Historical Piccolo Concerti And Works By Women Composers, Repertoire Catalogue, And A New Concerto For Piccolo And Orchestra,
2026
University of Northern Colorado
Historical Piccolo Concerti And Works By Women Composers, Repertoire Catalogue, And A New Concerto For Piccolo And Orchestra, Mikaela Storm
Doctoral Scholarly Projects & Capstones
The following document is an overview of historical piccolo concerti with an emphasis on works by women, a repertoire catalogue of the piccolo concerti, and an analysis/performance guide for my own Concerto for Piccolo and Orchestra: The Dreamer. The primary goal of this document and subsequent score is to provide a resource for future composers, music theorists, conductors, and performers. The piccolo has limited repertoire in comparison to many of the standard instruments in our modern Western musical canon, and the number of piccolo concertos (particularly by women) is even smaller. The concerto that I have written, subtitled “The Dreamer,” …
Idiosyncratic Serialists: The Guitar After Tonality,
2026
University of Denver
Idiosyncratic Serialists: The Guitar After Tonality, Alex Tripp
Soundboard Scholar
A review of A Twelve-Tone Repertory for Guitar: Julian Bream and the British Serialists, 1956–1983, by Oliver Chandler.
2026-2027 Performance Forum - October 23, 2026,
2026
Lynn University
2026-2027 Performance Forum - October 23, 2026, Hanting Peng, Zion Pe Montebon, Paola Nava, Rodrigo Rodriguez, Taylor Shorey, Aj Meyer, Karen Trujillo, Ethan Thompson, Joseph Muhl, Nicholas Weathers
Performance Forum
No abstract provided.
The Life Of A Showgirl As A Cultural Artifact: What's Hidden By The Lipstick And Lace?,
2026
University of California, Berkeley
The Life Of A Showgirl As A Cultural Artifact: What's Hidden By The Lipstick And Lace?, Crystal F. Haryanto
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy
This paper develops a collage-based framework to holistically assess Taylor Swift’s highly anticipated first release after the Eras Tour concluded. The Life of a Showgirl, with sparkling promotional materials leading up to its October 2025 drop and polarizing critical reception following it, represents an entertainer’s lifestyle while still concealing what was alluded to behind the Eras Tour curtain. Rather than engage in a direct response to Showgirl, I critically evaluate positive and negative commentary from listeners regarding the album, and I thematically analyze lyrical concepts throughout Swift’s discography to contextualize Showgirl within the arc of her work. I …
2026-2027 Performance Forum - October 16, 2026,
2026
Lynn University
2026-2027 Performance Forum - October 16, 2026, Rishi Gurnani, Sheng Yuan Kuan, Paola Nava, Hyunwoo Jeoung, Juanita Jaimes, Andrew Bures, Michael Shipps, Adam Weekes, Pual Brown
Performance Forum
No abstract provided.
The Performer As Stylistic Free Agent: A Historically Inspired Approach To Interpreting Manuel De Falla’S Homenaje,
2026
Vrije Universiteit Brussel; Koninklijk Conservatorium Brussel
The Performer As Stylistic Free Agent: A Historically Inspired Approach To Interpreting Manuel De Falla’S Homenaje, Yiannis Efstathopoulos, Maarten Stragier, Kristin Van Den Buys
Soundboard Scholar
Manuel de Falla’s Homenaje pour “Le Tombeau de Claude Debussy” presents a complex identity knot that reflects Debussyan Alhambrism back onto its inspiration, drawing from both classical and folk traditions. This is the first research project to approach that knot from the perspective of historically inspired performance. It identifies a fascinating counterpart to its complexity in the stylistically hybrid guitar practices that were common at the time Falla composed his miniature masterpiece. The authors therefore propose that a historically inspired performer of Homenaje can act as a stylistic free agent, traversing the continuum of styles that gave birth to Falla’s …
2026-2027 Performance Forum - October 9, 2026,
2026
Lynn University
2026-2027 Performance Forum - October 9, 2026, Xiomara Ingryd Herrera, Nara Avetisyan, Joseph Gould, Rebeca Sierra, Isabella Swalm, Sheng Yuan Kuan, Omar Mata, Santiago Moreno, Michael Hunt, Jackson Tyler Wolf, Luke Guelcher, Kade Gordon
Performance Forum
No abstract provided.
The Verney Family And Their Guitars In France And England, 1643–53,
2026
University of Denver
The Verney Family And Their Guitars In France And England, 1643–53, Christopher Page
Soundboard Scholar
The five-course guitar was a fundamental resource for the Verney family from 1643 to 1653 as they sheltered in France, avoiding their creditors and escaping the state of civil war at home in England. Their papers from that period, comprising many thousands of letters and financial accounts, show them hiring a guitar-master, ordering new guitars in Paris and debating the relative benefits of lessons for their eldest son on the guitar as opposed to the lute. This article reproduces the key documents and considers the music that the Verneys may have played. The papers particularly show how an instrument often …
2026-2027 Performance Forum - October 2, 2026,
2026
Lynn University
2026-2027 Performance Forum - October 2, 2026, Christopher Linson, Nara Avetisyan, Emma Joyce, Sheng Yuan Kuan, Zeek Mckinley, Rodrigo Rodriguez, Maria Savelyeva, Rebeca Sierra
Performance Forum
No abstract provided.
Approaching Chinese Art Songs: A Mandarin Diction Guide For English-Speaking Singers,
2026
The University of Northern Colorado
Approaching Chinese Art Songs: A Mandarin Diction Guide For English-Speaking Singers, Tianming Qi
Doctoral Scholarly Projects & Capstones
This article presents a graded Mandarin diction guide for English-speaking singers studying Chinese art song. Responding to the limited availability of Mandarin diction resources organized by level, it examines Qing Zhu’s “The Great River Goes East,” Yuanren Zhao’s “How Can I Not Think of Him?,” and Yong Chen’s “Love of the Sea” as beginning, intermediate, and advanced case studies. The analysis considers initials, finals, lexical tones, tone-sandhi, syllable structure, text density, and their coordination with rhythm, legato, and melodic phrasing. The study shows that diction difficulty arises not from isolated sounds but from the concentration and interaction of these features …
2026-2027 Performance Forum - September 25, 2026,
2026
Lynn University
2026-2027 Performance Forum - September 25, 2026, Aidan Quintana, Ana-Maria Uzunova, Zion Pe Montebon, Joseph Gould, Rebeca Sierra, Mia Cotton, Noah Suarez, Kallen Hanzsek-Brill, Tayor Shorey
Performance Forum
No abstract provided.
2026-2027 Performance Forum - September 18, 2026,
2026
Lynn University
2026-2027 Performance Forum - September 18, 2026, Owen Chen, Roberta Rust, Ian Lewis, Rebeca Sierra, Santiago Moreno, Sheng Yuan Kuan
Performance Forum
No abstract provided.
2026-2027 Philharmonia Season Program,
2026
Lynn University
2026-2027 Philharmonia Season Program, Lynn University Conservatory Of Music, Lynn Philharmonia, Guillermo Figueroa, Kenneth Amis, Jon H. Robertson, Aidan Quintana
Philharmonia
Lynn University Wind Ensemble ("The Wind Symphony: Movement 4)
- Saturday, Sept. 19, 2026 at 7:30 p.m.
- Kenneth Amis, conductor
Lynn Philharmonia No. 1 ("Mystery and Revelation")
- Saturday, Oct. 3, 2026 at 7:30 p.m. and Saturday, Oct. 3, 2026 at 7:30 p.m.
- Guillermo Figueroa, conductor
- Kenneth Amis, tuba
Lynn Philharmonia No. 2 ("Halloween Spectacular!")
- Saturday, Oct. 3, 2026 at 7:30 p.m. and Sunday, Nov. 1, 2026 at 3 p.m.
- Guillermo Figueroa, conductor
Lynn Philharmonia No. 3 - Concerto Competition Winners' Concert
- Saturday, Nov. 14, 2026 at 7:30 p.m. and Sunday, Nov. 15, 2026 at 3 p.m.
- Guillermo Figueroa, conductor
Lynn Philharmonia …
Sunday Music Series: Carla Trynchuk & Elena Braslavsk,
2026
Andrews University
Sunday Music Series: Carla Trynchuk & Elena Braslavsk, Andrews University
Concerts and Event Programs 2026-2027
Professor of Music and renowned violinist Carla Trynchuk and the equally renowned international pianist Elena Braslavsk present a joint recital under the Sunday Music Series.
2026-2027 Performance Forum - September 11, 2026,
2026
Lynn University
2026-2027 Performance Forum - September 11, 2026, Xiaoyu Li, Sheng Yuan Kuan, Cheng Wang
Performance Forum
No abstract provided.
Ritual Action Reed Trio: September 4, 2026,
2026
Illinois State University
Ritual Action Reed Trio: September 4, 2026, Andy Nogal, Andy Hudson, Ben Roidl-Ward
School of Music Programs
This is the second program of the 2025-2026 season.
Kemp Recital Hall
September 4, 2026
Thursday Evening
7:30 p.m.
From Retrieval To Generation: Building And Evaluating An Ai Accompanist For Piano Duets With An Anticipatory Music Transformer,
2026
Grand Valley State University
From Retrieval To Generation: Building And Evaluating An Ai Accompanist For Piano Duets With An Anticipatory Music Transformer, Sai Ruthvik Uppala
Masters Theses
Systems that accompany a live musician, such as ACCompanion, work by retrieval: they hold a written accompaniment and stretch its timing to follow the soloist, so they can only accompany music whose second part already exists as a score. This thesis asks whether that second part can instead be generated, and specifically whether a machine learning model can write an accompaniment for a piece whose score it has never seen. A player performs the primo, the melody; a model produces the secondo, the accompaniment; and a score follower places the generated notes against the live performance. If this works, a …
2026-2027 Performance Forum - September 4, 2026,
2026
Lynn University
2026-2027 Performance Forum - September 4, 2026, Ziling Wang, Hanting Peng
Performance Forum
No abstract provided.
Creolized Baroque: Early Music In A Brazilian Key,
2026
University of Denver
Creolized Baroque: Early Music In A Brazilian Key, Ellwood P. Colahan
Soundboard Scholar
Review of Iberian and Afro-Brazilian Music of the 17th Century, by Ensemble Banza, Rogério Budasz, (Baroque guitar).
A Two-Winged Murcia: Spanish Dance, Italian Corelli, One Guitar,
2026
University of Denver
A Two-Winged Murcia: Spanish Dance, Italian Corelli, One Guitar, Ellwood P. Colahan
Soundboard Scholar
Review of Santiago de Murcia (1673–1739): Entre dos almas, by Stefano Maiorana (Baroque guitar).
