Modern Art and Architecture Commons^™

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

The Mystical Kitchen: Feminist Magic And Alchemical Transformation In The Work Of Lenora Carrington, Theresa Burwell

Theses

This thesis analyzes the inherent feminism in alchemical and magical symbolism, particularly in representations of kitchens in the art and writing of Leonora Carrington. The kitchen has historically been viewed as a gendered space for domestic work. By subverting cultural and religious conventions, Carrington’s kitchen becomes a site for transmutation and feminine ritual. Using feminist discourse, formal art historical analysis, and the history of alchemical symbolism, this thesis asserts that Carrington’s imagery transforms the kitchen from an oppressive domestic space to a mystical laboratory of feminine power. A thorough analysis of Grandmother Moorhead’s Aromatic Kitchen (1975) and The House Opposite …

The Representation Of Indonesian National Identity In Syuhada Mosque, Kotabaru, Yogyakarta, Muthia Zahri Mardhiyah, Ali Akbar

International Review of Humanities Studies

This article examines the concept of national identity as embodied by the Syuhada Mosque, located in Kotabaru, Yogyakarta. Completed in 1952, the mosque was established as a monument to the independence of the Republic of Indonesia. This research addresses whether Syuhada Mosque genuinely represents national identity. The study aims to describe the architectural form of Syuhada Mosque and elucidate the representations of national identity embedded within its structure. The research methodology aligns with the framework proposed by Sharer and Ashmore, encompassing formulation, implementation, data collection, data processing, analysis, interpretation, and publication. Based on its historical background, the foundational ideas and …

Beyond Suprematism: Carpenter Ii And The Reimagining Of The Peasant In Malevich's Late Work, Elizabeth Leslie Lancaster

Theses

Every artistic creation is influenced by the dynamics of its origins and the specific intentions of both the artist and the audience to interact with it in a particular way. In abstract art, human elements may be less apparent than in representational art, where recognizable imagery can be more readily linked to the cultural backdrop of its time. Kazimir Malevich’s body of work can superficially be divided into representational pieces and non-objective works. However, a more nuanced interpretation of his oeuvre is warranted. This is particularly relevant to Malevich’s enduring engagement with the peasant motif and the layers of influence …

The Idea Of Ethiopia: Heritage Tourism In The Land Of Origins, Hosaena T. Tilahun

Geography Undergraduate Senior Theses

Hosaena Tilahun's "The Idea of Ethiopia" explores how heritage tourism in Addis Ababa cultivates Ethiopian patriotism and exceptionalism. Through an in-depth, close reading of the National Museum of Ethiopia, Unity Park, and the Oromo Cultural Center, supplemented by observations at the Red Terror Memorial Museum and Dergue Prison, Tilahun examines how heritage sites shape the political memory of national resistance, revolution, and Black internationalist thought. Tilahun discovers omissions of Menelik II's role in the Red Sea Slave network, encountering museum and archival silences about the internal conquest of peoples peripheral to the northern Abyssinian empire. As these heritage site renovations …

Objects Against Convention: An Objective Study Of Claude Cahun's Overlooked Works, Zuzu Longstreth

University Honors Theses

The French artist and writer Claude Cahun (1894-1954) is best known for her early self-portraiture. These photographs take place in theatrical spaces and witness the artist donning costumes and masks, playing out different identifiers and gender roles. Beginning with the discovery of Cahun's work in the 1990s, the scholarly conversation has focused entirely on the artists early work based on a perceived kinship with postmodern notions of identity. While this early body of work is fascinating, attention to it has been singular, shaping how the rest of Cahun's work is understood. To trouble this one-dimensional view of Cahun as an …

Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker

LSU Master's Theses

This thesis analyzes the stylistic and conceptual qualities of American genre and landscape painting from the antebellum period and how these qualities acted in service to establishing white nationalism before the Civil War. The intricate and calculated system of typing in genre painting presented carefully crafted idealizations of quintessential Americans, defined by their whiteness and maleness. Landscape painters of the early- to mid-nineteenth century endowed their compositions with a sense of wondrous opportunity which justified and upheld westward expansion under Manifest Destiny. At the intersection of genre and landscape practices sits plantation paintings—specifically house portraits—in which the plantation serves as …

Entropy And Incarnation In The Duchamp Room: An Inquiry Into Aesthetic Time, Jesse Goodman

Electronic Theses and Dissertations

This thesis investigates the posthumous installation of Marcel Duchamp, Étant donnés, as a test case for how particularly historically situated artworks may or may not change over time. It begins with an overview of Duchamp’s biography, and his own theories of art’s relationship to temporality (which influenced the piece’s construction). It then moves through contrasting accounts of aesthetic time from Adorno and Robert Smithson. Section two works with Walter Benjamin’s writing on photography and aura to produce an account of estrangement between the piece and the viewing subject induced by the historical development of the artwork’s “translation” and “replication”—through …

Tears, Blood, And Milk: Frida Kahlo's Depictions Of Maternity, Jenny Mushkin Goldman

Theses and Dissertations

This thesis analyzes Frida Kahlo’s representations of miscarriage, childbirth, and breastfeeding as departures from idealized portrayals of womanhood in post-revolutionary Mexico. Drawing on Catholic and Mesoamerican imagery, Kahlo reframes the maternal body as a site of resistance, engaging mexicanidad (Mexicanness) to counter its patriarchal constructions of national identity and gender.

Reconstructing Art And Evidence: Forensic Architecture In Institutional Settings, Makenzie Smith

University Scholar Projects

Forensic Architecture (FA) is a London-based multidisciplinary research collective and human rights agency that uses digital modeling, architectural and spatial analysis, and open-sourced images to investigate and present visual evidence of human rights violations committed by state governments, militaries, and corporations. The team of architects, software developers, filmmakers, investigative journalists, scientists, and lawyers, collaborates with civil society groups, witnesses, and victims to establish a counternarrative in the service of human rights and social justice, exhibiting their investigations in institutional settings as varied as legal courts and parliamentary tribunals, citizen assemblies, mass media, universities, and art museums. My research focuses on …

Movement On The Ladder: The Lesbian Avant-Garde In America., Sarah Melloy

Electronic Theses and Dissertations

This project examines the role of the periodical magazine in artistic production of avant-garde ideology, focusing on the ability of print as a medium to distribute poetry, art, literature and discourse of the avant-garde in an underground manner. More specifically, it places the earliest American lesbian periodical, The Ladder, in conversation with the surrealist magazine, Minotaure and the New York Dadaist magazine, Blind Man in order to examine the overlaps in how each publication functioned within their respective movements. I use this positioning to argue that The Ladder is as worthy of scholarly attention as the Surrealist and Dadaist …

Reconstructing Art And Evidence: Forensic Architecture In Institutional Settings, Makenzie Smith

Honors Scholar Theses

Forensic Architecture (FA) is a London-based multidisciplinary research collective and human rights agency that uses digital modeling, architectural and spatial analysis, and open-sourced images to investigate and present visual evidence of human rights violations committed by state governments, militaries, and corporations. The team of architects, software developers, filmmakers, investigative journalists, scientists, and lawyers, collaborates with civil society groups, witnesses, and victims to establish a counternarrative in the service of human rights and social justice, exhibiting their investigations in institutional settings as varied as legal courts and parliamentary tribunals, citizen assemblies, mass media, universities, and art museums. My research focuses on …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

Painting The Other: Mary Cassatt's Spanish Portraits And The Feminine Gaze, Delaney Batter

Undergraduate Theses in Art History

The historical viewing of women artists, in conjunction with Mary Cassatt’s biography and later depictions of women and children, suggests that Cassatt's gender is identified within the art historical canon as an essential component to the interpretation of her work. The language attached to Cassatt's work is most often taken from discourses surrounding female-produced artwork of the nineteenth century, attaching passive and stereotypically feminine attributes like 'delicate,' 'light,' and 'tender' to the style, composition, and subjects of her works. These characteristics were among the accepted nineteenth-century descriptions of artworks, with inherent femininity translating to inherent domesticity.

Rather than further reducing …

3rd Place Contest Entry: Clement Hurd And The Artistic Integrity Of Illustrated Children's Books, Cassandra Chan

Kevin and Tam Ross Undergraduate Research Prize

This is Cassandra Chan' submission for the 2025 Kevin and Tam Ross Undergraduate Research Prize, which won third place. It contains their essay on using library resources, their bibliography, and a sample of their research project on the work of illustrator Clement Hurd.

Cassandra is a fourth-year student at Chapman University, majoring in Art History. Their faculty mentor is Dr. Justin Walsh.

Female Photographers’ Practices And Markets: A Three-Part Case Study, Emma Howard

MA Theses

This thesis explores the intertwined histories of artistic legacy, cultural impact, and market reception of female photographers, who have often been decentered in art history and overshadowed by male contemporaries. While photography has historically been more inclusive to women than other art forms, women photographers have nonetheless faced marginalization in the canon of photography history and the art market. Building on efforts to reclaim and elevate the contributions of women photographers, this research integrates art historical and market analyses to provide a holistic understanding of their careers and legacies. Through detailed case studies, this thesis examines the artistic practices, biographical …

Modern Mother: Abby Aldrich Rockefeller And The Visionary Women Who Founded The Museum Of Modern Art, Sophie Dowling

MA Theses

This thesis analyzes the role that women played in founding The Museum of Modern Art (MoMA) in 1929 during an era in which the prevailing attitude toward modern art in America was one of bewilderment and derision. MoMA was founded by three women: Lillie Plummer Bliss, Abby Aldrich Rockefeller and Mary Quinn Sullivan. At a time when their male counterparts were more focused on collecting Renaissance and Old Master paintings, French decorative arts, Chinese porcelain and medieval tapestries, these women chose to collect modern art. Avant-garde art, which was shown en masse to the American public in 1913 at the …

Crafting Cultural Power: Artistic Interventions As Tools For Political Organizing Among Los Angeles Street Vendors, Corina M. Silverstein

Scripps Senior Theses

This thesis focuses on the intersections of collaborative and artistic interventions (such as collective songwriting and poetry) within the ongoing fight to legalize and decriminalize street vending in Los Angeles. Through the close partnership with Community Power Collective (CPC), this thesis analyzes the use of narrative in artistic collaborations and oral traditions throughout the political mobilization of street vendors in Los Angeles. Through an interdisciplinary approach, this investigation explores the use of early influences of street theater, to collective songwriting workshops, as well as artistic collaborations with local artists. Ultimately, suggesting CPC’s use of artistic practices and collaborations are essential …

Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses, Bryan P. Martin

Dissertations and Theses

This thesis explores the intersection of disability studies and art history, addressing the underrepresentation of disability in scholarship, especially concerning medical sociology and caretaking. Focusing on two early-twentieth-century self-taught American artists, Hazel Knapp (1908–95), who fell into obscurity, and Anna Mary Robertson Moses (1860–1961), best known as Grandma Moses, this is a comparative analysis of how disability influenced their artistic practices and shaped their divergent career outcomes. Knapp was born with Charcot-Marie-Tooth disease, a neurodegenerative disorder, and fell into obscurity due to a lack of support for her condition, but experienced a promising start to her career that included patronage …

Remedios Varo: Peregrinaciones, Julia Condes

Honors Undergraduate Theses

At the time of her death, the artist Remedios Varo (1908–1963) left behind over 500 works of art, the majority of which were created in her adopted country of Mexico. Known for her meticulously crafted fantastical paintings, Varo underwent exile and displacement due to first the Spanish Civil War, and later World War II, which led her to relocate to Mexico, where she would create prolifically for the remainder of her life. This paper will examine the effect of those experiences on the artist and the work she produced, attesting to Varo’s ability to translate complex emotions regarding the human …

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …

Minoru’S Mecca: The World Trade Center, 9/11, And The End Of Architectural Modernism, Henry D. Senters

Anthós

From 1966 until 2001, the World Trade Center complex and its skyscraper Twin Towers were a defining architectural feature of New York City and a landmark in architectural modernism. Minoru Yamasaki, the project’s architect, intended the massive complex to be a “mecca” that drew in and inspired urban workers, exemplifying the Islamic architectural language that he incorporated into his architecture. In this article, Senters examines how architectural criticism evolved while the towers stood and after they were destroyed in the 9/11 terrorist attack. Tracking early reviews, hopeful about the complex’s trade-promoting purpose, and the perennial—though limited—negative reception of the complex’s …

The Tyrant King Of The Auction House: The Disastrous “Fine Artification” Of The Dinosaur, Amelia C. Kolstad

Anthós

This article examines how fine art auctioneers market dinosaur fossils as art pieces to wealthy collectors, depriving the paleontological field of specimens for scientific research. Drawing from recent examples of fossils sold at fine art auctions, this article notes how rising auction prices for specimens as ‘art’ prevent museums and research institutions from acquiring specimens for research and restoration. Kolstad concludes that the art auction houses’ marketing of fossils as art is detrimental to paleontological research. To protect fossils and their scientific value, Kolstad proposes alternatives, such as selling replicas to collectors and highlighting the importance of original specimens for …

Theopoetics Prothesis: An Exploration In Faith And Form, Elise Aleman, Elise Aleman

College of Graduate Studies: Theses & Dissertations

My work is rooted in the biblical definition of faith: “Now faith is the assurance of things hoped for, the conviction of things not seen” (Hebrews 11:1). Like the Bible’s layered complexity—its patterns, metaphors, and cultural references—faith is not merely intellectual but an active trust in what is unseen. It transcends knowledge, anchoring itself in conviction and hope. This intersection of theology and lived experience is at the core of my practice.

Theopoetics—a framework that fuses theology and artistic expression—shapes my approach, allowing faith to be embodied through form rather than merely explained. Two seemingly distinct bodies of work—one centered …