Modern Art and Architecture Commons^™

Art Is Dead?: A Criticial Analysis Of Arthur Danto's End Of Art Theory, Laura M. Ginn

Honors Theses

The idea of art as a reductive process is not new within the art world. In 1953, Robert Rauschenberg created the piece "Erased DeKooning" for which he erased a painting by DeKooning and displayed the end product (a blank canvas). The author found herself considering the way in which art has changed over the course of the twentieth century. The 20th century could be viewed as a time in which the main purpose of art was to destroy all artistic conventions and redefine art. Some would say art has come out unfocused and without a purpose. The author explores the …

Program Booklet: 16th Annual James Porter Colloquium, Department Of Art

16th Annual James Porter Colloquium

No abstract provided.

At Home In The City: Urban Domesticity In American Literature And Culture, 1850-1930, Elizabeth Klima

University of New Hampshire Press: Open Access Books

An interdisciplinary study of urban literature and domestic architecture in the United States from 1850-1930. With chapters on the hotel, Central Park, tenement houses, and apartment buildings, At Home in the City juxtaposes literary criticism with a history of the built environment to show the inception of American modernity. Works treated include: The Blithedale Romance by Nathaniel Hawthorne, Ruth Hall by Fanny Fern, The Bostonians by Henry James, How the Other Half Lives by Jacob Riis, Sister Carrie by Theodore Dreiser, The Custom of the Country by Edith Wharton, Charlotte Perkins Gilman's feminist urban utopias, and Nella Larsen's Quicksand.

Art Walk Map & Works On Loan, Gallery Of Contemporary Art

Sacred Heart University Art Collection

Photos and descriptions of some of the outdoor sculptures on display on the campus of Sacred Heart University and a map of the locations of these and other works of art.

The Role Of The Artist At The Beginning Of The Twenty-First Century: An Exploration Of Dialectical Processes In Art And Science With Particular Reference To Biologically Based Art, Judith D. Roche

Theses: Doctorates and Masters

This thesis examines the role of the artist at the beginning of the twenty-first century. It focuses on the interaction between art and science in an exploration of the dialectical processes that may occur in that interaction. Researchers have recently developed techniques in stem cell technology and genetic modification that offer remarkable potential and bring possible advantages and disadvantages for scientists and the wider community. In response to these new technologies, scientists and artists have developed collaborative projects and, in some instances, artists have moved from the studio to the science laboratory to create work called sci-art, bio-art, or moistmedia. …

The New Deal In Art: The Fine Arts Project And The Evolution Of Abstract Expressionism, Sarah Coon Stoops

Institute for the Humanities Theses

The formation of the Works Progress Administration (WPA) as part of Roosevelt's New Deal, in conjunction with the Depression and World War II, can be credited with changing the face of international art of the twentieth century. The majority of the artists who were later to be known as Abstract Expressionists participated in the Fine Arts Project (FAP) branch of the WPA in New York throughout the 1930s. This government support of the artists gave them a chance to commit to painting as a career, and their painting styles evolved drastically during this time. Through this support, the connections that …

Program Booklet: 14th Annual James Porter Colloquium, Department Of Art

14th Annual James Porter Colloquium

No abstract provided.

The Influence Of Retention Intervals And Warning Signals On Prospective Memory, Michael Andrew Sarapata

All-Inclusive List of Electronic Theses and Dissertations

Prospective memory, memory for future events, is used for remembering duties and obligations that all people must complete. Past research has contributed to our understanding of the bases of prospective memory tasks (time versus event) and the kinds of situations requiring prospective memory (appointments, chores, deadlines, and medications). However, research has yet to examine how prospective remembering unfolds over time. For example, very little is known about how such remembering is affected by the time from when the task is encoded to the time that a task must be conducted (the retention interval), the length of the time in which …

Program Booklet: 12th Annual James Porter Colloquium, Department Of Art

12th Annual James Porter Colloquium

No abstract provided.

Program Booklet: 11th Annual James Porter Colloquium, Department Of Art

11th Annual James Porter Colloquium

No abstract provided.

Machian Epistemology And Its Part In František Kupka's Painterly Cognition Of Reality, John G. Hatch

Visual Arts Publications

A consensus has emerged amongst art historians that portrays the work the Czech painter, František Kupka (1871-1957), as fluctuating between differing styles and never resolving itself into one straightforward and single-minded direction beyond abstraction. Visually this is true, but for Kupka the visual was secondary in that it plays a subsidiary role to the process involved in the creation of the work itself. A failure to properly understand this process has resulted in an inaccurate reading of Kupka's art, essentially missing the point that his paintings embody in their imagery the cognitive process involved in their creation. Significantly, as I …

Architecture And Theosophy. Kpc De Bazel And Jlm Lauweriks, Susan R. Henderson

School of Architecture - All Scholarship

This article is about the architects KPC de Bazel (1869-1923) and JLM Lauweriks (1864-1932) and the development of their architectural practice in light of their theosophical beliefs. It discusses the theosophical group active in Amsterdam around the journals Architektura et Amicitia and Wendingen. It discusses Lauweriks work in Hagen, and his academic career at the Dusseldorf Academy. It begins with a more general introduction to Theosophy

Redefining The Art Experience : From Static To Temporal Art Forms, Justine Mcknight

Theses: Doctorates and Masters

This research examines an approach to art making and viewing that questions the acceptance of the autonomous object in favour of a transient experience. It focuses specifically on work and writing from the 1960s by the American artist Robert Morris that attempted to alter the then predominant Formalist understanding of the art object as autonomous and self-referential. This investigation follows the formal and conceptual development of Morris' work (and that of associated artists Richard Serra and Rafael Ferrer) with particular focus on the shift from static objects to time-based and transient an-forms including film/video and installation. I address the influence …

Nature's Laws And The Changing Image Of Reality In Art And Physics: A Study Of The Impact Of Modern Physics On The Visual Arts, 1910-1940, John George Hatch

Visual Arts Publications

No abstract provided.

The Problem Of Artists As Professionals In Germany, Mcclelland

History Faculty Publications

The social history of art, or more precisely, the social history of artists, has until fairly recently been an abused stepchild of both art history and "mainstream" history. Yet historians have at their disposal from the nineteenth century on increasingly rich material on both individual and collective artistic life. These sources have not been fully exploited.

The Appropriation Of Nietzschean Thought By Donald Kuspit In The Critic Is Artist: The Intentionality Of Art And The Existential Activist Painter: The Example Of Leon Golub, Frederic S. Bayersdorfer

Institute for the Humanities Theses

The prolific scholar and art critic, Donald Kuspit has frequently cited the works of Friedrich Nietzsche as a means to elucidate his art critical theories. This paper is an investigation of these citations in two of his most important works, The Critic is Artist: The Intentionality of Art, published in 1984, and The Existential Activist Painter: The Example of Leon Golub, published in 1986. In each of these two works many citations revolve around two Nietzschean concepts, the will to power and ressentiment. This paper first explores the relevance of using the philosophical work of Nietzsche as a point of …

Florine Stettheimer: A Re-Appraisal Of The Artist In Context, Melissa (Liles) Parris

Theses and Dissertations

Florine Stettheimer was an independent painter and eminent "art hostess" among the avant-garde in New York City during the years between the World Wars. In 1916, Stettheimer rather suddenly affected a naive or unschooled style that did not fit within any academic or vanguard movement. This new style, what I have termed conscious naiveté, can be considered the genesis of Stettheimer's mature works. Contemporaneous critical appraisals after the shift in style undervalued the inventive modernity of her work and unfairly “feminized” her style.

On Malls, Museums, And The Art World: Postmodernism And The Vicissitudes Of Consumer Culture, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

The New School Of Wood Engraving, Edward A. Gokey

The Courier

This article traces the history of modern wood engraving, including the argument in the art world that took place regarding whether wood engraving could be considered "art" in the first place. As the art form gained popularity with print publishers due to its convenience and beauty, internal debates took place about which direction the art form should take, especially within the "New School" of wood engraving that had emerged. Research for the article was aided by Syracuse University's Special Collections.

Spatiality In Ulysses And Cubism, Lingchei Chen

English Theses & Dissertations

The paper is a study of James Joyce's Ulysses and Cubism in modern art. Both forms, as the paper presents, use similar techniques to establish multidimensionality in the work of art. In a spatial novel like Ulysses, because of its techniques, the reader is allowed to experience exactly what the characters experience as Joyce presents every aspect of the Dublin life simultaneously. A Cubist painting does the same. As the Cubist painter captures every side of the object and simultaneously presents these different views on the canvas, the spectator is therefore able to apprehend the object from every possible angle, …

Entropy And Dialectic: The Signatures Of Robert Smithson, Gary Shapiro

Philosophy Faculty Publications

It has been the fate of a number of twentieth-century artists that the stronger their attacks on the history and traditions of art, the more joy is taken by the guardians of that history and tradition in demonstrating that their work and thought can be incorporated within it. This can be illustrated briefly by juxtaposing Robert Smithson's apparently radical rejections of art history, humanism, biologism and formalism, with some recent attempts to recuperate his work for a tradition. Smithson, you will recall, sought alternatives to museum culture in a series of actual and projected works that aim at effecting a …

Deborah Waite's Review Of Jehanne Teilhet-Fisk's Paradise Reviewed: An Interpretation Of Gauguin's Polynesian Symbolism, Deborah Waite

Pacific Studies

No abstract provided.

A Brief Survey Of Architectural Holdings At The Syracuse University Libraries, Werner Seligmann

The Courier

This article gives a brief look at the various holdings regarding modern architecture located at Syracuse University. Among special note are the Lescaze papers, which the rest of this Courier issue examines in detail.

Dissident Artists' Associations Of Germany 1892-1912, Mary Jo Eberspacher

Masters Theses

With the end of the Franco-Prussian War on January 18, 1871, the German Empire under the leadership of the Hohenzollern king, William of Prussia, was proclaimed in the Hall of Mirrors at Versailles. Now Emperor Wilhelm I, Otto von Bismarck, his chancellor, and their staff as federal executives of the Empire possessed important legislative and economic powers. However, the individual states retained rights in some areas such as: education, health services, police protection and some powers of taxation, and in some instances, there was a distrust of the newly organized federal institutions. Consequently, this states' rights concept seemed to have …

Post Object Art And Sociological Influences On The Internal Processes Of Art Making, Steve Havens

Masters Theses

The purpose of this thesis is to discuss how external sociological factors inevitably have a profound effect on current art.

Much great art has been created against the flow of what is critically "popular" or "fashionable," but as these external factors become more prominent so the art work produced inevitably suffers.

The exhibition of Frank Stella's black and aluminum paintings at the turn of the 60's, in my own opinion, provided something of a landmark in the history of art. These works, in all their stark, flat, geometric nakedness denied both "form" and "content." They bare no illusions, no mythology, …

The Photograph And Superrealism, Christopher Stokes

Masters Theses

In 1968 an exhibition entitled "Realism Now" was held at Vassar College under the direction of Linda Nochlin, a noted art historian and professor at the school. The exhibition sought to present a cross-view of recent American painting in the realistic mode. Included in the catalog were twenty-five artists including Jack Beal, Robert Bechtle, Richard Estes, Alex Katz, Alfred Leslie, Malcom Morely and Philip Pearlstein, as well as many other artists who, at the time, were relatively unknown. The exhibition generated a great deal of attention, not only because of its recognition of contemporary representational painting as an influential movement, …

Cezanne, The Unknowing Father Of Modern Art, David Thomas

Masters Theses

In this paper, Cezanne's life and work are discussed with emphasis on his influence on the Modern Movement in Art. Questions are raised concerning the interpretation of his work both by art historians and artists. This, in turn, casts doubt on some of the premises of Modernism. It is important to realize that Cezanne had a great respect for the art of the old masters and, had he lived, would probably have been abhorred by modernist developments.

To understand Cezanne's complex attitude, his background is extensively dealt with in a biographical section. His relationship with the realist novelist Emile Zola …

The European Diary Of Fred And Lillian Lear, Patricia Newman

The Courier

This article describes the journals and sketches of Frederick and Lillian Lear, now housed in Syracuse University Special Collections. The couple toured Europe just a few years before the dawn of World War I. Frederick, an architecture professor at Syracuse University, critiqued the style of European art and architecture of the time, while Lillian offered interesting observations of Eueopean culture.

Objectivity And New Realist Painting, Jacky Palman

Masters Theses

This thesis describes the methods of New Realist painting ( also known as Sharp-Focus Realism, Photo-Realism, Super Realism and Hyper-Realism ) and its philosophy of objectivity behind the photographic approach and the choice of subject-matter. It also points out that this aim for total objectivity is ultimately unattainable.

A definition of New Realism in painting follows in Chapter One, which also deals with the factors separating it from other photographically realistic styles - the primary distinction being the constant striving of New Realism for complete objectivity.

Chapter Two deals with the influences responsible for the emergence of New Realism. Pop …

The Inevitability Of Abstract Expressionism In America, Brenda Hawtin

Masters Theses

Although a non-figurative, non-realistic art had been invented and developed in Europe during the early part of the Twentieth century, it was inevitable, due to innumerable circumstances, that abstract art should culminate in its absolute expression in America, in the form of Abstract Expressionism, during the 1940's.

The combination of these events - large scale works being executed, the awareness of the innovational developement of European art, the changing attitudes from Americans who had experienced other cultures - put American artists at the point where they were ready to invent their own new style of painting. The large abstract paintings …