Music Pedagogy Commons^™

2005-2006 Master Class - Jon Nakamatsu (Piano), Jon Nakamatsu, Oliver Salonga, Yang Shen, Amanda Albert, Phillip Kwoka

Master Classes

Jon Nakamatsu Performance (March 14, 2006) - Program

2005-2006 Master Class - Zvi Zeitlin (Violin), Zvi Zeitlin, Tao Lin, Anastasia Agapova, Gareth Johnson, Dmitri Pogorelov, Brandie Phillips

Master Classes

No abstract provided.

Factors That Predict Participation In Choral Music For High-School Students, Dennis James Siebenaler

Research & Issues in Music Education

Why do so few students continue to participate in choral music through high school? How do home influences, peers, prior music experiences and teachers, self-perceptions of ability, and musical experiences outside of school contribute to decisions concerning participation in school music? This study attempted to identify some of the factors and influences that may predict continued participation in choral music for high school students.

The Politics Of Implementing Local Cultures In Music Education In Taiwan, Wai-Chung Ho

Research & Issues in Music Education

Recent studies of the localization and globalization of Taiwan’s music education cannot explain the complicated interplay between localization and the pursuit of local cultures in national development and policy making in the broader society, and in school education in Taiwan between the late 1980s and 2004. Features of localization in Taiwan’s music education include the highlighting of local artists and musical styles such as Taiwanese opera, puppetry shows, and local folk music in the curriculum. More importantly, music education to support the indigenous core values of peace, the beauty of the homeland, and harmony in society and in everyday life …

Notes From The Editor, Bruce Gleason

Research & Issues in Music Education

When I first began developing the idea for this on-line journal, I envisioned a platform that would not only serve as a venue for disseminating quality research within several different research methodologies, but one that would also provide an arena for thoughtful, well informed discourse—substantive articles based on experience through teaching, formal and informal education, and professional dialogue.

The Paradox Of Assessment: Assessment As Paradox, Doug Orzolek

Research & Issues in Music Education

Like many in the field of education, I follow the path of the assessment paradigm with great interest. Through the efforts of “No Child Left Behind” and the many accountability systems put into place in our states and districts, assessment of student learning is on the minds of many. One would only review a listing of presentations at professional development workshops, any educational journal or the editorial pages of your local paper for support of the notion that assessment has become a part of our country’s educational landscape.

Assessment has become inseparable from formal education--and it’s probably here to stay. …

The Occupational Aspirations And Expectations Of Music Education Majors In Mexico, Karendra Devroop, Beatriz Aguilar

Research & Issues in Music Education

The purpose of this study was to investigate the occupational aspirations and expectations of students majoring in music education in Mexico. Participants (N = 83) included the entire population of music education majors enrolled at the National School of Music at the National Autonomous University of Mexico during the 2002 academic year. Questionnaires were administered by one of the researchers, with a return rate of 92%.

The analysis of occupational aspirations and expectations revealed some disparities in the types of occupations subjects preferred and expected. The majority of students indicated they aspired to a combination of occupations however most students …

Volume 20, Various Authors

Journal of Music Theory Pedagogy

No abstract provided.

2005-2006 Master Class - Jeffrey Irvine (Viola), Jeffrey Irvine, Carlos San Isidro, Tiffany Richardson, Wallas Pena, Vadim Makhovskiy

Master Classes

No abstract provided.

2005-2006 Master Class - Yoshikazu Nagai (Piano), Yoshikazu Nagai, Oliver Salonga, Amanda Albert, Michael Anderson

Master Classes

Piano Recital - Yoshikazu Nagai (October 15, 2005) - Program

Reshaping The Fredericksburg City Public Schools Secondary Choral Music Curriculum, Heidi Ribel

Education 590 Projects

As new music educators enter the work force today, many struggle to find instructional resources that align correctly with the National Standards for music. The purpose of my study is to examine the Fredericksburg City Public School’s secondary choral curriculum to see how it aligns with the Virginia Standards of Learning for Music Education. An updated curriculum is an essential teaching resource for all new music educators; however, the Fredericksburg City School System’s music curriculum was last updated in 1985 (Fredericksburg City Public Schools, 1985). Since then, there has been an adoption of National Standards for music (National Standards, 1994) …

2004-2005 Master Class - Jon Nakamatsu (Piano), Jon Nakamatsu, Oliver Salonga, Yi Zhang, Simona Armbruster

Master Classes

Piano Recital - Jon Nakamatsu (March 31, 2005) - Program

Three Violin Sonatas By Twentieth Century Mexican Composers: An Alternative To The Standard Violin Literature With Pedagogical Application, Martha Placeres

Theses and Dissertations - UTB/UTPA

The project "Three Violin Sonatas by Twentieth Century Mexican Composers: an Alternative to the Standard Violin Literature with Pedagogical Application" has as its objectives to introduce violin music by Mexican composers to the community of the Rio Grande Valley, to demonstrate how these works can become part of the standard violin repertoire, and to develop pedagogical strategies for teaching these pieces.

To start this project, it was necessary to choose and incorporate the following composers: Manuel Maria Ponce Cuellar because he is the most known and prolific composer in Mexico and also well-known around the world; Blas Galindo Dimas because …

An Investigation Of Secondary School Students' Self-Reported Reasons For Extracurricular Musical And Athletic Activities, Brian D. Ebie

Research & Issues in Music Education

The purpose of this study was to discover the self-reported reasons for involvement in after-school, extracurricular music and athletic activities of high school students. One hundred-sixty high school students participating in either extracurricular athletic or musical activities served as subjects. Extracurricular activities were defined as un-graded activities offered beyond the regular school day. An open-ended, free response questionnaire was used to determine what personal factors students felt contributed most to their reasons for choosing to participate in extracurricular activities. Questionnaires were analyzed for similarities and differences and responses were coded and categorized. Four distinct categories of subject responses emerged from …

A Survey Of Daily Routines, George Palton

Music Faculty Research

Survey of professional tuba and euphonium players in the United States consisting of current college professors, prominent freelance musicians, and musicians in professional ensembles such as military bands and orchestras.

Effects Of A Remedial Singing Method On The Vocal Pitch Accuracy Of Inaccurate Elementary Singers, Karen A. Miyamoto

Research & Issues in Music Education

A pretest-posttest experimental design was utilized to determine the efficacy of the Yuba Method on inaccurate elementary singers. Testing of pitch accuracy was analyzed using the Sona-Speech Model 3600 software program. Inaccurate singers (N=168) from a population of 320 fourth, fifth, and sixth grade students, were divided into three subgroups and a random sample of subjects was selected to be in a treatment group (N=30) and a control group (N=30). The Yuba Method, which is meant to target training of the cricothyroid muscle utilizing a series of vocal exercises intended to facilitate maneuverability over the vocal register break, was administered …

Notes From The Editor, Bruce Gleason

Research & Issues in Music Education

This third issue of RIME is dedicated to the memory of Dr. Dorothy McDonald who was a professor of music education at the University of Iowa from 1970 when she was hired to teach music at the University of Iowa Laboratory School until 1994 when she was chairing Iowa's music education department. Dorothy died on September 4, 2005 after having been recently diagnosed with cancer. I have fond memories of her as my initial doctoral advisor before her stroke in 1994, and recollect that along with being a fine teacher, writer, researcher, scholar and musician, she was a wonderful human …

Middle School Band Contest Repertoire In Northern Illinois: Analysis And Recommendations, Phillip M. Hash

Research & Issues in Music Education

The purpose of this study was to provide a description and analysis of repertoire performed at middle school band contests in northern Illinois. Repertoire from 10 Illinois Grade School Music Association—Northern Division district level contests were analyzed in relation to the frequency pieces were performed, dates of publication, publishers represented, and the inclusion of titles on recommended music lists. All contests were held in 2003 and included a mix of urban, suburban, and rural schools. Among the contest programs analyzed, 81 concert bands from 72 schools performed a total of 243 compositions.

Results indicated 1) 46.1% of the selections were …

A Study Of The Musical, Academic, Leadership, And Extracurricular Achievement Massachusetts All-State Participants, R. Nicholas Tobin

Research & Issues in Music Education

Researchers have noted that the personal attributes of high school all-state participants have not been probed and have expressed surprise at this void in the music education literature (Cole, 1986; Fuller, 1989; Welker, 1997). The purpose of this study was to ascertain, through participant self-report data, the activities and accomplishments of Massachusetts all-state musicians in four areas of student endeavor: music, academics, leadership, and extracurricular activities. Massachusetts all-state participants are high achievers not only in music but also in academics, honors, student government, leadership, athletics, service, and extracurricular activities. Suggestions for further research include broadening similar studies to other states …

Volume 19, Various Authors

Journal of Music Theory Pedagogy

No abstract provided.

2004-2005 Master Class - Rebecca Penneys (Piano), Rebecca Penneys, Karl Van Richards, Amanda Albert, Oliver Salonga

Master Classes

Rebecca Penneys Piano Recital (October 23, 2004) - Program

2004-2005 Master Class - Aaron Rosand (Violin), Aaron Rosand, Gareth Johnson, Dmitri Pogorelov, Sylvia Kim, Daniel Andai, Tao Lin

Master Classes

No abstract provided.

2004-2005 Master Class - Savely Shalman (Violin), Savely Shalman, Lisa Leonard, Nelli Jabotinsky, Yemi Gonzales, Sylvia Kim, Valentin Mansurov

Master Classes

No abstract provided.

2003-2004 Master Class - Sara David Buechner (Piano), Sara David Buechner, Oliver Salonga, Yi Zhang, Ana Flavia Zuim

Master Classes

No abstract provided.

2003-2004 Master Class - Elmar Oliveira (Violin), Elmar Oliveira, Sylvia Kim, Gareth Johnson, Dmitri Pogorelov, Daniel Andai

Master Classes

No abstract provided.

Notes From The Editor, Bruce Gleason

Research & Issues in Music Education

Along with publishing work of a more traditional vein, one of the goals of RIME is to publish articles that lie somehow outside the parameters of established research—either by research design and approach, or by content and subject matter. I am happy to be presenting the second issue of RIME, and am especially pleased to be publishing four unique articles on diverse aspects of music teaching and learning.

How Composers Compose: In Search Of The Questions, Bernard W. Andrews

Research & Issues in Music Education

The Genesis Project is a multi-phase research project designed for the purpose of developing an in-depth understanding of the nature of musical creativity by investigating how composers compose. In this first phase of the project, an understanding of the four dimensions of musical creativity: 1) the person, 2) the compositional process, 3) the pre-requisite training, emotions and context, and 4) the musical piece itself, provided a theoretical framework for investigating how composers compose new music through expert review. Questions in each of these dimensions were generated from the literature, examined by a panel of composers and educators, and then refined …

K-4 Pre-Service Classroom Teachers' Beliefs About Useful Skills, Understandings And Future Practice In Music, Francine Morin

Research & Issues in Music Education

The purpose of this study was to investigate K-4 pre-service classroom teachers’ beliefs about useful skills, understandings, and future practices in music. Questionnaire (N=74) and interview (N=35) data were gathered from teacher candidates enrolled in music methods courses at a large, western Canadian university. Music skills and understandings such as singing, listening, and integrating music across other subject areas were rated as "most useful," indicating a definite valuing of pedagogical content knowledge over content knowledge like music fundamentals, music history, or playing accompaniment instruments. Future music practices discussed by pre-service teachers were closely aligned to the beliefs they hold about …

Comparing Two Approaches For Teaching Rhythm Reading Skills To First-Grade Children: A Pilot Study, Delores Gauthier, Robert E. Dunn

Research & Issues in Music Education

This pilot study compared two approaches for teaching rhythm reading skills to first-grade children. Two intact first-grade classes participated in six lessons focusing on simple rhythms (4 beats using eighth and quarter notes). The lessons were based on the same musical materials; only the approach was varied. After random assignment, Class 1 experienced the “Subdivision Approach” where the quarter note is the beat, and eighth notes are subdivisions of the beat. Class 2 used the “Additive Approach” where, in this case, the eighth note is the “shortest sound” and a quarter note is the equivalent of two short sounds.

Pre- …

Canons In Harmony, Or Canons In Conflict: A Cultural Perspective On The Curriculum And Pedagogy Of Jazz Improvization, Kenneth E. Prouty

Research & Issues in Music Education

This essay examines how jazz educators construct methods for teaching the art of improvisation in institutionalized jazz studies programs. Unlike previous studies of the processes and philosophies of jazz instruction, I examine such processes from a cultural standpoint, to identify why certain methods might be favored over others. Specifically, jazz education is treated as a fusion of two distinct historical and cultural forces: those of musical academia, and of the jazz community. I argue that methods of teaching improvisation reflect a dual identity, in which these two cultural traditions sometimes exert an uneven influence upon the learning environment. Improvisational curricula, …