Music Pedagogy Commons^™

Volume 47, Number 07 (July 1929), James Francis Cooke

The Etude Magazine: 1883-1957

Richard of the Footlights: A Personal Visit to Bayreuth

When the Child Pedals

Well-Known Time Troubles

Page Turning

I Want to Learn to Write a Song

Helps for the Nervous Musician

Getting a Good Start

Playing with Weight

Scales at the First Lesson

Fashions in Fingering and Common Sense

Physically Weak Pupil

Musicians are a Healthy Lot

Teaching the Alberti Bass

Bogus Tunes

Musical Pilgrimage to Haiti, the Island of Beauty, Mystery and Rhythm

Musicians of the Month

Visual History Series—Great Symphonists

Volume 47, Number 06 (June 1929), James Francis Cooke

The Etude Magazine: 1883-1957

Mozart's Musical Portrait of a Lady

Solo Hate Campaign

Sousa Got the Cash!

Rubinstein in Edinburgh

Sheet Music Clinic

Story of Strings and Keys or From Monochord to Pianoforte

Fundamentals of Beautiful Piano Playing

Charm of Stephen Heller: An Interesting Discussion of the Work of a Man Who Strove to Make Educational Studies Beautiful

Making Scales Interesting

Velocity and the Metronome

How to Play Beethoven

How Schubert's Music Reflected the Poems He Chose for Settings

Volume 47, Number 05 (May 1929), James Francis Cooke

The Etude Magazine: 1883-1957

Chopin's Perfection of Detail

Fourten Prima Donnas of the Pianoforte

Inspiration Road

Practice Difficult Passages

Teaching the Values of Notes

Matter of Rests

Laugh or Two

Making Plain the Seventh Chord

Indexng as an Aid to Memorizing

How to Impress the First Lesson Upon the Child

Playing and Singing the First Piece

Music of Paris, the Inimitable

Octaves and Blocks

Relaxation

Favorite Musical Instruments of a Past Generation

On Ability to Sight-Read

Me and My Shadow

Broken Chords

Nothing to Practice

Saving Lost Motion in Piano Study

Simple Way of Teaching the Value of the Dot

To Learn Letters and …

Volume 47, Number 04 (April 1929), James Francis Cooke

The Etude Magazine: 1883-1957

Some Hints on Advertising

House of Accuracy

Learning Rapid Note-Reading

Accent

Charm of Musical Biography

When Pupils Choose Their Own Music

Playing for Others

Adult Beginner

Practice Hour Safeguards

Summer Music Schools

Music on the Moon-Kissed Riviera

Be Sure You Are Right

Bach an Architect of Music

New Light on Musical Acoustics

Teaching Intervals

Musical Cross-Examination

Have You Tried this Way?

Special Emphasis for the Chromatic Scale

Ten Commandements for Piano Students

Comprehensive Piano Lesson Report

Study in Bells, Chimes or Carillons as Related to National Life

Value of the Mental Picture

Wild Melodies from the Arctic

Unique Orchestra of …

Volume 47, Number 03 (March 1929), James Francis Cooke

The Etude Magazine: 1883-1957

Precise Fingering When Wagner Shot a Rabbit

Brahms as a School Boy

Mozart's Poverty

How Finck Discovered MacDowell

Pupil's Repertoire

Golden Age of Music Study Has Arrived: New Worlds for Music Lovers and Music Students

Musical Research

Triplets

Salient Points for Practice Hours

Music on the Moon-Kissed Riviera

Master Themes the World Loves Best

How the Young Liszt Taught

Left Hand First

Student's Repertoire

Little Recitals

Three Master Singers on Preparing for a Lyric Career

Making the Most of an Exercise

Famous Method of Touch

What are Grace Notes?

Mastering Chromatic Thirds

New Understanding of Italian Terms of Musical Expression …

Volume 47, Number 02 (February 1929), James Francis Cooke

The Etude Magazine: 1883-1957

Painting with Notes

Soundless Practice

Transposition

Piano as a Home Investment: First in a Series of Frank Editorials Upon the Great Educational and Sociological Importance of this Indispensable Instrument

Take Your Foot Off the Pedal

How the Scale Grows

Keep Studying

Gateways to Accomplishment

Big We Wagner

Trail of a Jongleur: A Fascinating Tale of Wartime Musical Experiences

Cheap at the Price

Why Music is Really a Necessary Part of the Child's Education

Student's Debt to Radio

Note-Bound

Wagner, Voice of the 19th Century

Landing Safely After a Leap

Beat in Whistling

Time-Saving, Hand Moulding Exercises for Piano Students

Costume …

Piano Course: Grade 3, Studies, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 3, Intermediate A: Studies, number 301 through 360

Piano Course: Grade 6, Studies, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 6, Advanced B: Studies, number 601 through 670

Volume 47, Number 01 (January 1929), James Francis Cooke

The Etude Magazine: 1883-1957

Filing Sheet Music

Supremacy of Personality

Venice, the City of Dreams

Jean Philippe Rameau (Portrait)

Phrasing—A Key to Technical Problems

How Do You Play Double Thirds

What Is a Prelude?

Drills in Sharps and Flats

Meddlsome Neighbors

Deceptive Accidentals

Musical Menus

Why An Investment in Music Lessons Always Pays: The Cultural Value of Music

What Children Love

Turning Failure into Fortune (interview with Vernon Spencer)

To Make Weak Fingers Curve at the First Joint

Rhythmic Problem

Appreciation of Schubert

Musical Story

Piano Course: Grade 5, Exercises, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 5, Advanced A: Exercises, number 501 through 556

Piano Course: Grade 1, Exercises, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 1, Preparatory A: Exercises, number 101 through 158

Piano Course: Grade 7, Studies, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 7, Graduate A: Studies, number 701 through 770

Piano Course: Grade 7, Lessons And Tests, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 7, Graduate A: Lessons and Tests, number 121 through 140

Piano Course: Grade 3, Exercises, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 3, Intermediate A: Exercises, number 301 through 358

Piano Course: Grade 3, Compositions, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 3, Intermediate A: Compositions, number 301 through 360

Piano Course: Grade 6, Exercises, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade , Advanced B: Exercises, number 601 through 656

Piano Course: Grade 1, Studies, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 1, Preparatory A: Studies, number 101 through 160

Piano Course: Grade 2, Compositions, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 2, Preparatory B: Compositions, number 201 through 260

Piano Course: Grade 5, Compositions, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 5, Advanced A: Compositions, number 501 through 560

Piano Course: Grade 2, Studies, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 2, Preparatory B: Studies, number 201 through 260

Piano Course: Grade 8, Studies, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 8, Graduate B: Studies, number 801 through 853

Piano Course: Grade 4, Studies, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 4, Intermediate B: Studies, number 401 through 470

Piano Course: Grade 5, Studies, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 5, Advanced A: Studies, number 501 through 570

Piano Course: Grade 4, Compositions, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 4, Intermediate B: Compositions, number 401 through 460

Piano Course: Grade 1, Compositions, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 1, Preparatory A: Compositions, number 101 through 160

Piano Course: Grade 4, Exercises, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 4, Intermediate B: Exercises, number 401 through 468

Piano Course: Grade 8, Exercises, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 8, Graduate B: Exercises, number 801 through 853

Piano Course: Grade 2, Exercises, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 2, Preparatory B: Exercises, number 201 through 258

Piano Course: Grade 7, Exercises, Sherwood Music School

Piano Courses

A Lesson Book for the Piano Courses administered by the Sherwood Music School's Extension Division.
Grade 7, Graduate A: Exercises, number 701 through 753

Volume 46, Number 12 (December 1928), James Francis Cooke

The Etude Magazine: 1883-1957

Don't Make Counting a Bugbear

Tuning Forks and Canary Birds

Question and Answer Department

Music of Christmas Dawn

World's Tribute to Franz Schubert (pictures)

World Bows in Homage of Franz Schubert: A Graphic Word Picture of the Great Schubert Festival at Vienna

Studio Slogan

Essence of Opera or Almanzor and Imogen, An Opera in Three Acts

How to Play Repeats

Musicians—Painting

Why a Conductor?: Some Hints to the Layman

Teaching the Triads

Style in Singing

Master Themes the World Loves Best

Evolution of Piano Playing and Virtuosity, Part 6

Maintaining Concentration in Practice

Milan, the Shrine of the Opera, Part …