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Articles 1 - 30 of 43
Full-Text Articles in Modern Art and Architecture
Jadughar: The House Of Magic, Dhruvi A. Shah
Jadughar: The House Of Magic, Dhruvi A. Shah
Masters Theses
Jadughar or the House of Magic is what people call a 'museum' in parts of South Asia. The practice of museum making, at its origin, is the act of collecting, preserving, interpreting and representing a culture’s tangible and intangible heritage to make it accessible to diverse audiences. Since the early 19th century such practices have been performed at various kala bhandars (art centers) in India, without the need of a formal or institutional organisation. The British introduced the model of a ‘museum’ in South Asia, with the aim of not only preserving ethnographic collections, but also showcasing their power and …
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert
Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert
Theses and Dissertations
This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.
Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray
Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray
Journal of Humanities and Social Sciences
The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …
The Idea Of Ethiopia: Heritage Tourism In The Land Of Origins, Hosaena T. Tilahun
The Idea Of Ethiopia: Heritage Tourism In The Land Of Origins, Hosaena T. Tilahun
Geography Undergraduate Senior Theses
Hosaena Tilahun's "The Idea of Ethiopia" explores how heritage tourism in Addis Ababa cultivates Ethiopian patriotism and exceptionalism. Through an in-depth, close reading of the National Museum of Ethiopia, Unity Park, and the Oromo Cultural Center, supplemented by observations at the Red Terror Memorial Museum and Dergue Prison, Tilahun examines how heritage sites shape the political memory of national resistance, revolution, and Black internationalist thought. Tilahun discovers omissions of Menelik II's role in the Red Sea Slave network, encountering museum and archival silences about the internal conquest of peoples peripheral to the northern Abyssinian empire. As these heritage site renovations …
Pedro Aceves Mfa Thesis, Pedro M. Aceves
Pedro Aceves Mfa Thesis, Pedro M. Aceves
Electronic Theses, Projects, and Dissertations
My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.
Theopoetics Prothesis: An Exploration In Faith And Form, Elise Aleman, Elise Aleman
Theopoetics Prothesis: An Exploration In Faith And Form, Elise Aleman, Elise Aleman
College of Graduate Studies: Theses & Dissertations
My work is rooted in the biblical definition of faith: “Now faith is the assurance of things hoped for, the conviction of things not seen” (Hebrews 11:1). Like the Bible’s layered complexity—its patterns, metaphors, and cultural references—faith is not merely intellectual but an active trust in what is unseen. It transcends knowledge, anchoring itself in conviction and hope. This intersection of theology and lived experience is at the core of my practice.
Theopoetics—a framework that fuses theology and artistic expression—shapes my approach, allowing faith to be embodied through form rather than merely explained. Two seemingly distinct bodies of work—one centered …
Body As Instrument: Crafting A Spatial Representational Language For The Dancer's Body, Avery Boland
Body As Instrument: Crafting A Spatial Representational Language For The Dancer's Body, Avery Boland
Architecture Undergraduate Honors Theses
This project explored the intersection of dance and architecture using choreography, photography, and architectural principles through the development and application of a graphic notation system. Focused on the works of modern dance pioneer Martha Graham and photographer Barbara Morgan, the study tested the representation of the body in space through the use of Graham's choreography as captured by Morgan.
The results of the study demonstrated the effectiveness of the representational language in capturing the spatial dynamics of the human body in Martha Graham's choreography through the notation of “frame” and “plane”. Through a comparative analysis of the selected dances, the …
Queerform/Ing, Matthew Solon-Lee Weimer
Queerform/Ing, Matthew Solon-Lee Weimer
Art Theses and Dissertations
My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …
Ripe Spoils, Yan Cynthia Chen
Ripe Spoils, Yan Cynthia Chen
Theses and Dissertations
Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.
Chinese-English Dictionary Enable Select Search …
A.R. Futuristic Scenario In Seun, Yookyung Lee
A.R. Futuristic Scenario In Seun, Yookyung Lee
Masters Theses
Due to social distancing policies during the coronavirus pandemic, people have increasingly turned to digital platforms to fulfill what they previously enjoyed in face-to-face interactions. The high demand for virtual world services, called “metaverses,” has sparked discussions about the possibility of completely replacing the real world, which has raised questions about the role of architects in dealing with physical spaces. However, it is widely believed that digital elements will merge into the real world instead of completely replacing it, which makes augmented reality (AR) a key technology to study in the context of architecture.
In “Learning from Las Vegas,” Robert …
Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980, Andrew Cappetta
Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980, Andrew Cappetta
Dissertations, Theses, and Capstone Projects
“Pop/Art: The Birth of Underground Music and the British Art School, 1960-1980” argues that the British art school became a training ground for underground musicians in the 1960s and the 1970s because of changes in art school pedagogy and policy in the post-war period. New educational philosophies propagated during the late 1950s and 1960s, above all Basic Design and Behaviorism, redefined the artist as an intermedial experimenter, collapsed distinctions between fine art and design, and theorized the art object as a dynamic and interactive matrix between the maker and viewer. These initiatives, which evolved from art school reforms that began …
Re-Imagining Design For Affordable Housing In Mexico, Kenza Fernandez Dominguez
Re-Imagining Design For Affordable Housing In Mexico, Kenza Fernandez Dominguez
Scripps Senior Theses
Since the presidency of Enrique Peña Nieto, affordable housing developments in Mexico have been produced in a massive, unsustainable scale. The speed at which these developments are produced equates to the carelessness that goes into their planning. At large, the developments’ monotonous design is aesthetically dehumanizing and fails to promote a sense of community. These developments lack basic infrastructure, and their residents have abandoned them, which has incentivized increased criminal activity.
In this paper, I will be looking at successful models of affordable housing globally, exploring the histories of communal living, and function of architectural collages. Based on my findings, …
Art And Empathy: Self Discovery In A Dark Forest, Younser Lee
Art And Empathy: Self Discovery In A Dark Forest, Younser Lee
Graduate School of Art Theses
According to the National Institute of Mental Health, 40 million people report feelings of depression, anxiety, and stress as the world moves at an increasingly rapid pace and faces unprecedented challenges. However, many ignore these negative thoughts and fail to acknowledge them as a serious issue. My art, which shares my own experiences, creates safe, cathartic places for viewers to think about their own emotional experiences. Crucial to this process is my use of daily objects and the creation of individualized, participatory, and multisensory experiences.
My art relates to daily life and the negative emotions that we experience daily. I …
Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, Silvia Sampaio De Alencar
Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, Silvia Sampaio De Alencar
Theses and Dissertations
The works of Silvia Gruner (born 1959) illustrate the use of time registers as strategies to express contemporary subjectivity’s experiences with globalized environments between 1986-2014. Through this approach, the artist connects her production to the social politics of Mexico to critique the effects of globalization on Mexican society and culture.
The Last Prisoners Of War: How Nazi-Looted Art Is Displayed In U.S. Museums, Monica May Thompson
The Last Prisoners Of War: How Nazi-Looted Art Is Displayed In U.S. Museums, Monica May Thompson
Geifman Prize in Holocaust Studies
How art museums approach NLA is important today because much of the public relies on museums for their education. NLA cases are especially controversial because they are not only legal battles, but ethical ones so museums have to be extra careful approaching them. Even if the museum has won the legal battle the public may not see them as winning the ethical one therefore they might want to avoid displaying this information to the public. However, as we can see with the previous websites, it actually looks worse for museums not to be open and honest about their NLA pieces …
The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox
The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox
Dissertations, Theses, and Capstone Projects
Alvin Lucier’s I am sitting in a room (1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is problematic for two reasons: 1) The meaning that is derived from the piece often hinges not just on what sounds are obtained, but on how they are obtained. 2) Over the past 50 years, changes in the performance practice have altered what constitutes the work: magnetic tape was used until 2000 when it was replaced …
Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green
Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green
Dissertations, Theses, and Capstone Projects
Histories of “primitivism” in the avant-garde show that Euro-American modernism was always engaged in the appropriation of nonwestern and Indigenous art, with particular interest in Northwest Coast Native art forms by the Surrealists, Abstract Expressionists, and Indian Space Painters. However, there has been little consideration for how Northwest Coast Native artists chose to engage with the styles and tenets of Western modern art. To date, the history of post-war Northwest Coast Native art has been dominated by what is known as the Renaissance, a narrative in which artists pursued a neo-traditional style in modern times through the recovered and revival …
Foster Rhodes Jackson And The Visual Conquest Of The West, Eve Kaufman
Foster Rhodes Jackson And The Visual Conquest Of The West, Eve Kaufman
Scripps Senior Theses
Colonizers settled the Los Angeles and the Southern California region in part by using Modernism’s visual rhetoric and propagandic implications during the time of suburban sprawl. Suburban sprawl refers to the mass single family home development which took place from the 1920[1]s until now but peaked from the 1970s to the 1990s. Los Angeles sprawl grew particularly in the 1950[2]s as soldiers returned from WWII. It was a way for middle class white families to accrue generational wealth and follow through on the American Dream[3].
The primary result however disenfranchised already marginalized groups. This …
Saving Software And Using Emulation To Reproduce Computationally Dependent Research Results, Euan Cochrane, Limor Peer, Ethan Gates, Seth Anderson
Saving Software And Using Emulation To Reproduce Computationally Dependent Research Results, Euan Cochrane, Limor Peer, Ethan Gates, Seth Anderson
Yale Day of Data
Using digital data necessarily involves software. How do institutions think about software in the context of the long-term usability of their data assets? How do they address usability challenges uniquely posed by software such as, license restrictions, legacy software, code rot, and dependencies? These questions are germane to the agenda set forth by the FAIR principles. At Yale University, a team in the Library is looking into the application of a novel approach to emulation as a potential solution. In this presentation, we will outline the work of the Emulation as a Service Infrastructure (EaaSI) program, discuss our plans for …
Walkowitz, Abraham, Collection, 1925-2002, Special Collections, Leonard H. Axe Library, Abraham Walkowitz
Walkowitz, Abraham, Collection, 1925-2002, Special Collections, Leonard H. Axe Library, Abraham Walkowitz
Finding Aids
A collection of research materials, newspaper clippings, photographs, publications, and correspondence of American Modernist artist, Abraham Walkowitz. Abraham Walkowitz was born March 28, 1878, in Tyumen, Russia and died January 27, 1965, in New York City. In 1889, at the age 11, Walkowitz emigrated to America with his widowed mother and three sisters. By 1894 he began attending art classes at the Cooper Union and the Educational Alliance, both in New York City. It was not until 1898 that Walkowitz decided to pursue art as a profession, enrolling at the National Academy of Design and the Art Students League, also …
Book Review: Palaces For The People: How Social Infrastructure Can Help Fight Inequality, Polarization, And The Decline Of Civic Life, Eric Klinenberg, Georgia Westbrook
Book Review: Palaces For The People: How Social Infrastructure Can Help Fight Inequality, Polarization, And The Decline Of Civic Life, Eric Klinenberg, Georgia Westbrook
School of Information Student Research Journal
No abstract provided.
Enmesh: The Art Of Trauma And Recovery, Joanna Pottle
Enmesh: The Art Of Trauma And Recovery, Joanna Pottle
Senior Honors Projects, 2010-2019
Liminal Space is an artistic installation within the ongoing, interdisciplinary creative/research project "Enmesh: The Art of Trauma and Recovery.” Utilizing a combination of research methods, creative processes, and cultural inspirations, this project asks the following questions: how can the artistic process (this project serving as a preliminary case study) parallel various modes of recovery and healing? How can this objective be visually communicated through a mixed media approach of drawing, painting, and printmaking and how can this approach be an effective tool of communication? What can we conclude from both modes of work (solitarily or collectively)? How do they accomplish …
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo
Dissertations, Theses, and Capstone Projects
This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …
Between The Cracks: From Squatting To Tactical Media Art In The Netherlands, 1979–1993, Amanda S. Wasielewski
Between The Cracks: From Squatting To Tactical Media Art In The Netherlands, 1979–1993, Amanda S. Wasielewski
Dissertations, Theses, and Capstone Projects
In the early 1980s, Amsterdam was a battleground. During this time, conflicts between squatters, property owners, and the police frequently escalated into full-scale riots. Although the practice of squatting was legally protected in the Netherlands, the formation of a social movement around squatting in the mid- to late ’70s brought about a turbulent period exacerbated by economic hardship and widespread youth unemployment. Those active in the squatters’ movement sought to carve out new spaces in the fabric of the city, guided by anarchist politics and a desire for autonomy. These cracks, or temporary autonomous zones, in the established order created …
Reworking The White-Masculine Ideal, Steven H. Gonzalez
Reworking The White-Masculine Ideal, Steven H. Gonzalez
Art Theses and Dissertations
This text functions as an exploration of self through artistic practice, a designated space for reflection on contemporary Queer experience. In looking specifically at the permeation of the idealized-white-masculine figure as found within Western visual culture, social media and gay pornography become isolated as sites where these figures are commonly found. This line of inquiry defines how the ideal is reified through these differing digital platforms and the social implications the homogenized male form has on raced individuals. In addition to determining the image of the perfect masculine physique through research, this text expands on how its' imaged representation becomes …
Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper
Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper
Theses and Dissertations
This paper explores artists' engagement with popular music at the interdisciplinary alternative space, the Kitchen, from 1971 to 1985. It seeks a critical language to challenge institutional frameworks to account for the creative output of artists' bands and the relationship between parallel and hybrid popular music and avant-garde performance practices.
Enacting The Glastonbury Pilgrimage Through Communitas And Aural/Visual Culture, Kathryn R. Barush
Enacting The Glastonbury Pilgrimage Through Communitas And Aural/Visual Culture, Kathryn R. Barush
International Journal of Religious Tourism and Pilgrimage
The sacred sites of Glastonbury in Somerset, England have long been places of pilgrimage, connected to the legend of the journey of Joseph of Arimathea to the British Isles, and have fired the imagination from the Middle Ages to today - inspiring the Arthurian legends, folk-stories and song, and visual representations. In response to the question ‘What is Pilgrimage,’ this essay seeks to explore the conjunction of artistic representations and geographic journeys to and among the ancient topography and mysterious structures of Glastonbury, with a particular focus on how sacred travel, and especially an experience of communitas, can be engendered …
The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead
The Work Of Living Art, Empathy, And The Creation Of An Aesthetics Of Perception In The Early Twentieth Century, Sarah Peil Winstead
Architecture Undergraduate Honors Theses
Adolphe Appia (1862-1928), theorist and pioneering voice of the New Stagecraft Movement in twentieth century theatre, was a transformative influence on the history of scenic design. This paper looks at the links between Appia’s theories in theatre scenic design and contemporaneous German aesthetic theory. At the time German theorists like Adolf Hildebrand and August Schmarsow developed an aesthetic theory, Einfülung or empathy theory, based on the connection between the human body and perception. I will argue this theory influenced not only Appia and his contemporaries it also shaped the landscape of mid-century theatre design. Appia’s own theories revolved around three …
In-Between: The Spaces Of Modernity, Elisa Fabris Valenti
In-Between: The Spaces Of Modernity, Elisa Fabris Valenti
LSU Master's Theses
During the past three years as a graduate student, I have experienced loneliness. Having recently emigrated from Italy, I have often asked myself why I am experiencing such hard times adjusting to a different country. My thesis explores this question. Referring to Marc Augé’s idea of non-place, I have chosen a geographical and spatial starting point to approach my work. Italian cities are built around the central piazza where social, political, and economic life revolves. In my thesis, I depict American spaces that lack specific location and create solitude within the urban corridors. Private feelings, such as loneliness, are paradoxes …
What The Walls Say: Finding Meaning And Value In Tel Aviv’S Street Art, Rachel R. Bird
What The Walls Say: Finding Meaning And Value In Tel Aviv’S Street Art, Rachel R. Bird
Honors Theses
This thesis explores street art in Tel Aviv, Israel through anthropological concepts of value. By defining street art as an interstitial practice—one that exists between permeable, socially defined boundaries and is characterized differently by different power structures—I attempt to define some of the different regimes of value that apply to street art. Using the emerging market of “street art tours” as a fieldwork site, I look at how street art is presented and re-presented to both tourists and locals. By situating my research in a historical and geographic context, I hope to understand the ways different value schema, from economic …