A Performer’S Guide To The Original Works For Solo Horn, Horn And Piano, Two Horns, And Two Horns And Piano By Paul Basler, 2010 University of Nebraska at Lincoln
A Performer’S Guide To The Original Works For Solo Horn, Horn And Piano, Two Horns, And Two Horns And Piano By Paul Basler, Nicholas A. Kenney
Student Research, Creative Activity, and Performance - School of Music
The horn music of Paul Basler, while extremely popular and widely recognized, is relatively unexplored in academia. Basler’s experiences have led him all over the world from Wisconsin, Florida, and New York to Kenya and the Dominican Republic. Because of Basler’s variety of experiences, his music encompasses many styles and media. This document focuses on the life and influences of Paul Basler as a composer for the horn as the featured instrument. It provides a historical context for each of his original pieces for solo horn, horn and piano, two horns, and two horns and piano. Also present ...
The Kora And Korafolaw: A Treatise On The Musical Instrument And Those Who Play It, 2010 SIT Study Abroad
The Kora And Korafolaw: A Treatise On The Musical Instrument And Those Who Play It, William Ridenour
Independent Study Project (ISP) Collection
“The kora is what they play in heaven” a friend once told me. I agreed with him, easily. Ever since I first heard the kora played in the United States, my interest in it and the culture that produced it has deepened. Being able to carry out research on it has been a blessing and a pleasure.
All of my fieldwork was done in Bamako, the capital of Mali between April 15th and May 7th 2010. I spent most of my time in the company of the venerable jeli and korafola Dialy Mady Sissoko, who more or less adopted me ...
Unlv Magazine, 2010 University of Nevada, Las Vegas
Unlv Magazine, Cate Weeks, Tony Allen, Shane Bevell, Diane Russell, Brendan Buhler, Afsha Bawany, Erin O'Donnell
No abstract provided.
Houston, Texas. Solo Recital. March 19, 2010. Benefit Concert., 2010 University of Texas at El Paso
Houston, Texas. Solo Recital. March 19, 2010. Benefit Concert., Oscar E. Macchioni
Music At Uconn : Raymond And Beverly Sackler Composition Prize Concert Honoring J. Mark Scearce, Composer, 2010 University of Connecticut Libraries
Music At Uconn : Raymond And Beverly Sackler Composition Prize Concert Honoring J. Mark Scearce, Composer, University Of Connecticut. Department Of Music. Recitals And Concerts
No abstract provided.
Sul Ross University, Alpine, Texas. Guest Artist Series. March 5, 2010, 2010 University of Texas at El Paso
Sul Ross University, Alpine, Texas. Guest Artist Series. March 5, 2010, Oscar E. Macchioni
Music At Uconn : Honor's Recital, 2010 University of Connecticut Libraries
Music At Uconn : Honor's Recital, University Of Connecticut. Department Of Music. Recitals And Concerts
El Paso, University Of Texas. Collaborative Recital. February 21, 2010, 2010 University of Texas at El Paso
El Paso, University Of Texas. Collaborative Recital. February 21, 2010, Oscar E. Macchioni
Woodwind Extension Through The Systematic Use Of Microtonality And Electronic Manipulation Of The Instrument, 2010 Dublin Institute of Technology
Woodwind Extension Through The Systematic Use Of Microtonality And Electronic Manipulation Of The Instrument, Seán Mac Erlaine
This research questions how the expressive range of the saxophone / bass clarinet can be extended in new ways by employing both a systematic use of microtonality and electronic manipulation of the instrument.
The use of digital signal processing (DSP) is well advanced among certain music practitioners, most notably electric guitarists, extending that instrument’s expressive powers considerably. Woodwind instrumentalists have a huge unexplored potential to engage with new technologies, furthering the range, polyphonic voicings, loops, reverbs and general signal manipulation.
The marraige of these two disciplines with conventional woodwind practice greatly deepens the expressive range of the instrument while offering ...
The Affective Properties Of Keys In Instrumental Music From The Late Nineteenth And Early Twentieth Centuries, 2010 University of Massachusetts Amherst
The Affective Properties Of Keys In Instrumental Music From The Late Nineteenth And Early Twentieth Centuries, Maho A. Ishiguro
Masters Theses 1911 - February 2014
The concept of key characteristics deals with the particular moods which different tonalities are believed to provide to music. Discussions regarding their existence and the validity of the phenomena have always been controversial because of a lack of fundamental reasons and explanations for them. Nevertheless, references to key characteristics have appeared in various fields of study and over many centuries: the Greek doctrine of ethos, writings of Guido d’Arezzo, Jean-Philippe Rameau’s Traité de l’harmonie, scribbles in Beethoven’s sketches, and several passages in Hermann von Helmholtz’s On the Sensations of Tones.
The attitudes and opinions towards ...
"The Sounds And Sights Of Performance In Early Music: Essays In Honour Of Timothy J. Mcgee" By Maureen Epp And Brian E. Power, Roland Jackson
Performance Practice Review
Roland Jackson discusses and critiques the 2009 work of Maureen Epp and Brian E. Power.
Epp, Maureen, Brian E. Power, eds. The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee. Surrey (UK) and Burlington (VT): Ashgate Publishing Company, 2009.
"The Fortepiano Writings Of Streicher, Dieudonné, And The Schiedmayers: Two Manuals And A Notebook, Translated From The Original German, With Commentary" By Preethi De Silva, Roland Jackson
Performance Practice Review
Roland Jackson reviews and critiques De Silva's 2008 work.
De Silva, Preethi. The Fortepiano Writings of Streicher, Dieudonné, and the Schiedmayers: Two Manuals and a Notebook, Translated from the Original German, with Commentary. Lewiston, Queenston, and Lampeter: Edwin Mellen Press, 2008.
Human Machine Music : Twenty-First Century Models Of Music Performance Practice In An Australian Contemporary Music Community, 2010 Southern Cross University
Human Machine Music : Twenty-First Century Models Of Music Performance Practice In An Australian Contemporary Music Community, Barry J. Hill Dr
This project presents a multimedia performance and a written exegesis. It will focus on the way creative practice is embedded within a specific social context. This project will illustrate innovative creative processes used within an Australian contemporary music community. This community creates music known as ‘Live Electronica’. This community is sited within an emerging culture of electronic popular music performance that combines conventional musicianship and computerised musical instruments. This community of musicians are responding to social, economic and technological changes that have altered creative practices in relation to popular music performance.
‘Live Electronica’, is described in this project, as distinct ...
A Study Of Performance Practices In Recordings Of Bach's Violin Sonata Bwv 1003 From 1930-2000, 2010 Edith Cowan University
A Study Of Performance Practices In Recordings Of Bach's Violin Sonata Bwv 1003 From 1930-2000, Adrian Yeo
Theses : Honours
Throughout the 20th century, the performance practice of baroque music has undergone many stylistic changes. Moreover, the rich resources of primary source material available to us in musical recordings of the period have only recently been realised. Bruce Haynes, in his book The End of Early Music, suggests that the twentieth century saw three principal schools of performance: romantic, modernist, and historically-informed. This study investigates Haynes' hypothesis through a comparison of fourteen recordings of Bach's Solo Violin Sonata in A minor BWV 1003, ranging from 1933 to 1999. Focus is made on eight predetermined observation criteria: tempo, tempo fluctuation ...
Concertino For Harp And Orchestra, 2009 Columbia College Chicago
Concertino For Harp And Orchestra, Doug Lofstrom
Premiered by the orchestra with Kelsey Erdahl.