vedantic Basis And Praxis Of The Integral Advaita Of Sri Aurobindo, Debashish Banerji

Monsoon: South Asian Studies Association Journal

The integral nondualism of Sri Aurobindo can be traced to the great pronouncements (mahāvākya) of the Upanishads and later commentaries. This study examines teachings on the Supermind (vijñāna) and the other four kinds of consciousness that define human reality: Matter (annaṃ), Life (prāṇaḥ), Mind (manaḥ), and Bliss (ānanda). Through Yoga and Tantra, one learns and embodies the pathway to the divine.

Digital And Spatial Humanities Mapping: Eurasia-Pacific Early Trade And Belief Linkages, Igor Sitnikov, David Blundell

Monsoon: South Asian Studies Association Journal

The Eurasia-Pacific is a dynamic region of rapid economic growth, cultural awareness, natural resource exploration, and military buildup. The concept of the region is relatively new, featuring contested vast areas of geo-resource space of numerous cultures and languages. The current findings in anthropology and archaeology and even its more specific subfields such as folklore are important contribution to the understanding of periodic environmental changes and technical innovations were the main forces of transformations in social structures that have determined the mechanisms and levels of cross-cultural trade activity across the region. We have traced early trade and belief linkages across Eurasia-Pacific …

Tusha Hiti: The Origin And Significance Of The Name, Deepak Shimkhada

Monsoon: South Asian Studies Association Journal

In this article, the author examines the royal bath called Tushā Hiti located in Sūndari Chowk (Beautiful Courtyard) of Pātan Durbar Square, using six different methods of investigation. The question: What is in a name? started the ball of investigation rolling and along the way were added more supporting blocks such as history, iconography, function and purpose, notion of purity and impurity, and finally the hiti in popular culture to get a complete picture of the subject in question.

A Festival Of Form: Score, Anthony Elia

Bridwell Library Research

"A Festival of Form" was both an event at Bridwell and Perkins School of Theology and a conceptual piece of music that lasted several days. In this rendering, the "piece of music" was articulated in a fluid combination of activities that included works by other composers, including John Cage. The activities involved--from lectures, conversations, and meals to actual performances of both short works and especially the world-record breaking rendition of "Organ2/ASLSP" played by Christopher Anderson--comprise the entirety of "A Festival of Form" as performance piece. The challenge of this work is that unlike nearly any other music, it is purposely …