Music Pedagogy Commons^™

A New Vision, Cecil Adderley

Visions of Research in Music Education

No abstract provided.

A New Vision, Cecil Adderley

Visions of Research in Music Education

No abstract provided.

Music As Complementary And Alternative Medicine (Cam) Therapy: An Exploratory Literature Review, Amy Arlene Clary

Theses and Dissertations

Complementary and Alternative Medicine (CAM) is a broad term for treatment plans outside of conventional therapy or conventional medicine.1 The National Center for Complementary and Integrative Health (NCCIH) divides CAM therapies into three categories “Natural Products,” “Mind and Body,” and “Other Complementary Health Approaches.” The NCCIH places music in the category “Mind and Body.” This exploratory literature review provides a comprehensive review of the various ways music is being studied for its psychological, sociological, and physiological benefits.

The purpose of this study was to create a comprehensive literature review of music as a CAM therapy. The study codifies a current …

An Application Of Natural Learning Processes In The Preparation Of Edward Gregson's Trumpet Concerto, James Jenkins

Doctoral Projects

Concerto for Trumpet and Strings by Edward Gregson is a substantial work of the late twentieth century underperformed among trumpet players. The primary reasons for its relative neglect are its technical challenges and the demands of endurance it places on the player. A well-designed approach to the preparation of this work will benefit students and professional players wishing to prepare for a performance of the work. This project will combine the knowledge of researchers and teachers in formulating specific practice approaches for the concerto’s challenges.

The findings of neuroscientists and psychologists, gained through testing and measurement, will be consulted along …

Pedagogical Solo Piano Nocturnes: A Progressive Leveling With Annotations On Stylistic, Technical, And Musical Challenges And Benefits, Michaela Anne Boros

Theses and Dissertations

Nocturnes have remained in the standard piano literature for over two hundred years. However, students may not study this genre of repertoire until the advanced level of playing, and might therefore lack the full skills or knowledge necessary for successful nocturne performance. The purpose of this study is to provide a current, comprehensive, didactic resource on Romantic-style pedagogical piano nocturne literature from early elementary to early advanced levels, to aid teachers in the education of their students.

This study comprises four chapters, a bibliography, and two appendices. Chapter 1 consists of an introduction, purpose of the study, need for the …

A Comparison Of Approaches To Pianoforte Technique In The Treatises Of Lhevinne, Leimer, And Neuhaus, Louis S. Hehman

Theses and Dissertations

Throughout the history of piano playing as an art form, various performers, teachers, and theorists have written treatises as a means of conveying their thoughts on interpretation, education, and technique. As the Romantic tradition of pianism peaked in the early- to mid-20th century, three particular treatises were written that continue to have a major impact upon pianistic thought. These were Basic Principles in Pianoforte Playing by Josef Lhevinne, Piano Technique by Karl Leimer, and The Art of Piano Playing by Heinrich Neuhaus.

Each of these treatises was influential at the time of its publication, and each has remained in publication …

Inclusion Initiative Project (Final Collaborative Composition Project), Brian Ciach

Assignment Prompts

Write a piece for 4-part chorale using text related to Social Justice and Racial Equity. For example, set the words of a speech by John Lewis to music or depict the noble character of MLK Jr. in music. You may alternatively write a solo piano piece, a work for piano and solo instrument, and/or other chamber ensemble (no more than 4 instruments please—which instruments are in your group?). The hard rule is that the work must be collaborative and inspired by our times from some other art form, and it must explicitly depict its source.

Virtual Piano Instruction For The College Learner, Gena Greher, Dominique Haughton, Jacob Hiser, Brandon Vaccaro

Journal of the Association for Technology in Music Instruction

This article investigates the affordability and feasibility of conducting virtual piano lessons for the college level learner. It proposes an approach that works well and requires equipment costing approximately $300 per student. We outline the pros and cons of conducting virtual piano lessons online. The main benefit is overcoming geographical distances, whereas limitations include challenges such as the instructor being able to check issues such as fingerings or dynamics. Latency is not a major problem as long as only one person is playing at any given time, as found in past work. The process of teaching and learning online requires …

The Academic-Support Group: Peer Mentoring Experiences Of Early-Career Music Teacher Educators, Christa Kuebel, Heather Waters, Christina Svec

Visions of Research in Music Education

The transition from doctoral student to higher education faculty member provides a unique set of challenges. Individuals attempt to balance research, service, and teaching requirements while also experiencing changes in their personal lives, such as geographical relocation. Peer-mentoring of early-career faculty may be used to support this challenging period and support the longevity of those who follow this career path. Therefore, the purpose of this phenomenological study was to explore the peer-mentoring experience of a group of early-career elementary general music teacher educators. Research questions were: (1) How did participants describe the experience of peer-mentoring? (2) How did participation impact …

Amateurism In Music Education (1967-2019): Three Calls To Action, Tom Fitzstephens

Visions of Research in Music Education

John Kratus’ 2019 Music Educators Journal article "A Return to Amateurism in Music Education" contained what many may interpret as radical ideas to focus music education curriculum and instruction on amateurism. But upon further research, leaders within the profession have consistently affirmed the goals of amateurism. The purpose of this study was to analyze and compare themes of Kratus’ concept of amateurism with declarative statements of the two most recent National Association for Music Education leadership summits, which charted the profession's future. Directed content analysis method and deductive content analysis of Kratus’ "Amateurism" article, compared to declarative reports of the …

Empathy In And Through Music Education: Extending Artistic Citizenship, Amanda Ellerbe

Visions of Research in Music Education

Bowman, Elliott, and Silverman's concept of artistic citizenship helps characterize how music education accomplishes social change. However, while Elliott et al. regard artistic citizenship as a means of exercising music in political ways, further investigation of how musical activities prepare students to consider effecting social change might more comprehensively describe artistic citizenship as a socio-musical endeavor. In light of the goals of social justice-oriented programming, the relationship between citizenship and artistic practice, one might think not only of music in the service of exercising citizenship in the greater community but also as a means of developing citizenship skills in the …

The Development Of Hark!, A Computerized Assessment Tool In Music Cognition, Anthony E. Kelly, William L. Berz, Brian Kershner

Visions of Research in Music Education

No abstract provided.

Editorial Volume 38, Frank Abrahams

Visions of Research in Music Education

No abstract provided.

Ukulele In Music Class: Teachers’ Perspectives, Grace Doebler

Visions of Research in Music Education

The use of the ukulele in classrooms and communities is growing, and, as a result, so is meaningful musical engagement from people of all ages. In this collective case study, I described the perspectives of three different music teachers and discussed how they implement the ukulele in diverse settings. Research questions were (a) what factors influence participants while creating ukulele groups or lessons, (b) how do participants use ukuleles in their classrooms, (c) what are participants' perceptions of the ukulele's value, and (d) what are participants' perceptions of students' interest in learning the ukulele? Participants were three music teachers located …

A Pedagogical Approach To The Technical Aspects Of Eugène Ysaÿe’S Solo Violin Sonatas No. 5 And No. 6, Jianda Bai

Dissertations, 2020-current

Since the completion of Ysaÿe’s Six Sonatas for the Solo Violin in 1923, performances of this important work in the violin literature have continually been well received by the public. This collection is frequently compared with J.S. Bach’s Six Sonatas and Partitas for the Solo Violin, because of the clear connection between these two works. Each of Ysaÿe’s pieces were dedicated to six younger violinist contemporaries and were composed in consideration of the character of the dedicatee, forming a kaleidoscope of musical and technical delights for both the performer and their audience.

While each of Ysaÿe’s six sonatas offer …

Using Performance Cues As A Memorization Strategy With Group Piano Students By Implementing Teacher And Student-Directed Learning Approaches, Maria Eduarda Lucena Vieira

LSU Doctoral Dissertations

Multiple researchers have explored the use of performance cues in memorization for music students, suggesting that it is an effective method for memorization (Chaffin & Imreh, 2002; Gerling & Dos Santos, 2017; Hallam et al., 2008). Based on the current literature about the use of memorization strategies, researchers have found a method of a secure, solid, and effective technique called Performance Cues (Chaffin & Imreh, 2002; Hallam et al, 2008). When working with students, the teacher can guide them with steps to understand how the music works and help them to find a secure memorization process where they will feel …

Travelin' To The Promised Land: Symbolism Of The Jordan River In African Spiritual, English Hymn, And American Folksong Selections, Hope V. Dornfeld

Montview Journal of Research & Scholarship

These program notes originally accompanied a performance of three vocal pieces: Deep River, On Jordan's Stormy Banks, and Poor Wayfaring Stranger. The notes analyze the role of the Jordan river in each piece, focusing on their historical context, first performances, and issues of authorship. As part of a performing arts research project, the program notes also address the method of expression and creative process that went into preparing the performance of these pieces.

The songs included in this presentation all speak to the journey from earth to heaven. In each piece, the Jordan River is found to symbolize a …

Editorial: Eudaimonia And Music Learning, Gareth Dylan Smith, Marissa Silverman, Dylan Van Der Schyff

John J. Cali School of Music Scholarship and Creative Works

No abstract provided.

Elementary Rhythm Pedagogy Analysis, Antonio D. Griffin Jr.

Theses

Rhythm is a foundational element for a child’s development. Rhythm builds motor skills, aids in language acquisition, and is at the root of all musical experience. While the concept of rhythm is universal, there is no universal approach that educators agree best helps students develop rhythmic ability. This research seeks to discover the most common research-based methods and better practices for elementary rhythm instruction and align each to current national music standards and expectations.

An Introduction To Jazz Performance Skills And Techniques For Trombone: The Bordogni Jazz Project, William Ford

LSU Doctoral Dissertations

The Bordogni Jazz Project are arrangements of eight Bordogni Vocalises using harmonic and rhythmic elements from the jazz style, and new, original etudes that were composed based on the reharmonizations of the original Bordogni etude melodies. The material is intended to provide a comprehensive, but attainable resource for trombonists and educators which is inclusive of the stylistic nuances, performance practices, and cultural backgrounds associated with the jazz idiom. These are to be used as a resource to introduce classically trained trombonists to jazz playing and performance practices. Through study of this material, trombonists will ultimately be able to take advantage …

Features Of The Organization Of Dialogue Between The Teacher And Students In The Class Of Variety Vocal At The University During The Period Of Preparing The Student For Participation In The Executive Competition, Nokhida Fazel

Eurasian music science journal

The article analyzes the specifics of one of the most important components of communication between the teacher and students in any musical performing class - dialog. The author proposes to consider dialog as an extremely effective tool to unleash the student's creativity and consistently proves the particular difficulty of acquiring the art of dialog in the classrooms of variety vocals, the class of training of performers in the most competitive sphere of music culture. The author also argues that the process of preparing a student to perform an arts vocal competition is the most difficult component of the training from …

Developing Variation In The Late Work Of Morton Gould And Why It Matters, J. Wesley Flinn

Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic

American composer Morton Gould (1913-1996) was remarkably consistent stylistically over the course of his compositional career; this project examines certain motivic transformational techniques used in two of his last works, Stringmusic (1993, winner of the Pulitzer Prize) and Remembrance Day (Soliloquy for a Passing Century) (1995). These techniques, which can generally be filed under the principle of developing variation, are: 1. Mirroring and reversal; 2. Rotation; 3. Motivic expansion and contraction; 4. Additive sets; and 5. Asymmetric injection. After an overview of each technique, I give a full analysis of the fourth movement of Stringmusic using the approaches described …

Sacred Music In Colonial Era Hispaniola: The Evangelization Of The Taino People, Tito J. Gutierrez

Student Theses

During the 15th-18th centuries, the major European religious orders; the Franciscans, Dominicans, Jesuits, and Jeronymites, journeyed to the newly colonized American territories in an attempt to convert the multitudes of natives peoples living there. Along with prayer books, crucifixes, and religious images, these missionaries brought sacred European music to American shores in an attempt to attract the native people to the Catholic faith.The use of music as a tool for conversion of native people in places such as Mexico, South America, California, and the South West United States, have been well researched and documented. However, the research of the spiritual …

Developing Variation In The Late Work Of Morton Gould And Why It Matters, J. Wesley Flinn

Music Publications

American composer Morton Gould (1913-1996) was remarkably consistent stylistically over the course of his compositional career; this project examines certain motivic transformational techniques used in two of his last works, Stringmusic (1993, winner of the Pulitzer Prize) and Remembrance Day (Soliloquy for a Passing Century) (1995). These techniques, which can generally be filed under the principle of developing variation, are: 1. Mirroring and reversal; 2. Rotation; 3. Motivic expansion and contraction; 4. Additive sets; and 5. Asymmetric injection. After an overview of each technique, I give a full analysis of the fourth movement of Stringmusic using the approaches described …

Foundational Rhythms For Drum Circles, Robert J. Damm

CoE Publications

Many drum circle facilitators use foundational rhythms to start a jam, establish a groove, and provide a structure within which other participants can improvise in a relatively freestyle manner. Twenty drum circle facilitators shared a sampling of foundational patterns drawn from universal drum rhythms, culturally specific drum styles, and speech rhythms.

Notes From The Editor, David A. Stringham

Research & Issues in Music Education

No abstract provided.

The Birth Of Rime And The Passing Of The Torch, Bruce P. Gleason

Research & Issues in Music Education

No abstract provided.

Supply And Demand: Music Teacher Shortage In The United States, Philip M. Hash

Research & Issues in Music Education

Teacher shortage in all subjects, including music, has been an ongoing concern in the United States since the 1980s. The shortage is especially acute in urban and rural schools that serve economically disadvantaged students. This article examines (a) music teacher shortage in relation to P–12 public schools in general, (b) the demand for music teachers in specific states and regions, (c) the declining number of preservice candidates certified in music, and (d) potential strategies for alleviating music teacher shortages and providing equitable instruction for P–12 students. Solutions could involve heightened efforts to recruit music education majors, curricular revision in preservice …

Personal And Professional Characteristics Of Music Education Professors: Factors Associated With Expectations And Preferences Of Undergraduate Students, Tiger Robison

Research & Issues in Music Education

The purpose of this study was to examine music education undergraduate students’ expectations of and preferences for their music education faculty members’ personal and professional backgrounds and compare them to the actual backgrounds of current music teacher educators. Participants (N = 293) from 55 randomly-selected NASM-accredited institutions completed a researcher-created questionnaire. Participants expected and preferred their music education faculty members to have approximately nine years of PreK–12 teaching experience, which is approximately three times the amount posted in faculty searches and doctoral program entrance requirements. Participants most valued their music education professors’ experiences in assessment and classroom management and …

An Examination Of Student And Faculty Perceptions Regarding Music Education Transfer Student Preparedness And Experiences, Natalie Steele Royston, Philip D. Payne, Adrian D. Barnes, Kate Bertelli-Wilinski

Research & Issues in Music Education

Transfer students account for growing numbers in four-year music education programs. To better understand this increasing population of students, researchers employed parallel method design. One strand investigated music education faculty members’ (n = 83) perceptions of transfer student preparedness, procedures, and expectations to understand admissions processes (e.g., curricula, assessments) employed to evaluate incoming transfer students. The other strand examined music education transfer students’ (n = 12) academic, social, and personal preparedness to study music education in a comprehensive four-year music education program. The following research questions served as a guide for data collection and analysis: (a) What themes …