Cubesat Developers' Workshop 2010,
2010
California Polytechnic State University - San Luis Obispo
Cubesat Developers' Workshop 2010, Tracy Owens, Ryan Race
Communication Studies
This project is the narrative component of the 7th Annual CubeSat Developers' Workshop 2010 planning process. It reviews the steps and team dynamics over the seven months spent coordinating the conference for the Aerospace Department. It was the first time that students from the Communcation Studies Department were brought in to help with the event, and the gap between the College of Liberal Arts and the College of Engineering was bridged.
Wine Advertising To The Millennial Generation,
2010
California Polytechnic State University - San Luis Obispo
Wine Advertising To The Millennial Generation, Jessica R. Luke
Communication Studies
No abstract provided.
The Rhetorical Subversion Of Populism: Palinism In The 2008 Election,
2010
California Polytechnic State University - San Luis Obispo
The Rhetorical Subversion Of Populism: Palinism In The 2008 Election, Allison Margaret Kearney
Communication Studies
No abstract provided.
Modern Migration In Two Arabic Novels,
2010
University of Delaware
Modern Migration In Two Arabic Novels, Ikram Masmoudi
CLCWeb: Comparative Literature and Culture
In her article "Modern Migration in Two Arabic Novels" Ikram Masmoudi proposes that twentieth-century Arab fiction is marked by the theme of the journey in literal and figurative ways. This motif features the theme of departure and arrival through characters crossings borders from East to West and from the periphery to the center (i.e., the metropolis) in order to acquire knowledge, understanding, and empowerment and to get a sense of Western modernity. The departure and arrival of the main characters becomes the central aesthetic preoccupying with a focus on their arrival back home and their rediscovery of their own idea …
Introduction To New Modernities And The "Third World",
2010
West Chester University
Introduction To New Modernities And The "Third World", Valerian Desousa, Jennifer E. Henton, Geetha Ramanathan
CLCWeb: Comparative Literature and Culture
No abstract provided.
Modernizing The Colonial Labor Subject In India,
2010
West Chester University
Modernizing The Colonial Labor Subject In India, Valerian Desousa
CLCWeb: Comparative Literature and Culture
In his article "Modernizing the Colonial Labor Subject in India" Valerian DeSousa discusses how the colonial project in India sought to counter the labor movement's evolving anti-colonial consciousness through law, the primary signifier of British dominance. DeSousa argues that colonial labor law was an instrument of "governmentality," a way of deploying the authority of the state, both in India and in Africa where the law encoded meanings of property and subjectivity. In India, labor law was the means to "reconstruct" the "traditional" worker and to constitute a "modern" and "efficient" labor subject to fit into the new industrial vision taking …
Aesthetics, Nationalism, And The Image Of Woman In Modern Indian Art,
2010
University of Sydney
Aesthetics, Nationalism, And The Image Of Woman In Modern Indian Art, Kedar Vishwanathan
CLCWeb: Comparative Literature and Culture
In his article "Aesthetics, Nationalism, and the Image of Woman in Modern Indian Art" Kedar Vishwanathan discusses how developments in visual culture impacted India's configuration as nation. Between 1880-1945 in Bombay (Mumbai) and Calcutta (Kolkata) a burgeoning visual culture developed in service of anti-colonial nationalism. Used as a method to imagine a nation free of colonial rule, in particular images of women proliferated in private and public spaces. Crucial to this development was the reformulations of modernity based on an ambivalent combination of British and Indian vernacular art. Vishwanathan focuses on how the female was appropriated for the cause of …
Robert Clive And Imperial Modernity,
2010
The University of Western Ontario
Robert Clive And Imperial Modernity, Nigel Joseph
CLCWeb: Comparative Literature and Culture
In his article "Robert Clive and Imperial Modernity" Nigel Joseph analyzes the work of Robert Clive by postulating the questions of why Clive would be emblematic of the bleak modernity of Tocqueville, Weber, and Foucault? Rapacious yet docile, personally ambitious yet capable of curbing ambition in others, Clive seems to be an anomalous figure. Joseph posits that Clive's career is a metaphor for both the trajectory of the imperial state and for the imperial subject. In order to retain his Indian-derived wealth, Clive is forced into a series of paradoxical postures: beginning as the archetypal private marauder, he transforms himself …
Nordestina Modernity In The Novels Of Freitas, Queiroz, And Lispector,
2010
University of Brasília
Nordestina Modernity In The Novels Of Freitas, Queiroz, And Lispector, Fernanda Patricia Fuentes Muñoz
CLCWeb: Comparative Literature and Culture
In her article "Nordestina Modernity in the Novels of Freitas, Queiroz, and Lispector" Fernanda Patricia Fuentes Muñoz discusses aspects of the Nordeste — the northeastern region of Brazil — in Emília de Freitas's A Rainha do Ignoto (1899), Rachel de Queiroz's O Quinze (1930), and Clarice Lispector's A Hora da Estrela (1977; The Hour of the Star, 1992, Trans. Giovanni Pontiero). The region has traditionally been seen as located on the margins of modernity and as a site of underdevelopment in the Brazilian imaginary in opposition to the affluent Southeastern region. The construction of this binary opposition suggests a model …
Modernity In Márquez And Feminism In Ousmane,
2010
West Chester University
Modernity In Márquez And Feminism In Ousmane, Geetha Ramanathan
CLCWeb: Comparative Literature and Culture
In her article "Modernity in Márquez and Feminism in Ousmane" Geetha Ramanathan analyzes Gabriel García Márquez's One Hundred Years of Solitude and Sembène Ousmane's God's Bits of Wood. Ramanthan argues that if Márquez presents the semblance of the signs of modernity as fantasy and delusion, Ousmane's investment in the train as an instrument of the future in realist terms seems to challenge the modernist dictum that imperialism can be challenged only through modernist decenterings and through tricking and trumping. Yet, Ousmane's refusal to engage in the hallucination of the modern in his novel offers us a version of modernity that …
Danticat's The Dew Breaker, Haiti, And Symbolic Migration,
2010
Hofstra University
Danticat's The Dew Breaker, Haiti, And Symbolic Migration, Jennifer E. Henton
CLCWeb: Comparative Literature and Culture
In her article "Danticat's The Dew Breaker, Haiti, and Symbolic Migration" Jennifer E. Henton analyzes Edwidge Danticat's novel with Lacanian thought. It is assumed frequently that literatures of the non-West "arrive" when they move from political and didactic traditions to the "aesthetic" and experimental models that delve into the terrain of the psyche. In The Dew Breaker, the Haitian family's move to the U.S., executed self consciously, indicates loss in a different sense than lack. In the case of Denticat's novel, loss or lack represent not a source of anxiety that evokes matters read in a psychoanalytical framework; instead, Henton …
New Modernity, Transnational Women, And Spanish Cinema,
2010
West Chester University
New Modernity, Transnational Women, And Spanish Cinema, Maria Van Liew
CLCWeb: Comparative Literature and Culture
In her article "New Modernity, Transnational Women, and Spanish Cinema" Maria Van Liew discusses aspects of migration to Spain in the context of histories of colonialism, racism, and sexism as represented in Spanish filmic narration. The flow of human traffic defies two aspects of European modernity: Non-linear time is reflected in the cycle of arrival/return/return as the nation relies on liminal subjects to determine its status as a progressive "First World" nation and in the effort to align representations of these cultural encounters accordingly, illusions of autochthonous national identity formations become dependent on practices of inclusion and, at times, cooptation …
Political Modernism, Jabrā, And The Baghdad Modern Art Group,
2010
University of Washington
Political Modernism, Jabrā, And The Baghdad Modern Art Group, Nathaniel Greenberg
CLCWeb: Comparative Literature and Culture
In his article "Political Modernism, Jabrā, and the Baghdad Art Group" Nathaniel Greenberg discusses how the art and literature of the late Palestinian novelist Jabrā Ibrahīm Jabrā challenged the normative perception of Arab modernism both within and outside the Middle East. Greenberg evaluates the influence of French existentialism on Jabrā's political vision of modernism and discusses the impact and nature of existentialism on Jabrā and on the Middle East. Educated in Europe, Jabrā returned to the Middle East in 1948 to live permanently in Baghdad where he was a member of the influential Baghdad Modern Art Group, established in 1951 …
Haitian Zombie, Myth, And Modern Identity,
2010
Michigan Technological University
Haitian Zombie, Myth, And Modern Identity, Kette Thomas
CLCWeb: Comparative Literature and Culture
In her article "Haitian Zombie, Myth, and Modern Identity" Kette Thomas analyzes texts by Zora Neale Hurston, Alfred Metraux, and Wade Davis. In these narratives we are re-introduced to the zombie not as a metaphor for lost consciousness, but, rather, as a common system that replaces personal subjectivity with an influence alien to our natural development. The discourse on subjectivity has become a central focus in the modern era but attention to fiction in "third world" cultures is neglected because they are studied almost exclusively through historical, political, sociological, or anthropological lenses or because their collective identities leads scholars to …
Bibliography Of Work In Modernity And "Third World" Studies,
2010
West Chester University
Bibliography Of Work In Modernity And "Third World" Studies, Valerian Desousa
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Construction Of Chaos: Cinematic Representations And Politics In Egypt In The 2000s,
2010
The American University in Cairo AUC
The Construction Of Chaos: Cinematic Representations And Politics In Egypt In The 2000s, Fayrouz El Sayed Karawya
Archived Theses and Dissertations
I would like to thank my committee that made writing this thesis a real enjoyment and a fruitful learning process. My committee did not reserve any effort to help me focus on every single detail pertaining to my arguments. They provided me constantly with perspectives and references to deepen my engagement with the subject, suggested new angles and ideas to reinforce the reasoning of my case. They were supportive all the way and extremely passionate about the topic of my thesis and the larger field of my study. I am deeply grateful for Dr. Hanan Sabea, my advisor whom I …
Projective Techniques For Advertising And Consumer Research,
2010
Marquette University
Projective Techniques For Advertising And Consumer Research, Lawrence Soley
College of Communication Faculty Research and Publications
No abstract provided.
"The Only Band That Matters": An Analysis Of The Relationship Between Punk Rock And Culture,
2010
California Polytechnic State University - San Luis Obispo
"The Only Band That Matters": An Analysis Of The Relationship Between Punk Rock And Culture, Dillon Ferdinandi
Communication Studies
No abstract provided.
Climate Literacy In California K-12 Schools,
2010
Cal Poly San Luis Obispo
Climate Literacy In California K-12 Schools, Candice Maree Nosworthy
Communication Studies
No abstract provided.
Michael Vick's Redemption Strategy,
2010
California Polytechnic State University - San Luis Obispo
Michael Vick's Redemption Strategy, Joseph Matthew Douglas
Communication Studies
No abstract provided.
